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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC79DE it is the complementary color #238621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC79DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC79DE shade: #E179D9, #F28BEC, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC79DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC79DE shade: #DC79DE, #CB67CB, #BA55B8, #A943A5 and #983192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC79DE shade: #DB78DD, #DD78C4, #DD78A9, #DD788E and #DD7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC79DE shade: #DB78DD, #C078DD, #A578DD, #8A78DD and #7878DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC79DE shade matches the following richer shades: #DB78DD, #E86BEB and #F55DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC79DE shade: #DB78DD, #CE86D0, #C194C2, #B4A1B4 and #A7AFA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC79DE shade: #A478DD, #BF78DD, #DA78DD, #DD78C6 and #DD78AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC79DE shade: #CA36CD, #D357D5, #DB78DD, #E499E6 and #EDBAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC79DE shade: #DC79DE, #DD8978 and #78DDB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC79DE shade: #DC79DE, #DDDA78 and #78DDDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC79DE shade: #DC79DE, #DD8978, #7CDD78 and #78CDDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC79DE shade: #DC79DE, #DDA778, #7CDD78 and #78AEDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 45 / 0 / 13

HEX #DC79DE

RGB 220 121 222

HSL 298.81, 0.6%, 0.67%

LAB 65.09, 52.84, -35.3

 

Complementary color

CMYK 74 / 0 / 75 / 47

HEX #238621

RGB 35 134 33

HSL 118.81, 0.6%, 0.33%

LAB 48.91, -47.78, 43.69

 

CMYK 0 / 46 / 4 / 12

HEX #E179D9

RGB 225 121 217

HSL 304.62, 0.63%, 0.68%

LAB 65.51, 53.41, -31.82

 

CMYK 0 / 43 / 2 / 5

HEX #F28BEC

RGB 242 139 236

HSL 303.5, 0.8%, 0.75%

LAB 71.82, 52.71, -32.38

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 1 / 45 / 0 / 13

HEX #DC79DE

RGB 220 121 222

HSL 298.81, 0.6%, 0.67%

LAB 65.09, 52.84, -35.3

 

CMYK 0 / 49 / 0 / 20

HEX #CB67CB

RGB 203 103 203

HSL 300, 0.49%, 0.6%

LAB 58.7, 53.5, -34.74

 

CMYK 0 / 54 / 1 / 27

HEX #BA55B8

RGB 186 85 184

HSL 301.19, 0.42%, 0.53%

LAB 52.28, 54.06, -34.05

 

CMYK 0 / 60 / 2 / 34

HEX #A943A5

RGB 169 67 165

HSL 302.35, 0.43%, 0.46%

LAB 45.86, 54.4, -33.16

 

CMYK 0 / 68 / 4 / 40

HEX #983192

RGB 152 49 146

HSL 303.5, 0.51%, 0.39%

LAB 39.49, 54.37, -31.95

 

CMYK 1 / 46 / 0 / 13

HEX #DB78DD

RGB 219 120 221

HSL 298.81, 0.6%, 0.67%

LAB 64.73, 52.87, -35.31

 

CMYK 0 / 46 / 11 / 13

HEX #DD78C4

RGB 221 120 196

HSL 314.85, 0.6%, 0.67%

LAB 63.99, 49.19, -22.42

 

CMYK 0 / 46 / 24 / 13

HEX #DD78A9

RGB 221 120 169

HSL 330.89, 0.6%, 0.67%

LAB 63.07, 45.08, -8.5

 

CMYK 0 / 46 / 36 / 13

HEX #DD788E

RGB 221 120 142

HSL 346.93, 0.6%, 0.67%

LAB 62.3, 41.56, 5.82

 

CMYK 0 / 46 / 46 / 13

HEX #DD7878

RGB 221 120 120

HSL 0, 0.6%, 0.67%

LAB 61.79, 39.15, 17.69

 

CMYK 1 / 46 / 0 / 13

HEX #DB78DD

RGB 219 120 221

HSL 298.81, 0.6%, 0.67%

LAB 64.73, 52.87, -35.31

 

CMYK 13 / 46 / 0 / 13

HEX #C078DD

RGB 192 120 221

HSL 282.77, 0.6%, 0.67%

LAB 61.53, 45.14, -40.55

 

CMYK 25 / 46 / 0 / 13

HEX #A578DD

RGB 165 120 221

HSL 266.73, 0.6%, 0.67%

LAB 58.65, 37.58, -45.28

 

CMYK 38 / 46 / 0 / 13

HEX #8A78DD

RGB 138 120 221

HSL 250.69, 0.6%, 0.67%

LAB 56.14, 30.4, -49.42

 

CMYK 46 / 46 / 0 / 13

HEX #7878DD

RGB 120 120 221

HSL 240, 0.6%, 0.67%

LAB 54.71, 25.99, -51.79

 

CMYK 1 / 46 / 0 / 13

HEX #DB78DD

RGB 219 120 221

HSL 298.81, 0.6%, 0.67%

LAB 64.73, 52.87, -35.31

 

CMYK 1 / 54 / 0 / 8

HEX #E86BEB

RGB 232 107 235

HSL 298.59, 0.76%, 0.67%

LAB 64.7, 65.07, -43.03

 

CMYK 2 / 63 / 0 / 2

HEX #F55DF9

RGB 245 93 249

HSL 298.46, 0.93%, 0.67%

LAB 65.03, 76.47, -50.13

 

CMYK 1 / 46 / 0 / 13

HEX #DB78DD

RGB 219 120 221

HSL 298.81, 0.6%, 0.67%

LAB 64.73, 52.87, -35.31

 

