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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6EB6 it is the complementary color #239149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6EB6 shade: #E16EB1, #F280C4, #FF92D7, #FFA4EA and #FFB6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6EB6 shade: #DC6EB6, #CB5CA3, #BA4A90, #A9387D and #98266A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6EB6 shade: #DC6FB7, #DC6F99, #DC6F7C and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6EB6 shade: #DC6FB7, #DC6FD4, #C76FDC, #AA6FDC and #8C6FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6EB6 shade matches the following richer shades: #DC6FB7, #EB61BB and #F952BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6EB6 shade: #DC6FB7, #CE7EB2, #BF8CAE, #B19BA9 and #A2A9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6EB6 shade: #C66FDC, #DC6FD5, #DC6FB8, #DC6F9B and #DC6F7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6EB6 shade: #C83194, #D44EA6, #DC6FB7, #E491C7 and #ECB2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6EB6 shade: #DC6EB6, #DCA96F and #6FDCD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6EB6 shade: #DC6EB6, #B8DC6F and #6FB8DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6EB6 shade: #DC6EB6, #DCA96F, #6FDC94 and #6FA2DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6EB6 shade: #DC6EB6, #DCCA6F, #6FDC94 and #6F81DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 17 / 14

HEX #DC6EB6

RGB 220 110 182

HSL 320.73, 0.61%, 0.65%

LAB 61.43, 51.66, -18.39

 

Complementary color

CMYK 76 / 0 / 50 / 43

HEX #239149

RGB 35 145 73

HSL 140.73, 0.61%, 0.35%

LAB 53.05, -46.64, 29.6

 

CMYK 0 / 51 / 21 / 12

HEX #E16EB1

RGB 225 110 177

HSL 325.04, 0.66%, 0.66%

LAB 61.94, 52.48, -14.71

 

CMYK 0 / 47 / 19 / 5

HEX #F280C4

RGB 242 128 196

HSL 324.21, 0.81%, 0.73%

LAB 68.24, 51.77, -15.71

 

CMYK 0 / 43 / 16 / 0

HEX #FF92D7

RGB 255 146 215

HSL 322.02, 1%, 0.79%

LAB 74.01, 49.77, -17.38

 

CMYK 0 / 36 / 8 / 0

HEX #FFA4EA

RGB 255 164 234

HSL 313.85, 1%, 0.82%

LAB 78.32, 43.63, -21.22

 

CMYK 0 / 29 / 1 / 0

HEX #FFB6FD

RGB 255 182 253

HSL 301.64, 1%, 0.86%

LAB 82.81, 37.56, -24.6

 

CMYK 0 / 50 / 17 / 14

HEX #DC6EB6

RGB 220 110 182

HSL 320.73, 0.61%, 0.65%

LAB 61.43, 51.66, -18.39

 

CMYK 0 / 55 / 20 / 20

HEX #CB5CA3

RGB 203 92 163

HSL 321.62, 0.52%, 0.58%

LAB 55.07, 52.28, -17.34

 

CMYK 0 / 60 / 23 / 27

HEX #BA4A90

RGB 186 74 144

HSL 322.5, 0.45%, 0.51%

LAB 48.7, 52.76, -16.05

 

CMYK 0 / 67 / 26 / 34

HEX #A9387D

RGB 169 56 125

HSL 323.36, 0.5%, 0.44%

LAB 42.38, 52.93, -14.41

 

CMYK 0 / 75 / 30 / 40

HEX #98266A

RGB 152 38 106

HSL 324.21, 0.6%, 0.37%

LAB 36.18, 52.56, -12.25

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB7

RGB 220 111 183

HSL 320.37, 0.61%, 0.65%

LAB 61.66, 51.32, -18.62

 

CMYK 0 / 50 / 30 / 14

HEX #DC6F99

RGB 220 111 153

HSL 336.88, 0.61%, 0.65%

LAB 60.68, 47.12, -2.88

 

CMYK 0 / 50 / 44 / 14

HEX #DC6F7C

RGB 220 111 124

HSL 352.84, 0.61%, 0.65%

LAB 59.92, 43.77, 12.78

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB7

RGB 220 111 183

HSL 320.37, 0.61%, 0.65%

LAB 61.66, 51.32, -18.62

 

CMYK 0 / 50 / 4 / 14

HEX #DC6FD4

RGB 220 111 212

HSL 304.4, 0.61%, 0.65%

LAB 62.79, 56, -33.29

 

CMYK 10 / 50 / 0 / 14

HEX #C76FDC

RGB 199 111 220

HSL 288.44, 0.61%, 0.65%

LAB 60.5, 51.58, -41.56

 

CMYK 23 / 50 / 0 / 14

HEX #AA6FDC

RGB 170 111 220

HSL 272.48, 0.61%, 0.65%

LAB 57.16, 43.67, -47.06

 

CMYK 36 / 50 / 0 / 14

HEX #8C6FDC

RGB 140 111 220

HSL 255.96, 0.61%, 0.65%

LAB 54.15, 35.87, -52.02

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB7

RGB 220 111 183

HSL 320.37, 0.61%, 0.65%

LAB 61.66, 51.32, -18.62

 

CMYK 0 / 59 / 20 / 8

HEX #EB61BB

RGB 235 97 187

HSL 320.87, 0.78%, 0.65%

LAB 61.48, 62.83, -20.98

 

CMYK 0 / 67 / 23 / 2

HEX #F952BF

RGB 249 82 191

HSL 320.84, 0.93%, 0.65%

LAB 61.6, 73.11, -22.89

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB7

RGB 220 111 183

HSL 320.37, 0.61%, 0.65%

LAB 61.66, 51.32, -18.62

 

