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Color name
HEX #DC6916

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6916 it is the complementary color #2396E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6916 shade: #E16911, #F27B24, #FF8D37, #FF9F4A and #FFB15D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6916 shade: #DC6916, #CB5703, #BA4500, #A93300 and #982100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6916 shade: #DA6816, #DA3316 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6916 shade: #DA6816, #DA9D16, #DAD216, #ADDA16 and #78DA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6916 shade matches the following richer shades: #DA6816 and #EE6502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6916 shade: #DA6816, #C76B29, #B36E3C, #A07150 and #8D7563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6916 shade: #DA162D, #DA3316, #DA6716, #DA9C16 and #DAD016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6916 shade: #8F440E, #B55612, #DA6816, #EA7D2F and #EE9554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6916 shade: #DC6916, #61DA16 and #1916DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6916 shade: #DC6916, #16DA67 and #6716DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6916 shade: #DC6916, #61DA16, #1688DA and #8F16DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6916 shade: #DC6916, #26DA16, #1688DA and #CA16DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 90 / 14

HEX #DC6916

RGB 220 105 22

HSL 25.15, 0.82%, 0.47%

LAB 57.44, 40.84, 61.1

 

Complementary color

CMYK 85 / 36 / 0 / 9

HEX #2396E9

RGB 35 150 233

HSL 205.15, 0.82%, 0.53%

LAB 59.94, -1.46, -50.38

 

CMYK 0 / 53 / 92 / 12

HEX #E16911

RGB 225 105 17

HSL 25.38, 0.86%, 0.47%

LAB 58.18, 42.7, 63.29

 

CMYK 0 / 49 / 85 / 5

HEX #F27B24

RGB 242 123 36

HSL 25.34, 0.89%, 0.55%

LAB 64.3, 40.73, 63.4

 

CMYK 0 / 45 / 78 / 0

HEX #FF8D37

RGB 255 141 55

HSL 25.8, 1%, 0.61%

LAB 69.88, 37.31, 61.82

 

CMYK 0 / 38 / 71 / 0

HEX #FF9F4A

RGB 255 159 74

HSL 28.18, 1%, 0.65%

LAB 73.9, 28.83, 57.61

 

CMYK 0 / 31 / 64 / 0

HEX #FFB15D

RGB 255 177 93

HSL 31.11, 1%, 0.68%

LAB 78.17, 20.48, 53.46

 

CMYK 0 / 52 / 90 / 14

HEX #DC6916

RGB 220 105 22

HSL 25.15, 0.82%, 0.47%

LAB 57.44, 40.84, 61.1

 

CMYK 0 / 57 / 99 / 20

HEX #CB5703

RGB 203 87 3

HSL 25.2, 0.97%, 0.4%

LAB 51.29, 42.86, 60.13

 

CMYK 0 / 63 / 100 / 27

HEX #BA4500

RGB 186 69 0

HSL 22.26, 1%, 0.36%

LAB 45.21, 44.89, 55.98

 

CMYK 0 / 70 / 100 / 34

HEX #A93300

RGB 169 51 0

HSL 18.11, 1%, 0.33%

LAB 39.25, 46.57, 51.24

 

CMYK 0 / 78 / 100 / 40

HEX #982100

RGB 152 33 0

HSL 13.03, 1%, 0.3%

LAB 33.48, 47.53, 46.47

 

CMYK 0 / 52 / 90 / 15

HEX #DA6816

RGB 218 104 22

HSL 25.1, 0.82%, 0.47%

LAB 56.94, 40.56, 60.6

 

CMYK 0 / 77 / 90 / 15

HEX #DA3316

RGB 218 51 22

HSL 8.88, 0.82%, 0.47%

LAB 48.67, 62.58, 54.58

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 52 / 90 / 15

HEX #DA6816

RGB 218 104 22

HSL 25.1, 0.82%, 0.47%

LAB 56.94, 40.56, 60.6

 

CMYK 0 / 28 / 90 / 15

HEX #DA9D16

RGB 218 157 22

HSL 41.33, 0.82%, 0.47%

LAB 68.81, 12.6, 69.55

 

CMYK 0 / 4 / 90 / 15

HEX #DAD216

RGB 218 210 22

HSL 57.55, 0.82%, 0.47%

LAB 82.41, -14.96, 80.05

 

CMYK 21 / 0 / 90 / 15

HEX #ADDA16

RGB 173 218 22

HSL 73.78, 0.82%, 0.47%

LAB 81.34, -37.37, 77.81

 

CMYK 45 / 0 / 90 / 15

HEX #78DA16

RGB 120 218 22

HSL 90, 0.82%, 0.47%

LAB 78.57, -56.36, 74.41

 

CMYK 0 / 52 / 90 / 15

HEX #DA6816

RGB 218 104 22

HSL 25.1, 0.82%, 0.47%

LAB 56.94, 40.56, 60.6

 

CMYK 0 / 58 / 99 / 7

HEX #EE6502

RGB 238 101 2

HSL 25.17, 0.98%, 0.47%

LAB 59.42, 49.35, 67.94

 

CMYK 0 / 52 / 90 / 15

HEX #DA6816

RGB 218 104 22

HSL 25.1, 0.82%, 0.47%

LAB 56.94, 40.56, 60.6

 

CMYK 0 / 46 / 79 / 22

HEX #C76B29

RGB 199 107 41

HSL 25.06, 0.66%, 0.47%

LAB 54.88, 31.89, 50.77

 

