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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6357 it is the complementary color #239CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6357 shade: #E16352, #F27565, #FF8778, #FF998B and #FFAB9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6357 shade: #DC6357, #CB5144, #BA3F31, #A92D1E and #981B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6357 shade: #DC6256 and #DC5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6357 shade: #DC6256, #DC8656, #DCAA56, #DCCF56 and #C6DC56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6357 shade matches the following richer shades: #DC6256, #ED5445 and #FD4735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6357 shade: #DC6256, #CC6F66, #BB7D77, #AB8A87 and #9A9898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6357 shade: #DC5692, #DC566E, #DC6156, #DC8556 and #DCA956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6357 shade: #B93326, #D54233, #DC6256, #E38278 and #EAA19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6357 shade: #DC6357, #B6DC56 and #5680DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6357 shade: #DC6357, #56DC61 and #6156DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6357 shade: #DC6357, #B6DC56, #56D1DC and #7C56DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6357 shade: #DC6357, #8EDC56, #56D1DC and #A456DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 60 / 14

HEX #DC6357

RGB 220 99 87

HSL 5.41, 0.66%, 0.6%

LAB 56.91, 46.49, 30.01

 

Complementary color

CMYK 79 / 7 / 0 / 34

HEX #239CA8

RGB 35 156 168

HSL 185.41, 0.66%, 0.4%

LAB 58.94, -27.36, -15.47

 

CMYK 0 / 56 / 64 / 12

HEX #E16352

RGB 225 99 82

HSL 7.13, 0.7%, 0.6%

LAB 57.6, 47.97, 33.86

 

CMYK 0 / 52 / 58 / 5

HEX #F27565

RGB 242 117 101

HSL 6.81, 0.84%, 0.67%

LAB 63.79, 46.74, 31.58

 

CMYK 0 / 47 / 53 / 0

HEX #FF8778

RGB 255 135 120

HSL 6.67, 1%, 0.74%

LAB 69.43, 44.07, 28.75

 

CMYK 0 / 40 / 45 / 0

HEX #FF998B

RGB 255 153 139

HSL 7.24, 1%, 0.77%

LAB 73.48, 36.65, 23.76

 

CMYK 0 / 33 / 38 / 0

HEX #FFAB9E

RGB 255 171 158

HSL 8.04, 1%, 0.81%

LAB 77.79, 29.31, 19.33

 

CMYK 0 / 55 / 60 / 14

HEX #DC6357

RGB 220 99 87

HSL 5.41, 0.66%, 0.6%

LAB 56.91, 46.49, 30.01

 

CMYK 0 / 60 / 67 / 20

HEX #CB5144

RGB 203 81 68

HSL 5.78, 0.56%, 0.53%

LAB 50.69, 47.67, 32.53

 

CMYK 0 / 66 / 74 / 27

HEX #BA3F31

RGB 186 63 49

HSL 6.13, 0.58%, 0.46%

LAB 44.54, 48.72, 35.44

 

CMYK 0 / 73 / 82 / 34

HEX #A92D1E

RGB 169 45 30

HSL 6.47, 0.7%, 0.39%

LAB 38.56, 49.46, 38.68

 

CMYK 0 / 82 / 93 / 40

HEX #981B0B

RGB 152 27 11

HSL 6.81, 0.87%, 0.32%

LAB 32.88, 49.54, 41.65

 

CMYK 0 / 55 / 61 / 14

HEX #DC6256

RGB 220 98 86

HSL 5.37, 0.66%, 0.6%

LAB 56.71, 46.9, 30.32

 

CMYK 0 / 61 / 61 / 14

HEX #DC5656

RGB 220 86 86

HSL 0, 0.66%, 0.6%

LAB 54.6, 52.44, 27.64

 

CMYK 0 / 55 / 61 / 14

HEX #DC6256

RGB 220 98 86

HSL 5.37, 0.66%, 0.6%

LAB 56.71, 46.9, 30.32

 

CMYK 0 / 39 / 61 / 14

HEX #DC8656

RGB 220 134 86

HSL 21.49, 0.66%, 0.6%

LAB 64.11, 28.51, 39.47

 

CMYK 0 / 23 / 61 / 14

HEX #DCAA56

RGB 220 170 86

HSL 37.61, 0.66%, 0.6%

LAB 72.65, 9.21, 49.51

 

CMYK 0 / 6 / 61 / 14

HEX #DCCF56

RGB 220 207 86

HSL 54.18, 0.66%, 0.6%

LAB 82.12, -10.06, 60.09

 

CMYK 10 / 0 / 61 / 14

HEX #C6DC56

RGB 198 220 86

HSL 69.85, 0.66%, 0.6%

LAB 83.89, -25.45, 61.53

 

CMYK 0 / 55 / 61 / 14

HEX #DC6256

RGB 220 98 86

HSL 5.37, 0.66%, 0.6%

LAB 56.71, 46.9, 30.32

 

CMYK 0 / 65 / 71 / 7

HEX #ED5445

RGB 237 84 69

HSL 5.36, 0.82%, 0.6%

LAB 56.86, 58.05, 40.65

 

CMYK 0 / 72 / 79 / 1

HEX #FD4735

RGB 253 71 53

HSL 5.4, 0.98%, 0.6%

LAB 57.7, 67.36, 50.83

 

CMYK 0 / 55 / 61 / 14

HEX #DC6256

RGB 220 98 86

HSL 5.37, 0.66%, 0.6%

LAB 56.71, 46.9, 30.32

 

CMYK 0 / 46 / 50 / 20

HEX #CC6F66

RGB 204 111 102

HSL 5.29, 0.5%, 0.6%

LAB 57.24, 35.69, 21.42

 

