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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6B9F it is the complementary color #239460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6B9F shade: #E16B9A, #F27DAD, #FF8FC0, #FFA1D3 and #FFB3E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6B9F shade: #DC6B9F, #CB598C, #BA4779, #A93566 and #982353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6B9F shade: #DC6A9F, #DC6A80 and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6B9F shade: #DC6A9F, #DC6ABD, #DC6ADC, #BD6ADC and #9F6ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6B9F shade matches the following richer shades: #DC6A9F, #EB5B9D and #FA4D9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6B9F shade: #DC6A9F, #CD79A0, #BE88A1, #B097A2 and #A1A6A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6B9F shade: #DC6ADC, #DC6ABE, #DC6A9F, #DC6A81 and #DC726A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6B9F shade: #C62E74, #D44989, #DC6A9F, #E48CB4 and #ECADCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6B9F shade: #DC6B9F, #DCBE6A and #6ACDDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6B9F shade: #DC6B9F, #9FDC6A and #6A9FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6B9F shade: #DC6B9F, #DCBE6A, #6ADCA7 and #6A89DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6B9F shade: #DC6B9F, #D8DC6A, #6ADCA7 and #6E6ADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 28 / 14

HEX #DC6B9F

RGB 220 107 159

HSL 332.39, 0.62%, 0.64%

LAB 60.1, 49.87, -7.2

 

Complementary color

CMYK 76 / 0 / 35 / 42

HEX #239460

RGB 35 148 96

HSL 152.39, 0.62%, 0.36%

LAB 54.43, -43.38, 18.88

 

CMYK 0 / 52 / 32 / 12

HEX #E16B9A

RGB 225 107 154

HSL 336.1, 0.66%, 0.65%

LAB 60.65, 50.86, -3.42

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAD

RGB 242 125 173

HSL 335.38, 0.82%, 0.72%

LAB 66.95, 50.08, -4.72

 

CMYK 0 / 44 / 25 / 0

HEX #FF8FC0

RGB 255 143 192

HSL 333.75, 1%, 0.78%

LAB 72.7, 47.96, -6.64

 

CMYK 0 / 37 / 17 / 0

HEX #FFA1D3

RGB 255 161 211

HSL 328.09, 1%, 0.82%

LAB 76.95, 41.53, -10.77

 

CMYK 0 / 30 / 10 / 0

HEX #FFB3E6

RGB 255 179 230

HSL 319.74, 1%, 0.85%

LAB 81.41, 35.17, -14.4

 

CMYK 0 / 51 / 28 / 14

HEX #DC6B9F

RGB 220 107 159

HSL 332.39, 0.62%, 0.64%

LAB 60.1, 49.87, -7.2

 

CMYK 0 / 56 / 31 / 20

HEX #CB598C

RGB 203 89 140

HSL 333.16, 0.52%, 0.57%

LAB 53.74, 50.57, -5.82

 

CMYK 0 / 62 / 35 / 27

HEX #BA4779

RGB 186 71 121

HSL 333.91, 0.45%, 0.5%

LAB 47.4, 51.11, -4.14

 

CMYK 0 / 69 / 40 / 34

HEX #A93566

RGB 169 53 102

HSL 334.66, 0.52%, 0.44%

LAB 41.12, 51.35, -2.02

 

CMYK 0 / 77 / 45 / 40

HEX #982353

RGB 152 35 83

HSL 335.38, 0.63%, 0.37%

LAB 35.01, 51.01, 0.73

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9F

RGB 220 106 159

HSL 332.11, 0.62%, 0.64%

LAB 59.91, 50.36, -7.48

 

CMYK 0 / 52 / 42 / 14

HEX #DC6A80

RGB 220 106 128

HSL 348.42, 0.62%, 0.64%

LAB 59.05, 46.67, 9.23

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9F

RGB 220 106 159

HSL 332.11, 0.62%, 0.64%

LAB 59.91, 50.36, -7.48

 

CMYK 0 / 52 / 14 / 14

HEX #DC6ABD

RGB 220 106 189

HSL 316.32, 0.62%, 0.64%

LAB 60.96, 54.66, -23.11

 

CMYK 0 / 52 / 0 / 14

HEX #DC6ADC

RGB 220 106 220

HSL 300, 0.62%, 0.64%

LAB 62.25, 59.76, -38.63

 

CMYK 14 / 52 / 0 / 14

HEX #BD6ADC

RGB 189 106 220

HSL 283.68, 0.62%, 0.64%

LAB 58.32, 51.41, -45.08

 

CMYK 28 / 52 / 0 / 14

HEX #9F6ADC

RGB 159 106 220

HSL 267.89, 0.62%, 0.64%

LAB 54.91, 43.51, -50.69

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9F

RGB 220 106 159

HSL 332.11, 0.62%, 0.64%

LAB 59.91, 50.36, -7.48

 

CMYK 0 / 61 / 33 / 8

HEX #EB5B9D

RGB 235 91 157

HSL 332.5, 0.78%, 0.64%

LAB 59.51, 61.59, -6.69

 

CMYK 0 / 69 / 38 / 2

HEX #FA4D9C

RGB 250 77 156

HSL 332.6, 0.95%, 0.64%

LAB 59.92, 71.16, -5.23

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9F

RGB 220 106 159

HSL 332.11, 0.62%, 0.64%

LAB 59.91, 50.36, -7.48

 

CMYK 0 / 41 / 22 / 20

HEX #CD79A0

RGB 205 121 160

HSL 332.14, 0.46%, 0.64%

LAB 60.95, 37.82, -6.73

 