CMYK 0 / 39 / 14 / 19

HEX #CE7EB2

RGB 206 126 178

HSL 321, 0.45%, 0.65%

LAB 62.72, 38.31, -14.33

 

CMYK 0 / 27 / 9 / 25

HEX #BF8CAE

RGB 191 140 174

HSL 320, 0.28%, 0.65%

LAB 64.07, 24.83, -10.22

 

CMYK 0 / 12 / 5 / 31

HEX #B19BA9

RGB 177 155 169

HSL 321.82, 0.12%, 0.65%

LAB 66.25, 10.58, -4.31

 

CMYK 4 / 0 / 2 / 34

HEX #A2A9A5

RGB 162 169 165

HSL 145.71, 0.04%, 0.65%

LAB 68.59, -3.24, 1.19

 

CMYK 10 / 50 / 0 / 14

HEX #C66FDC

RGB 198 111 220

HSL 287.89, 0.61%, 0.65%

LAB 60.38, 51.31, -41.76

 

CMYK 0 / 50 / 3 / 14

HEX #DC6FD5

RGB 220 111 213

HSL 303.85, 0.61%, 0.65%

LAB 62.83, 56.17, -33.78

 

CMYK 0 / 50 / 16 / 14

HEX #DC6FB8

RGB 220 111 184

HSL 319.82, 0.61%, 0.65%

LAB 61.69, 51.47, -19.14

 

CMYK 0 / 50 / 30 / 14

HEX #DC6F9B

RGB 220 111 155

HSL 335.78, 0.61%, 0.65%

LAB 60.74, 47.38, -3.95

 

CMYK 0 / 50 / 43 / 14

HEX #DC6F7E

RGB 220 111 126

HSL 351.74, 0.61%, 0.65%

LAB 59.97, 43.98, 11.69

 

CMYK 0 / 76 / 26 / 22

HEX #C83194

RGB 200 49 148

HSL 320.66, 0.61%, 0.49%

LAB 47.77, 66.55, -19.65

 

CMYK 0 / 63 / 22 / 17

HEX #D44EA6

RGB 212 78 166

HSL 320.6, 0.61%, 0.57%

LAB 54.24, 61.54, -20.23

 

CMYK 0 / 50 / 17 / 14

HEX #DC6FB7

RGB 220 111 183

HSL 320.37, 0.61%, 0.65%

LAB 61.66, 51.32, -18.62

 

CMYK 0 / 36 / 13 / 11

HEX #E491C7

RGB 228 145 199

HSL 320.96, 0.61%, 0.73%

LAB 70.08, 39.01, -14.78

 

CMYK 0 / 25 / 8 / 7

HEX #ECB2D8

RGB 236 178 216

HSL 320.69, 0.6%, 0.81%

LAB 78.83, 26.99, -10.9

 

CMYK 0 / 50 / 17 / 14

HEX #DC6EB6

RGB 220 110 182

HSL 320.73, 0.61%, 0.65%

LAB 61.43, 51.66, -18.39

 

CMYK 0 / 23 / 50 / 14

HEX #DCA96F

RGB 220 169 111

HSL 31.93, 0.61%, 0.65%

LAB 72.72, 11.77, 37.01

 

CMYK 50 / 0 / 3 / 14

HEX #6FDCD5

RGB 111 220 213

HSL 176.15, 0.61%, 0.65%

LAB 81.49, -32.98, -6.22

 

CMYK 0 / 50 / 17 / 14

HEX #DC6EB6

RGB 220 110 182

HSL 320.73, 0.61%, 0.65%

LAB 61.43, 51.66, -18.39

 

CMYK 16 / 0 / 50 / 14

HEX #B8DC6F

RGB 184 220 111

HSL 79.82, 0.61%, 0.65%

LAB 83.19, -28.74, 49.27

 

CMYK 50 / 16 / 0 / 14

HEX #6FB8DC

RGB 111 184 220

HSL 199.82, 0.61%, 0.65%

LAB 71.44, -13.08, -25.12

 

CMYK 0 / 50 / 17 / 14

HEX #DC6EB6

RGB 220 110 182

HSL 320.73, 0.61%, 0.65%

LAB 61.43, 51.66, -18.39

 

CMYK 0 / 23 / 50 / 14

HEX #DCA96F

RGB 220 169 111

HSL 31.93, 0.61%, 0.65%

LAB 72.72, 11.77, 37.01

 

CMYK 50 / 0 / 33 / 14

HEX #6FDC94

RGB 111 220 148

HSL 140.37, 0.61%, 0.65%

LAB 80.01, -47.15, 25.99

 

CMYK 50 / 26 / 0 / 14

HEX #6FA2DC

RGB 111 162 220

HSL 211.93, 0.61%, 0.65%

LAB 65.27, -1.04, -34.64

 

CMYK 0 / 50 / 17 / 14

HEX #DC6EB6

RGB 220 110 182

HSL 320.73, 0.61%, 0.65%

LAB 61.43, 51.66, -18.39

 

CMYK 0 / 8 / 50 / 14

HEX #DCCA6F

RGB 220 202 111

HSL 50.09, 0.61%, 0.65%

LAB 81.07, -5.57, 47.35

 

CMYK 50 / 0 / 33 / 14

HEX #6FDC94

RGB 111 220 148

HSL 140.37, 0.61%, 0.65%

LAB 80.01, -47.15, 25.99

 

CMYK 50 / 41 / 0 / 14

HEX #6F81DC

RGB 111 129 220

HSL 230.09, 0.61%, 0.65%

LAB 56.33, 18.21, -48.68

 

Description

Color code: HEX #DC6EB6 | qconv.com Color code: HEX #DC6EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 110 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 110 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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