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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC832B it is the complementary color #237CD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC832B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC832B shade: #E18326, #F29539, #FFA74C, #FFB95F and #FFCB72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC832B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC832B shade: #DC832B, #CB7118, #BA5F05, #A94D00 and #983B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC832B shade: #DD842C, #DD552C and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC832B shade: #DD842C, #DDB42C, #D6DD2C, #A7DD2C and #77DD2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC832B shade matches the following richer shades: #DD842C and #F18419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC832B shade: #DD842C, #C98440, #B58454, #A18468 and #8E857C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC832B shade: #DD2C35, #DD532C, #DD822C, #DDB12C and #DADD2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC832B shade: #9D5B1A, #C1701F, #DD842C, #E39950 and #E8AE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC832B shade: #DC832B, #64DD2C and #3B2CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC832B shade: #DC832B, #2CDD82 and #822CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC832B shade: #DC832B, #64DD2C, #2C88DD and #A52CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC832B shade: #DC832B, #2FDD2C, #2C88DD and #DA2CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 80 / 14

HEX #DC832B

RGB 220 131 43

HSL 29.83, 0.72%, 0.52%

LAB 63.03, 27.91, 58.57

 

Complementary color

CMYK 83 / 42 / 0 / 17

HEX #237CD4

RGB 35 124 212

HSL 209.83, 0.72%, 0.48%

LAB 51.3, 6.25, -52.38

 

CMYK 0 / 42 / 83 / 12

HEX #E18326

RGB 225 131 38

HSL 29.84, 0.76%, 0.52%

LAB 63.66, 29.84, 61.23

 

CMYK 0 / 38 / 76 / 5

HEX #F29539

RGB 242 149 57

HSL 29.84, 0.88%, 0.59%

LAB 69.94, 28.02, 60.46

 

CMYK 0 / 35 / 70 / 0

HEX #FFA74C

RGB 255 167 76

HSL 30.5, 1%, 0.65%

LAB 75.71, 24.76, 58.63

 

CMYK 0 / 27 / 63 / 0

HEX #FFB95F

RGB 255 185 95

HSL 33.75, 1%, 0.69%

LAB 80.06, 16.43, 54.66

 

CMYK 0 / 20 / 55 / 0

HEX #FFCB72

RGB 255 203 114

HSL 37.87, 1%, 0.72%

LAB 84.58, 8.41, 50.88

 

CMYK 0 / 40 / 80 / 14

HEX #DC832B

RGB 220 131 43

HSL 29.83, 0.72%, 0.52%

LAB 63.03, 27.91, 58.57

 

CMYK 0 / 44 / 88 / 20

HEX #CB7118

RGB 203 113 24

HSL 29.83, 0.79%, 0.45%

LAB 56.66, 29.88, 58.84

 

CMYK 0 / 49 / 97 / 27

HEX #BA5F05

RGB 186 95 5

HSL 29.83, 0.95%, 0.37%

LAB 50.26, 32.05, 57.73

 

CMYK 0 / 54 / 100 / 34

HEX #A94D00

RGB 169 77 0

HSL 27.34, 1%, 0.33%

LAB 43.86, 34.41, 53.71

 

CMYK 0 / 61 / 100 / 40

HEX #983B00

RGB 152 59 0

HSL 23.29, 1%, 0.3%

LAB 37.49, 36.7, 48.63

 

CMYK 0 / 40 / 80 / 13

HEX #DD842C

RGB 221 132 44

HSL 29.83, 0.72%, 0.52%

LAB 63.39, 27.83, 58.55

 

CMYK 0 / 62 / 80 / 13

HEX #DD552C

RGB 221 85 44

HSL 13.9, 0.72%, 0.52%

LAB 54.08, 51.19, 49.82

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 40 / 80 / 13

HEX #DD842C

RGB 221 132 44

HSL 29.83, 0.72%, 0.52%

LAB 63.39, 27.83, 58.55

 

CMYK 0 / 19 / 80 / 13

HEX #DDB42C

RGB 221 180 44

HSL 46.1, 0.72%, 0.52%

LAB 74.95, 2.23, 68.95

 

CMYK 3 / 0 / 80 / 13

HEX #D6DD2C

RGB 214 221 44

HSL 62.37, 0.72%, 0.52%

LAB 85.09, -21.52, 77.59

 

CMYK 24 / 0 / 80 / 13

HEX #A7DD2C

RGB 167 221 44

HSL 78.31, 0.72%, 0.52%

LAB 81.9, -40.39, 73.55

 

CMYK 46 / 0 / 80 / 13

HEX #77DD2C

RGB 119 221 44

HSL 94.58, 0.72%, 0.52%

LAB 79.51, -57.02, 70.49

 

CMYK 0 / 40 / 80 / 13

HEX #DD842C

RGB 221 132 44

HSL 29.83, 0.72%, 0.52%

LAB 63.39, 27.83, 58.55

 

CMYK 0 / 45 / 90 / 5

HEX #F18419

RGB 241 132 25

HSL 29.72, 0.89%, 0.52%

LAB 65.96, 35.56, 67.96

 

CMYK 0 / 40 / 80 / 13

HEX #DD842C

RGB 221 132 44

HSL 29.83, 0.72%, 0.52%

LAB 63.39, 27.83, 58.55

 

CMYK 0 / 34 / 68 / 21

HEX #C98440

RGB 201 132 64

HSL 29.78, 0.56%, 0.52%

LAB 61.04, 20.3, 46.51

 