CMYK 0 / 28 / 15 / 25

HEX #BE88A1

RGB 190 136 161

HSL 332.22, 0.29%, 0.64%

LAB 62.62, 24.48, -5.02

 

CMYK 0 / 14 / 8 / 31

HEX #B097A2

RGB 176 151 162

HSL 333.6, 0.14%, 0.64%

LAB 64.94, 11.18, -2.32

 

CMYK 3 / 0 / 2 / 35

HEX #A1A6A3

RGB 161 166 163

HSL 144, 0.03%, 0.64%

LAB 67.65, -2.35, 0.92

 

CMYK 0 / 52 / 0 / 14

HEX #DC6ADC

RGB 220 106 220

HSL 300, 0.62%, 0.64%

LAB 62.25, 59.76, -38.63

 

CMYK 0 / 52 / 14 / 14

HEX #DC6ABE

RGB 220 106 190

HSL 315.79, 0.62%, 0.64%

LAB 60.99, 54.81, -23.62

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9F

RGB 220 106 159

HSL 332.11, 0.62%, 0.64%

LAB 59.91, 50.36, -7.48

 

CMYK 0 / 52 / 41 / 14

HEX #DC6A81

RGB 220 106 129

HSL 347.89, 0.62%, 0.64%

LAB 59.07, 46.77, 8.68

 

CMYK 0 / 48 / 52 / 14

HEX #DC726A

RGB 220 114 106

HSL 4.21, 0.62%, 0.64%

LAB 60.15, 40.54, 23.42

 

CMYK 0 / 77 / 41 / 22

HEX #C62E74

RGB 198 46 116

HSL 332.37, 0.62%, 0.48%

LAB 45.94, 63.41, -3.01

 

CMYK 0 / 66 / 35 / 17

HEX #D44989

RGB 212 73 137

HSL 332.37, 0.62%, 0.56%

LAB 52.47, 59.96, -5.77

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9F

RGB 220 106 159

HSL 332.11, 0.62%, 0.64%

LAB 59.91, 50.36, -7.48

 

CMYK 0 / 39 / 21 / 11

HEX #E48CB4

RGB 228 140 180

HSL 332.73, 0.62%, 0.72%

LAB 68.42, 38.7, -6.67

 

CMYK 0 / 27 / 14 / 7

HEX #ECADCA

RGB 236 173 202

HSL 332.38, 0.62%, 0.8%

LAB 77.27, 27.35, -5.61

 

CMYK 0 / 51 / 28 / 14

HEX #DC6B9F

RGB 220 107 159

HSL 332.39, 0.62%, 0.64%

LAB 60.1, 49.87, -7.2

 

CMYK 0 / 14 / 52 / 14

HEX #DCBE6A

RGB 220 190 106

HSL 44.21, 0.62%, 0.64%

LAB 77.92, 0.2, 45.99

 

CMYK 52 / 7 / 0 / 14

HEX #6ACDDC

RGB 106 205 220

HSL 187.89, 0.62%, 0.64%

LAB 77.22, -24.95, -16.37

 

CMYK 0 / 51 / 28 / 14

HEX #DC6B9F

RGB 220 107 159

HSL 332.39, 0.62%, 0.64%

LAB 60.1, 49.87, -7.2

 

CMYK 28 / 0 / 52 / 14

HEX #9FDC6A

RGB 159 220 106

HSL 92.11, 0.62%, 0.64%

LAB 81.62, -38.45, 49.37

 

CMYK 52 / 28 / 0 / 14

HEX #6A9FDC

RGB 106 159 220

HSL 212.11, 0.62%, 0.64%

LAB 64.18, -0.48, -36.35

 

CMYK 0 / 51 / 28 / 14

HEX #DC6B9F

RGB 220 107 159

HSL 332.39, 0.62%, 0.64%

LAB 60.1, 49.87, -7.2

 

CMYK 0 / 14 / 52 / 14

HEX #DCBE6A

RGB 220 190 106

HSL 44.21, 0.62%, 0.64%

LAB 77.92, 0.2, 45.99

 

CMYK 52 / 0 / 24 / 14

HEX #6ADCA7

RGB 106 220 167

HSL 152.11, 0.62%, 0.64%

LAB 80.2, -44.68, 16.3

 

CMYK 52 / 38 / 0 / 14

HEX #6A89DC

RGB 106 137 220

HSL 223.68, 0.62%, 0.64%

LAB 58.15, 12.3, -45.81

 

CMYK 0 / 51 / 28 / 14

HEX #DC6B9F

RGB 220 107 159

HSL 332.39, 0.62%, 0.64%

LAB 60.1, 49.87, -7.2

 

CMYK 2 / 0 / 52 / 14

HEX #D8DC6A

RGB 216 220 106

HSL 62.11, 0.62%, 0.64%

LAB 85.42, -16.69, 54.79

 

CMYK 52 / 0 / 24 / 14

HEX #6ADCA7

RGB 106 220 167

HSL 152.11, 0.62%, 0.64%

LAB 80.2, -44.68, 16.3

 

CMYK 50 / 52 / 0 / 14

HEX #6E6ADC

RGB 110 106 220

HSL 242.11, 0.62%, 0.64%

LAB 50.44, 31.84, -58.1

 

Description

Color code: HEX #DC6B9F | qconv.com Color code: HEX #DC6B9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 107 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 107 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 28 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 28% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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