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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC776C it is the complementary color #238893. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC776C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC776C shade: #E17767, #F2897A, #FF9B8D, #FFADA0 and #FFBFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC776C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC776C shade: #DC776C, #CB6559, #BA5346, #A94133 and #982F20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC776C shade: #DC756A and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC776C shade: #DC756A, #DC946A, #DCB36A, #DCD26A and #C8DC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC776C shade matches the following richer shades: #DC756A, #EB6A5B and #FA5E4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC776C shade: #DC756A, #CD8179, #BE8D88, #B09997 and #A1A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC776C shade: #DC6A9E, #DC6A7F, #DC746A, #DC926A and #DCB06A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC776C shade: #C63D2E, #D45749, #DC756A, #E4948C and #ECB3AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC776C shade: #DC776C, #BCDC6A and #6A8EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC776C shade: #DC776C, #6ADC74 and #746ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC776C shade: #DC776C, #BCDC6A, #6AD3DC and #8B6ADC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC776C shade: #DC776C, #9ADC6A, #6AD3DC and #AD6ADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 51 / 14

HEX #DC776C

RGB 220 119 108

HSL 5.89, 0.62%, 0.64%

LAB 61.21, 38.15, 23.7

 

Complementary color

CMYK 76 / 7 / 0 / 42

HEX #238893

RGB 35 136 147

HSL 185.89, 0.62%, 0.36%

LAB 51.92, -23.98, -14.04

 

CMYK 0 / 47 / 54 / 12

HEX #E17767

RGB 225 119 103

HSL 7.87, 0.67%, 0.64%

LAB 61.81, 39.61, 27.43

 

CMYK 0 / 43 / 50 / 5

HEX #F2897A

RGB 242 137 122

HSL 7.5, 0.82%, 0.71%

LAB 68.15, 38.42, 25.64

 

CMYK 0 / 39 / 45 / 0

HEX #FF9B8D

RGB 255 155 141

HSL 7.37, 1%, 0.78%

LAB 73.95, 35.82, 23.3

 

CMYK 0 / 32 / 37 / 0

HEX #FFADA0

RGB 255 173 160

HSL 8.21, 1%, 0.81%

LAB 78.28, 28.49, 18.92

 

CMYK 0 / 25 / 30 / 0

HEX #FFBFB3

RGB 255 191 179

HSL 9.47, 1%, 0.85%

LAB 82.79, 21.37, 15.03

 

CMYK 0 / 46 / 51 / 14

HEX #DC776C

RGB 220 119 108

HSL 5.89, 0.62%, 0.64%

LAB 61.21, 38.15, 23.7

 

CMYK 0 / 50 / 56 / 20

HEX #CB6559

RGB 203 101 89

HSL 6.32, 0.52%, 0.57%

LAB 54.79, 39.37, 25.63

 

CMYK 0 / 55 / 62 / 27

HEX #BA5346

RGB 186 83 70

HSL 6.72, 0.46%, 0.5%

LAB 48.35, 40.64, 27.88

 

CMYK 0 / 62 / 70 / 34

HEX #A94133

RGB 169 65 51

HSL 7.12, 0.54%, 0.43%

LAB 41.93, 41.89, 30.51

 

CMYK 0 / 69 / 79 / 40

HEX #982F20

RGB 152 47 32

HSL 7.5, 0.65%, 0.36%

LAB 35.62, 42.97, 33.57

 

CMYK 0 / 47 / 52 / 14

HEX #DC756A

RGB 220 117 106

HSL 5.79, 0.62%, 0.64%

LAB 60.76, 39.01, 24.23

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 47 / 52 / 14

HEX #DC756A

RGB 220 117 106

HSL 5.79, 0.62%, 0.64%

LAB 60.76, 39.01, 24.23

 

CMYK 0 / 33 / 52 / 14

HEX #DC946A

RGB 220 148 106

HSL 22.11, 0.62%, 0.64%

LAB 67.6, 22.6, 33.15

 

CMYK 0 / 19 / 52 / 14

HEX #DCB36A

RGB 220 179 106

HSL 38.42, 0.62%, 0.64%

LAB 75.14, 5.99, 42.59

 

CMYK 0 / 5 / 52 / 14

HEX #DCD26A

RGB 220 210 106

HSL 54.74, 0.62%, 0.64%

LAB 83.1, -10.08, 52.16

 

CMYK 9 / 0 / 52 / 14

HEX #C8DC6A

RGB 200 220 106

HSL 70.53, 0.62%, 0.64%

LAB 84.23, -23.04, 53.1

 

CMYK 0 / 47 / 52 / 14

HEX #DC756A

RGB 220 117 106

HSL 5.79, 0.62%, 0.64%

LAB 60.76, 39.01, 24.23

 

CMYK 0 / 55 / 61 / 8

HEX #EB6A5B

RGB 235 106 91

HSL 6.25, 0.78%, 0.64%

LAB 60.54, 48.81, 32.82

 

CMYK 0 / 62 / 69 / 2

HEX #FA5E4D

RGB 250 94 77

HSL 5.9, 0.95%, 0.64%

LAB 60.66, 58.58, 41.25

 

CMYK 0 / 47 / 52 / 14

HEX #DC756A

RGB 220 117 106

HSL 5.79, 0.62%, 0.64%

LAB 60.76, 39.01, 24.23

 

CMYK 0 / 37 / 41 / 20

HEX #CD8179

RGB 205 129 121

HSL 5.71, 0.46%, 0.64%

LAB 61.71, 28.42, 16.67

 

