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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8B5E it is the complementary color #2374A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8B5E shade: #E18B59, #F29D6C, #FFAF7F, #FFC192 and #FFD3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8B5E shade: #DC8B5E, #CB794B, #BA6738, #A95525 and #984312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8B5E shade: #DC8C60, #DC6A60 and #DC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8B5E shade: #DC8C60, #DCAD60, #DCCF60, #C7DC60 and #A6DC60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8B5E shade matches the following richer shades: #DC8C60, #EB8750 and #FB8340

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8B5E shade: #DC8C60, #CC906F, #BC957F, #AD998F and #9D9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8B5E shade: #DC6076, #DC6A60, #DC8B60, #DCAC60 and #DCCD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8B5E shade: #BF5F2A, #D4733E, #DC8C60, #E3A481 and #EABDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8B5E shade: #DC8B5E, #97DC60 and #6066DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8B5E shade: #DC8B5E, #60DC8B and #8B60DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8B5E shade: #DC8B5E, #97DC60, #60B0DC and #A460DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8B5E shade: #DC8B5E, #72DC60, #60B0DC and #C960DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 57 / 14

HEX #DC8B5E

RGB 220 139 94

HSL 21.43, 0.64%, 0.62%

LAB 65.35, 26.44, 36.74

 

Complementary color

CMYK 78 / 28 / 0 / 37

HEX #2374A1

RGB 35 116 161

HSL 201.43, 0.64%, 0.38%

LAB 46.21, -8.08, -31.03

 

CMYK 0 / 38 / 60 / 12

HEX #E18B59

RGB 225 139 89

HSL 22.06, 0.69%, 0.62%

LAB 65.9, 28.09, 40.2

 

CMYK 0 / 35 / 55 / 5

HEX #F29D6C

RGB 242 157 108

HSL 21.94, 0.84%, 0.69%

LAB 72.28, 26.8, 38.54

 

CMYK 0 / 31 / 50 / 0

HEX #FFAF7F

RGB 255 175 127

HSL 22.5, 1%, 0.75%

LAB 78.14, 24.09, 36.33

 

CMYK 0 / 24 / 43 / 0

HEX #FFC192

RGB 255 193 146

HSL 25.87, 1%, 0.79%

LAB 82.63, 16.49, 32.27

 

CMYK 0 / 17 / 35 / 0

HEX #FFD3A5

RGB 255 211 165

HSL 30.67, 1%, 0.82%

LAB 87.27, 9.22, 28.58

 

CMYK 0 / 37 / 57 / 14

HEX #DC8B5E

RGB 220 139 94

HSL 21.43, 0.64%, 0.62%

LAB 65.35, 26.44, 36.74

 

CMYK 0 / 40 / 63 / 20

HEX #CB794B

RGB 203 121 75

HSL 21.56, 0.55%, 0.55%

LAB 58.86, 27.8, 38.48

 

CMYK 0 / 45 / 70 / 27

HEX #BA6738

RGB 186 103 56

HSL 21.69, 0.54%, 0.47%

LAB 52.31, 29.34, 40.33

 

CMYK 0 / 50 / 78 / 34

HEX #A95525

RGB 169 85 37

HSL 21.82, 0.64%, 0.4%

LAB 45.72, 31.07, 42.19

 

CMYK 0 / 56 / 88 / 40

HEX #984312

RGB 152 67 18

HSL 21.94, 0.79%, 0.33%

LAB 39.13, 32.97, 43.63

 

CMYK 0 / 36 / 56 / 14

HEX #DC8C60

RGB 220 140 96

HSL 21.29, 0.64%, 0.62%

LAB 65.61, 26.06, 35.99

 

CMYK 0 / 52 / 56 / 14

HEX #DC6A60

RGB 220 106 96

HSL 4.84, 0.64%, 0.62%

LAB 58.38, 43.73, 26.78

 

CMYK 0 / 56 / 56 / 14

HEX #DC6060

RGB 220 96 96

HSL 0, 0.64%, 0.62%

LAB 56.51, 48.57, 24.33

 

CMYK 0 / 36 / 56 / 14

HEX #DC8C60

RGB 220 140 96

HSL 21.29, 0.64%, 0.62%

LAB 65.61, 26.06, 35.99

 

CMYK 0 / 21 / 56 / 14

HEX #DCAD60

RGB 220 173 96

HSL 37.26, 0.64%, 0.62%

LAB 73.51, 8.35, 45.63

 

CMYK 0 / 6 / 56 / 14

HEX #DCCF60

RGB 220 207 96

HSL 53.71, 0.64%, 0.62%

LAB 82.21, -9.36, 55.76

 

CMYK 10 / 0 / 56 / 14

HEX #C7DC60

RGB 199 220 96

HSL 70.16, 0.64%, 0.62%

LAB 84.06, -24.29, 57.41

 

CMYK 25 / 0 / 56 / 14

HEX #A6DC60

RGB 166 220 96

HSL 86.13, 0.64%, 0.62%

LAB 81.91, -36.93, 54.4

 

CMYK 0 / 36 / 56 / 14

HEX #DC8C60

RGB 220 140 96

HSL 21.29, 0.64%, 0.62%

LAB 65.61, 26.06, 35.99

 

CMYK 0 / 43 / 66 / 8

HEX #EB8750

RGB 235 135 80

HSL 21.29, 0.79%, 0.62%

LAB 66.19, 33.61, 45.51

 

CMYK 0 / 48 / 75 / 2

HEX #FB8340

RGB 251 131 64

HSL 21.5, 0.96%, 0.62%

LAB 67.36, 41.13, 55.21

 

