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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7748 it is the complementary color #2388B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7748 shade: #E17743, #F28956, #FF9B69, #FFAD7C and #FFBF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7748 shade: #DC7748, #CB6535, #BA5322, #A9410F and #982F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7748 shade: #DC7647, #DC4E47 and #DC4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7748 shade: #DC7647, #DC9E47, #DCC747, #C9DC47 and #A1DC47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7748 shade matches the following richer shades: #DC7647 and #EE7035

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7748 shade: #DC7647, #CA7D59, #B8836A, #A78A7C and #95908E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7748 shade: #DC4767, #DC4E47, #DC7647, #DC9E47 and #DCC647

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7748 shade: #AF4E21, #D25E28, #DC7647, #E39069 and #E9AA8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7748 shade: #DC7748, #8FDC47 and #4753DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7748 shade: #DC7748, #47DC76 and #7647DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7748 shade: #DC7748, #8FDC47, #47ADDC and #9447DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7748 shade: #DC7748, #62DC47, #47ADDC and #C147DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 67 / 14

HEX #DC7748

RGB 220 119 72

HSL 19.05, 0.68%, 0.57%

LAB 60.67, 35.52, 42.75

 

Complementary color

CMYK 81 / 26 / 0 / 28

HEX #2388B7

RGB 35 136 183

HSL 199.05, 0.68%, 0.43%

LAB 53.37, -11.63, -32.59

 

CMYK 0 / 47 / 70 / 12

HEX #E17743

RGB 225 119 67

HSL 19.75, 0.72%, 0.57%

LAB 61.31, 37.22, 46.22

 

CMYK 0 / 43 / 64 / 5

HEX #F28956

RGB 242 137 86

HSL 19.62, 0.86%, 0.64%

LAB 67.61, 35.7, 44.32

 

CMYK 0 / 39 / 59 / 0

HEX #FF9B69

RGB 255 155 105

HSL 20, 1%, 0.71%

LAB 73.37, 32.75, 41.8

 

CMYK 0 / 32 / 51 / 0

HEX #FFAD7C

RGB 255 173 124

HSL 22.44, 1%, 0.74%

LAB 77.64, 24.87, 37.26

 

CMYK 0 / 25 / 44 / 0

HEX #FFBF8F

RGB 255 191 143

HSL 25.71, 1%, 0.78%

LAB 82.11, 17.23, 33.14

 

CMYK 0 / 46 / 67 / 14

HEX #DC7748

RGB 220 119 72

HSL 19.05, 0.68%, 0.57%

LAB 60.67, 35.52, 42.75

 

CMYK 0 / 50 / 74 / 20

HEX #CB6535

RGB 203 101 53

HSL 19.2, 0.59%, 0.5%

LAB 54.3, 37.12, 44.74

 

CMYK 0 / 55 / 82 / 27

HEX #BA5322

RGB 186 83 34

HSL 19.34, 0.69%, 0.43%

LAB 47.93, 38.83, 46.64

 

CMYK 0 / 62 / 91 / 34

HEX #A9410F

RGB 169 65 15

HSL 19.48, 0.84%, 0.36%

LAB 41.61, 40.6, 47.91

 

CMYK 0 / 69 / 100 / 40

HEX #982F00

RGB 152 47 0

HSL 18.55, 1%, 0.3%

LAB 35.42, 42.22, 47.55

 

CMYK 0 / 46 / 68 / 14

HEX #DC7647

RGB 220 118 71

HSL 18.93, 0.68%, 0.57%

LAB 60.45, 35.98, 43.01

 

CMYK 0 / 65 / 68 / 14

HEX #DC4E47

RGB 220 78 71

HSL 2.82, 0.68%, 0.57%

LAB 53.08, 55, 34.38

 

CMYK 0 / 68 / 68 / 14

HEX #DC4747

RGB 220 71 71

HSL 0, 0.68%, 0.57%

LAB 52.04, 57.82, 33.12

 

CMYK 0 / 46 / 68 / 14

HEX #DC7647

RGB 220 118 71

HSL 18.93, 0.68%, 0.57%

LAB 60.45, 35.98, 43.01

 

CMYK 0 / 28 / 68 / 14

HEX #DC9E47

RGB 220 158 71

HSL 35.03, 0.68%, 0.57%

LAB 69.56, 14.69, 53.12

 

CMYK 0 / 10 / 68 / 14

HEX #DCC747

RGB 220 199 71

HSL 51.54, 0.68%, 0.57%

LAB 79.91, -6.89, 63.99

 

CMYK 9 / 0 / 68 / 14

HEX #C9DC47

RGB 201 220 71

HSL 67.65, 0.68%, 0.57%

LAB 84, -25.2, 67.65

 

CMYK 27 / 0 / 68 / 14

HEX #A1DC47

RGB 161 220 71

HSL 83.76, 0.68%, 0.57%

LAB 81.41, -40.77, 64.18

 

CMYK 0 / 46 / 68 / 14

HEX #DC7647

RGB 220 118 71

HSL 18.93, 0.68%, 0.57%

LAB 60.45, 35.98, 43.01

 

CMYK 0 / 53 / 78 / 7

HEX #EE7035

RGB 238 112 53

HSL 19.14, 0.84%, 0.57%

LAB 61.67, 45.12, 53.93

 

CMYK 0 / 46 / 68 / 14

HEX #DC7647

RGB 220 118 71

HSL 18.93, 0.68%, 0.57%

LAB 60.45, 35.98, 43.01

 

