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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC75903F it is the complementary color #238A6F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC75903F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC75903F shade: #E1758B3F, #F2879E3F, #FF99B13F, #FFABC43F and #FFBDD73F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC75903F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC75903F shade: #DC75903F, #CB637D3F, #BA516A3F, #A93F573F and #982D443F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC75903F shade: #DC7490 and #DC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC75903F shade: #DC7490, #DC74AC, #DC74C8, #D574DC and #B974DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC75903F shade matches the following richer shades: #DC7490, #EA6689 and #F85882

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC75903F shade: #DC7490, #CE8296, #C0909D, #B29EA4 and #A4ACAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC75903F shade: #DC74C8, #DC74AC, #DC7490, #DC7474 and #DC9074

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC75903F shade: #CB335B, #D45375, #DC7490, #E595AA and #EDB6C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC75903F shade: #DC7590, #DCD574 and #74BADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC75903F shade: #DC7590, #90DC74 and #7490DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC75903F shade: #DC7590, #DCD574, #74DCC1 and #747BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC75903F shade: #DC7590, #C4DC74, #74DCC1 and #8D74DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 9 / 3

HEX #DC75903F

RGBA 220 117 144 0.25

HSLA 344.27, 0.6%, 0.66%, 0.25

LABA 61.61, 42.98, 3.66, 0.25

 

Complementary color

CMYK 19 / 0 / 5 / 11

HEX #238A6F3F

RGBA 35 138 111 0.25

HSLA 164.27, 0.6%, 0.34%, 0.25

LABA 51.48, -35.56, 6.22, 0.25

 

CMYK 0 / 12 / 10 / 3

HEX #E1758B3F

RGBA 225 117 139 0.25

HSLA 347.78, 0.64%, 0.67%, 0.25

LABA 62.16, 44.15, 7.41, 0.25

 

CMYK 0 / 11 / 9 / 1

HEX #F2879E3F

RGBA 242 135 158 0.25

HSLA 347.1, 0.8%, 0.74%, 0.25

LABA 68.51, 43.22, 6.02, 0.25

 

CMYK 0 / 10 / 8 / 0

HEX #FF99B13F

RGBA 255 153 177 0.25

HSLA 345.88, 1%, 0.8%, 0.25

LABA 74.33, 40.92, 4.04, 0.25

 

CMYK 0 / 8 / 6 / 0

HEX #FFABC43F

RGBA 255 171 196 0.25

HSLA 342.14, 1%, 0.84%, 0.25

LABA 78.68, 34.15, -0.05, 0.25

 

CMYK 0 / 6 / 4 / 0

HEX #FFBDD73F

RGBA 255 189 215 0.25

HSLA 336.36, 1%, 0.87%, 0.25

LABA 83.21, 27.53, -3.66, 0.25

 

CMYK 0 / 12 / 9 / 3

HEX #DC75903F

RGBA 220 117 144 0.25

HSLA 344.27, 0.6%, 0.66%, 0.25

LABA 61.61, 42.98, 3.66, 0.25

 

CMYK 0 / 13 / 10 / 5

HEX #CB637D3F

RGBA 203 99 125 0.25

HSLA 345, 0.5%, 0.59%, 0.25

LABA 55.18, 43.89, 5.12, 0.25

 

CMYK 0 / 14 / 11 / 7

HEX #BA516A3F

RGBA 186 81 106 0.25

HSLA 345.71, 0.43%, 0.52%, 0.25

LABA 48.72, 44.77, 6.86, 0.25

 

CMYK 0 / 16 / 12 / 8

HEX #A93F573F

RGBA 169 63 87 0.25

HSLA 346.42, 0.46%, 0.45%, 0.25

LABA 42.27, 45.52, 9, 0.25

 

CMYK 0 / 18 / 14 / 10

HEX #982D443F

RGBA 152 45 68 0.25

HSLA 347.1, 0.54%, 0.39%, 0.25

LABA 35.93, 45.97, 11.71, 0.25

 

CMYK 0 / 47 / 35 / 14

HEX #DC7490

RGB 220 116 144

HSL 343.85, 0.6%, 0.66%

LAB 61.41, 43.49, 3.37

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 47 / 35 / 14

HEX #DC7490

RGB 220 116 144

HSL 343.85, 0.6%, 0.66%

LAB 61.41, 43.49, 3.37

 

CMYK 0 / 47 / 22 / 14

HEX #DC74AC

RGB 220 116 172

HSL 327.69, 0.6%, 0.66%

LAB 62.24, 47.21, -11.47

 

CMYK 0 / 47 / 9 / 14

HEX #DC74C8

RGB 220 116 200

HSL 311.54, 0.6%, 0.66%

LAB 63.24, 51.54, -25.84

 

CMYK 3 / 47 / 0 / 14

HEX #D574DC

RGB 213 116 220

HSL 295.96, 0.6%, 0.66%

LAB 63.18, 52.98, -37.23

 

CMYK 16 / 47 / 0 / 14

HEX #B974DC

RGB 185 116 220

HSL 279.81, 0.6%, 0.66%

LAB 59.86, 45.09, -42.67

 

CMYK 0 / 47 / 35 / 14

HEX #DC7490

RGB 220 116 144

HSL 343.85, 0.6%, 0.66%

LAB 61.41, 43.49, 3.37

 

CMYK 0 / 56 / 41 / 8

HEX #EA6689

RGB 234 102 137

HSL 344.09, 0.76%, 0.66%

LAB 60.61, 54.23, 6.51

 

CMYK 0 / 65 / 48 / 3

HEX #F85882

RGB 248 88 130

HSL 344.25, 0.92%, 0.66%

LAB 60.38, 63.99, 10.55

 