CMYK 0 / 39 / 66 / 30

HEX #B36E3C

RGB 179 110 60

HSL 25.21, 0.5%, 0.47%

LAB 53.02, 22.79, 38.78

 

CMYK 0 / 29 / 50 / 37

HEX #A07150

RGB 160 113 80

HSL 24.75, 0.33%, 0.47%

LAB 51.68, 14.56, 25.65

 

CMYK 0 / 17 / 30 / 45

HEX #8D7563

RGB 141 117 99

HSL 25.71, 0.18%, 0.47%

LAB 51.02, 6.51, 13.43

 

CMYK 0 / 90 / 79 / 15

HEX #DA162D

RGB 218 22 45

HSL 352.96, 0.82%, 0.47%

LAB 46.54, 69.64, 41.65

 

CMYK 0 / 77 / 90 / 15

HEX #DA3316

RGB 218 51 22

HSL 8.88, 0.82%, 0.47%

LAB 48.67, 62.58, 54.58

 

CMYK 0 / 53 / 90 / 15

HEX #DA6716

RGB 218 103 22

HSL 24.8, 0.82%, 0.47%

LAB 56.75, 41.06, 60.46

 

CMYK 0 / 28 / 90 / 15

HEX #DA9C16

RGB 218 156 22

HSL 41.02, 0.82%, 0.47%

LAB 68.56, 13.13, 69.36

 

CMYK 0 / 5 / 90 / 15

HEX #DAD016

RGB 218 208 22

HSL 56.94, 0.82%, 0.47%

LAB 81.88, -13.97, 79.64

 

CMYK 0 / 52 / 90 / 44

HEX #8F440E

RGB 143 68 14

HSL 25.12, 0.82%, 0.31%

LAB 37.85, 28.59, 43.49

 

CMYK 0 / 52 / 90 / 29

HEX #B55612

RGB 181 86 18

HSL 25.03, 0.82%, 0.39%

LAB 47.65, 34.9, 52.33

 

CMYK 0 / 52 / 90 / 15

HEX #DA6816

RGB 218 104 22

HSL 25.1, 0.82%, 0.47%

LAB 56.94, 40.56, 60.6

 

CMYK 0 / 47 / 80 / 8

HEX #EA7D2F

RGB 234 125 47

HSL 25.03, 0.82%, 0.55%

LAB 63.64, 36.88, 58.22

 

CMYK 0 / 37 / 65 / 7

HEX #EE9554

RGB 238 149 84

HSL 25.32, 0.82%, 0.63%

LAB 69.69, 27.73, 47.62

 

CMYK 0 / 52 / 90 / 14

HEX #DC6916

RGB 220 105 22

HSL 25.15, 0.82%, 0.47%

LAB 57.44, 40.84, 61.1

 

CMYK 56 / 0 / 90 / 15

HEX #61DA16

RGB 97 218 22

HSL 97.04, 0.82%, 0.47%

LAB 77.72, -62.99, 73.35

 

CMYK 89 / 90 / 0 / 15

HEX #1916DA

RGB 25 22 218

HSL 240.92, 0.82%, 0.47%

LAB 29.01, 65.84, -92.3

 

CMYK 0 / 52 / 90 / 14

HEX #DC6916

RGB 220 105 22

HSL 25.15, 0.82%, 0.47%

LAB 57.44, 40.84, 61.1

 

CMYK 90 / 0 / 53 / 15

HEX #16DA67

RGB 22 218 103

HSL 144.8, 0.82%, 0.47%

LAB 76.86, -68.14, 44.06

 

CMYK 53 / 90 / 0 / 15

HEX #6716DA

RGB 103 22 218

HSL 264.8, 0.82%, 0.47%

LAB 35.04, 69.94, -82.11

 

CMYK 0 / 52 / 90 / 14

HEX #DC6916

RGB 220 105 22

HSL 25.15, 0.82%, 0.47%

LAB 57.44, 40.84, 61.1

 

CMYK 56 / 0 / 90 / 15

HEX #61DA16

RGB 97 218 22

HSL 97.04, 0.82%, 0.47%

LAB 77.72, -62.99, 73.35

 

CMYK 90 / 38 / 0 / 15

HEX #1688DA

RGB 22 136 218

HSL 205.1, 0.82%, 0.47%

LAB 54.91, 0.38, -50.02

 

CMYK 34 / 90 / 0 / 15

HEX #8F16DA

RGB 143 22 218

HSL 277.04, 0.82%, 0.47%

LAB 40.37, 74.23, -73.15

 

CMYK 0 / 52 / 90 / 14

HEX #DC6916

RGB 220 105 22

HSL 25.15, 0.82%, 0.47%

LAB 57.44, 40.84, 61.1

 

CMYK 83 / 0 / 90 / 15

HEX #26DA16

RGB 38 218 22

HSL 115.1, 0.82%, 0.47%

LAB 76.44, -73.83, 71.76

 

CMYK 90 / 38 / 0 / 15

HEX #1688DA

RGB 22 136 218

HSL 205.1, 0.82%, 0.47%

LAB 54.91, 0.38, -50.02

 

CMYK 7 / 90 / 0 / 15

HEX #CA16DA

RGB 202 22 218

HSL 295.1, 0.82%, 0.47%

LAB 49.73, 82.75, -57.52

 

Description

Color code: HEX #DC6916 | qconv.com Color code: HEX #DC6916 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 105 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 105 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 90% 14% C M Y K

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