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Color name
HEX #DC6516

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6516 it is the complementary color #239AE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6516. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6516 shade: #E16511, #F27724, #FF8937, #FF9B4A and #FFAD5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6516. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6516 shade: #DC6516, #CB5303, #BA4100, #A92F00 and #981D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6516 shade: #DA6416, #DA2F16 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6516 shade: #DA6416, #DA9916, #DACE16, #B1DA16 and #7CDA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6516 shade matches the following richer shades: #DA6416 and #EE6002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6516 shade: #DA6416, #C76829, #B36C3C, #A07050 and #8D7463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6516 shade: #DA1633, #DA2D16, #DA6116, #DA9516 and #DACA16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6516 shade: #8F420E, #B55312, #DA6416, #EA7A2F and #EE9254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6516 shade: #DC6516, #67DA16 and #1619DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6516 shade: #DC6516, #16DA61 and #6116DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6516 shade: #DC6516, #67DA16, #168FDA and #8816DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6516 shade: #DC6516, #2DDA16, #168FDA and #C316DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 90 / 14

HEX #DC6516

RGB 220 101 22

HSL 23.94, 0.82%, 0.47%

LAB 56.66, 42.81, 60.53

 

Complementary color

CMYK 85 / 34 / 0 / 9

HEX #239AE9

RGB 35 154 233

HSL 203.94, 0.82%, 0.53%

LAB 61.09, -3.78, -48.55

 

CMYK 0 / 55 / 92 / 12

HEX #E16511

RGB 225 101 17

HSL 24.23, 0.86%, 0.47%

LAB 57.42, 44.65, 62.77

 

CMYK 0 / 51 / 85 / 5

HEX #F27724

RGB 242 119 36

HSL 24.17, 0.89%, 0.55%

LAB 63.51, 42.72, 62.75

 

CMYK 0 / 46 / 78 / 0

HEX #FF8937

RGB 255 137 55

HSL 24.6, 1%, 0.61%

LAB 69.06, 39.33, 61.03

 

CMYK 0 / 39 / 71 / 0

HEX #FF9B4A

RGB 255 155 74

HSL 26.85, 1%, 0.65%

LAB 73.02, 30.91, 56.68

 

CMYK 0 / 32 / 64 / 0

HEX #FFAD5D

RGB 255 173 93

HSL 29.63, 1%, 0.68%

LAB 77.24, 22.58, 52.41

 

CMYK 0 / 54 / 90 / 14

HEX #DC6516

RGB 220 101 22

HSL 23.94, 0.82%, 0.47%

LAB 56.66, 42.81, 60.53

 

CMYK 0 / 59 / 99 / 20

HEX #CB5303

RGB 203 83 3

HSL 24, 0.97%, 0.4%

LAB 50.56, 44.77, 59.71

 

CMYK 0 / 65 / 100 / 27

HEX #BA4100

RGB 186 65 0

HSL 20.97, 1%, 0.36%

LAB 44.55, 46.67, 55.63

 

CMYK 0 / 72 / 100 / 34

HEX #A92F00

RGB 169 47 0

HSL 16.69, 1%, 0.33%

LAB 38.67, 48.14, 50.96

 

CMYK 0 / 81 / 100 / 40

HEX #981D00

RGB 152 29 0

HSL 11.45, 1%, 0.3%

LAB 33.04, 48.79, 46.2

 

CMYK 0 / 54 / 90 / 15

HEX #DA6416

RGB 218 100 22

HSL 23.88, 0.82%, 0.47%

LAB 56.17, 42.53, 60.03

 

CMYK 0 / 78 / 90 / 15

HEX #DA2F16

RGB 218 47 22

HSL 7.65, 0.82%, 0.47%

LAB 48.26, 63.75, 54.29

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 54 / 90 / 15

HEX #DA6416

RGB 218 100 22

HSL 23.88, 0.82%, 0.47%

LAB 56.17, 42.53, 60.03

 

CMYK 0 / 30 / 90 / 15

HEX #DA9916

RGB 218 153 22

HSL 40.1, 0.82%, 0.47%

LAB 67.83, 14.74, 68.8

 

CMYK 0 / 6 / 90 / 15

HEX #DACE16

RGB 218 206 22

HSL 56.33, 0.82%, 0.47%

LAB 81.35, -12.97, 79.22

 

CMYK 19 / 0 / 90 / 15

HEX #B1DA16

RGB 177 218 22

HSL 72.55, 0.82%, 0.47%

LAB 81.59, -35.79, 78.12

 

CMYK 43 / 0 / 90 / 15

HEX #7CDA16

RGB 124 218 22

HSL 88.78, 0.82%, 0.47%

LAB 78.74, -55.09, 74.62

 

CMYK 0 / 54 / 90 / 15

HEX #DA6416

RGB 218 100 22

HSL 23.88, 0.82%, 0.47%

LAB 56.17, 42.53, 60.03

 

CMYK 0 / 60 / 99 / 7

HEX #EE6002

RGB 238 96 2

HSL 23.9, 0.98%, 0.47%

LAB 58.55, 51.63, 67.46

 

CMYK 0 / 54 / 90 / 15

HEX #DA6416

RGB 218 100 22

HSL 23.88, 0.82%, 0.47%

LAB 56.17, 42.53, 60.03

 

CMYK 0 / 48 / 79 / 22

HEX #C76829

RGB 199 104 41

HSL 23.92, 0.66%, 0.47%

LAB 54.24, 33.47, 50.16

 

