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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5D2CCE it is the complementary color #23A2D3CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5D2CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5D2CCE shade: #E15D27CE, #F26F3ACE, #FF814DCE, #FF9360CE and #FFA573CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5D2CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5D2CCE shade: #DC5D2CCE, #CB4B19CE, #BA3906CE, #A92700CE and #981500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5D2CCE shade: #DD5E2C, #DD2E2C and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5D2CCE shade: #DD5E2C, #DD8D2C, #DDBD2C, #CDDD2C and #9EDD2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5D2CCE shade matches the following richer shades: #DD5E2C and #F15519

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5D2CCE shade: #DD5E2C, #C96640, #B56F54, #A17868 and #8E817C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5D2CCE shade: #DD2C5B, #DD2C2C, #DD5B2C, #DD8A2C and #DDB92C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5D2CCE shade: #9D3E1A, #C14C1F, #DD5E2C, #E37950 and #E89473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5D2CCE shade: #DC5D2C, #8ADD2C and #2C44DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5D2CCE shade: #DC5D2C, #2CDD5B and #5B2CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5D2CCE shade: #DC5D2C, #8ADD2C, #2CAEDD and #7F2CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5D2CCE shade: #DC5D2C, #56DD2C, #2CAEDD and #B42CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 65 / 11

HEX #DC5D2CCE

RGBA 220 93 44 0.81

HSLA 16.7, 0.72%, 0.52%, 0.81

LABA 55.3, 47.19, 50.94, 0.81

 

Complementary color

CMYK 68 / 19 / 0 / 14

HEX #23A2D3CE

RGBA 35 162 211 0.81

HSLA 196.7, 0.72%, 0.48%, 0.81

LABA 62.42, -16.1, -34.27, 0.81

 

CMYK 0 / 48 / 67 / 10

HEX #E15D27CE

RGBA 225 93 39 0.81

HSLA 17.42, 0.76%, 0.52%, 0.81

LABA 56.07, 48.86, 54.17, 0.81

 

CMYK 0 / 44 / 62 / 4

HEX #F26F3ACE

RGBA 242 111 58 0.81

HSLA 17.28, 0.88%, 0.59%, 0.81

LABA 62.13, 47.28, 52.25, 0.81

 

CMYK 0 / 40 / 57 / 0

HEX #FF814DCE

RGBA 255 129 77 0.81

HSLA 17.53, 1%, 0.65%, 0.81

LABA 67.65, 44.23, 49.41, 0.81

 

CMYK 0 / 34 / 51 / 0

HEX #FF9360CE

RGBA 255 147 96 0.81

HSLA 19.25, 1%, 0.69%, 0.81

LABA 71.54, 36.26, 44.24, 0.81

 

CMYK 0 / 29 / 44 / 0

HEX #FFA573CE

RGBA 255 165 115 0.81

HSLA 21.43, 1%, 0.73%, 0.81

LABA 75.7, 28.31, 39.5, 0.81

 

CMYK 0 / 47 / 65 / 11

HEX #DC5D2CCE

RGBA 220 93 44 0.81

HSLA 16.7, 0.72%, 0.52%, 0.81

LABA 55.3, 47.19, 50.94, 0.81

 

CMYK 0 / 51 / 71 / 17

HEX #CB4B19CE

RGBA 203 75 25 0.81

HSLA 16.85, 0.78%, 0.45%, 0.81

LABA 49.25, 48.72, 52.67, 0.81

 

CMYK 0 / 56 / 78 / 22

HEX #BA3906CE

RGBA 186 57 6 0.81

HSLA 17, 0.94%, 0.38%, 0.81

LABA 43.33, 50.08, 53.22, 0.81

 

CMYK 0 / 62 / 81 / 27

HEX #A92700CE

RGBA 169 39 0 0.81

HSLA 13.85, 1%, 0.33%, 0.81

LABA 37.64, 51, 50.49, 0.81

 

CMYK 0 / 70 / 81 / 33

HEX #981500CE

RGBA 152 21 0 0.81

HSLA 8.29, 1%, 0.3%, 0.81

LABA 32.28, 50.92, 45.72, 0.81

 

CMYK 0 / 57 / 80 / 13

HEX #DD5E2C

RGB 221 94 44

HSL 16.95, 0.72%, 0.52%

LAB 55.64, 47.08, 51.32

 

CMYK 0 / 79 / 80 / 13

HEX #DD2E2C

RGB 221 46 44

HSL 0.68, 0.72%, 0.52%

LAB 48.89, 65.38, 44.77

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 57 / 80 / 13

HEX #DD5E2C

RGB 221 94 44

HSL 16.95, 0.72%, 0.52%

LAB 55.64, 47.08, 51.32

 

