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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7EC1 it is the complementary color #23813E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7EC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7EC1 shade: #E17EBC, #F290CF, #FFA2E2, #FFB4F5 and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7EC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7EC1 shade: #DC7EC1, #CB6CAE, #BA5A9B, #A94888 and #983675

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7EC1 shade: #DB7EC1, #DB7EA8, #DB7E8F and #DB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7EC1 shade: #DB7EC1, #DB7EDA, #C47EDB, #AB7EDB and #927EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7EC1 shade matches the following richer shades: #DB7EC1, #E971C6 and #F664CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7EC1 shade: #DB7EC1, #CE8CBB, #C199B5, #B4A6B0 and #A7B3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7EC1 shade: #C47EDB, #DB7EDA, #DB7EC1, #DB7EA8 and #DB7E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7EC1 shade: #CA3EA1, #D35EB1, #DB7EC1, #E49FD0 and #EDBFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7EC1 shade: #DC7EC1, #DBAB7E and #7EDBD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7EC1 shade: #DC7EC1, #C1DB7E and #7EC1DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7EC1 shade: #DC7EC1, #DBAB7E, #7EDB99 and #7EAEDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7EC1 shade: #DC7EC1, #DBC77E, #7EDB99 and #7E93DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 12 / 14

HEX #DC7EC1

RGB 220 126 193

HSL 317.23, 0.57%, 0.68%

LAB 64.95, 45.33, -19.28

 

Complementary color

CMYK 73 / 0 / 52 / 49

HEX #23813E

RGB 35 129 62

HSL 137.23, 0.57%, 0.32%

LAB 47.5, -42.39, 28.51

 

CMYK 0 / 44 / 16 / 12

HEX #E17EBC

RGB 225 126 188

HSL 322.42, 0.62%, 0.69%

LAB 65.4, 46.15, -15.72

 

CMYK 0 / 40 / 14 / 5

HEX #F290CF

RGB 242 144 207

HSL 321.43, 0.79%, 0.76%

LAB 71.78, 45.39, -16.49

 

CMYK 0 / 36 / 11 / 0

HEX #FFA2E2

RGB 255 162 226

HSL 318.71, 1%, 0.82%

LAB 77.63, 43.35, -17.92

 

CMYK 0 / 29 / 4 / 0

HEX #FFB4F5

RGB 255 180 245

HSL 308, 1%, 0.85%

LAB 82.11, 37.19, -21.4

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 43 / 12 / 14

HEX #DC7EC1

RGB 220 126 193

HSL 317.23, 0.57%, 0.68%

LAB 64.95, 45.33, -19.28

 

CMYK 0 / 47 / 14 / 20

HEX #CB6CAE

RGB 203 108 174

HSL 318.32, 0.48%, 0.61%

LAB 58.49, 46.08, -18.5

 

CMYK 0 / 52 / 17 / 27

HEX #BA5A9B

RGB 186 90 155

HSL 319.38, 0.41%, 0.54%

LAB 51.97, 46.78, -17.59

 

CMYK 0 / 57 / 20 / 34

HEX #A94888

RGB 169 72 136

HSL 320.41, 0.4%, 0.47%

LAB 45.42, 47.37, -16.47

 

CMYK 0 / 64 / 23 / 40

HEX #983675

RGB 152 54 117

HSL 321.43, 0.48%, 0.4%

LAB 38.9, 47.72, -15.03

 

CMYK 0 / 42 / 12 / 14

HEX #DB7EC1

RGB 219 126 193

HSL 316.77, 0.56%, 0.68%

LAB 64.83, 45.01, -19.48

 

CMYK 0 / 42 / 23 / 14

HEX #DB7EA8

RGB 219 126 168

HSL 332.9, 0.56%, 0.68%

LAB 64.01, 41.18, -6.57

 

CMYK 0 / 42 / 35 / 14

HEX #DB7E8F

RGB 219 126 143

HSL 349.03, 0.56%, 0.68%

LAB 63.31, 37.85, 6.66

 