CMYK 0 / 27 / 54 / 29

HEX #B58454

RGB 181 132 84

HSL 29.69, 0.4%, 0.52%

LAB 58.94, 13.22, 33.14

 

CMYK 0 / 18 / 35 / 37

HEX #A18468

RGB 161 132 104

HSL 29.47, 0.23%, 0.52%

LAB 57.15, 6.95, 19.29

 

CMYK 0 / 6 / 13 / 44

HEX #8E857C

RGB 142 133 124

HSL 30, 0.07%, 0.52%

LAB 56.07, 1.75, 6.06

 

CMYK 0 / 80 / 76 / 13

HEX #DD2C35

RGB 221 44 53

HSL 356.95, 0.72%, 0.52%

LAB 48.8, 66.21, 39.72

 

CMYK 0 / 62 / 80 / 13

HEX #DD532C

RGB 221 83 44

HSL 13.22, 0.72%, 0.52%

LAB 53.75, 52.07, 49.51

 

CMYK 0 / 41 / 80 / 13

HEX #DD822C

RGB 221 130 44

HSL 29.15, 0.72%, 0.52%

LAB 62.94, 28.89, 58.14

 

CMYK 0 / 20 / 80 / 13

HEX #DDB12C

RGB 221 177 44

HSL 45.08, 0.72%, 0.52%

LAB 74.19, 3.81, 68.28

 

CMYK 1 / 0 / 80 / 13

HEX #DADD2C

RGB 218 221 44

HSL 61.02, 0.72%, 0.52%

LAB 85.4, -19.86, 77.98

 

CMYK 0 / 42 / 83 / 38

HEX #9D5B1A

RGB 157 91 26

HSL 29.77, 0.72%, 0.36%

LAB 45.26, 22.21, 46.02

 

CMYK 0 / 42 / 84 / 24

HEX #C1701F

RGB 193 112 31

HSL 30, 0.72%, 0.44%

LAB 55.1, 26.37, 54.67

 

CMYK 0 / 40 / 80 / 13

HEX #DD842C

RGB 221 132 44

HSL 29.83, 0.72%, 0.52%

LAB 63.39, 27.83, 58.55

 

CMYK 0 / 33 / 65 / 11

HEX #E39950

RGB 227 153 80

HSL 29.8, 0.72%, 0.6%

LAB 69.25, 20.84, 48.74

 

CMYK 0 / 25 / 50 / 9

HEX #E8AE73

RGB 232 174 115

HSL 30.26, 0.72%, 0.68%

LAB 75.24, 14.36, 38.38

 

CMYK 0 / 40 / 80 / 14

HEX #DC832B

RGB 220 131 43

HSL 29.83, 0.72%, 0.52%

LAB 63.03, 27.91, 58.57

 

CMYK 55 / 0 / 80 / 13

HEX #64DD2C

RGB 100 221 44

HSL 101.02, 0.72%, 0.52%

LAB 78.81, -62.42, 69.6

 

CMYK 73 / 80 / 0 / 13

HEX #3B2CDD

RGB 59 44 221

HSL 245.08, 0.72%, 0.52%

LAB 33.88, 59.66, -85.88

 

CMYK 0 / 40 / 80 / 14

HEX #DC832B

RGB 220 131 43

HSL 29.83, 0.72%, 0.52%

LAB 63.03, 27.91, 58.57

 

CMYK 80 / 0 / 41 / 13

HEX #2CDD82

RGB 44 221 130

HSL 149.15, 0.72%, 0.52%

LAB 78.38, -62.92, 32.75

 

CMYK 41 / 80 / 0 / 13

HEX #822CDD

RGB 130 44 221

HSL 269.15, 0.72%, 0.52%

LAB 40.84, 67.27, -74.16

 

CMYK 0 / 40 / 80 / 14

HEX #DC832B

RGB 220 131 43

HSL 29.83, 0.72%, 0.52%

LAB 63.03, 27.91, 58.57

 

CMYK 55 / 0 / 80 / 13

HEX #64DD2C

RGB 100 221 44

HSL 101.02, 0.72%, 0.52%

LAB 78.81, -62.42, 69.6

 

CMYK 80 / 38 / 0 / 13

HEX #2C88DD

RGB 44 136 221

HSL 208.81, 0.72%, 0.52%

LAB 55.45, 3.14, -50.83

 

CMYK 25 / 80 / 0 / 13

HEX #A52CDD

RGB 165 44 221

HSL 281.02, 0.72%, 0.52%

LAB 45.66, 72.62, -66.09

 

CMYK 0 / 40 / 80 / 14

HEX #DC832B

RGB 220 131 43

HSL 29.83, 0.72%, 0.52%

LAB 63.03, 27.91, 58.57

 

CMYK 79 / 0 / 80 / 13

HEX #2FDD2C

RGB 47 221 44

HSL 118.98, 0.72%, 0.52%

LAB 77.58, -72.72, 68

 

CMYK 80 / 38 / 0 / 13

HEX #2C88DD

RGB 44 136 221

HSL 208.81, 0.72%, 0.52%

LAB 55.45, 3.14, -50.83

 

CMYK 1 / 80 / 0 / 13

HEX #DA2CDD

RGB 218 44 221

HSL 298.98, 0.72%, 0.52%

LAB 53.95, 81.93, -52.32

 

Description

Color code: HEX #DC832B | qconv.com Color code: HEX #DC832B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 131 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 131 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 80% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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