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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6CBA it is the complementary color #239345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6CBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6CBA shade: #E16CB5, #F27EC8, #FF90DB, #FFA2EE and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6CBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6CBA shade: #DC6CBA, #CB5AA7, #BA4894, #A93681 and #98246E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6CBA shade: #DC6ABA, #DC6A9B, #DC6A7C and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6CBA shade: #DC6ABA, #DC6AD8, #C16ADC, #A36ADC and #846ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6CBA shade matches the following richer shades: #DC6ABA, #EB5BBF and #FA4DC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6CBA shade: #DC6ABA, #CD79B4, #BE88AE, #B097A8 and #A1A6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6CBA shade: #C26ADC, #DC6AD8, #DC6ABA, #DC6A9C and #DC6A7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6CBA shade: #C62E98, #D449AA, #DC6ABA, #E48CC9 and #ECADD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6CBA shade: #DC6CBA, #DCA36A and #6ADCD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6CBA shade: #DC6CBA, #BADC6A and #6ABADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6CBA shade: #DC6CBA, #DCA36A, #6ADC8C and #6AA3DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6CBA shade: #DC6CBA, #DCC56A, #6ADC8C and #6A81DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 15 / 14

HEX #DC6CBA

RGB 220 108 186

HSL 318.21, 0.62%, 0.64%

LAB 61.21, 53.23, -21.02

 

Complementary color

CMYK 76 / 0 / 53 / 42

HEX #239345

RGB 35 147 69

HSL 138.21, 0.62%, 0.36%

LAB 53.66, -48.03, 32.44

 

CMYK 0 / 52 / 20 / 12

HEX #E16CB5

RGB 225 108 181

HSL 322.56, 0.66%, 0.65%

LAB 61.71, 54.02, -17.33

 

CMYK 0 / 48 / 17 / 5

HEX #F27EC8

RGB 242 126 200

HSL 321.72, 0.82%, 0.72%

LAB 68, 53.34, -18.32

 

CMYK 0 / 44 / 14 / 0

HEX #FF90DB

RGB 255 144 219

HSL 319.46, 1%, 0.78%

LAB 73.75, 51.38, -19.97

 

CMYK 0 / 36 / 7 / 0

HEX #FFA2EE

RGB 255 162 238

HSL 310.97, 1%, 0.82%

LAB 78.04, 45.33, -23.81

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 51 / 15 / 14

HEX #DC6CBA

RGB 220 108 186

HSL 318.21, 0.62%, 0.64%

LAB 61.21, 53.23, -21.02

 

CMYK 0 / 56 / 18 / 20

HEX #CB5AA7

RGB 203 90 167

HSL 319.12, 0.52%, 0.57%

LAB 54.86, 53.82, -19.98

 

CMYK 0 / 61 / 20 / 27

HEX #BA4894

RGB 186 72 148

HSL 320, 0.45%, 0.51%

LAB 48.53, 54.22, -18.7

 

CMYK 0 / 68 / 24 / 34

HEX #A93681

RGB 169 54 129

HSL 320.87, 0.52%, 0.44%

LAB 42.24, 54.28, -17.07

 

CMYK 0 / 76 / 28 / 40

HEX #98246E

RGB 152 36 110

HSL 321.72, 0.62%, 0.37%

LAB 36.11, 53.73, -14.9

 

CMYK 0 / 52 / 15 / 14

HEX #DC6ABA

RGB 220 106 186

HSL 317.89, 0.62%, 0.64%

LAB 60.84, 54.2, -21.58

 

CMYK 0 / 52 / 30 / 14

HEX #DC6A9B

RGB 220 106 155

HSL 334.21, 0.62%, 0.64%

LAB 59.79, 49.84, -5.35

 

CMYK 0 / 52 / 44 / 14

HEX #DC6A7C

RGB 220 106 124

HSL 350.53, 0.62%, 0.64%

LAB 58.95, 46.25, 11.42

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 52 / 15 / 14

HEX #DC6ABA

RGB 220 106 186

HSL 317.89, 0.62%, 0.64%

LAB 60.84, 54.2, -21.58

 

CMYK 0 / 52 / 2 / 14

HEX #DC6AD8

RGB 220 106 216

HSL 302.11, 0.62%, 0.64%

LAB 62.07, 59.07, -36.66

 

CMYK 12 / 52 / 0 / 14

HEX #C16ADC

RGB 193 106 220

HSL 285.79, 0.62%, 0.64%

LAB 58.8, 52.48, -44.28

 

CMYK 26 / 52 / 0 / 14

HEX #A36ADC

RGB 163 106 220

HSL 270, 0.62%, 0.64%

LAB 55.34, 44.54, -49.98

 

CMYK 40 / 52 / 0 / 14

HEX #846ADC

RGB 132 106 220

HSL 253.68, 0.62%, 0.64%

LAB 52.27, 36.81, -55.07

 

CMYK 0 / 52 / 15 / 14

HEX #DC6ABA

RGB 220 106 186

HSL 317.89, 0.62%, 0.64%

LAB 60.84, 54.2, -21.58

 

CMYK 0 / 61 / 19 / 8

HEX #EB5BBF

RGB 235 91 191

HSL 318.33, 0.78%, 0.64%

LAB 60.7, 65.93, -24.46

 

CMYK 0 / 69 / 21 / 2

HEX #FA4DC5

RGB 250 77 197

HSL 318.38, 0.95%, 0.64%

LAB 61.36, 75.89, -26.67

 

CMYK 0 / 52 / 15 / 14

HEX #DC6ABA

RGB 220 106 186

HSL 317.89, 0.62%, 0.64%

LAB 60.84, 54.2, -21.58

 

