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Color name
HEX #DC752C3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC752C3F it is the complementary color #238AD33F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC752C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC752C3F shade: #E175273F, #F2873A3F, #FF994D3F, #FFAB603F and #FFBD733F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC752C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC752C3F shade: #DC752C3F, #CB63193F, #BA51063F, #A93F003F and #982D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC752C3F shade: #DD762C, #DD462C and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC752C3F shade: #DD762C, #DDA52C, #DDD52C, #B5DD2C and #86DD2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC752C3F shade matches the following richer shades: #DD762C and #F17219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC752C3F shade: #DD762C, #C97940, #B57C54, #A18068 and #8E837C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC752C3F shade: #DD2C44, #DD442C, #DD732C, #DDA22C and #DDD12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC752C3F shade: #9D501A, #C1621F, #DD762C, #E38D50 and #E8A473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC752C3F shade: #DC752C, #73DD2C and #2C2CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC752C3F shade: #DC752C, #2CDD73 and #732CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC752C3F shade: #DC752C, #73DD2C, #2C96DD and #962CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC752C3F shade: #DC752C, #3EDD2C, #2C96DD and #CB2CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 20 / 3

HEX #DC752C3F

RGBA 220 117 44 0.25

HSLA 24.89, 0.72%, 0.52%, 0.25

LABA 60, 35.3, 55.37, 0.25

 

Complementary color

CMYK 21 / 9 / 0 / 4

HEX #238AD33F

RGBA 35 138 211 0.25

HSLA 204.89, 0.72%, 0.48%, 0.25

LABA 55.32, -2.56, -45.42, 0.25

 

CMYK 0 / 12 / 21 / 3

HEX #E175273F

RGBA 225 117 39 0.25

HSLA 25.16, 0.76%, 0.52%, 0.25

LABA 60.67, 37.14, 58.25, 0.25

 

CMYK 0 / 11 / 19 / 1

HEX #F2873A3F

RGBA 242 135 58 0.25

HSLA 25.11, 0.88%, 0.59%, 0.25

LABA 66.91, 35.33, 57.06, 0.25

 

CMYK 0 / 10 / 17 / 0

HEX #FF994D3F

RGBA 255 153 77 0.25

HSLA 25.62, 1%, 0.65%, 0.25

LABA 72.61, 32.09, 54.86, 0.25

 

CMYK 0 / 8 / 16 / 0

HEX #FFAB603F

RGBA 255 171 96 0.25

HSLA 28.3, 1%, 0.69%, 0.25

LABA 76.82, 23.81, 50.46, 0.25

 

CMYK 0 / 6 / 14 / 0

HEX #FFBD733F

RGBA 255 189 115 0.25

HSLA 31.71, 1%, 0.73%, 0.25

LABA 81.23, 15.76, 46.34, 0.25

 

CMYK 0 / 12 / 20 / 3

HEX #DC752C3F

RGBA 220 117 44 0.25

HSLA 24.89, 0.72%, 0.52%, 0.25

LABA 60, 35.3, 55.37, 0.25

 

CMYK 0 / 13 / 22 / 5

HEX #CB63193F

RGBA 203 99 25 0.25

HSLA 24.94, 0.78%, 0.45%, 0.25

LABA 53.7, 37.21, 56.19, 0.25

 

CMYK 0 / 14 / 24 / 7

HEX #BA51063F

RGBA 186 81 6 0.25

HSLA 25, 0.94%, 0.38%, 0.25

LABA 47.41, 39.26, 55.69, 0.25

 

CMYK 0 / 16 / 25 / 8

HEX #A93F003F

RGBA 169 63 0 0.25

HSLA 22.37, 1%, 0.33%, 0.25

LABA 41.2, 41.32, 52.24, 0.25

 

CMYK 0 / 18 / 25 / 10

HEX #982D003F

RGBA 152 45 0 0.25

HSLA 17.76, 1%, 0.3%, 0.25

LABA 35.11, 43.06, 47.39, 0.25

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 0 / 68 / 80 / 13

HEX #DD462C

RGB 221 70 44

HSL 8.81, 0.72%, 0.52%

LAB 51.76, 57.43, 47.58

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 0 / 25 / 80 / 13

HEX #DDA52C

RGB 221 165 44

HSL 41.02, 0.72%, 0.52%

LAB 71.19, 10.17, 65.61

 

CMYK 0 / 4 / 80 / 13

HEX #DDD52C

RGB 221 213 44

HSL 57.29, 0.72%, 0.52%

LAB 83.52, -14.67, 76.44

 

CMYK 18 / 0 / 80 / 13

HEX #B5DD2C

RGB 181 221 44

HSL 73.56, 0.72%, 0.52%

LAB 82.76, -34.95, 74.65

 