CMYK 0 / 36 / 56 / 14

HEX #DC8C60

RGB 220 140 96

HSL 21.29, 0.64%, 0.62%

LAB 65.61, 26.06, 35.99

 

CMYK 0 / 29 / 46 / 20

HEX #CC906F

RGB 204 144 111

HSL 21.29, 0.48%, 0.62%

LAB 64.91, 18.77, 26.57

 

CMYK 0 / 21 / 32 / 26

HEX #BC957F

RGB 188 149 127

HSL 21.64, 0.31%, 0.62%

LAB 64.74, 11.45, 17.19

 

CMYK 0 / 12 / 17 / 32

HEX #AD998F

RGB 173 153 143

HSL 20, 0.15%, 0.62%

LAB 64.68, 5.7, 7.95

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 0 / 56 / 46 / 14

HEX #DC6076

RGB 220 96 118

HSL 349.35, 0.64%, 0.62%

LAB 56.97, 50.46, 12.13

 

CMYK 0 / 52 / 56 / 14

HEX #DC6A60

RGB 220 106 96

HSL 4.84, 0.64%, 0.62%

LAB 58.38, 43.73, 26.78

 

CMYK 0 / 37 / 56 / 14

HEX #DC8B60

RGB 220 139 96

HSL 20.81, 0.64%, 0.62%

LAB 65.38, 26.59, 35.7

 

CMYK 0 / 22 / 56 / 14

HEX #DCAC60

RGB 220 172 96

HSL 36.77, 0.64%, 0.62%

LAB 73.26, 8.89, 45.33

 

CMYK 0 / 7 / 56 / 14

HEX #DCCD60

RGB 220 205 96

HSL 52.74, 0.64%, 0.62%

LAB 81.69, -8.34, 55.16

 

CMYK 0 / 50 / 78 / 25

HEX #BF5F2A

RGB 191 95 42

HSL 21.34, 0.64%, 0.46%

LAB 51.18, 34.97, 46.33

 

CMYK 0 / 46 / 71 / 17

HEX #D4733E

RGB 212 115 62

HSL 21.2, 0.64%, 0.54%

LAB 58.61, 33.88, 45.24

 

CMYK 0 / 36 / 56 / 14

HEX #DC8C60

RGB 220 140 96

HSL 21.29, 0.64%, 0.62%

LAB 65.61, 26.06, 35.99

 

CMYK 0 / 28 / 43 / 11

HEX #E3A481

RGB 227 164 129

HSL 21.43, 0.64%, 0.7%

LAB 72.54, 19.05, 27.36

 

CMYK 0 / 19 / 30 / 8

HEX #EABDA3

RGB 234 189 163

HSL 21.97, 0.63%, 0.78%

LAB 79.92, 12.47, 19.25

 

CMYK 0 / 37 / 57 / 14

HEX #DC8B5E

RGB 220 139 94

HSL 21.43, 0.64%, 0.62%

LAB 65.35, 26.44, 36.74

 

CMYK 31 / 0 / 56 / 14

HEX #97DC60

RGB 151 220 96

HSL 93.39, 0.64%, 0.62%

LAB 81.08, -42.29, 53.22

 

CMYK 56 / 54 / 0 / 14

HEX #6066DC

RGB 96 102 220

HSL 237.1, 0.64%, 0.62%

LAB 48.46, 31.44, -61.35

 

CMYK 0 / 37 / 57 / 14

HEX #DC8B5E

RGB 220 139 94

HSL 21.43, 0.64%, 0.62%

LAB 65.35, 26.44, 36.74

 

CMYK 56 / 0 / 37 / 14

HEX #60DC8B

RGB 96 220 139

HSL 140.81, 0.64%, 0.62%

LAB 79.35, -52.34, 29.65

 

CMYK 37 / 56 / 0 / 14

HEX #8B60DC

RGB 139 96 220

HSL 260.81, 0.64%, 0.62%

LAB 50.71, 44.14, -57.53

 

CMYK 0 / 37 / 57 / 14

HEX #DC8B5E

RGB 220 139 94

HSL 21.43, 0.64%, 0.62%

LAB 65.35, 26.44, 36.74

 

CMYK 31 / 0 / 56 / 14

HEX #97DC60

RGB 151 220 96

HSL 93.39, 0.64%, 0.62%

LAB 81.08, -42.29, 53.22

 

CMYK 56 / 20 / 0 / 14

HEX #60B0DC

RGB 96 176 220

HSL 201.29, 0.64%, 0.62%

LAB 68.54, -12.01, -29.63

 

CMYK 25 / 56 / 0 / 14

HEX #A460DC

RGB 164 96 220

HSL 272.9, 0.64%, 0.62%

LAB 53.41, 50.13, -53.05

 

CMYK 0 / 37 / 57 / 14

HEX #DC8B5E

RGB 220 139 94

HSL 21.43, 0.64%, 0.62%

LAB 65.35, 26.44, 36.74

 

CMYK 48 / 0 / 56 / 14

HEX #72DC60

RGB 114 220 96

HSL 111.29, 0.64%, 0.62%

LAB 79.39, -54, 50.83

 

CMYK 56 / 20 / 0 / 14

HEX #60B0DC

RGB 96 176 220

HSL 201.29, 0.64%, 0.62%

LAB 68.54, -12.01, -29.63

 

CMYK 9 / 56 / 0 / 14

HEX #C960DC

RGB 201 96 220

HSL 290.81, 0.64%, 0.62%

LAB 57.99, 59.45, -45.49

 

Description

Color code: HEX #DC8B5E | qconv.com Color code: HEX #DC8B5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 139 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 139 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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