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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC78D1 it is the complementary color #23872E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC78D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC78D1 shade: #E178CC, #F28ADF, #FF9CF2, #FFAEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC78D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC78D1 shade: #DC78D1, #CB66BE, #BA54AB, #A94298 and #983085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC78D1 shade: #DC79D2, #DC79B7, #DC799C, #DC7981 and #DC7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC78D1 shade: #DC79D2, #CD79DC, #B279DC, #9779DC and #7C79DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC78D1 shade matches the following richer shades: #DC79D2, #EA6CDC and #F85EE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC78D1 shade: #DC79D2, #CF87C7, #C194BC, #B4A2B2 and #A6B0A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC78D1 shade: #B179DC, #CC79DC, #DC79D3, #DC79B8 and #DC799E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC78D1 shade: #CC38BB, #D458C6, #DC79D2, #E59ADD and #EDBBE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC78D1 shade: #DC78D1, #DC9779 and #79DCBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC78D1 shade: #DC78D1, #D3DC79 and #79D3DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC78D1 shade: #DC78D1, #DC9779, #79DC83 and #79BFDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC78D1 shade: #DC78D1, #DCB579, #79DC83 and #79A1DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 5 / 14

HEX #DC78D1

RGB 220 120 209

HSL 306.6, 0.59%, 0.67%

LAB 64.36, 51.05, -29.17

 

Complementary color

CMYK 74 / 0 / 66 / 47

HEX #23872E

RGB 35 135 46

HSL 126.6, 0.59%, 0.33%

LAB 49.35, -46.84, 38.67

 

CMYK 0 / 47 / 9 / 12

HEX #E178CC

RGB 225 120 204

HSL 312, 0.64%, 0.68%

LAB 64.8, 51.72, -25.64

 

CMYK 0 / 43 / 8 / 5

HEX #F28ADF

RGB 242 138 223

HSL 310.96, 0.8%, 0.75%

LAB 71.13, 51.01, -26.31

 

CMYK 0 / 39 / 5 / 0

HEX #FF9CF2

RGB 255 156 242

HSL 307.88, 1%, 0.81%

LAB 76.95, 49.07, -27.64

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 45 / 5 / 14

HEX #DC78D1

RGB 220 120 209

HSL 306.6, 0.59%, 0.67%

LAB 64.36, 51.05, -29.17

 

CMYK 0 / 50 / 6 / 20

HEX #CB66BE

RGB 203 102 190

HSL 307.72, 0.49%, 0.6%

LAB 57.96, 51.72, -28.49

 

CMYK 0 / 55 / 8 / 27

HEX #BA54AB

RGB 186 84 171

HSL 308.82, 0.43%, 0.53%

LAB 51.52, 52.29, -27.67

 

CMYK 0 / 61 / 10 / 34

HEX #A94298

RGB 169 66 152

HSL 309.9, 0.44%, 0.46%

LAB 45.08, 52.66, -26.63

 

CMYK 0 / 68 / 13 / 40

HEX #983085

RGB 152 48 133

HSL 310.96, 0.52%, 0.39%

LAB 38.7, 52.64, -25.24

 

CMYK 0 / 45 / 5 / 14

HEX #DC79D2

RGB 220 121 210

HSL 306.06, 0.59%, 0.67%

LAB 64.6, 50.72, -29.37

 

CMYK 0 / 45 / 17 / 14

HEX #DC79B7

RGB 220 121 183

HSL 322.42, 0.59%, 0.67%

LAB 63.6, 46.31, -15.68

 

CMYK 0 / 45 / 29 / 14

HEX #DC799C

RGB 220 121 156

HSL 338.79, 0.59%, 0.67%

LAB 62.75, 42.45, -1.56

 

CMYK 0 / 45 / 41 / 14

HEX #DC7981

RGB 220 121 129

HSL 355.15, 0.59%, 0.67%

LAB 62.06, 39.2, 12.9

 

CMYK 0 / 45 / 45 / 14

HEX #DC7979

RGB 220 121 121

HSL 0, 0.59%, 0.67%

LAB 61.89, 38.36, 17.22

 

CMYK 0 / 45 / 5 / 14

HEX #DC79D2

RGB 220 121 210

HSL 306.06, 0.59%, 0.67%

LAB 64.6, 50.72, -29.37

 

CMYK 7 / 45 / 0 / 14

HEX #CD79DC

RGB 205 121 220

HSL 290.91, 0.59%, 0.67%

LAB 63.19, 48.15, -37.28

 

CMYK 19 / 45 / 0 / 14

HEX #B279DC

RGB 178 121 220

HSL 274.55, 0.59%, 0.67%

LAB 60.17, 40.42, -42.25

 

CMYK 31 / 45 / 0 / 14

HEX #9779DC

RGB 151 121 220

HSL 258.18, 0.59%, 0.67%

LAB 57.48, 32.96, -46.66

 

CMYK 44 / 45 / 0 / 14

HEX #7C79DC

RGB 124 121 220

HSL 241.82, 0.59%, 0.67%

LAB 55.2, 26.05, -50.42

 

CMYK 0 / 45 / 5 / 14

HEX #DC79D2

RGB 220 121 210

HSL 306.06, 0.59%, 0.67%

LAB 64.6, 50.72, -29.37

 

CMYK 0 / 54 / 6 / 8

HEX #EA6CDC

RGB 234 108 220

HSL 306.67, 0.75%, 0.67%

LAB 64.47, 62.64, -35.02

 

CMYK 0 / 62 / 7 / 3

HEX #F85EE7

RGB 248 94 231

HSL 306.62, 0.92%, 0.67%

LAB 64.75, 73.93, -40.57

 