CMYK 0 / 40 / 66 / 30

HEX #B36C3C

RGB 179 108 60

HSL 24.2, 0.5%, 0.47%

LAB 52.55, 23.9, 38.25

 

CMYK 0 / 30 / 50 / 37

HEX #A07050

RGB 160 112 80

HSL 24, 0.33%, 0.47%

LAB 51.43, 15.14, 25.32

 

CMYK 0 / 18 / 30 / 45

HEX #8D7463

RGB 141 116 99

HSL 24.29, 0.18%, 0.47%

LAB 50.75, 7.09, 13.06

 

CMYK 0 / 90 / 77 / 15

HEX #DA1633

RGB 218 22 51

HSL 351.12, 0.82%, 0.47%

LAB 46.6, 69.83, 38.3

 

CMYK 0 / 79 / 90 / 15

HEX #DA2D16

RGB 218 45 22

HSL 7.04, 0.82%, 0.47%

LAB 48.06, 64.31, 54.15

 

CMYK 0 / 56 / 90 / 15

HEX #DA6116

RGB 218 97 22

HSL 22.96, 0.82%, 0.47%

LAB 55.6, 43.99, 59.61

 

CMYK 0 / 32 / 90 / 15

HEX #DA9516

RGB 218 149 22

HSL 38.88, 0.82%, 0.47%

LAB 66.87, 16.89, 68.07

 

CMYK 0 / 7 / 90 / 15

HEX #DACA16

RGB 218 202 22

HSL 55.1, 0.82%, 0.47%

LAB 80.29, -10.95, 78.4

 

CMYK 0 / 54 / 90 / 44

HEX #8F420E

RGB 143 66 14

HSL 24.19, 0.82%, 0.31%

LAB 37.42, 29.67, 43.15

 

CMYK 0 / 54 / 90 / 29

HEX #B55312

RGB 181 83 18

HSL 23.93, 0.82%, 0.39%

LAB 47.05, 36.45, 51.87

 

CMYK 0 / 54 / 90 / 15

HEX #DA6416

RGB 218 100 22

HSL 23.88, 0.82%, 0.47%

LAB 56.17, 42.53, 60.03

 

CMYK 0 / 48 / 80 / 8

HEX #EA7A2F

RGB 234 122 47

HSL 24.06, 0.82%, 0.55%

LAB 63.02, 38.4, 57.65

 

CMYK 0 / 39 / 65 / 7

HEX #EE9254

RGB 238 146 84

HSL 24.16, 0.82%, 0.63%

LAB 69.02, 29.3, 46.85

 

CMYK 0 / 54 / 90 / 14

HEX #DC6516

RGB 220 101 22

HSL 23.94, 0.82%, 0.47%

LAB 56.66, 42.81, 60.53

 

CMYK 53 / 0 / 90 / 15

HEX #67DA16

RGB 103 218 22

HSL 95.2, 0.82%, 0.47%

LAB 77.92, -61.38, 73.6

 

CMYK 90 / 89 / 0 / 15

HEX #1619DA

RGB 22 25 218

HSL 239.08, 0.82%, 0.47%

LAB 29.23, 64.84, -91.94

 

CMYK 0 / 54 / 90 / 14

HEX #DC6516

RGB 220 101 22

HSL 23.94, 0.82%, 0.47%

LAB 56.66, 42.81, 60.53

 

CMYK 90 / 0 / 56 / 15

HEX #16DA61

RGB 22 218 97

HSL 142.96, 0.82%, 0.47%

LAB 76.79, -69, 46.79

 

CMYK 56 / 90 / 0 / 15

HEX #6116DA

RGB 97 22 218

HSL 262.96, 0.82%, 0.47%

LAB 34.35, 69.43, -83.27

 

CMYK 0 / 54 / 90 / 14

HEX #DC6516

RGB 220 101 22

HSL 23.94, 0.82%, 0.47%

LAB 56.66, 42.81, 60.53

 

CMYK 53 / 0 / 90 / 15

HEX #67DA16

RGB 103 218 22

HSL 95.2, 0.82%, 0.47%

LAB 77.92, -61.38, 73.6

 

CMYK 90 / 34 / 0 / 15

HEX #168FDA

RGB 22 143 218

HSL 202.96, 0.82%, 0.47%

LAB 56.96, -3.76, -46.77

 

CMYK 38 / 90 / 0 / 15

HEX #8816DA

RGB 136 22 218

HSL 274.9, 0.82%, 0.47%

LAB 39.36, 73.38, -74.84

 

CMYK 0 / 54 / 90 / 14

HEX #DC6516

RGB 220 101 22

HSL 23.94, 0.82%, 0.47%

LAB 56.66, 42.81, 60.53

 

CMYK 79 / 0 / 90 / 15

HEX #2DDA16

RGB 45 218 22

HSL 112.96, 0.82%, 0.47%

LAB 76.53, -73.04, 71.87

 

CMYK 90 / 34 / 0 / 15

HEX #168FDA

RGB 22 143 218

HSL 202.96, 0.82%, 0.47%

LAB 56.96, -3.76, -46.77

 

CMYK 11 / 90 / 0 / 15

HEX #C316DA

RGB 195 22 218

HSL 292.96, 0.82%, 0.47%

LAB 48.56, 81.63, -59.47

 

Description

Color code: HEX #DC6516 | qconv.com Color code: HEX #DC6516 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 101 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 101 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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