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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8177 it is the complementary color #237E88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8177 shade: #E18172, #F29385, #FFA598, #FFB7AB and #FFC9BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8177 shade: #DC8177, #CB6F64, #BA5D51, #A94B3E and #98392B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8177 shade: #DB7F75 and #DB7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8177 shade: #DB7F75, #DB9B75, #DBB675, #DBD275 and #C9DB75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8177 shade matches the following richer shades: #DB7F75, #E97467 and #F86959

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8177 shade: #DB7F75, #CD8B83, #BF9691, #B1A19F and #A3ACAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8177 shade: #DB75A3, #DB7588, #DB7E75, #DB9975 and #DBB475

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8177 shade: #CA4334, #D36154, #DB7F75, #E49E96 and #ECBCB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8177 shade: #DC8177, #BEDB75 and #7596DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8177 shade: #DC8177, #75DB7E and #7E75DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8177 shade: #DC8177, #BEDB75, #75D3DB and #9275DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8177 shade: #DC8177, #A0DB75, #75D3DB and #B175DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 46 / 14

HEX #DC8177

RGB 220 129 119

HSL 5.94, 0.59%, 0.66%

LAB 63.55, 33.98, 20.63

 

Complementary color

CMYK 74 / 7 / 0 / 47

HEX #237E88

RGB 35 126 136

HSL 185.94, 0.59%, 0.34%

LAB 48.33, -22.36, -13.04

 

CMYK 0 / 43 / 49 / 12

HEX #E18172

RGB 225 129 114

HSL 8.11, 0.65%, 0.66%

LAB 64.1, 35.4, 24.29

 

CMYK 0 / 39 / 45 / 5

HEX #F29385

RGB 242 147 133

HSL 7.71, 0.81%, 0.74%

LAB 70.48, 34.29, 22.71

 

CMYK 0 / 35 / 40 / 0

HEX #FFA598

RGB 255 165 152

HSL 7.57, 1%, 0.8%

LAB 76.34, 31.78, 20.57

 

CMYK 0 / 28 / 33 / 0

HEX #FFB7AB

RGB 255 183 171

HSL 8.57, 1%, 0.84%

LAB 80.78, 24.56, 16.48

 

CMYK 0 / 21 / 25 / 0

HEX #FFC9BE

RGB 255 201 190

HSL 10.15, 1%, 0.87%

LAB 85.38, 17.59, 12.82

 

CMYK 0 / 41 / 46 / 14

HEX #DC8177

RGB 220 129 119

HSL 5.94, 0.59%, 0.66%

LAB 63.55, 33.98, 20.63

 

CMYK 0 / 45 / 51 / 20

HEX #CB6F64

RGB 203 111 100

HSL 6.41, 0.5%, 0.59%

LAB 57.06, 35.12, 22.31

 

CMYK 0 / 50 / 56 / 27

HEX #BA5D51

RGB 186 93 81

HSL 6.86, 0.43%, 0.52%

LAB 50.53, 36.36, 24.24

 

CMYK 0 / 56 / 63 / 34

HEX #A94B3E

RGB 169 75 62

HSL 7.29, 0.46%, 0.45%

LAB 43.97, 37.66, 26.52

 

CMYK 0 / 63 / 72 / 40

HEX #98392B

RGB 152 57 43

HSL 7.71, 0.56%, 0.38%

LAB 37.44, 38.95, 29.22

 

CMYK 0 / 42 / 47 / 14

HEX #DB7F75

RGB 219 127 117

HSL 5.88, 0.59%, 0.66%

LAB 62.95, 34.45, 20.92

 

CMYK 0 / 47 / 47 / 14

HEX #DB7575

RGB 219 117 117

HSL 0, 0.59%, 0.66%

LAB 60.84, 39.65, 18.05

 

CMYK 0 / 42 / 47 / 14

HEX #DB7F75

RGB 219 127 117

HSL 5.88, 0.59%, 0.66%

LAB 62.95, 34.45, 20.92

 

CMYK 0 / 29 / 47 / 14

HEX #DB9B75

RGB 219 155 117

HSL 22.35, 0.59%, 0.66%

LAB 69.32, 19.47, 29.42

 

CMYK 0 / 17 / 47 / 14

HEX #DBB675

RGB 219 182 117

HSL 38.24, 0.59%, 0.66%

LAB 75.95, 5.01, 37.97

 

CMYK 0 / 4 / 47 / 14

HEX #DBD275

RGB 219 210 117

HSL 54.71, 0.59%, 0.66%

LAB 83.15, -9.51, 46.93

 

CMYK 8 / 0 / 47 / 14

HEX #C9DB75

RGB 201 219 117

HSL 70.59, 0.59%, 0.66%

LAB 84.16, -21.12, 47.84

 

CMYK 0 / 42 / 47 / 14

HEX #DB7F75

RGB 219 127 117

HSL 5.88, 0.59%, 0.66%

LAB 62.95, 34.45, 20.92

 

CMYK 0 / 50 / 56 / 9

HEX #E97467

RGB 233 116 103

HSL 6, 0.75%, 0.66%

LAB 62.33, 44.09, 28.33

 

CMYK 0 / 58 / 64 / 3

HEX #F86959

RGB 248 105 89

HSL 6.04, 0.92%, 0.66%

LAB 62.32, 53.73, 36.58

 

CMYK 0 / 42 / 47 / 14

HEX #DB7F75

RGB 219 127 117

HSL 5.88, 0.59%, 0.66%

LAB 62.95, 34.45, 20.92

 

