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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7FDB it is the complementary color #238024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7FDB shade: #E17FD6, #F291E9, #FFA3FC, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7FDB shade: #DC7FDB, #CB6DC8, #BA5BB5, #A949A2 and #98378F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7FDB shade: #DC7FDB, #DC7FC2, #DC7FA9, #DC7F90 and #DC7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7FDB shade: #DC7FDB, #C47FDC, #AB7FDC, #927FDC and #7F7FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7FDB shade matches the following richer shades: #DC7FDB, #E972E8 and #F664F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7FDB shade: #DC7FDB, #CF8CCE, #C299C1, #B4A6B4 and #A7B4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7FDB shade: #AA7FDC, #C37FDC, #DC7FDC, #DC7FC3 and #DC7FAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7FDB shade: #CA3EC9, #D35ED2, #DC7FDB, #E59FE4 and #EEC0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7FDB shade: #DC7FDB, #DC917F and #7FDCB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7FDB shade: #DC7FDB, #DCDC7F and #7FDCDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7FDB shade: #DC7FDB, #DC917F, #7FDC7F and #7FC9DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7FDB shade: #DC7FDB, #DCAD7F, #7FDC7F and #7FADDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

Complementary color

CMYK 73 / 0 / 72 / 50

HEX #238024

RGB 35 128 36

HSL 120.65, 0.57%, 0.32%

LAB 46.87, -45.4, 40.39

 

CMYK 0 / 44 / 5 / 12

HEX #E17FD6

RGB 225 127 214

HSL 306.73, 0.62%, 0.69%

LAB 66.55, 49.89, -28.54

 

CMYK 0 / 40 / 4 / 5

HEX #F291E9

RGB 242 145 233

HSL 305.57, 0.79%, 0.76%

LAB 72.9, 49.16, -29.09

 

CMYK 0 / 36 / 1 / 0

HEX #FFA3FC

RGB 255 163 252

HSL 301.96, 1%, 0.82%

LAB 78.74, 47.23, -30.29

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 46 / 1 / 20

HEX #CB6DC8

RGB 203 109 200

HSL 301.91, 0.47%, 0.61%

LAB 59.71, 49.98, -31.47

 

CMYK 0 / 51 / 3 / 27

HEX #BA5BB5

RGB 186 91 181

HSL 303.16, 0.41%, 0.54%

LAB 53.23, 50.63, -30.83

 

CMYK 0 / 57 / 4 / 34

HEX #A949A2

RGB 169 73 162

HSL 304.38, 0.4%, 0.47%

LAB 46.72, 51.14, -30.03

 

CMYK 0 / 64 / 6 / 40

HEX #98378F

RGB 152 55 143

HSL 305.57, 0.47%, 0.41%

LAB 40.23, 51.37, -28.96

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 42 / 12 / 14

HEX #DC7FC2

RGB 220 127 194

HSL 316.77, 0.57%, 0.68%

LAB 65.19, 44.98, -19.48

 

CMYK 0 / 42 / 23 / 14

HEX #DC7FA9

RGB 220 127 169

HSL 332.9, 0.57%, 0.68%

LAB 64.37, 41.14, -6.58

 

CMYK 0 / 42 / 35 / 14

HEX #DC7F90

RGB 220 127 144

HSL 349.03, 0.57%, 0.68%

LAB 63.68, 37.81, 6.63

 

CMYK 0 / 42 / 42 / 14

HEX #DC7F7F

RGB 220 127 127

HSL 0, 0.57%, 0.68%

LAB 63.28, 35.86, 15.74

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 11 / 42 / 0 / 14

HEX #C47FDC

RGB 196 127 220

HSL 284.52, 0.57%, 0.68%

LAB 63.41, 42.36, -37.02

 

CMYK 22 / 42 / 0 / 14

HEX #AB7FDC

RGB 171 127 220

HSL 268.39, 0.57%, 0.68%

LAB 60.79, 35.1, -41.32

 

CMYK 34 / 42 / 0 / 14

HEX #927FDC

RGB 146 127 220

HSL 252.26, 0.57%, 0.68%

LAB 58.47, 28.16, -45.13

 

CMYK 42 / 42 / 0 / 14

HEX #7F7FDC

RGB 127 127 220

HSL 240, 0.57%, 0.68%

LAB 56.94, 23.23, -47.65

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 51 / 0 / 9

HEX #E972E8

RGB 233 114 232

HSL 300.5, 0.73%, 0.68%

LAB 65.89, 61.61, -39.49

 

CMYK 0 / 59 / 0 / 4

HEX #F664F5

RGB 246 100 245

HSL 300.41, 0.89%, 0.68%

LAB 65.98, 73.26, -46.41

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 32 / 0 / 19

HEX #CF8CCE

RGB 207 140 206

HSL 300.9, 0.41%, 0.68%

LAB 66.88, 36.02, -23.75

 

