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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7AD5 it is the complementary color #23852A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7AD5 shade: #E17AD0, #F28CE3, #FF9EF6, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7AD5 shade: #DC7AD5, #CB68C2, #BA56AF, #A9449C and #983289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7AD5 shade: #DB7AD4, #DB7ABA, #DB7AA0, #DB7A85 and #DB7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7AD5 shade: #DB7AD4, #C87ADB, #AD7ADB, #937ADB and #7A7ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7AD5 shade matches the following richer shades: #DB7AD4, #E96CE0 and #F65EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7AD5 shade: #DB7AD4, #CE87C9, #C095BD, #B2A2B1 and #A5B0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7AD5 shade: #AE7ADB, #C87ADB, #DB7AD5, #DB7ABB and #DB7AA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7AD5 shade: #CA38BF, #D259CA, #DB7AD4, #E49ADF and #ECBBE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7AD5 shade: #DC7AD5, #DB947A and #7ADBBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7AD5 shade: #DC7AD5, #D5DB7A and #7AD5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7AD5 shade: #DC7AD5, #DB947A, #7ADB80 and #7AC1DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7AD5 shade: #DC7AD5, #DBB17A, #7ADB80 and #7AA4DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 3 / 14

HEX #DC7AD5

RGB 220 122 213

HSL 304.29, 0.58%, 0.67%

LAB 64.91, 50.74, -30.56

 

Complementary color

CMYK 74 / 0 / 68 / 48

HEX #23852A

RGB 35 133 42

HSL 124.29, 0.58%, 0.33%

LAB 48.64, -46.57, 39.68

 

CMYK 0 / 46 / 8 / 12

HEX #E17AD0

RGB 225 122 208

HSL 309.9, 0.63%, 0.68%

LAB 65.34, 51.38, -27.05

 

CMYK 0 / 42 / 6 / 5

HEX #F28CE3

RGB 242 140 227

HSL 308.82, 0.8%, 0.75%

LAB 71.68, 50.67, -27.67

 

CMYK 0 / 38 / 4 / 0

HEX #FF9EF6

RGB 255 158 246

HSL 305.57, 1%, 0.81%

LAB 77.5, 48.73, -28.96

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 45 / 3 / 14

HEX #DC7AD5

RGB 220 122 213

HSL 304.29, 0.58%, 0.67%

LAB 64.91, 50.74, -30.56

 

CMYK 0 / 49 / 4 / 20

HEX #CB68C2

RGB 203 104 194

HSL 305.45, 0.49%, 0.6%

LAB 58.5, 51.42, -29.94

 

CMYK 0 / 54 / 6 / 27

HEX #BA56AF

RGB 186 86 175

HSL 306.6, 0.42%, 0.53%

LAB 52.05, 52.01, -29.18

 

CMYK 0 / 60 / 8 / 34

HEX #A9449C

RGB 169 68 156

HSL 307.72, 0.43%, 0.46%

LAB 45.59, 52.42, -28.22

 

CMYK 0 / 67 / 10 / 40

HEX #983289

RGB 152 50 137

HSL 308.82, 0.5%, 0.4%

LAB 39.18, 52.48, -26.95

 

CMYK 0 / 44 / 3 / 14

HEX #DB7AD4

RGB 219 122 212

HSL 304.33, 0.57%, 0.67%

LAB 64.75, 50.27, -30.26

 

CMYK 0 / 44 / 15 / 14

HEX #DB7ABA

RGB 219 122 186

HSL 320.41, 0.57%, 0.67%

LAB 63.77, 45.95, -17.13

 

CMYK 0 / 44 / 27 / 14

HEX #DB7AA0

RGB 219 122 160

HSL 336.49, 0.57%, 0.67%

LAB 62.94, 42.13, -3.58

 

CMYK 0 / 44 / 39 / 14

HEX #DB7A85

RGB 219 122 133

HSL 353.2, 0.57%, 0.67%

LAB 62.23, 38.76, 10.83

 

