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Color name
HEX #DC652A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC652A it is the complementary color #239AD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC652A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC652A shade: #E16525, #F27738, #FF894B, #FF9B5E and #FFAD71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC652A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC652A shade: #DC652A, #CB5317, #BA4104, #A92F00 and #981D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC652A shade: #DC6428, #DC3328 and #DC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC652A shade: #DC6428, #DC9428, #DCC528, #C3DC28 and #92DC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC652A shade matches the following richer shades: #DC6428 and #F05D14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC652A shade: #DC6428, #C86B3C, #B47151, #9F7865 and #8B7F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC652A shade: #DC284F, #DC3128, #DC6128, #DC9128 and #DCC128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC652A shade: #994319, #BC531F, #DC6428, #E27D4C and #E8976F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC652A shade: #DC652A, #7FDC28 and #2837DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC652A shade: #DC652A, #28DC61 and #6128DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC652A shade: #DC652A, #7FDC28, #28A3DC and #8528DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC652A shade: #DC652A, #49DC28, #28A3DC and #BB28DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 81 / 14

HEX #DC652A

RGB 220 101 42

HSL 19.89, 0.72%, 0.51%

LAB 56.77, 43.29, 53.22

 

Complementary color

CMYK 84 / 28 / 0 / 16

HEX #239AD5

RGB 35 154 213

HSL 199.89, 0.72%, 0.49%

LAB 60.13, -11, -38.96

 

CMYK 0 / 55 / 84 / 12

HEX #E16525

RGB 225 101 37

HSL 20.43, 0.76%, 0.51%

LAB 57.51, 45.04, 56.27

 

CMYK 0 / 51 / 77 / 5

HEX #F27738

RGB 242 119 56

HSL 20.32, 0.88%, 0.58%

LAB 63.64, 43.32, 54.7

 

CMYK 0 / 46 / 71 / 0

HEX #FF894B

RGB 255 137 75

HSL 20.67, 1%, 0.65%

LAB 69.23, 40.15, 52.13

 

CMYK 0 / 39 / 63 / 0

HEX #FF9B5E

RGB 255 155 94

HSL 22.73, 1%, 0.68%

LAB 73.23, 32.01, 47.26

 

CMYK 0 / 32 / 56 / 0

HEX #FFAD71

RGB 255 173 113

HSL 25.35, 1%, 0.72%

LAB 77.48, 23.97, 42.75

 

CMYK 0 / 54 / 81 / 14

HEX #DC652A

RGB 220 101 42

HSL 19.89, 0.72%, 0.51%

LAB 56.77, 43.29, 53.22

 

CMYK 0 / 59 / 89 / 20

HEX #CB5317

RGB 203 83 23

HSL 20, 0.8%, 0.44%

LAB 50.62, 45.04, 54.47

 

CMYK 0 / 65 / 98 / 27

HEX #BA4104

RGB 186 65 4

HSL 20.11, 0.96%, 0.37%

LAB 44.56, 46.72, 54.49

 

CMYK 0 / 72 / 100 / 34

HEX #A92F00

RGB 169 47 0

HSL 16.69, 1%, 0.33%

LAB 38.67, 48.14, 50.96

 

CMYK 0 / 81 / 100 / 40

HEX #981D00

RGB 152 29 0

HSL 11.45, 1%, 0.3%

LAB 33.04, 48.79, 46.2

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 0 / 77 / 82 / 14

HEX #DC3328

RGB 220 51 40

HSL 3.67, 0.72%, 0.51%

LAB 49.17, 63.55, 47.05

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

CMYK 0 / 10 / 82 / 14

HEX #DCC528

RGB 220 197 40

HSL 52.33, 0.72%, 0.51%

LAB 79.21, -7.15, 73.77

 

CMYK 11 / 0 / 82 / 14

HEX #C3DC28

RGB 195 220 40

HSL 68.33, 0.72%, 0.51%

LAB 83.41, -29, 76.58

 

CMYK 34 / 0 / 82 / 14

HEX #92DC28

RGB 146 220 40

HSL 84.67, 0.72%, 0.51%

LAB 80.43, -47.86, 72.83

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 0 / 61 / 92 / 6

HEX #F05D14

RGB 240 93 20

HSL 19.91, 0.88%, 0.51%

LAB 58.42, 53.85, 63.81

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 0 / 47 / 70 / 22

HEX #C86B3C

RGB 200 107 60

HSL 20.14, 0.56%, 0.51%

LAB 55.2, 33.14, 42.02

 

CMYK 0 / 37 / 55 / 29

HEX #B47151

RGB 180 113 81

HSL 19.39, 0.4%, 0.51%

LAB 54.14, 23.13, 28.72

 