CMYK 0 / 42 / 42 / 14

HEX #DB7E7E

RGB 219 126 126

HSL 0, 0.56%, 0.68%

LAB 62.92, 35.9, 15.78

 

CMYK 0 / 42 / 12 / 14

HEX #DB7EC1

RGB 219 126 193

HSL 316.77, 0.56%, 0.68%

LAB 64.83, 45.01, -19.48

 

CMYK 0 / 42 / 0 / 14

HEX #DB7EDA

RGB 219 126 218

HSL 300.65, 0.56%, 0.68%

LAB 65.78, 49.3, -32.01

 

CMYK 11 / 42 / 0 / 14

HEX #C47EDB

RGB 196 126 219

HSL 285.16, 0.56%, 0.68%

LAB 63.15, 42.69, -36.86

 

CMYK 22 / 42 / 0 / 14

HEX #AB7EDB

RGB 171 126 219

HSL 269.03, 0.56%, 0.68%

LAB 60.51, 35.43, -41.19

 

CMYK 33 / 42 / 0 / 14

HEX #927EDB

RGB 146 126 219

HSL 252.9, 0.56%, 0.68%

LAB 58.18, 28.48, -45.03

 

CMYK 0 / 42 / 12 / 14

HEX #DB7EC1

RGB 219 126 193

HSL 316.77, 0.56%, 0.68%

LAB 64.83, 45.01, -19.48

 

CMYK 0 / 52 / 15 / 9

HEX #E971C6

RGB 233 113 198

HSL 317.5, 0.73%, 0.68%

LAB 64.33, 56.57, -22.89

 

CMYK 0 / 59 / 17 / 4

HEX #F664CC

RGB 246 100 204

HSL 317.26, 0.89%, 0.68%

LAB 64.21, 66.98, -26.29

 

CMYK 0 / 42 / 12 / 14

HEX #DB7EC1

RGB 219 126 193

HSL 316.77, 0.56%, 0.68%

LAB 64.83, 45.01, -19.48

 

CMYK 0 / 32 / 9 / 19

HEX #CE8CBB

RGB 206 140 187

HSL 317.27, 0.4%, 0.68%

LAB 66.11, 32.29, -14.31

 

CMYK 0 / 21 / 6 / 24

HEX #C199B5

RGB 193 153 181

HSL 318, 0.24%, 0.68%

LAB 67.62, 19.58, -8.83

 

CMYK 0 / 8 / 2 / 29

HEX #B4A6B0

RGB 180 166 176

HSL 317.14, 0.09%, 0.68%

LAB 69.55, 6.87, -3.32

 

CMYK 7 / 0 / 5 / 30

HEX #A7B3AA

RGB 167 179 170

HSL 135, 0.07%, 0.68%

LAB 71.8, -5.9, 3.15

 

CMYK 11 / 42 / 0 / 14

HEX #C47EDB

RGB 196 126 219

HSL 285.16, 0.56%, 0.68%

LAB 63.15, 42.69, -36.86

 

CMYK 0 / 42 / 0 / 14

HEX #DB7EDA

RGB 219 126 218

HSL 300.65, 0.56%, 0.68%

LAB 65.78, 49.3, -32.01

 

CMYK 0 / 42 / 12 / 14

HEX #DB7EC1

RGB 219 126 193

HSL 316.77, 0.56%, 0.68%

LAB 64.83, 45.01, -19.48

 

CMYK 0 / 42 / 23 / 14

HEX #DB7EA8

RGB 219 126 168

HSL 332.9, 0.56%, 0.68%

LAB 64.01, 41.18, -6.57

 

CMYK 0 / 42 / 35 / 14

HEX #DB7E8F

RGB 219 126 143

HSL 349.03, 0.56%, 0.68%

LAB 63.31, 37.85, 6.66

 