CMYK 0 / 33 / 36 / 27

HEX #BB7D77

RGB 187 125 119

HSL 5.29, 0.33%, 0.6%

LAB 58.57, 23.34, 13.13

 

CMYK 0 / 19 / 21 / 33

HEX #AB8A87

RGB 171 138 135

HSL 5, 0.18%, 0.6%

LAB 60.41, 12.03, 6.34

 

CMYK 0 / 1 / 1 / 40

HEX #9A9898

RGB 154 152 152

HSL 0, 0.01%, 0.6%

LAB 63.01, 0.73, 0.25

 

CMYK 0 / 61 / 34 / 14

HEX #DC5692

RGB 220 86 146

HSL 333.13, 0.66%, 0.6%

LAB 56.03, 57.95, -5.67

 

CMYK 0 / 61 / 50 / 14

HEX #DC566E

RGB 220 86 110

HSL 349.25, 0.66%, 0.6%

LAB 55.07, 54.28, 14.19

 

CMYK 0 / 56 / 61 / 14

HEX #DC6156

RGB 220 97 86

HSL 4.93, 0.66%, 0.6%

LAB 56.52, 47.38, 30.09

 

CMYK 0 / 40 / 61 / 14

HEX #DC8556

RGB 220 133 86

HSL 21.04, 0.66%, 0.6%

LAB 63.89, 29.05, 39.2

 

CMYK 0 / 23 / 61 / 14

HEX #DCA956

RGB 220 169 86

HSL 37.16, 0.66%, 0.6%

LAB 72.4, 9.75, 49.23

 

CMYK 0 / 72 / 79 / 27

HEX #B93326

RGB 185 51 38

HSL 5.31, 0.66%, 0.44%

LAB 42.49, 52.72, 39.3

 

CMYK 0 / 69 / 76 / 16

HEX #D54233

RGB 213 66 51

HSL 5.56, 0.66%, 0.52%

LAB 49.84, 56.61, 41.51

 

CMYK 0 / 55 / 61 / 14

HEX #DC6256

RGB 220 98 86

HSL 5.37, 0.66%, 0.6%

LAB 56.71, 46.9, 30.32

 

CMYK 0 / 43 / 47 / 11

HEX #E38278

RGB 227 130 120

HSL 5.61, 0.66%, 0.68%

LAB 64.69, 36.21, 21.76

 

CMYK 0 / 31 / 34 / 8

HEX #EAA19A

RGB 234 161 154

HSL 5.25, 0.66%, 0.76%

LAB 73.1, 26.22, 14.62

 

CMYK 0 / 55 / 60 / 14

HEX #DC6357

RGB 220 99 87

HSL 5.41, 0.66%, 0.6%

LAB 56.91, 46.49, 30.01

 

CMYK 17 / 0 / 61 / 14

HEX #B6DC56

RGB 182 220 86

HSL 77.01, 0.66%, 0.6%

LAB 82.81, -31.74, 60.03

 

CMYK 61 / 42 / 0 / 14

HEX #5680DC

RGB 86 128 220

HSL 221.19, 0.66%, 0.6%

LAB 54.64, 13.61, -51.46

 

CMYK 0 / 55 / 60 / 14

HEX #DC6357

RGB 220 99 87

HSL 5.41, 0.66%, 0.6%

LAB 56.91, 46.49, 30.01

 

CMYK 61 / 0 / 56 / 14

HEX #56DC61

RGB 86 220 97

HSL 124.93, 0.66%, 0.6%

LAB 78.48, -60.89, 49.07

 

CMYK 56 / 61 / 0 / 14

HEX #6156DC

RGB 97 86 220

HSL 244.93, 0.66%, 0.6%

LAB 44.75, 41.26, -67.35

 

CMYK 0 / 55 / 60 / 14

HEX #DC6357

RGB 220 99 87

HSL 5.41, 0.66%, 0.6%

LAB 56.91, 46.49, 30.01

 

CMYK 17 / 0 / 61 / 14

HEX #B6DC56

RGB 182 220 86

HSL 77.01, 0.66%, 0.6%

LAB 82.81, -31.74, 60.03

 

CMYK 61 / 5 / 0 / 14

HEX #56D1DC

RGB 86 209 220

HSL 184.93, 0.66%, 0.6%

LAB 77.73, -30.68, -15.67

 

CMYK 44 / 61 / 0 / 14

HEX #7C56DC

RGB 124 86 220

HSL 257.01, 0.66%, 0.6%

LAB 47.12, 46.41, -63.4

 

CMYK 0 / 55 / 60 / 14

HEX #DC6357

RGB 220 99 87

HSL 5.41, 0.66%, 0.6%

LAB 56.91, 46.49, 30.01

 

CMYK 35 / 0 / 61 / 14

HEX #8EDC56

RGB 142 220 86

HSL 94.93, 0.66%, 0.6%

LAB 80.52, -46.32, 56.86

 

CMYK 61 / 5 / 0 / 14

HEX #56D1DC

RGB 86 209 220

HSL 184.93, 0.66%, 0.6%

LAB 77.73, -30.68, -15.67

 

CMYK 25 / 61 / 0 / 14

HEX #A456DC

RGB 164 86 220

HSL 274.93, 0.66%, 0.6%

LAB 51.51, 55.21, -56.09

 

Description

Color code: HEX #DC6357 | qconv.com Color code: HEX #DC6357 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 99 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 99 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 60% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Let's(レッツ)大正 就労移...
Link: http://lets.lemonkai.social

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

Let's go
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