CMYK 0 / 25 / 36 / 38

HEX #9F7865

RGB 159 120 101

HSL 19.66, 0.23%, 0.51%

LAB 53.75, 12.55, 16.34

 

CMYK 0 / 9 / 13 / 45

HEX #8B7F79

RGB 139 127 121

HSL 20, 0.07%, 0.51%

LAB 54.08, 3.48, 4.9

 

CMYK 0 / 82 / 64 / 14

HEX #DC284F

RGB 220 40 79

HSL 347, 0.72%, 0.51%

LAB 48.63, 68.1, 24.1

 

CMYK 0 / 78 / 82 / 14

HEX #DC3128

RGB 220 49 40

HSL 3, 0.72%, 0.51%

LAB 48.96, 64.14, 46.85

 

CMYK 0 / 56 / 82 / 14

HEX #DC6128

RGB 220 97 40

HSL 19, 0.72%, 0.51%

LAB 56.01, 45.17, 53.38

 

CMYK 0 / 34 / 82 / 14

HEX #DC9128

RGB 220 145 40

HSL 35, 0.72%, 0.51%

LAB 66.23, 20.34, 62.53

 

CMYK 0 / 12 / 82 / 14

HEX #DCC128

RGB 220 193 40

HSL 51, 0.72%, 0.51%

LAB 78.17, -5.09, 72.88

 

CMYK 0 / 56 / 84 / 40

HEX #994319

RGB 153 67 25

HSL 19.69, 0.72%, 0.35%

LAB 39.34, 33.58, 40.87

 

CMYK 0 / 56 / 84 / 26

HEX #BC531F

RGB 188 83 31

HSL 19.87, 0.72%, 0.43%

LAB 48.23, 39.52, 48.36

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 0 / 45 / 66 / 11

HEX #E27D4C

RGB 226 125 76

HSL 19.6, 0.72%, 0.59%

LAB 62.81, 35.01, 43.35

 

CMYK 0 / 35 / 52 / 9

HEX #E8976F

RGB 232 151 111

HSL 19.83, 0.72%, 0.67%

LAB 69.78, 26.25, 33.54

 

CMYK 0 / 54 / 81 / 14

HEX #DC652A

RGB 220 101 42

HSL 19.89, 0.72%, 0.51%

LAB 56.77, 43.29, 53.22

 

CMYK 42 / 0 / 82 / 14

HEX #7FDC28

RGB 127 220 40

HSL 91, 0.72%, 0.51%

LAB 79.53, -54.31, 71.68

 

CMYK 82 / 75 / 0 / 14

HEX #2837DC

RGB 40 55 220

HSL 235, 0.72%, 0.51%

LAB 34.7, 52.61, -83.97

 

CMYK 0 / 54 / 81 / 14

HEX #DC652A

RGB 220 101 42

HSL 19.89, 0.72%, 0.51%

LAB 56.77, 43.29, 53.22

 

CMYK 82 / 0 / 56 / 14

HEX #28DC61

RGB 40 220 97

HSL 139, 0.72%, 0.51%

LAB 77.58, -68.21, 47.78

 

CMYK 56 / 82 / 0 / 14

HEX #6128DC

RGB 97 40 220

HSL 259, 0.72%, 0.51%

LAB 36.42, 64.39, -81.01

 

CMYK 0 / 54 / 81 / 14

HEX #DC652A

RGB 220 101 42

HSL 19.89, 0.72%, 0.51%

LAB 56.77, 43.29, 53.22

 

CMYK 42 / 0 / 82 / 14

HEX #7FDC28

RGB 127 220 40

HSL 91, 0.72%, 0.51%

LAB 79.53, -54.31, 71.68

 

CMYK 82 / 26 / 0 / 14

HEX #28A3DC

RGB 40 163 220

HSL 199, 0.72%, 0.51%

LAB 63.19, -13.09, -38.06

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 0 / 54 / 81 / 14

HEX #DC652A

RGB 220 101 42

HSL 19.89, 0.72%, 0.51%

LAB 56.77, 43.29, 53.22

 

CMYK 67 / 0 / 82 / 14

HEX #49DC28

RGB 73 220 40

HSL 109, 0.72%, 0.51%

LAB 77.73, -68.48, 69.38

 

CMYK 82 / 26 / 0 / 14

HEX #28A3DC

RGB 40 163 220

HSL 199, 0.72%, 0.51%

LAB 63.19, -13.09, -38.06

 

CMYK 15 / 82 / 0 / 14

HEX #BB28DC

RGB 187 40 220

HSL 289, 0.72%, 0.51%

LAB 48.57, 77.2, -60.65

 

Description

Color code: HEX #DC652A | qconv.com Color code: HEX #DC652A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 101 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 101 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 81 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 81% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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