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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5FF2 it is the complementary color #23A00D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5FF2 shade: #E15FED, #F271FF, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5FF2 shade: #DC5FF2, #CB4DDF, #BA3BCC, #A929B9 and #9817A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5FF2 shade: #DC5FF2, #F25FE0, #F25FB9, #F25F91 and #F25F69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5FF2 shade: #DC5FF2, #B45FF2, #8C5FF2, #655FF2 and #5F5FF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5FF2 shade matches the following richer shades: #DC5FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5FF2 shade: #DC5FF2, #D26DE4, #C87BD6, #BE89C8 and #B597BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5FF2 shade: #8D5FF2, #B55FF2, #DC5FF2, #F25FE1 and #F25FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5FF2 shade: #CB13EB, #D438EF, #DC5FF2, #E485F5 and #EDABF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5FF2 shade: #DC5FF2, #F2665F and #5FF2A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5FF2 shade: #DC5FF2, #F2DC5F and #5FF2DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5FF2 shade: #DC5FF2, #F2665F, #75F25F and #5FEBF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5FF2 shade: #DC5FF2, #F2925F, #75F25F and #5FBEF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

Complementary color

CMYK 78 / 0 / 92 / 37

HEX #23A00D

RGB 35 160 13

HSL 111.02, 0.85%, 0.34%

LAB 57.59, -57.36, 57.19

 

CMYK 5 / 60 / 0 / 7

HEX #E15FED

RGB 225 95 237

HSL 294.93, 0.8%, 0.65%

LAB 61.92, 68.93, -48.59

 

CMYK 5 / 56 / 0 / 0

HEX #F271FF

RGB 242 113 255

HSL 294.51, 1%, 0.72%

LAB 67.95, 68.42, -48.84

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 9 / 65 / 0 / 13

HEX #CB4DDF

RGB 203 77 223

HSL 291.78, 0.7%, 0.59%

LAB 55.41, 68.75, -51.26

 

CMYK 9 / 71 / 0 / 20

HEX #BA3BCC

RGB 186 59 204

HSL 292.55, 0.59%, 0.52%

LAB 49.41, 68.47, -50.16

 

CMYK 9 / 78 / 0 / 27

HEX #A929B9

RGB 169 41 185

HSL 293.33, 0.64%, 0.44%

LAB 43.54, 67.56, -48.65

 

CMYK 8 / 86 / 0 / 35

HEX #9817A6

RGB 152 23 166

HSL 294.13, 0.76%, 0.37%

LAB 37.92, 65.68, -46.55

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 0 / 61 / 7 / 5

HEX #F25FE0

RGB 242 95 224

HSL 307.35, 0.85%, 0.66%

LAB 63.71, 70.97, -38.36

 

CMYK 0 / 61 / 24 / 5

HEX #F25FB9

RGB 242 95 185

HSL 323.27, 0.85%, 0.66%

LAB 62.14, 65.39, -18.74

 

CMYK 0 / 61 / 40 / 5

HEX #F25F91

RGB 242 95 145

HSL 339.59, 0.85%, 0.66%

LAB 60.88, 60.7, 2.41

 

CMYK 0 / 61 / 57 / 5

HEX #F25F69

RGB 242 95 105

HSL 355.92, 0.85%, 0.66%

LAB 59.96, 57.18, 24.33

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 26 / 61 / 0 / 5

HEX #B45FF2

RGB 180 95 242

HSL 274.69, 0.85%, 0.66%

LAB 56.39, 59.35, -60.53

 

CMYK 42 / 61 / 0 / 5

HEX #8C5FF2

RGB 140 95 242

HSL 258.37, 0.85%, 0.66%

LAB 52.03, 50.7, -67.77

 

CMYK 58 / 61 / 0 / 5

HEX #655FF2

RGB 101 95 242

HSL 242.45, 0.85%, 0.66%

LAB 48.71, 43.49, -73.31

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF2

RGB 95 95 242

HSL 240, 0.85%, 0.66%

LAB 48.3, 42.53, -74.01

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 8 / 52 / 0 / 11

HEX #D26DE4

RGB 210 109 228

HSL 290.92, 0.69%, 0.66%

LAB 61.86, 57.1, -43.8

 

CMYK 7 / 43 / 0 / 16

HEX #C87BD6

RGB 200 123 214

HSL 290.77, 0.53%, 0.66%

LAB 62.76, 44.47, -34.65

 