CMYK 0 / 26 / 28 / 25

HEX #BE8D88

RGB 190 141 136

HSL 5.56, 0.29%, 0.64%

LAB 63.16, 17.89, 9.95

 

CMYK 0 / 13 / 14 / 31

HEX #B09997

RGB 176 153 151

HSL 4.8, 0.14%, 0.64%

LAB 65.16, 8.16, 4.17

 

CMYK 3 / 1 / 0 / 35

HEX #A1A5A6

RGB 161 165 166

HSL 192, 0.03%, 0.64%

LAB 67.46, -1.22, -1.02

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9E

RGB 220 106 158

HSL 332.63, 0.62%, 0.64%

LAB 59.88, 50.22, -6.95

 

CMYK 0 / 52 / 42 / 14

HEX #DC6A7F

RGB 220 106 127

HSL 348.95, 0.62%, 0.64%

LAB 59.03, 46.56, 9.78

 

CMYK 0 / 47 / 52 / 14

HEX #DC746A

RGB 220 116 106

HSL 5.26, 0.62%, 0.64%

LAB 60.56, 39.52, 23.96

 

CMYK 0 / 34 / 52 / 14

HEX #DC926A

RGB 220 146 106

HSL 21.05, 0.62%, 0.64%

LAB 67.14, 23.68, 32.55

 

CMYK 0 / 20 / 52 / 14

HEX #DCB06A

RGB 220 176 106

HSL 36.84, 0.62%, 0.64%

LAB 74.39, 7.59, 41.67

 

CMYK 0 / 69 / 77 / 22

HEX #C63D2E

RGB 198 61 46

HSL 5.92, 0.62%, 0.48%

LAB 46.37, 53.45, 39.72

 

CMYK 0 / 59 / 66 / 17

HEX #D45749

RGB 212 87 73

HSL 6.04, 0.62%, 0.56%

LAB 53.27, 48.39, 33.16

 

CMYK 0 / 47 / 52 / 14

HEX #DC756A

RGB 220 117 106

HSL 5.79, 0.62%, 0.64%

LAB 60.76, 39.01, 24.23

 

CMYK 0 / 35 / 39 / 11

HEX #E4948C

RGB 228 148 140

HSL 5.45, 0.62%, 0.72%

LAB 69.16, 29.21, 16.75

 

CMYK 0 / 24 / 27 / 7

HEX #ECB3AD

RGB 236 179 173

HSL 5.71, 0.62%, 0.8%

LAB 77.93, 19.86, 11.1

 

CMYK 0 / 46 / 51 / 14

HEX #DC776C

RGB 220 119 108

HSL 5.89, 0.62%, 0.64%

LAB 61.21, 38.15, 23.7

 

CMYK 15 / 0 / 52 / 14

HEX #BCDC6A

RGB 188 220 106

HSL 76.84, 0.62%, 0.64%

LAB 83.4, -27.71, 51.92

 

CMYK 52 / 35 / 0 / 14

HEX #6A8EDC

RGB 106 142 220

HSL 221.05, 0.62%, 0.64%

LAB 59.51, 9.35, -43.68

 

CMYK 0 / 46 / 51 / 14

HEX #DC776C

RGB 220 119 108

HSL 5.89, 0.62%, 0.64%

LAB 61.21, 38.15, 23.7

 

CMYK 52 / 0 / 47 / 14

HEX #6ADC74

RGB 106 220 116

HSL 125.26, 0.62%, 0.64%

LAB 79.34, -53.61, 41.24

 

CMYK 47 / 52 / 0 / 14

HEX #746ADC

RGB 116 106 220

HSL 245.26, 0.62%, 0.64%

LAB 50.91, 33.14, -57.32

 

CMYK 0 / 46 / 51 / 14

HEX #DC776C

RGB 220 119 108

HSL 5.89, 0.62%, 0.64%

LAB 61.21, 38.15, 23.7

 

CMYK 15 / 0 / 52 / 14

HEX #BCDC6A

RGB 188 220 106

HSL 76.84, 0.62%, 0.64%

LAB 83.4, -27.71, 51.92

 

CMYK 52 / 4 / 0 / 14

HEX #6AD3DC

RGB 106 211 220

HSL 184.74, 0.62%, 0.64%

LAB 78.94, -27.9, -13.78

 

CMYK 37 / 52 / 0 / 14

HEX #8B6ADC

RGB 139 106 220

HSL 257.37, 0.62%, 0.64%

LAB 52.91, 38.49, -54

 

CMYK 0 / 46 / 51 / 14

HEX #DC776C

RGB 220 119 108

HSL 5.89, 0.62%, 0.64%

LAB 61.21, 38.15, 23.7

 

CMYK 30 / 0 / 52 / 14

HEX #9ADC6A

RGB 154 220 106

HSL 94.74, 0.62%, 0.64%

LAB 81.34, -40.2, 48.98

 

CMYK 52 / 4 / 0 / 14

HEX #6AD3DC

RGB 106 211 220

HSL 184.74, 0.62%, 0.64%

LAB 78.94, -27.9, -13.78

 

CMYK 21 / 52 / 0 / 14

HEX #AD6ADC

RGB 173 106 220

HSL 275.26, 0.62%, 0.64%

LAB 56.45, 47.16, -48.16

 

Description

Color code: HEX #DC776C | qconv.com Color code: HEX #DC776C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 119 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 119 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 51 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 51% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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