CMYK 0 / 44 / 44 / 14

HEX #DB7A7A

RGB 219 122 122

HSL 0, 0.57%, 0.67%

LAB 61.98, 37.57, 16.77

 

CMYK 0 / 44 / 3 / 14

HEX #DB7AD4

RGB 219 122 212

HSL 304.33, 0.57%, 0.67%

LAB 64.75, 50.27, -30.26

 

CMYK 9 / 44 / 0 / 14

HEX #C87ADB

RGB 200 122 219

HSL 288.25, 0.57%, 0.67%

LAB 62.77, 45.98, -37.43

 

CMYK 21 / 44 / 0 / 14

HEX #AD7ADB

RGB 173 122 219

HSL 271.55, 0.57%, 0.67%

LAB 59.81, 38.23, -42.27

 

CMYK 33 / 44 / 0 / 14

HEX #937ADB

RGB 147 122 219

HSL 255.46, 0.57%, 0.67%

LAB 57.31, 31.06, -46.4

 

CMYK 44 / 44 / 0 / 14

HEX #7A7ADB

RGB 122 122 219

HSL 240, 0.57%, 0.67%

LAB 55.25, 24.68, -49.79

 

CMYK 0 / 44 / 3 / 14

HEX #DB7AD4

RGB 219 122 212

HSL 304.33, 0.57%, 0.67%

LAB 64.75, 50.27, -30.26

 

CMYK 0 / 54 / 4 / 9

HEX #E96CE0

RGB 233 108 224

HSL 304.32, 0.74%, 0.67%

LAB 64.51, 63.02, -37.2

 

CMYK 0 / 62 / 4 / 4

HEX #F65EEC

RGB 246 94 236

HSL 303.95, 0.89%, 0.67%

LAB 64.69, 74.22, -43.47

 

CMYK 0 / 44 / 3 / 14

HEX #DB7AD4

RGB 219 122 212

HSL 304.33, 0.57%, 0.67%

LAB 64.75, 50.27, -30.26

 

CMYK 0 / 34 / 2 / 19

HEX #CE87C9

RGB 206 135 201

HSL 304.23, 0.42%, 0.67%

LAB 65.49, 37.47, -23.1

 

CMYK 0 / 22 / 2 / 25

HEX #C095BD

RGB 192 149 189

HSL 304.19, 0.25%, 0.67%

LAB 66.81, 22.92, -14.53

 

CMYK 0 / 9 / 1 / 30

HEX #B2A2B1

RGB 178 162 177

HSL 303.75, 0.09%, 0.67%

LAB 68.37, 8.55, -5.63

 

CMYK 6 / 0 / 6 / 31

HEX #A5B0A6

RGB 165 176 166

HSL 125.45, 0.07%, 0.67%

LAB 70.74, -5.76, 3.79

 

CMYK 21 / 44 / 0 / 14

HEX #AE7ADB

RGB 174 122 219

HSL 272.16, 0.57%, 0.67%

LAB 59.92, 38.51, -42.1

 

CMYK 9 / 44 / 0 / 14

HEX #C87ADB

RGB 200 122 219

HSL 288.25, 0.57%, 0.67%

LAB 62.77, 45.98, -37.43

 

CMYK 0 / 44 / 3 / 14

HEX #DB7AD5

RGB 219 122 213

HSL 303.71, 0.57%, 0.67%

LAB 64.79, 50.44, -30.76

 

CMYK 0 / 44 / 15 / 14

HEX #DB7ABB

RGB 219 122 187

HSL 319.79, 0.57%, 0.67%

LAB 63.81, 46.11, -17.64

 

CMYK 0 / 44 / 26 / 14

HEX #DB7AA1

RGB 219 122 161

HSL 335.88, 0.57%, 0.67%

LAB 62.97, 42.27, -4.11

 