CMYK 0 / 21 / 1 / 24

HEX #C299C1

RGB 194 153 193

HSL 301.46, 0.25%, 0.68%

LAB 68.1, 22.14, -14.79

 

CMYK 0 / 8 / 0 / 29

HEX #B4A6B4

RGB 180 166 180

HSL 300, 0.09%, 0.68%

LAB 69.66, 7.62, -5.37

 

CMYK 7 / 0 / 7 / 29

HEX #A7B4A7

RGB 167 180 167

HSL 120, 0.08%, 0.68%

LAB 71.99, -7, 5.07

 

CMYK 23 / 42 / 0 / 14

HEX #AA7FDC

RGB 170 127 220

HSL 267.74, 0.57%, 0.68%

LAB 60.69, 34.82, -41.48

 

CMYK 11 / 42 / 0 / 14

HEX #C37FDC

RGB 195 127 220

HSL 283.87, 0.57%, 0.68%

LAB 63.3, 42.07, -37.2

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDC

RGB 220 127 220

HSL 300, 0.57%, 0.68%

LAB 66.18, 49.45, -32.5

 

CMYK 0 / 42 / 11 / 14

HEX #DC7FC3

RGB 220 127 195

HSL 316.13, 0.57%, 0.68%

LAB 65.23, 45.14, -19.99

 

CMYK 0 / 42 / 23 / 14

HEX #DC7FAA

RGB 220 127 170

HSL 332.26, 0.57%, 0.68%

LAB 64.4, 41.29, -7.1

 

CMYK 0 / 69 / 0 / 21

HEX #CA3EC9

RGB 202 62 201

HSL 300.43, 0.57%, 0.52%

LAB 52.08, 70.37, -44.02

 

CMYK 0 / 55 / 0 / 17

HEX #D35ED2

RGB 211 94 210

HSL 300.51, 0.57%, 0.6%

LAB 58.52, 61.15, -38.93

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 31 / 0 / 10

HEX #E59FE4

RGB 229 159 228

HSL 300.86, 0.57%, 0.76%

LAB 74.23, 36.93, -24.45

 

CMYK 0 / 19 / 0 / 7

HEX #EEC0ED

RGB 238 192 237

HSL 301.3, 0.58%, 0.84%

LAB 82.91, 23.9, -16.07

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 34 / 42 / 14

HEX #DC917F

RGB 220 145 127

HSL 11.61, 0.57%, 0.68%

LAB 67.28, 26.29, 21.23

 

CMYK 42 / 0 / 17 / 14

HEX #7FDCB7

RGB 127 220 183

HSL 156.13, 0.57%, 0.68%

LAB 81.36, -36.12, 9.59

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 0 / 42 / 14

HEX #DCDC7F

RGB 220 220 127

HSL 60, 0.57%, 0.68%

LAB 85.97, -13.17, 45.55

 

CMYK 42 / 0 / 0 / 14

HEX #7FDCDC

RGB 127 220 220

HSL 180, 0.57%, 0.68%

LAB 82.31, -27.61, -8.67

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 34 / 42 / 14

HEX #DC917F

RGB 220 145 127

HSL 11.61, 0.57%, 0.68%

LAB 67.28, 26.29, 21.23

 

CMYK 42 / 0 / 42 / 14

HEX #7FDC7F

RGB 127 220 127

HSL 120, 0.57%, 0.68%

LAB 80.31, -46.21, 37.2

 

CMYK 42 / 9 / 0 / 14

HEX #7FC9DC

RGB 127 201 220

HSL 192.26, 0.57%, 0.68%

LAB 76.95, -18.14, -16.68

 

CMYK 0 / 42 / 0 / 14

HEX #DC7FDB

RGB 220 127 219

HSL 300.65, 0.57%, 0.68%

LAB 66.14, 49.27, -32

 

CMYK 0 / 21 / 42 / 14

HEX #DCAD7F

RGB 220 173 127

HSL 29.68, 0.57%, 0.68%

LAB 73.96, 11.23, 30.17

 

CMYK 42 / 0 / 42 / 14

HEX #7FDC7F

RGB 127 220 127

HSL 120, 0.57%, 0.68%

LAB 80.31, -46.21, 37.2

 

CMYK 42 / 21 / 0 / 14

HEX #7FADDC

RGB 127 173 220

HSL 210.32, 0.57%, 0.68%

LAB 69.16, -3.26, -28.55

 

Description

Color code: HEX #DC7FDB | qconv.com Color code: HEX #DC7FDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 127 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 127 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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