CMYK 0 / 32 / 36 / 20

HEX #CD8B83

RGB 205 139 131

HSL 6.49, 0.43%, 0.66%

LAB 64.23, 24.16, 14.52

 

CMYK 0 / 21 / 24 / 25

HEX #BF9691

RGB 191 150 145

HSL 6.52, 0.26%, 0.66%

LAB 65.7, 14.59, 8.5

 

CMYK 0 / 9 / 10 / 31

HEX #B1A19F

RGB 177 161 159

HSL 6.67, 0.1%, 0.66%

LAB 67.53, 5.47, 3.15

 

CMYK 6 / 1 / 0 / 32

HEX #A3ACAD

RGB 163 172 173

HSL 186, 0.06%, 0.66%

LAB 69.69, -2.96, -1.61

 

CMYK 0 / 47 / 26 / 14

HEX #DB75A3

RGB 219 117 163

HSL 332.94, 0.59%, 0.66%

LAB 62.02, 45.1, -6.66

 

CMYK 0 / 47 / 38 / 14

HEX #DB7588

RGB 219 117 136

HSL 348.82, 0.59%, 0.66%

LAB 61.27, 41.68, 7.75

 

CMYK 0 / 42 / 47 / 14

HEX #DB7E75

RGB 219 126 117

HSL 5.29, 0.59%, 0.66%

LAB 62.73, 34.97, 20.63

 

CMYK 0 / 30 / 47 / 14

HEX #DB9975

RGB 219 153 117

HSL 21.18, 0.59%, 0.66%

LAB 68.84, 20.55, 28.79

 

CMYK 0 / 18 / 47 / 14

HEX #DBB475

RGB 219 180 117

HSL 37.06, 0.59%, 0.66%

LAB 75.44, 6.07, 37.33

 

CMYK 0 / 67 / 74 / 21

HEX #CA4334

RGB 202 67 52

HSL 6, 0.59%, 0.5%

LAB 48.03, 52.62, 38.43

 

CMYK 0 / 54 / 60 / 17

HEX #D36154

RGB 211 97 84

HSL 6.14, 0.59%, 0.58%

LAB 55.11, 43.98, 29.15

 

CMYK 0 / 42 / 47 / 14

HEX #DB7F75

RGB 219 127 117

HSL 5.88, 0.59%, 0.66%

LAB 62.95, 34.45, 20.92

 

CMYK 0 / 31 / 34 / 11

HEX #E49E96

RGB 228 158 150

HSL 6.15, 0.59%, 0.74%

LAB 71.66, 25.06, 14.7

 

CMYK 0 / 20 / 22 / 7

HEX #ECBCB7

RGB 236 188 183

HSL 5.66, 0.58%, 0.82%

LAB 80.3, 16.48, 9.09

 

CMYK 0 / 41 / 46 / 14

HEX #DC8177

RGB 220 129 119

HSL 5.94, 0.59%, 0.66%

LAB 63.55, 33.98, 20.63

 

CMYK 13 / 0 / 47 / 14

HEX #BEDB75

RGB 190 219 117

HSL 77.06, 0.59%, 0.66%

LAB 83.39, -25.36, 46.73

 

CMYK 47 / 32 / 0 / 14

HEX #7596DB

RGB 117 150 219

HSL 220.59, 0.59%, 0.66%

LAB 62.26, 6.95, -38.75

 

CMYK 0 / 41 / 46 / 14

HEX #DC8177

RGB 220 129 119

HSL 5.94, 0.59%, 0.66%

LAB 63.55, 33.98, 20.63

 

CMYK 47 / 0 / 42 / 14

HEX #75DB7E

RGB 117 219 126

HSL 125.29, 0.59%, 0.66%

LAB 79.59, -48.8, 36.69

 

CMYK 42 / 47 / 0 / 14

HEX #7E75DB

RGB 126 117 219

HSL 245.29, 0.59%, 0.66%

LAB 54.32, 28.62, -51.26

 

CMYK 0 / 41 / 46 / 14

HEX #DC8177

RGB 220 129 119

HSL 5.94, 0.59%, 0.66%

LAB 63.55, 33.98, 20.63

 

CMYK 13 / 0 / 47 / 14

HEX #BEDB75

RGB 190 219 117

HSL 77.06, 0.59%, 0.66%

LAB 83.39, -25.36, 46.73

 

CMYK 47 / 4 / 0 / 14

HEX #75D3DB

RGB 117 211 219

HSL 184.71, 0.59%, 0.66%

LAB 79.32, -25.79, -12.63

 

CMYK 33 / 47 / 0 / 14

HEX #9275DB

RGB 146 117 219

HSL 257.06, 0.59%, 0.66%

LAB 56.04, 33.68, -48.42

 

CMYK 0 / 41 / 46 / 14

HEX #DC8177

RGB 220 129 119

HSL 5.94, 0.59%, 0.66%

LAB 63.55, 33.98, 20.63

 

CMYK 27 / 0 / 47 / 14

HEX #A0DB75

RGB 160 219 117

HSL 94.71, 0.59%, 0.66%

LAB 81.52, -36.4, 44.01

 

CMYK 47 / 4 / 0 / 14

HEX #75D3DB

RGB 117 211 219

HSL 184.71, 0.59%, 0.66%

LAB 79.32, -25.79, -12.63

 

CMYK 19 / 47 / 0 / 14

HEX #B175DB

RGB 177 117 219

HSL 275.29, 0.59%, 0.66%

LAB 59.14, 42.1, -43.3

 

Description

Color code: HEX #DC8177 | qconv.com Color code: HEX #DC8177 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 129 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 129 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 46 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 46% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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