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Color name
HEX #DC650D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC650D it is the complementary color #239AF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC650D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC650D shade: #E16508, #F2771B, #FF892E, #FF9B41 and #FFAD54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC650D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC650D shade: #DC650D, #CB5300, #BA4100, #A92F00 and #981D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC650D shade: #DE660D, #DE2D0D and #DE0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC650D shade: #DE660D, #DE9E0D, #DED60D, #ADDE0D and #74DE0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC650D shade matches the following richer shades: #DE660D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC650D shade: #DE660D, #CB6920, #B86B33, #A56E46 and #927159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC650D shade: #DE0D25, #DE2C0D, #DE640D, #DE9C0D and #DED30D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC650D shade: #904208, #B7540B, #DE660D, #F27A22 and #F49249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC650D shade: #DC650D, #5DDE0D and #100DDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC650D shade: #DC650D, #0DDE64 and #640DDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC650D shade: #DC650D, #5DDE0D, #0D87DE and #8E0DDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC650D shade: #DC650D, #1EDE0D, #0D87DE and #CC0DDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 94 / 14

HEX #DC650D

RGB 220 101 13

HSL 25.51, 0.89%, 0.46%

LAB 56.64, 42.69, 62.78

 

Complementary color

CMYK 86 / 36 / 0 / 5

HEX #239AF2

RGB 35 154 242

HSL 205.51, 0.89%, 0.54%

LAB 61.55, -0.49, -52.79

 

CMYK 0 / 55 / 96 / 12

HEX #E16508

RGB 225 101 8

HSL 25.71, 0.93%, 0.46%

LAB 57.4, 44.55, 64.6

 

CMYK 0 / 51 / 89 / 5

HEX #F2771B

RGB 242 119 27

HSL 25.67, 0.89%, 0.53%

LAB 63.47, 42.53, 65.61

 

CMYK 0 / 46 / 82 / 0

HEX #FF892E

RGB 255 137 46

HSL 26.12, 1%, 0.59%

LAB 69, 39.05, 64.54

 

CMYK 0 / 39 / 75 / 0

HEX #FF9B41

RGB 255 155 65

HSL 28.42, 1%, 0.63%

LAB 72.95, 30.51, 60.6

 

CMYK 0 / 32 / 67 / 0

HEX #FFAD54

RGB 255 173 84

HSL 31.23, 1%, 0.66%

LAB 77.15, 22.05, 56.55

 

CMYK 0 / 54 / 94 / 14

HEX #DC650D

RGB 220 101 13

HSL 25.51, 0.89%, 0.46%

LAB 56.64, 42.69, 62.78

 

CMYK 0 / 59 / 100 / 20

HEX #CB5300

RGB 203 83 0

HSL 24.53, 1%, 0.4%

LAB 50.55, 44.73, 60.4

 

CMYK 0 / 65 / 100 / 27

HEX #BA4100

RGB 186 65 0

HSL 20.97, 1%, 0.36%

LAB 44.55, 46.67, 55.63

 

CMYK 0 / 72 / 100 / 34

HEX #A92F00

RGB 169 47 0

HSL 16.69, 1%, 0.33%

LAB 38.67, 48.14, 50.96

 

CMYK 0 / 81 / 100 / 40

HEX #981D00

RGB 152 29 0

HSL 11.45, 1%, 0.3%

LAB 33.04, 48.79, 46.2

 

CMYK 0 / 54 / 94 / 13

HEX #DE660D

RGB 222 102 13

HSL 25.55, 0.89%, 0.46%

LAB 57.14, 42.97, 63.26

 

CMYK 0 / 80 / 94 / 13

HEX #DE2D0D

RGB 222 45 13

HSL 9.19, 0.89%, 0.46%

LAB 48.8, 65.35, 58.05

 

CMYK 0 / 94 / 94 / 13

HEX #DE0D0D

RGB 222 13 13

HSL 0, 0.89%, 0.46%

LAB 46.77, 71.15, 56.9

 

CMYK 0 / 54 / 94 / 13

HEX #DE660D

RGB 222 102 13

HSL 25.55, 0.89%, 0.46%

LAB 57.14, 42.97, 63.26

 

CMYK 0 / 29 / 94 / 13

HEX #DE9E0D

RGB 222 158 13

HSL 41.63, 0.89%, 0.46%

LAB 69.48, 13.67, 71.83

 

CMYK 0 / 4 / 94 / 13

HEX #DED60D

RGB 222 214 13

HSL 57.7, 0.89%, 0.46%

LAB 83.78, -15.37, 82.39

 

CMYK 22 / 0 / 94 / 13

HEX #ADDE0D

RGB 173 222 13

HSL 74.07, 0.89%, 0.46%

LAB 82.46, -39.3, 79.84

 

CMYK 48 / 0 / 94 / 13

HEX #74DE0D

RGB 116 222 13

HSL 90.43, 0.89%, 0.46%

LAB 79.61, -59.27, 76.36

 

CMYK 0 / 54 / 94 / 13

HEX #DE660D

RGB 222 102 13

HSL 25.55, 0.89%, 0.46%

LAB 57.14, 42.97, 63.26

 

CMYK 0 / 54 / 94 / 13

HEX #DE660D

RGB 222 102 13

HSL 25.55, 0.89%, 0.46%

LAB 57.14, 42.97, 63.26

 

CMYK 0 / 48 / 84 / 20

HEX #CB6920

RGB 203 105 32

HSL 25.61, 0.73%, 0.46%

LAB 54.97, 34.29, 54.74

 

