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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7463 it is the complementary color #238B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7463 shade: #E1745E, #F28671, #FF9884, #FFAA97 and #FFBCAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7463 shade: #DC7463, #CB6250, #BA503D, #A93E2A and #982C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7463 shade: #DC7665 and #DC6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7463 shade: #DC7665, #DC9665, #DCB665, #DCD665 and #C2DC65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7463 shade matches the following richer shades: #DC7665, #EB6B56 and #FB6047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7463 shade: #DC7665, #CD8174, #BE8C84, #AE9793 and #9FA2A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7463 shade: #DC6595, #DC6575, #DC7565, #DC9565 and #DCB465

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7463 shade: #C3412C, #D45844, #DC7665, #E49487 and #EBB2A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7463 shade: #DC7463, #B4DC65 and #6585DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7463 shade: #DC7463, #65DC75 and #7565DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7463 shade: #DC7463, #B4DC65, #65CCDC and #8D65DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7463 shade: #DC7463, #91DC65, #65CCDC and #B165DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 55 / 14

HEX #DC7463

RGB 220 116 99

HSL 8.43, 0.63%, 0.63%

LAB 60.43, 38.93, 27.75

 

Complementary color

CMYK 78 / 11 / 0 / 39

HEX #238B9C

RGB 35 139 156

HSL 188.43, 0.63%, 0.37%

LAB 53.19, -22.59, -17.33

 

CMYK 0 / 48 / 58 / 12

HEX #E1745E

RGB 225 116 94

HSL 10.08, 0.69%, 0.63%

LAB 61.05, 40.43, 31.48

 

CMYK 0 / 45 / 53 / 5

HEX #F28671

RGB 242 134 113

HSL 9.77, 0.83%, 0.7%

LAB 67.37, 39.17, 29.57

 

CMYK 0 / 40 / 48 / 0

HEX #FF9884

RGB 255 152 132

HSL 9.76, 1%, 0.76%

LAB 73.14, 36.5, 27.11

 

CMYK 0 / 33 / 41 / 0

HEX #FFAA97

RGB 255 170 151

HSL 10.96, 1%, 0.8%

LAB 77.43, 29.06, 22.61

 

CMYK 0 / 26 / 33 / 0

HEX #FFBCAA

RGB 255 188 170

HSL 12.71, 1%, 0.83%

LAB 81.91, 21.81, 18.59

 

CMYK 0 / 47 / 55 / 14

HEX #DC7463

RGB 220 116 99

HSL 8.43, 0.63%, 0.63%

LAB 60.43, 38.93, 27.75

 

CMYK 0 / 52 / 61 / 20

HEX #CB6250

RGB 203 98 80

HSL 8.78, 0.54%, 0.55%

LAB 54.04, 40.21, 29.82

 

CMYK 0 / 57 / 67 / 27

HEX #BA503D

RGB 186 80 61

HSL 9.12, 0.51%, 0.48%

LAB 47.64, 41.54, 32.21

 

CMYK 0 / 63 / 75 / 34

HEX #A93E2A

RGB 169 62 42

HSL 9.45, 0.6%, 0.41%

LAB 41.29, 42.83, 34.94

 

CMYK 0 / 71 / 85 / 40

HEX #982C17

RGB 152 44 23

HSL 9.77, 0.74%, 0.34%

LAB 35.08, 43.91, 37.88

 

CMYK 0 / 46 / 54 / 14

HEX #DC7665

RGB 220 118 101

HSL 8.57, 0.63%, 0.63%

LAB 60.88, 38.06, 27.21

 

CMYK 0 / 54 / 54 / 14

HEX #DC6565

RGB 220 101 101

HSL 0, 0.63%, 0.63%

LAB 57.52, 46.58, 22.78

 

CMYK 0 / 46 / 54 / 14

HEX #DC7665

RGB 220 118 101

HSL 8.57, 0.63%, 0.63%

LAB 60.88, 38.06, 27.21

 

CMYK 0 / 32 / 54 / 14

HEX #DC9665

RGB 220 150 101

HSL 24.71, 0.63%, 0.63%

LAB 68, 21.1, 36.32

 

CMYK 0 / 17 / 54 / 14

HEX #DCB665

RGB 220 182 101

HSL 40.84, 0.63%, 0.63%

LAB 75.83, 3.98, 45.93

 

CMYK 0 / 3 / 54 / 14

HEX #DCD665

RGB 220 214 101

HSL 56.97, 0.63%, 0.63%

LAB 84.09, -12.5, 55.64

 

CMYK 12 / 0 / 54 / 14

HEX #C2DC65

RGB 194 220 101

HSL 73.11, 0.63%, 0.63%

LAB 83.75, -25.84, 54.74

 

CMYK 0 / 46 / 54 / 14

HEX #DC7665

RGB 220 118 101

HSL 8.57, 0.63%, 0.63%

LAB 60.88, 38.06, 27.21

 

CMYK 0 / 54 / 63 / 8

HEX #EB6B56

RGB 235 107 86

HSL 8.46, 0.79%, 0.63%

LAB 60.65, 48.02, 35.73

 

CMYK 0 / 62 / 72 / 2

HEX #FB6047

RGB 251 96 71

HSL 8.33, 0.96%, 0.63%

LAB 61.07, 57.79, 44.98

 

CMYK 0 / 46 / 54 / 14

HEX #DC7665

RGB 220 118 101

HSL 8.57, 0.63%, 0.63%

LAB 60.88, 38.06, 27.21

 