CMYK 0 / 38 / 56 / 21

HEX #CA7D59

RGB 202 125 89

HSL 19.12, 0.52%, 0.57%

LAB 59.84, 26.27, 32.07

 

CMYK 0 / 29 / 42 / 28

HEX #B8836A

RGB 184 131 106

HSL 19.23, 0.35%, 0.57%

LAB 59.4, 17.25, 21.62

 

CMYK 0 / 17 / 26 / 35

HEX #A78A7C

RGB 167 138 124

HSL 19.53, 0.2%, 0.57%

LAB 59.75, 8.79, 11.61

 

CMYK 0 / 3 / 5 / 42

HEX #95908E

RGB 149 144 142

HSL 17.14, 0.03%, 0.57%

LAB 60.15, 1.47, 1.71

 

CMYK 0 / 68 / 53 / 14

HEX #DC4767

RGB 220 71 103

HSL 347.11, 0.68%, 0.57%

LAB 52.62, 59.91, 14.96

 

CMYK 0 / 65 / 68 / 14

HEX #DC4E47

RGB 220 78 71

HSL 2.82, 0.68%, 0.57%

LAB 53.08, 55, 34.38

 

CMYK 0 / 46 / 68 / 14

HEX #DC7647

RGB 220 118 71

HSL 18.93, 0.68%, 0.57%

LAB 60.45, 35.98, 43.01

 

CMYK 0 / 28 / 68 / 14

HEX #DC9E47

RGB 220 158 71

HSL 35.03, 0.68%, 0.57%

LAB 69.56, 14.69, 53.12

 

CMYK 0 / 10 / 68 / 14

HEX #DCC647

RGB 220 198 71

HSL 51.14, 0.68%, 0.57%

LAB 79.65, -6.38, 63.72

 

CMYK 0 / 55 / 81 / 31

HEX #AF4E21

RGB 175 78 33

HSL 19.01, 0.68%, 0.41%

LAB 45.18, 37, 43.89

 

CMYK 0 / 55 / 81 / 18

HEX #D25E28

RGB 210 94 40

HSL 19.06, 0.68%, 0.49%

LAB 53.88, 42.84, 50.85

 

CMYK 0 / 46 / 68 / 14

HEX #DC7647

RGB 220 118 71

HSL 18.93, 0.68%, 0.57%

LAB 60.45, 35.98, 43.01

 

CMYK 0 / 37 / 54 / 11

HEX #E39069

RGB 227 144 105

HSL 19.18, 0.69%, 0.65%

LAB 67.5, 27.47, 33.73

 

CMYK 0 / 27 / 40 / 9

HEX #E9AA8C

RGB 233 170 140

HSL 19.35, 0.68%, 0.73%

LAB 74.8, 19.4, 24.58

 

CMYK 0 / 46 / 67 / 14

HEX #DC7748

RGB 220 119 72

HSL 19.05, 0.68%, 0.57%

LAB 60.67, 35.52, 42.75

 

CMYK 35 / 0 / 68 / 14

HEX #8FDC47

RGB 143 220 71

HSL 91.01, 0.68%, 0.57%

LAB 80.45, -47.2, 62.88

 

CMYK 68 / 62 / 0 / 14

HEX #4753DC

RGB 71 83 220

HSL 235.17, 0.68%, 0.57%

LAB 42.3, 39.06, -71.42

 

CMYK 0 / 46 / 67 / 14

HEX #DC7748

RGB 220 119 72

HSL 19.05, 0.68%, 0.57%

LAB 60.67, 35.52, 42.75

 

CMYK 68 / 0 / 46 / 14

HEX #47DC76

RGB 71 220 118

HSL 138.93, 0.68%, 0.57%

LAB 78.36, -60.87, 38.82

 

CMYK 46 / 68 / 0 / 14

HEX #7647DC

RGB 118 71 220

HSL 258.93, 0.68%, 0.57%

LAB 43.54, 53.3, -69.23

 

CMYK 0 / 46 / 67 / 14

HEX #DC7748

RGB 220 119 72

HSL 19.05, 0.68%, 0.57%

LAB 60.67, 35.52, 42.75

 

CMYK 35 / 0 / 68 / 14

HEX #8FDC47

RGB 143 220 71

HSL 91.01, 0.68%, 0.57%

LAB 80.45, -47.2, 62.88

 

CMYK 68 / 21 / 0 / 14

HEX #47ADDC

RGB 71 173 220

HSL 198.93, 0.68%, 0.57%

LAB 66.82, -14.82, -32.36

 

CMYK 33 / 68 / 0 / 14

HEX #9447DC

RGB 148 71 220

HSL 271.01, 0.68%, 0.57%

LAB 46.93, 58.97, -63.57

 

CMYK 0 / 46 / 67 / 14

HEX #DC7748

RGB 220 119 72

HSL 19.05, 0.68%, 0.57%

LAB 60.67, 35.52, 42.75

 

CMYK 55 / 0 / 68 / 14

HEX #62DC47

RGB 98 220 71

HSL 109.13, 0.68%, 0.57%

LAB 78.6, -60.77, 60.37

 

CMYK 68 / 21 / 0 / 14

HEX #47ADDC

RGB 71 173 220

HSL 198.93, 0.68%, 0.57%

LAB 66.82, -14.82, -32.36

 

CMYK 12 / 68 / 0 / 14

HEX #C147DC

RGB 193 71 220

HSL 289.13, 0.68%, 0.57%

LAB 52.96, 68.37, -53.56

 

Description

Color code: HEX #DC7748 | qconv.com Color code: HEX #DC7748 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 119 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 119 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 67 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 67% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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