CMYK 0 / 41 / 12 / 20

HEX #CD79B4

RGB 205 121 180

HSL 317.86, 0.46%, 0.64%

LAB 61.61, 40.95, -17.17

 

CMYK 0 / 28 / 8 / 25

HEX #BE88AE

RGB 190 136 174

HSL 317.78, 0.29%, 0.64%

LAB 63.02, 26.7, -11.8

 

CMYK 0 / 14 / 5 / 31

HEX #B097A8

RGB 176 151 168

HSL 319.2, 0.14%, 0.64%

LAB 65.11, 12.27, -5.44

 

CMYK 3 / 0 / 2 / 35

HEX #A1A6A2

RGB 161 166 162

HSL 132, 0.03%, 0.64%

LAB 67.62, -2.54, 1.44

 

CMYK 12 / 52 / 0 / 14

HEX #C26ADC

RGB 194 106 220

HSL 286.32, 0.62%, 0.64%

LAB 58.92, 52.75, -44.08

 

CMYK 0 / 52 / 2 / 14

HEX #DC6AD8

RGB 220 106 216

HSL 302.11, 0.62%, 0.64%

LAB 62.07, 59.07, -36.66

 

CMYK 0 / 52 / 15 / 14

HEX #DC6ABA

RGB 220 106 186

HSL 317.89, 0.62%, 0.64%

LAB 60.84, 54.2, -21.58

 

CMYK 0 / 52 / 29 / 14

HEX #DC6A9C

RGB 220 106 156

HSL 333.68, 0.62%, 0.64%

LAB 59.82, 49.96, -5.89

 

CMYK 0 / 52 / 43 / 14

HEX #DC6A7D

RGB 220 106 125

HSL 350, 0.62%, 0.64%

LAB 58.98, 46.35, 10.87

 

CMYK 0 / 77 / 23 / 22

HEX #C62E98

RGB 198 46 152

HSL 318.16, 0.62%, 0.48%

LAB 47.27, 67.46, -22.85

 

CMYK 0 / 66 / 20 / 17

HEX #D449AA

RGB 212 73 170

HSL 318.13, 0.62%, 0.56%

LAB 53.67, 64.09, -23.45

 

CMYK 0 / 52 / 15 / 14

HEX #DC6ABA

RGB 220 106 186

HSL 317.89, 0.62%, 0.64%

LAB 60.84, 54.2, -21.58

 

CMYK 0 / 39 / 12 / 11

HEX #E48CC9

RGB 228 140 201

HSL 318.41, 0.62%, 0.72%

LAB 69.09, 41.96, -17.39

 

CMYK 0 / 27 / 8 / 7

HEX #ECADD9

RGB 236 173 217

HSL 318.1, 0.62%, 0.8%

LAB 77.72, 29.83, -13.11

 

CMYK 0 / 51 / 15 / 14

HEX #DC6CBA

RGB 220 108 186

HSL 318.21, 0.62%, 0.64%

LAB 61.21, 53.23, -21.02

 

CMYK 0 / 26 / 52 / 14

HEX #DCA36A

RGB 220 163 106

HSL 30, 0.62%, 0.64%

LAB 71.18, 14.54, 37.68

 

CMYK 52 / 0 / 5 / 14

HEX #6ADCD1

RGB 106 220 209

HSL 174.21, 0.62%, 0.64%

LAB 81.21, -35.04, -4.52

 

CMYK 0 / 51 / 15 / 14

HEX #DC6CBA

RGB 220 108 186

HSL 318.21, 0.62%, 0.64%

LAB 61.21, 53.23, -21.02

 

CMYK 15 / 0 / 52 / 14

HEX #BADC6A

RGB 186 220 106

HSL 77.89, 0.62%, 0.64%

LAB 83.27, -28.48, 51.73

 

CMYK 52 / 15 / 0 / 14

HEX #6ABADC

RGB 106 186 220

HSL 197.89, 0.62%, 0.64%

LAB 71.79, -15.24, -24.6

 

CMYK 0 / 51 / 15 / 14

HEX #DC6CBA

RGB 220 108 186

HSL 318.21, 0.62%, 0.64%

LAB 61.21, 53.23, -21.02

 

CMYK 0 / 26 / 52 / 14

HEX #DCA36A

RGB 220 163 106

HSL 30, 0.62%, 0.64%

LAB 71.18, 14.54, 37.68

 

CMYK 52 / 0 / 36 / 14

HEX #6ADC8C

RGB 106 220 140

HSL 137.89, 0.62%, 0.64%

LAB 79.7, -49.81, 29.66

 

CMYK 52 / 26 / 0 / 14

HEX #6AA3DC

RGB 106 163 220

HSL 210, 0.62%, 0.64%

LAB 65.3, -2.74, -34.61

 

CMYK 0 / 51 / 15 / 14

HEX #DC6CBA

RGB 220 108 186

HSL 318.21, 0.62%, 0.64%

LAB 61.21, 53.23, -21.02

 

CMYK 0 / 10 / 52 / 14

HEX #DCC56A

RGB 220 197 106

HSL 47.89, 0.62%, 0.64%

LAB 79.72, -3.43, 48.15

 

CMYK 52 / 0 / 36 / 14

HEX #6ADC8C

RGB 106 220 140

HSL 137.89, 0.62%, 0.64%

LAB 79.7, -49.81, 29.66

 

CMYK 52 / 41 / 0 / 14

HEX #6A81DC

RGB 106 129 220

HSL 227.89, 0.62%, 0.64%

LAB 56.02, 17.08, -49.2

 

Description

Color code: HEX #DC6CBA | qconv.com Color code: HEX #DC6CBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 108 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 108 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 15 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 15% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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