CMYK 5 / 32 / 0 / 22

HEX #BE89C8

RGB 190 137 200

HSL 290.48, 0.36%, 0.66%

LAB 64.17, 31.03, -24.72

 

CMYK 3 / 19 / 0 / 27

HEX #B597BA

RGB 181 151 186

HSL 291.43, 0.2%, 0.66%

LAB 66.14, 17.46, -13.96

 

CMYK 42 / 61 / 0 / 5

HEX #8D5FF2

RGB 141 95 242

HSL 258.78, 0.85%, 0.66%

LAB 52.13, 50.9, -67.61

 

CMYK 25 / 61 / 0 / 5

HEX #B55FF2

RGB 181 95 242

HSL 275.1, 0.85%, 0.66%

LAB 56.5, 59.58, -60.33

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 0 / 61 / 7 / 5

HEX #F25FE1

RGB 242 95 225

HSL 306.94, 0.85%, 0.66%

LAB 63.75, 71.12, -38.85

 

CMYK 0 / 61 / 24 / 5

HEX #F25FB9

RGB 242 95 185

HSL 323.27, 0.85%, 0.66%

LAB 62.14, 65.39, -18.74

 

CMYK 14 / 92 / 0 / 8

HEX #CB13EB

RGB 203 19 235

HSL 291.11, 0.85%, 0.5%

LAB 50.87, 86, -65.32

 

CMYK 11 / 77 / 0 / 6

HEX #D438EF

RGB 212 56 239

HSL 291.15, 0.85%, 0.58%

LAB 55.13, 80.61, -60.63

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 7 / 46 / 0 / 4

HEX #E485F5

RGB 228 133 245

HSL 290.89, 0.85%, 0.74%

LAB 69.37, 53.33, -41.26

 

CMYK 4 / 31 / 0 / 3

HEX #EDABF8

RGB 237 171 248

HSL 291.43, 0.85%, 0.82%

LAB 78.41, 36.8, -28.81

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 0 / 58 / 61 / 5

HEX #F2665F

RGB 242 102 95

HSL 2.86, 0.85%, 0.66%

LAB 60.96, 53.39, 31.33

 

CMYK 61 / 0 / 33 / 5

HEX #5FF2A1

RGB 95 242 161

HSL 146.94, 0.85%, 0.66%

LAB 86.26, -57.23, 27.69

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 0 / 9 / 61 / 5

HEX #F2DC5F

RGB 242 220 95

HSL 51.02, 0.85%, 0.66%

LAB 87.43, -6.95, 62.55

 

CMYK 61 / 0 / 9 / 5

HEX #5FF2DC

RGB 95 242 220

HSL 171.02, 0.85%, 0.66%

LAB 87.54, -44.3, -1.08

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 0 / 58 / 61 / 5

HEX #F2665F

RGB 242 102 95

HSL 2.86, 0.85%, 0.66%

LAB 60.96, 53.39, 31.33

 

CMYK 52 / 0 / 61 / 5

HEX #75F25F

RGB 117 242 95

HSL 111.02, 0.85%, 0.66%

LAB 86.06, -61.66, 58.96

 

CMYK 61 / 3 / 0 / 5

HEX #5FEBF2

RGB 95 235 242

HSL 182.86, 0.85%, 0.66%

LAB 86.14, -35.4, -14.69

 

CMYK 9 / 61 / 0 / 5

HEX #DC5FF2

RGB 220 95 242

HSL 291.02, 0.85%, 0.66%

LAB 61.49, 68.63, -52.08

 

CMYK 0 / 40 / 61 / 5

HEX #F2925F

RGB 242 146 95

HSL 20.82, 0.85%, 0.66%

LAB 69.66, 31.61, 42.1

 

CMYK 52 / 0 / 61 / 5

HEX #75F25F

RGB 117 242 95

HSL 111.02, 0.85%, 0.66%

LAB 86.06, -61.66, 58.96

 

CMYK 61 / 21 / 0 / 5

HEX #5FBEF2

RGB 95 190 242

HSL 201.22, 0.85%, 0.66%

LAB 73.33, -13, -34.2

 

Description

Color code: HEX #DC5FF2 | qconv.com Color code: HEX #DC5FF2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 95 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 95 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 61 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 61% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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