CMYK 1 / 36 / 0 / 18

HEX #CE86D0

RGB 206 134 208

HSL 298.38, 0.44%, 0.67%

LAB 65.53, 39.3, -26.94

 

CMYK 1 / 24 / 0 / 24

HEX #C194C2

RGB 193 148 194

HSL 298.7, 0.27%, 0.67%

LAB 66.83, 24.76, -17.27

 

CMYK 0 / 11 / 0 / 29

HEX #B4A1B4

RGB 180 161 180

HSL 300, 0.11%, 0.67%

LAB 68.38, 10.38, -7.27

 

CMYK 5 / 0 / 5 / 31

HEX #A7AFA7

RGB 167 175 167

HSL 120, 0.05%, 0.67%

LAB 70.64, -4.33, 3.12

 

CMYK 26 / 46 / 0 / 13

HEX #A478DD

RGB 164 120 221

HSL 266.14, 0.6%, 0.67%

LAB 58.55, 37.3, -45.45

 

CMYK 14 / 46 / 0 / 13

HEX #BF78DD

RGB 191 120 221

HSL 282.18, 0.6%, 0.67%

LAB 61.42, 44.86, -40.74

 

CMYK 1 / 46 / 0 / 13

HEX #DA78DD

RGB 218 120 221

HSL 298.22, 0.6%, 0.67%

LAB 64.61, 52.59, -35.51

 

CMYK 0 / 46 / 10 / 13

HEX #DD78C6

RGB 221 120 198

HSL 313.66, 0.6%, 0.67%

LAB 64.07, 49.51, -23.44

 

CMYK 0 / 46 / 23 / 13

HEX #DD78AB

RGB 221 120 171

HSL 329.7, 0.6%, 0.67%

LAB 63.13, 45.37, -9.55

 

CMYK 1 / 74 / 0 / 20

HEX #CA36CD

RGB 202 54 205

HSL 298.81, 0.6%, 0.51%

LAB 51.38, 73.63, -47.43

 

CMYK 1 / 59 / 0 / 16

HEX #D357D5

RGB 211 87 213

HSL 299.05, 0.6%, 0.59%

LAB 57.53, 64.75, -42.18

 

CMYK 1 / 46 / 0 / 13

HEX #DB78DD

RGB 219 120 221

HSL 298.81, 0.6%, 0.67%

LAB 64.73, 52.87, -35.31

 

CMYK 1 / 33 / 0 / 10

HEX #E499E6

RGB 228 153 230

HSL 298.44, 0.61%, 0.75%

LAB 72.89, 40.16, -27.6

 

CMYK 0 / 22 / 0 / 7

HEX #EDBAEE

RGB 237 186 238

HSL 298.85, 0.6%, 0.83%

LAB 81.45, 26.95, -18.8

 

CMYK 1 / 45 / 0 / 13

HEX #DC79DE

RGB 220 121 222

HSL 298.81, 0.6%, 0.67%

LAB 65.09, 52.84, -35.3

 

CMYK 0 / 38 / 46 / 13

HEX #DD8978

RGB 221 137 120

HSL 10.1, 0.6%, 0.67%

LAB 65.45, 30.22, 22.67

 

CMYK 46 / 0 / 19 / 13

HEX #78DDB2

RGB 120 221 178

HSL 154.46, 0.6%, 0.67%

LAB 81.25, -39.43, 12.04

 

CMYK 1 / 45 / 0 / 13

HEX #DC79DE

RGB 220 121 222

HSL 298.81, 0.6%, 0.67%

LAB 65.09, 52.84, -35.3

 

CMYK 0 / 1 / 46 / 13

HEX #DDDA78

RGB 221 218 120

HSL 58.22, 0.6%, 0.67%

LAB 85.44, -12.46, 48.31

 

CMYK 46 / 0 / 1 / 13

HEX #78DDDA

RGB 120 221 218

HSL 178.22, 0.6%, 0.67%

LAB 82.25, -30.21, -7.71

 

CMYK 1 / 45 / 0 / 13

HEX #DC79DE

RGB 220 121 222

HSL 298.81, 0.6%, 0.67%

LAB 65.09, 52.84, -35.3

 

CMYK 0 / 38 / 46 / 13

HEX #DD8978

RGB 221 137 120

HSL 10.1, 0.6%, 0.67%

LAB 65.45, 30.22, 22.67

 

CMYK 44 / 0 / 46 / 13

HEX #7CDD78

RGB 124 221 120

HSL 117.62, 0.6%, 0.67%

LAB 80.38, -48.51, 40.74

 

CMYK 46 / 7 / 0 / 13

HEX #78CDDD

RGB 120 205 221

HSL 189.5, 0.6%, 0.67%

LAB 77.8, -21.59, -15.97

 

CMYK 1 / 45 / 0 / 13

HEX #DC79DE

RGB 220 121 222

HSL 298.81, 0.6%, 0.67%

LAB 65.09, 52.84, -35.3

 

CMYK 0 / 24 / 46 / 13

HEX #DDA778

RGB 221 167 120

HSL 27.92, 0.6%, 0.67%

LAB 72.47, 14.12, 31.97

 

CMYK 44 / 0 / 46 / 13

HEX #7CDD78

RGB 124 221 120

HSL 117.62, 0.6%, 0.67%

LAB 80.38, -48.51, 40.74

 

CMYK 46 / 21 / 0 / 13

HEX #78AEDD

RGB 120 174 221

HSL 207.92, 0.6%, 0.67%

LAB 69.1, -5.28, -29.22

 

Description

Color code: HEX #DC79DE | qconv.com Color code: HEX #DC79DE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 121 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 121 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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