CMYK 0 / 72 / 5 / 21

HEX #CA38BF

RGB 202 56 191

HSL 304.52, 0.58%, 0.51%

LAB 50.86, 70.8, -40.18

 

CMYK 0 / 58 / 4 / 18

HEX #D259CA

RGB 210 89 202

HSL 303.97, 0.57%, 0.59%

LAB 57.18, 61.77, -36.48

 

CMYK 0 / 44 / 3 / 14

HEX #DB7AD4

RGB 219 122 212

HSL 304.33, 0.57%, 0.67%

LAB 64.75, 50.27, -30.26

 

CMYK 0 / 32 / 2 / 11

HEX #E49ADF

RGB 228 154 223

HSL 304.05, 0.58%, 0.75%

LAB 72.85, 38.36, -23.83

 

CMYK 0 / 21 / 1 / 7

HEX #ECBBE9

RGB 236 187 233

HSL 303.67, 0.56%, 0.83%

LAB 81.43, 25.18, -16.16

 

CMYK 0 / 45 / 3 / 14

HEX #DC7AD5

RGB 220 122 213

HSL 304.29, 0.58%, 0.67%

LAB 64.91, 50.74, -30.56

 

CMYK 0 / 32 / 44 / 14

HEX #DB947A

RGB 219 148 122

HSL 16.08, 0.57%, 0.67%

LAB 67.76, 23.75, 24.62

 

CMYK 44 / 0 / 15 / 14

HEX #7ADBBB

RGB 122 219 187

HSL 160.21, 0.57%, 0.67%

LAB 80.95, -36.08, 6.87

 

CMYK 0 / 45 / 3 / 14

HEX #DC7AD5

RGB 220 122 213

HSL 304.29, 0.58%, 0.67%

LAB 64.91, 50.74, -30.56

 

CMYK 3 / 0 / 44 / 14

HEX #D5DB7A

RGB 213 219 122

HSL 63.71, 0.57%, 0.67%

LAB 85.11, -15.92, 46.79

 

CMYK 44 / 3 / 0 / 14

HEX #7AD5DB

RGB 122 213 219

HSL 183.71, 0.57%, 0.67%

LAB 80.09, -25.62, -11.46

 

CMYK 0 / 45 / 3 / 14

HEX #DC7AD5

RGB 220 122 213

HSL 304.29, 0.58%, 0.67%

LAB 64.91, 50.74, -30.56

 

CMYK 0 / 32 / 44 / 14

HEX #DB947A

RGB 219 148 122

HSL 16.08, 0.57%, 0.67%

LAB 67.76, 23.75, 24.62

 

CMYK 44 / 0 / 42 / 14

HEX #7ADB80

RGB 122 219 128

HSL 123.71, 0.57%, 0.67%

LAB 79.82, -47.09, 36.03

 

CMYK 44 / 12 / 0 / 14

HEX #7AC1DB

RGB 122 193 219

HSL 196.08, 0.57%, 0.67%

LAB 74.44, -15.5, -19.96

 

CMYK 0 / 45 / 3 / 14

HEX #DC7AD5

RGB 220 122 213

HSL 304.29, 0.58%, 0.67%

LAB 64.91, 50.74, -30.56

 

CMYK 0 / 19 / 44 / 14

HEX #DBB17A

RGB 219 177 122

HSL 34.02, 0.57%, 0.67%

LAB 74.77, 8.17, 33.85

 

CMYK 44 / 0 / 42 / 14

HEX #7ADB80

RGB 122 219 128

HSL 123.71, 0.57%, 0.67%

LAB 79.82, -47.09, 36.03

 

CMYK 44 / 25 / 0 / 14

HEX #7AA4DB

RGB 122 164 219

HSL 214.02, 0.57%, 0.67%

LAB 66.37, 0.2, -32.33

 

Description

Color code: HEX #DC7AD5 | qconv.com Color code: HEX #DC7AD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 122 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 122 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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