CMYK 0 / 47 / 35 / 14

HEX #DC7490

RGB 220 116 144

HSL 343.85, 0.6%, 0.66%

LAB 61.41, 43.49, 3.37

 

CMYK 0 / 37 / 27 / 19

HEX #CE8296

RGB 206 130 150

HSL 344.21, 0.44%, 0.66%

LAB 62.75, 31.92, 1.65

 

CMYK 0 / 25 / 18 / 25

HEX #C0909D

RGB 192 144 157

HSL 343.75, 0.28%, 0.66%

LAB 64.63, 20.13, 0.23

 

CMYK 0 / 11 / 8 / 30

HEX #B29EA4

RGB 178 158 164

HSL 342, 0.11%, 0.66%

LAB 66.98, 8.38, -0.44

 

CMYK 5 / 0 / 1 / 33

HEX #A4ACAA

RGB 164 172 170

HSL 165, 0.05%, 0.66%

LAB 69.68, -3.2, 0.04

 

CMYK 0 / 47 / 9 / 14

HEX #DC74C8

RGB 220 116 200

HSL 311.54, 0.6%, 0.66%

LAB 63.24, 51.54, -25.84

 

CMYK 0 / 47 / 22 / 14

HEX #DC74AC

RGB 220 116 172

HSL 327.69, 0.6%, 0.66%

LAB 62.24, 47.21, -11.47

 

CMYK 0 / 47 / 35 / 14

HEX #DC7490

RGB 220 116 144

HSL 343.85, 0.6%, 0.66%

LAB 61.41, 43.49, 3.37

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 35 / 47 / 14

HEX #DC9074

RGB 220 144 116

HSL 16.15, 0.6%, 0.66%

LAB 66.84, 25.69, 26.72

 

CMYK 0 / 75 / 55 / 20

HEX #CB335B

RGB 203 51 91

HSL 344.21, 0.6%, 0.5%

LAB 46.74, 61.09, 13.65

 

CMYK 0 / 61 / 45 / 17

HEX #D45375

RGB 212 83 117

HSL 344.19, 0.6%, 0.58%

LAB 53.46, 53.64, 7.58

 

CMYK 0 / 47 / 35 / 14

HEX #DC7490

RGB 220 116 144

HSL 343.85, 0.6%, 0.66%

LAB 61.41, 43.49, 3.37

 

CMYK 0 / 35 / 26 / 10

HEX #E595AA

RGB 229 149 170

HSL 344.25, 0.61%, 0.74%

LAB 70.21, 32.86, 1.57

 

CMYK 0 / 23 / 17 / 7

HEX #EDB6C5

RGB 237 182 197

HSL 343.64, 0.6%, 0.82%

LAB 79.32, 22.13, 0.13

 

CMYK 0 / 47 / 35 / 14

HEX #DC7590

RGB 220 117 144

HSL 344.27, 0.6%, 0.66%

LAB 61.61, 42.98, 3.66

 

CMYK 0 / 3 / 47 / 14

HEX #DCD574

RGB 220 213 116

HSL 55.96, 0.6%, 0.66%

LAB 84, -10.72, 48.47

 

CMYK 47 / 15 / 0 / 14

HEX #74BADC

RGB 116 186 220

HSL 199.62, 0.6%, 0.66%

LAB 72.23, -12.99, -23.9

 

CMYK 0 / 47 / 35 / 14

HEX #DC7590

RGB 220 117 144

HSL 344.27, 0.6%, 0.66%

LAB 61.61, 42.98, 3.66

 

CMYK 35 / 0 / 47 / 14

HEX #90DC74

RGB 144 220 116

HSL 103.85, 0.6%, 0.66%

LAB 80.95, -42.41, 43.6

 

CMYK 47 / 35 / 0 / 14

HEX #7490DC

RGB 116 144 220

HSL 223.85, 0.6%, 0.66%

LAB 60.63, 10.49, -41.87

 

CMYK 0 / 47 / 35 / 14

HEX #DC7590

RGB 220 117 144

HSL 344.27, 0.6%, 0.66%

LAB 61.61, 42.98, 3.66

 

CMYK 0 / 3 / 47 / 14

HEX #DCD574

RGB 220 213 116

HSL 55.96, 0.6%, 0.66%

LAB 84, -10.72, 48.47

 

CMYK 47 / 0 / 12 / 14

HEX #74DCC1

RGB 116 220 193

HSL 164.42, 0.6%, 0.66%

LAB 81.15, -36.66, 3.94

 

CMYK 47 / 44 / 0 / 14

HEX #747BDC

RGB 116 123 220

HSL 235.96, 0.6%, 0.66%

LAB 55.12, 22.96, -50.59

 

CMYK 0 / 47 / 35 / 14

HEX #DC7590

RGB 220 117 144

HSL 344.27, 0.6%, 0.66%

LAB 61.61, 42.98, 3.66

 

CMYK 11 / 0 / 47 / 14

HEX #C4DC74

RGB 196 220 116

HSL 73.85, 0.6%, 0.66%

LAB 84.06, -23.65, 48.13

 

CMYK 47 / 0 / 12 / 14

HEX #74DCC1

RGB 116 220 193

HSL 164.42, 0.6%, 0.66%

LAB 81.15, -36.66, 3.94

 

CMYK 36 / 47 / 0 / 14

HEX #8D74DC

RGB 141 116 220

HSL 254.42, 0.6%, 0.66%

LAB 55.4, 33.23, -50.02

 

Description

Color code: HEX #DC75903F | qconv.com Color code: HEX #DC75903F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 117 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 117 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 9 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 9% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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