CMYK 39 / 0 / 80 / 13

HEX #86DD2C

RGB 134 221 44

HSL 89.49, 0.72%, 0.52%

LAB 80.16, -52.24, 71.33

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 0 / 53 / 90 / 5

HEX #F17219

RGB 241 114 25

HSL 24.72, 0.89%, 0.52%

LAB 62.34, 44.56, 65.28

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 0 / 40 / 68 / 21

HEX #C97940

RGB 201 121 64

HSL 24.96, 0.56%, 0.52%

LAB 58.47, 26.29, 43.67

 

CMYK 0 / 31 / 54 / 29

HEX #B57C54

RGB 181 124 84

HSL 24.74, 0.4%, 0.52%

LAB 56.96, 17.68, 30.65

 

CMYK 0 / 20 / 35 / 37

HEX #A18068

RGB 161 128 104

HSL 25.26, 0.23%, 0.52%

LAB 56.1, 9.21, 17.86

 

CMYK 0 / 8 / 13 / 44

HEX #8E837C

RGB 142 131 124

HSL 23.33, 0.07%, 0.52%

LAB 55.52, 2.89, 5.27

 

CMYK 0 / 80 / 69 / 13

HEX #DD2C44

RGB 221 44 68

HSL 351.86, 0.72%, 0.52%

LAB 49, 66.82, 31.22

 

CMYK 0 / 69 / 80 / 13

HEX #DD442C

RGB 221 68 44

HSL 8.14, 0.72%, 0.52%

LAB 51.48, 58.19, 47.31

 

CMYK 0 / 48 / 80 / 13

HEX #DD732C

RGB 221 115 44

HSL 24.07, 0.72%, 0.52%

LAB 59.72, 36.73, 55.16

 

CMYK 0 / 27 / 80 / 13

HEX #DDA22C

RGB 221 162 44

HSL 40, 0.72%, 0.52%

LAB 70.45, 11.78, 64.95

 

CMYK 0 / 5 / 80 / 13

HEX #DDD12C

RGB 221 209 44

HSL 55.93, 0.72%, 0.52%

LAB 82.46, -12.67, 75.53

 

CMYK 0 / 49 / 83 / 38

HEX #9D501A

RGB 157 80 26

HSL 24.73, 0.72%, 0.36%

LAB 42.73, 28.33, 43.75

 

CMYK 0 / 49 / 84 / 24

HEX #C1621F

RGB 193 98 31

HSL 24.81, 0.72%, 0.44%

LAB 52.03, 33.85, 52.01

 

CMYK 0 / 47 / 80 / 13

HEX #DD762C

RGB 221 118 44

HSL 25.08, 0.72%, 0.52%

LAB 60.35, 35.18, 55.74

 

CMYK 0 / 38 / 65 / 11

HEX #E38D50

RGB 227 141 80

HSL 24.9, 0.72%, 0.6%

LAB 66.49, 27.24, 45.59

 

CMYK 0 / 29 / 50 / 9

HEX #E8A473

RGB 232 164 115

HSL 25.13, 0.72%, 0.68%

LAB 72.86, 19.68, 35.35

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 48 / 0 / 80 / 13

HEX #73DD2C

RGB 115 221 44

HSL 95.93, 0.72%, 0.52%

LAB 79.35, -58.23, 70.29

 

CMYK 80 / 80 / 0 / 13

HEX #2C2CDD

RGB 44 44 221

HSL 240, 0.72%, 0.52%

LAB 33.04, 58.75, -87.29

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 80 / 0 / 48 / 13

HEX #2CDD73

RGB 44 221 115

HSL 144.07, 0.72%, 0.52%

LAB 78.16, -65.47, 39.94

 

CMYK 48 / 80 / 0 / 13

HEX #732CDD

RGB 115 44 221

HSL 264.07, 0.72%, 0.52%

LAB 39.01, 65.25, -77.23

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 48 / 0 / 80 / 13

HEX #73DD2C

RGB 115 221 44

HSL 95.93, 0.72%, 0.52%

LAB 79.35, -58.23, 70.29

 

CMYK 80 / 32 / 0 / 13

HEX #2C96DD

RGB 44 150 221

HSL 204.07, 0.72%, 0.52%

LAB 59.5, -5.08, -44.41

 

CMYK 32 / 80 / 0 / 13

HEX #962CDD

RGB 150 44 221

HSL 275.93, 0.72%, 0.52%

LAB 43.52, 70.23, -69.68

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 72 / 0 / 80 / 13

HEX #3EDD2C

RGB 62 221 44

HSL 113.9, 0.72%, 0.52%

LAB 77.83, -70.56, 68.33

 

CMYK 80 / 32 / 0 / 13

HEX #2C96DD

RGB 44 150 221

HSL 204.07, 0.72%, 0.52%

LAB 59.5, -5.08, -44.41

 

CMYK 8 / 80 / 0 / 13

HEX #CB2CDD

RGB 203 44 221

HSL 293.9, 0.72%, 0.52%

LAB 51.52, 79.19, -56.35

 

Description

Color code: HEX #DC752C3F | qconv.com Color code: HEX #DC752C3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 117 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 117 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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