CMYK 0 / 69 / 20 / 21

HEX #CA3EA1

RGB 202 62 161

HSL 317.57, 0.57%, 0.52%

LAB 50.19, 64.4, -23.66

 

CMYK 0 / 55 / 16 / 17

HEX #D35EB1

RGB 211 94 177

HSL 317.44, 0.57%, 0.6%

LAB 57.1, 55.82, -22.25

 

CMYK 0 / 42 / 12 / 14

HEX #DB7EC1

RGB 219 126 193

HSL 316.77, 0.56%, 0.68%

LAB 64.83, 45.01, -19.48

 

CMYK 0 / 30 / 9 / 11

HEX #E49FD0

RGB 228 159 208

HSL 317.39, 0.56%, 0.76%

LAB 73.44, 33.08, -14.69

 

CMYK 0 / 19 / 5 / 7

HEX #EDBFE0

RGB 237 191 224

HSL 316.96, 0.56%, 0.84%

LAB 82.19, 21.78, -10.19

 

CMYK 0 / 43 / 12 / 14

HEX #DC7EC1

RGB 220 126 193

HSL 317.23, 0.57%, 0.68%

LAB 64.95, 45.33, -19.28

 

CMYK 0 / 22 / 42 / 14

HEX #DBAB7E

RGB 219 171 126

HSL 29.03, 0.56%, 0.68%

LAB 73.35, 11.79, 29.88

 

CMYK 42 / 0 / 5 / 14

HEX #7EDBD1

RGB 126 219 209

HSL 173.55, 0.56%, 0.68%

LAB 81.68, -30.04, -3.75

 

CMYK 0 / 43 / 12 / 14

HEX #DC7EC1

RGB 220 126 193

HSL 317.23, 0.57%, 0.68%

LAB 64.95, 45.33, -19.28

 

CMYK 12 / 0 / 42 / 14

HEX #C1DB7E

RGB 193 219 126

HSL 76.77, 0.56%, 0.68%

LAB 83.71, -23.24, 42.78

 

CMYK 42 / 12 / 0 / 14

HEX #7EC1DB

RGB 126 193 219

HSL 196.77, 0.56%, 0.68%

LAB 74.63, -14.52, -19.66

 

CMYK 0 / 43 / 12 / 14

HEX #DC7EC1

RGB 220 126 193

HSL 317.23, 0.57%, 0.68%

LAB 64.95, 45.33, -19.28

 

CMYK 0 / 22 / 42 / 14

HEX #DBAB7E

RGB 219 171 126

HSL 29.03, 0.56%, 0.68%

LAB 73.35, 11.79, 29.88

 

CMYK 42 / 0 / 30 / 14

HEX #7EDB99

RGB 126 219 153

HSL 137.42, 0.56%, 0.68%

LAB 80.4, -41.82, 24.03

 

CMYK 42 / 21 / 0 / 14

HEX #7EAEDB

RGB 126 174 219

HSL 209.03, 0.56%, 0.68%

LAB 69.34, -4.34, -27.73

 

CMYK 0 / 43 / 12 / 14

HEX #DC7EC1

RGB 220 126 193

HSL 317.23, 0.57%, 0.68%

LAB 64.95, 45.33, -19.28

 

CMYK 0 / 9 / 42 / 14

HEX #DBC77E

RGB 219 199 126

HSL 47.1, 0.56%, 0.68%

LAB 80.41, -2.98, 39.03

 

CMYK 42 / 0 / 30 / 14

HEX #7EDB99

RGB 126 219 153

HSL 137.42, 0.56%, 0.68%

LAB 80.4, -41.82, 24.03

 

CMYK 42 / 33 / 0 / 14

HEX #7E93DB

RGB 126 147 219

HSL 226.45, 0.56%, 0.68%

LAB 62.01, 10.93, -39.1

 

Description

Color code: HEX #DC7EC1 | qconv.com Color code: HEX #DC7EC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 126 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 126 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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