CMYK 0 / 42 / 72 / 28

HEX #B86B33

RGB 184 107 51

HSL 25.26, 0.57%, 0.46%

LAB 52.89, 26.06, 43.42

 

CMYK 0 / 33 / 58 / 35

HEX #A56E46

RGB 165 110 70

HSL 25.26, 0.4%, 0.46%

LAB 51.37, 17.51, 31

 

CMYK 0 / 23 / 39 / 43

HEX #927159

RGB 146 113 89

HSL 25.26, 0.24%, 0.46%

LAB 50.27, 9.58, 18.31

 

CMYK 0 / 94 / 83 / 13

HEX #DE0D25

RGB 222 13 37

HSL 353.11, 0.89%, 0.46%

LAB 46.91, 71.53, 46.64

 

CMYK 0 / 80 / 94 / 13

HEX #DE2C0D

RGB 222 44 13

HSL 8.9, 0.89%, 0.46%

LAB 48.71, 65.61, 58

 

CMYK 0 / 55 / 94 / 13

HEX #DE640D

RGB 222 100 13

HSL 24.98, 0.89%, 0.46%

LAB 56.76, 43.94, 63.01

 

CMYK 0 / 30 / 94 / 13

HEX #DE9C0D

RGB 222 156 13

HSL 41.05, 0.89%, 0.46%

LAB 68.99, 14.74, 71.48

 

CMYK 0 / 5 / 94 / 13

HEX #DED30D

RGB 222 211 13

HSL 56.84, 0.89%, 0.46%

LAB 82.99, -13.88, 81.79

 

CMYK 0 / 54 / 94 / 44

HEX #904208

RGB 144 66 8

HSL 25.59, 0.89%, 0.3%

LAB 37.56, 29.98, 45.28

 

CMYK 0 / 54 / 94 / 28

HEX #B7540B

RGB 183 84 11

HSL 25.47, 0.89%, 0.38%

LAB 47.54, 36.62, 54.35

 

CMYK 0 / 54 / 94 / 13

HEX #DE660D

RGB 222 102 13

HSL 25.55, 0.89%, 0.46%

LAB 57.14, 42.97, 63.26

 

CMYK 0 / 50 / 86 / 5

HEX #F27A22

RGB 242 122 34

HSL 25.38, 0.89%, 0.54%

LAB 64.09, 41.18, 63.91

 

CMYK 0 / 40 / 70 / 4

HEX #F49249

RGB 244 146 73

HSL 25.61, 0.89%, 0.62%

LAB 69.66, 31.11, 53.14

 

CMYK 0 / 54 / 94 / 14

HEX #DC650D

RGB 220 101 13

HSL 25.51, 0.89%, 0.46%

LAB 56.64, 42.69, 62.78

 

CMYK 58 / 0 / 94 / 13

HEX #5DDE0D

RGB 93 222 13

HSL 97.03, 0.89%, 0.46%

LAB 78.81, -65.57, 75.38

 

CMYK 93 / 94 / 0 / 13

HEX #100DDE

RGB 16 13 222

HSL 240.86, 0.89%, 0.46%

LAB 28.57, 69.04, -95.35

 

CMYK 0 / 54 / 94 / 14

HEX #DC650D

RGB 220 101 13

HSL 25.51, 0.89%, 0.46%

LAB 56.64, 42.69, 62.78

 

CMYK 94 / 0 / 55 / 13

HEX #0DDE64

RGB 13 222 100

HSL 144.98, 0.89%, 0.46%

LAB 78.02, -70.26, 46.87

 

CMYK 55 / 94 / 0 / 13

HEX #640DDE

RGB 100 13 222

HSL 264.98, 0.89%, 0.46%

LAB 34.54, 72.36, -85.25

 

CMYK 0 / 54 / 94 / 14

HEX #DC650D

RGB 220 101 13

HSL 25.51, 0.89%, 0.46%

LAB 56.64, 42.69, 62.78

 

CMYK 58 / 0 / 94 / 13

HEX #5DDE0D

RGB 93 222 13

HSL 97.03, 0.89%, 0.46%

LAB 78.81, -65.57, 75.38

 

CMYK 94 / 39 / 0 / 13

HEX #0D87DE

RGB 13 135 222

HSL 204.98, 0.89%, 0.46%

LAB 54.75, 2.11, -52.52

 

CMYK 36 / 94 / 0 / 13

HEX #8E0DDE

RGB 142 13 222

HSL 277.03, 0.89%, 0.46%

LAB 40.1, 76.32, -75.89

 

CMYK 0 / 54 / 94 / 14

HEX #DC650D

RGB 220 101 13

HSL 25.51, 0.89%, 0.46%

LAB 56.64, 42.69, 62.78

 

CMYK 86 / 0 / 94 / 13

HEX #1EDE0D

RGB 30 222 13

HSL 115.12, 0.89%, 0.46%

LAB 77.61, -75.9, 73.9

 

CMYK 94 / 39 / 0 / 13

HEX #0D87DE

RGB 13 135 222

HSL 204.98, 0.89%, 0.46%

LAB 54.75, 2.11, -52.52

 

CMYK 8 / 94 / 0 / 13

HEX #CC0DDE

RGB 204 13 222

HSL 294.83, 0.89%, 0.46%

LAB 49.98, 84.7, -59.39

 

Description

Color code: HEX #DC650D | qconv.com Color code: HEX #DC650D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 101 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 101 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 94 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 94% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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