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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8925 it is the complementary color #2376DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8925 shade: #E18920, #F29B33, #FFAD46, #FFBF59 and #FFD16C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8925 shade: #DC8925, #CB7712, #BA6500, #A95300 and #984100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8925 shade: #DB8824, #DB5724, #DB2524 and #DB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8925 shade: #DB8824, #DBBA24, #CCDB24, #9ADB24 and #69DB24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8925 shade matches the following richer shades: #DB8824 and #F08A0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8925 shade: #DB8824, #C78638, #B2844D, #9D8262 and #898076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8925 shade: #DB2424, #DB5524, #DB8624, #DBB724 and #CFDB24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8925 shade: #945C18, #B8721E, #DB8824, #E19B47 and #E7AF6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8925 shade: #DC8925, #55DB24 and #3C24DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8925 shade: #DC8925, #24DB86 and #8624DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8925 shade: #DC8925, #55DB24, #2479DB and #AA24DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8925 shade: #DC8925, #24DB2A, #2479DB and #DB24D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 83 / 14

HEX #DC8925

RGB 220 137 37

HSL 32.79, 0.72%, 0.5%

LAB 64.36, 24.53, 61.93

 

Complementary color

CMYK 84 / 46 / 0 / 15

HEX #2376DA

RGB 35 118 218

HSL 212.79, 0.72%, 0.5%

LAB 49.95, 12.27, -57.94

 

CMYK 0 / 39 / 86 / 12

HEX #E18920

RGB 225 137 32

HSL 32.64, 0.76%, 0.5%

LAB 64.97, 26.51, 64.31

 

CMYK 0 / 36 / 79 / 5

HEX #F29B33

RGB 242 155 51

HSL 32.67, 0.88%, 0.57%

LAB 71.25, 24.65, 64.07

 

CMYK 0 / 32 / 73 / 0

HEX #FFAD46

RGB 255 173 70

HSL 33.41, 1%, 0.64%

LAB 77.03, 21.35, 62.6

 

CMYK 0 / 25 / 65 / 0

HEX #FFBF59

RGB 255 191 89

HSL 36.87, 1%, 0.67%

LAB 81.42, 12.94, 58.95

 

CMYK 0 / 18 / 58 / 0

HEX #FFD16C

RGB 255 209 108

HSL 41.22, 1%, 0.71%

LAB 85.98, 4.87, 55.38

 

CMYK 0 / 38 / 83 / 14

HEX #DC8925

RGB 220 137 37

HSL 32.79, 0.72%, 0.5%

LAB 64.36, 24.53, 61.93

 

CMYK 0 / 41 / 91 / 20

HEX #CB7712

RGB 203 119 18

HSL 32.76, 0.84%, 0.43%

LAB 57.97, 26.55, 61.47

 

CMYK 0 / 46 / 100 / 27

HEX #BA6500

RGB 186 101 0

HSL 32.58, 1%, 0.36%

LAB 51.55, 28.79, 59.63

 

CMYK 0 / 51 / 100 / 34

HEX #A95300

RGB 169 83 0

HSL 29.47, 1%, 0.33%

LAB 45.11, 31.26, 54.45

 

CMYK 0 / 57 / 100 / 40

HEX #984100

RGB 152 65 0

HSL 25.66, 1%, 0.3%

LAB 38.65, 33.68, 49.27

 

CMYK 0 / 38 / 84 / 14

HEX #DB8824

RGB 219 136 36

HSL 32.79, 0.72%, 0.5%

LAB 64, 24.62, 61.91

 

CMYK 0 / 60 / 84 / 14

HEX #DB5724

RGB 219 87 36

HSL 16.72, 0.72%, 0.5%

LAB 54.03, 49.35, 53.27

 

CMYK 0 / 83 / 84 / 14

HEX #DB2524

RGB 219 37 36

HSL 0.33, 0.72%, 0.5%

LAB 47.64, 66.86, 47.59

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 38 / 84 / 14

HEX #DB8824

RGB 219 136 36

HSL 32.79, 0.72%, 0.5%

LAB 64, 24.62, 61.91

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 7 / 0 / 84 / 14

HEX #CCDB24

RGB 204 219 36

HSL 64.92, 0.72%, 0.5%

LAB 83.77, -24.94, 78.07

 

CMYK 30 / 0 / 84 / 14

HEX #9ADB24

RGB 154 219 36

HSL 81.31, 0.72%, 0.5%

LAB 80.55, -44.69, 74.04

 

CMYK 52 / 0 / 84 / 14

HEX #69DB24

RGB 105 219 36

HSL 97.38, 0.72%, 0.5%

LAB 78.34, -60.72, 71.25

 

CMYK 0 / 38 / 84 / 14

HEX #DB8824

RGB 219 136 36

HSL 32.79, 0.72%, 0.5%

LAB 64, 24.62, 61.91

 

CMYK 0 / 43 / 94 / 6

HEX #F08A0F

RGB 240 138 15

HSL 32.8, 0.88%, 0.5%

LAB 67.08, 31.92, 70.84

 

CMYK 0 / 38 / 84 / 14

HEX #DB8824

RGB 219 136 36

HSL 32.79, 0.72%, 0.5%

LAB 64, 24.62, 61.91

 