CMYK 0 / 37 / 43 / 20

HEX #CD8174

RGB 205 129 116

HSL 8.76, 0.47%, 0.63%

LAB 61.6, 27.87, 19.36

 

CMYK 0 / 26 / 31 / 25

HEX #BE8C84

RGB 190 140 132

HSL 8.28, 0.31%, 0.63%

LAB 62.82, 17.89, 11.73

 

CMYK 0 / 13 / 16 / 32

HEX #AE9793

RGB 174 151 147

HSL 8.89, 0.14%, 0.63%

LAB 64.35, 7.85, 5.24

 

CMYK 2 / 0 / 0 / 36

HEX #9FA2A2

RGB 159 162 162

HSL 180, 0.02%, 0.63%

LAB 66.38, -1.07, -0.38

 

CMYK 0 / 54 / 32 / 14

HEX #DC6595

RGB 220 101 149

HSL 335.8, 0.63%, 0.63%

LAB 58.69, 51.49, -3.5

 

CMYK 0 / 54 / 47 / 14

HEX #DC6575

RGB 220 101 117

HSL 351.93, 0.63%, 0.63%

LAB 57.85, 47.99, 13.95

 

CMYK 0 / 47 / 54 / 14

HEX #DC7565

RGB 220 117 101

HSL 8.07, 0.63%, 0.63%

LAB 60.67, 38.58, 26.94

 

CMYK 0 / 32 / 54 / 14

HEX #DC9565

RGB 220 149 101

HSL 24.2, 0.63%, 0.63%

LAB 67.76, 21.63, 36.02

 

CMYK 0 / 18 / 54 / 14

HEX #DCB465

RGB 220 180 101

HSL 39.83, 0.63%, 0.63%

LAB 75.33, 5.04, 45.32

 

CMYK 0 / 67 / 77 / 24

HEX #C3412C

RGB 195 65 44

HSL 8.34, 0.63%, 0.47%

LAB 46.4, 50.76, 40.67

 

CMYK 0 / 58 / 68 / 17

HEX #D45844

RGB 212 88 68

HSL 8.33, 0.63%, 0.55%

LAB 53.38, 47.65, 36.1

 

CMYK 0 / 46 / 54 / 14

HEX #DC7665

RGB 220 118 101

HSL 8.57, 0.63%, 0.63%

LAB 60.88, 38.06, 27.21

 

CMYK 0 / 35 / 41 / 11

HEX #E49487

RGB 228 148 135

HSL 8.39, 0.63%, 0.71%

LAB 69.06, 28.65, 19.38

 

CMYK 0 / 24 / 29 / 8

HEX #EBB2A8

RGB 235 178 168

HSL 8.96, 0.63%, 0.79%

LAB 77.48, 19.34, 13.16

 

CMYK 0 / 47 / 55 / 14

HEX #DC7463

RGB 220 116 99

HSL 8.43, 0.63%, 0.63%

LAB 60.43, 38.93, 27.75

 

CMYK 18 / 0 / 54 / 14

HEX #B4DC65

RGB 180 220 101

HSL 80.17, 0.63%, 0.63%

LAB 82.82, -31.23, 53.41

 

CMYK 54 / 40 / 0 / 14

HEX #6585DC

RGB 101 133 220

HSL 223.87, 0.63%, 0.63%

LAB 56.79, 13.6, -47.99

 

CMYK 0 / 47 / 55 / 14

HEX #DC7463

RGB 220 116 99

HSL 8.43, 0.63%, 0.63%

LAB 60.43, 38.93, 27.75

 

CMYK 54 / 0 / 47 / 14

HEX #65DC75

RGB 101 220 117

HSL 128.07, 0.63%, 0.63%

LAB 79.18, -54.72, 40.51

 

CMYK 47 / 54 / 0 / 14

HEX #7565DC

RGB 117 101 220

HSL 248.07, 0.63%, 0.63%

LAB 49.81, 36.32, -59.09

 

CMYK 0 / 47 / 55 / 14

HEX #DC7463

RGB 220 116 99

HSL 8.43, 0.63%, 0.63%

LAB 60.43, 38.93, 27.75

 

CMYK 18 / 0 / 54 / 14

HEX #B4DC65

RGB 180 220 101

HSL 80.17, 0.63%, 0.63%

LAB 82.82, -31.23, 53.41

 

CMYK 54 / 7 / 0 / 14

HEX #65CCDC

RGB 101 204 220

HSL 188.07, 0.63%, 0.63%

LAB 76.75, -25.48, -17.09

 

CMYK 36 / 54 / 0 / 14

HEX #8D65DC

RGB 141 101 220

HSL 260.17, 0.63%, 0.63%

LAB 51.99, 41.81, -55.46

 

CMYK 0 / 47 / 55 / 14

HEX #DC7463

RGB 220 116 99

HSL 8.43, 0.63%, 0.63%

LAB 60.43, 38.93, 27.75

 

CMYK 34 / 0 / 54 / 14

HEX #91DC65

RGB 145 220 101

HSL 97.82, 0.63%, 0.63%

LAB 80.82, -43.82, 50.56

 

CMYK 54 / 7 / 0 / 14

HEX #65CCDC

RGB 101 204 220

HSL 188.07, 0.63%, 0.63%

LAB 76.75, -25.48, -17.09

 

CMYK 20 / 54 / 0 / 14

HEX #B165DC

RGB 177 101 220

HSL 278.32, 0.63%, 0.63%

LAB 55.91, 50.82, -48.98

 

Description

Color code: HEX #DC7463 | qconv.com Color code: HEX #DC7463 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 116 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 116 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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