CMYK 0 / 45 / 5 / 14

HEX #DC79D2

RGB 220 121 210

HSL 306.06, 0.59%, 0.67%

LAB 64.6, 50.72, -29.37

 

CMYK 0 / 35 / 4 / 19

HEX #CF87C7

RGB 207 135 199

HSL 306.67, 0.43%, 0.67%

LAB 65.53, 37.43, -21.91

 

CMYK 0 / 23 / 3 / 24

HEX #C194BC

RGB 193 148 188

HSL 306.67, 0.27%, 0.67%

LAB 66.63, 23.63, -14.22

 

CMYK 0 / 10 / 1 / 29

HEX #B4A2B2

RGB 180 162 178

HSL 306.67, 0.11%, 0.67%

LAB 68.58, 9.45, -5.87

 

CMYK 6 / 0 / 5 / 31

HEX #A6B0A7

RGB 166 176 167

HSL 126, 0.06%, 0.67%

LAB 70.83, -5.22, 3.39

 

CMYK 20 / 45 / 0 / 14

HEX #B179DC

RGB 177 121 220

HSL 273.94, 0.59%, 0.67%

LAB 60.06, 40.14, -42.42

 

CMYK 7 / 45 / 0 / 14

HEX #CC79DC

RGB 204 121 220

HSL 290.3, 0.59%, 0.67%

LAB 63.08, 47.86, -37.48

 

CMYK 0 / 45 / 4 / 14

HEX #DC79D3

RGB 220 121 211

HSL 305.45, 0.59%, 0.67%

LAB 64.64, 50.9, -29.87

 

CMYK 0 / 45 / 16 / 14

HEX #DC79B8

RGB 220 121 184

HSL 321.82, 0.59%, 0.67%

LAB 63.63, 46.47, -16.2

 

CMYK 0 / 45 / 28 / 14

HEX #DC799E

RGB 220 121 158

HSL 337.58, 0.59%, 0.67%

LAB 62.81, 42.72, -2.62

 

CMYK 0 / 73 / 8 / 20

HEX #CC38BB

RGB 204 56 187

HSL 306.89, 0.59%, 0.51%

LAB 50.98, 70.64, -37.64

 

CMYK 0 / 58 / 7 / 17

HEX #D458C6

RGB 212 88 198

HSL 306.77, 0.59%, 0.59%

LAB 57.13, 62.08, -34.26

 

CMYK 0 / 45 / 5 / 14

HEX #DC79D2

RGB 220 121 210

HSL 306.06, 0.59%, 0.67%

LAB 64.6, 50.72, -29.37

 

CMYK 0 / 33 / 3 / 10

HEX #E59ADD

RGB 229 154 221

HSL 306.4, 0.59%, 0.75%

LAB 72.89, 38.32, -22.66

 

CMYK 0 / 21 / 2 / 7

HEX #EDBBE8

RGB 237 187 232

HSL 306, 0.58%, 0.83%

LAB 81.5, 25.33, -15.52

 

CMYK 0 / 45 / 5 / 14

HEX #DC78D1

RGB 220 120 209

HSL 306.6, 0.59%, 0.67%

LAB 64.36, 51.05, -29.17

 

CMYK 0 / 31 / 45 / 14

HEX #DC9779

RGB 220 151 121

HSL 18.18, 0.59%, 0.67%

LAB 68.55, 22.43, 26.25

 

CMYK 45 / 0 / 13 / 14

HEX #79DCBF

RGB 121 220 191

HSL 162.42, 0.59%, 0.67%

LAB 81.3, -35.9, 5.24

 

CMYK 0 / 45 / 5 / 14

HEX #DC78D1

RGB 220 120 209

HSL 306.6, 0.59%, 0.67%

LAB 64.36, 51.05, -29.17

 

CMYK 4 / 0 / 45 / 14

HEX #D3DC79

RGB 211 220 121

HSL 65.45, 0.59%, 0.67%

LAB 85.21, -17.3, 47.37

 

CMYK 45 / 4 / 0 / 14

HEX #79D3DC

RGB 121 211 220

HSL 185.45, 0.59%, 0.67%

LAB 79.51, -24.61, -12.86

 

CMYK 0 / 45 / 5 / 14

HEX #DC78D1

RGB 220 120 209

HSL 306.6, 0.59%, 0.67%

LAB 64.36, 51.05, -29.17

 

CMYK 0 / 31 / 45 / 14

HEX #DC9779

RGB 220 151 121

HSL 18.18, 0.59%, 0.67%

LAB 68.55, 22.43, 26.25

 

CMYK 45 / 0 / 40 / 14

HEX #79DC83

RGB 121 220 131

HSL 126.06, 0.59%, 0.67%

LAB 80.12, -47.34, 34.9

 

CMYK 45 / 13 / 0 / 14

HEX #79BFDC

RGB 121 191 220

HSL 197.58, 0.59%, 0.67%

LAB 73.86, -14.43, -21.38

 

CMYK 0 / 45 / 5 / 14

HEX #DC78D1

RGB 220 120 209

HSL 306.6, 0.59%, 0.67%

LAB 64.36, 51.05, -29.17

 

CMYK 0 / 18 / 45 / 14

HEX #DCB579

RGB 220 181 121

HSL 36.36, 0.59%, 0.67%

LAB 75.85, 6.35, 35.79

 

CMYK 45 / 0 / 40 / 14

HEX #79DC83

RGB 121 220 131

HSL 126.06, 0.59%, 0.67%

LAB 80.12, -47.34, 34.9

 

CMYK 45 / 27 / 0 / 14

HEX #79A1DC

RGB 121 161 220

HSL 215.76, 0.59%, 0.67%

LAB 65.53, 1.93, -34.19

 

Description

Color code: HEX #DC78D1 | qconv.com Color code: HEX #DC78D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 120 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 120 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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