CMYK 0 / 33 / 72 / 22

HEX #C78638

RGB 199 134 56

HSL 32.73, 0.56%, 0.5%

LAB 61.2, 17.92, 50.39

 

CMYK 0 / 26 / 57 / 30

HEX #B2844D

RGB 178 132 77

HSL 32.67, 0.4%, 0.5%

LAB 58.51, 11.33, 36.28

 

CMYK 0 / 17 / 38 / 38

HEX #9D8262

RGB 157 130 98

HSL 32.54, 0.23%, 0.5%

LAB 56.1, 5.64, 21.2

 

CMYK 0 / 7 / 14 / 46

HEX #898076

RGB 137 128 118

HSL 31.58, 0.07%, 0.5%

LAB 54.1, 1.59, 6.65

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 61 / 84 / 14

HEX #DB5524

RGB 219 85 36

HSL 16.07, 0.72%, 0.5%

LAB 53.69, 50.25, 52.97

 

CMYK 0 / 39 / 84 / 14

HEX #DB8624

RGB 219 134 36

HSL 32.13, 0.72%, 0.5%

LAB 63.54, 25.69, 61.51

 

CMYK 0 / 16 / 84 / 14

HEX #DBB724

RGB 219 183 36

HSL 48.2, 0.72%, 0.5%

LAB 75.49, -0.45, 71.63

 

CMYK 5 / 0 / 84 / 14

HEX #CFDB24

RGB 207 219 36

HSL 63.93, 0.72%, 0.5%

LAB 83.99, -23.7, 78.35

 

CMYK 0 / 38 / 84 / 42

HEX #945C18

RGB 148 92 24

HSL 32.9, 0.72%, 0.34%

LAB 44.26, 17.53, 45.46

 

CMYK 0 / 38 / 84 / 28

HEX #B8721E

RGB 184 114 30

HSL 32.73, 0.72%, 0.42%

LAB 54.36, 21.36, 53.93

 

CMYK 0 / 38 / 84 / 14

HEX #DB8824

RGB 219 136 36

HSL 32.79, 0.72%, 0.5%

LAB 64, 24.62, 61.91

 

CMYK 0 / 31 / 68 / 12

HEX #E19B47

RGB 225 155 71

HSL 32.73, 0.72%, 0.58%

LAB 69.4, 18.41, 53.12

 

CMYK 0 / 24 / 54 / 9

HEX #E7AF6B

RGB 231 175 107

HSL 32.9, 0.72%, 0.66%

LAB 75.27, 12.73, 42.5

 

CMYK 0 / 38 / 83 / 14

HEX #DC8925

RGB 220 137 37

HSL 32.79, 0.72%, 0.5%

LAB 64.36, 24.53, 61.93

 

CMYK 61 / 0 / 84 / 14

HEX #55DB24

RGB 85 219 36

HSL 103.93, 0.72%, 0.5%

LAB 77.71, -65.79, 70.45

 

CMYK 73 / 84 / 0 / 14

HEX #3C24DB

RGB 60 36 219

HSL 247.87, 0.72%, 0.5%

LAB 32.56, 62.56, -86.92

 

CMYK 0 / 38 / 83 / 14

HEX #DC8925

RGB 220 137 37

HSL 32.79, 0.72%, 0.5%

LAB 64.36, 24.53, 61.93

 

CMYK 84 / 0 / 39 / 14

HEX #24DB86

RGB 36 219 134

HSL 152.13, 0.72%, 0.5%

LAB 77.73, -62.22, 29.84

 

CMYK 39 / 84 / 0 / 14

HEX #8624DB

RGB 134 36 219

HSL 272.13, 0.72%, 0.5%

LAB 40.32, 69.94, -73.85

 

CMYK 0 / 38 / 83 / 14

HEX #DC8925

RGB 220 137 37

HSL 32.79, 0.72%, 0.5%

LAB 64.36, 24.53, 61.93

 

CMYK 61 / 0 / 84 / 14

HEX #55DB24

RGB 85 219 36

HSL 103.93, 0.72%, 0.5%

LAB 77.71, -65.79, 70.45

 

CMYK 84 / 45 / 0 / 14

HEX #2479DB

RGB 36 121 219

HSL 212.13, 0.72%, 0.5%

LAB 50.88, 10.85, -57.01

 

CMYK 22 / 84 / 0 / 14

HEX #AA24DB

RGB 170 36 219

HSL 283.93, 0.72%, 0.5%

LAB 45.53, 75.21, -65.14

 

CMYK 0 / 38 / 83 / 14

HEX #DC8925

RGB 220 137 37

HSL 32.79, 0.72%, 0.5%

LAB 64.36, 24.53, 61.93

 

CMYK 84 / 0 / 81 / 14

HEX #24DB2A

RGB 36 219 42

HSL 121.97, 0.72%, 0.5%

LAB 76.8, -73.47, 67.77

 

CMYK 84 / 45 / 0 / 14

HEX #2479DB

RGB 36 121 219

HSL 212.13, 0.72%, 0.5%

LAB 50.88, 10.85, -57.01

 

CMYK 0 / 84 / 3 / 14

HEX #DB24D5

RGB 219 36 213

HSL 301.97, 0.72%, 0.5%

LAB 53.09, 82.61, -49.13

 

Description

Color code: HEX #DC8925 | qconv.com Color code: HEX #DC8925 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 137 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 137 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 83 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 83% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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