CMYK 0 / 36 / 80 / 13

HEX #DD8D2C

RGB 221 141 44

HSL 32.88, 0.72%, 0.52%

LAB 65.44, 23.03, 60.43

 

CMYK 0 / 14 / 80 / 13

HEX #DDBD2C

RGB 221 189 44

HSL 49.15, 0.72%, 0.52%

LAB 77.25, -2.47, 70.98

 

CMYK 7 / 0 / 80 / 13

HEX #CDDD2C

RGB 205 221 44

HSL 65.42, 0.72%, 0.52%

LAB 84.42, -25.25, 76.74

 

CMYK 29 / 0 / 80 / 13

HEX #9EDD2C

RGB 158 221 44

HSL 81.36, 0.72%, 0.52%

LAB 81.38, -43.77, 72.89

 

CMYK 0 / 57 / 80 / 13

HEX #DD5E2C

RGB 221 94 44

HSL 16.95, 0.72%, 0.52%

LAB 55.64, 47.08, 51.32

 

CMYK 0 / 65 / 90 / 5

HEX #F15519

RGB 241 85 25

HSL 16.67, 0.89%, 0.52%

LAB 57.34, 57.65, 61.63

 

CMYK 0 / 57 / 80 / 13

HEX #DD5E2C

RGB 221 94 44

HSL 16.95, 0.72%, 0.52%

LAB 55.64, 47.08, 51.32

 

CMYK 0 / 49 / 68 / 21

HEX #C96640

RGB 201 102 64

HSL 16.64, 0.56%, 0.52%

LAB 54.33, 36.38, 38.98

 

CMYK 0 / 39 / 54 / 29

HEX #B56F54

RGB 181 111 84

HSL 16.7, 0.4%, 0.52%

LAB 53.85, 24.91, 26.68

 

CMYK 0 / 25 / 35 / 37

HEX #A17868

RGB 161 120 104

HSL 16.84, 0.23%, 0.52%

LAB 54.04, 13.76, 15.03

 

CMYK 0 / 9 / 13 / 44

HEX #8E817C

RGB 142 129 124

HSL 16.67, 0.07%, 0.52%

LAB 54.98, 4.03, 4.49

 

CMYK 0 / 80 / 59 / 13

HEX #DD2C5B

RGB 221 44 91

HSL 344.07, 0.72%, 0.52%

LAB 49.41, 68.09, 17.86

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 59 / 80 / 13

HEX #DD5B2C

RGB 221 91 44

HSL 15.93, 0.72%, 0.52%

LAB 55.11, 48.48, 50.81

 

CMYK 0 / 38 / 80 / 13

HEX #DD8A2C

RGB 221 138 44

HSL 31.86, 0.72%, 0.52%

LAB 64.75, 24.64, 59.8

 

CMYK 0 / 16 / 80 / 13

HEX #DDB92C

RGB 221 185 44

HSL 47.8, 0.72%, 0.52%

LAB 76.22, -0.39, 70.08

 

CMYK 0 / 61 / 83 / 38

HEX #9D3E1A

RGB 157 62 26

HSL 16.49, 0.72%, 0.36%

LAB 39.05, 37.72, 40.38

 

CMYK 0 / 61 / 84 / 24

HEX #C14C1F

RGB 193 76 31

HSL 16.67, 0.72%, 0.44%

LAB 47.76, 44.78, 48.25

 

CMYK 0 / 57 / 80 / 13

HEX #DD5E2C

RGB 221 94 44

HSL 16.95, 0.72%, 0.52%

LAB 55.64, 47.08, 51.32

 

CMYK 0 / 47 / 65 / 11

HEX #E37950

RGB 227 121 80

HSL 16.73, 0.72%, 0.6%

LAB 62.16, 37.7, 40.52

 

CMYK 0 / 36 / 50 / 9

HEX #E89473

RGB 232 148 115

HSL 16.92, 0.72%, 0.68%

LAB 69.16, 28.2, 30.58

 

CMYK 0 / 58 / 80 / 14

HEX #DC5D2C

RGB 220 93 44

HSL 16.7, 0.72%, 0.52%

LAB 55.3, 47.19, 50.94

 

CMYK 38 / 0 / 80 / 13

HEX #8ADD2C

RGB 138 221 44

HSL 88.14, 0.72%, 0.52%

LAB 80.35, -50.89, 71.57

 

CMYK 80 / 69 / 0 / 13

HEX #2C44DD

RGB 44 68 221

HSL 231.86, 0.72%, 0.52%

LAB 37.64, 45.75, -79.68

 

CMYK 0 / 58 / 80 / 14

HEX #DC5D2C

RGB 220 93 44

HSL 16.7, 0.72%, 0.52%

LAB 55.3, 47.19, 50.94

 

CMYK 80 / 0 / 59 / 13

HEX #2CDD5B

RGB 44 221 91

HSL 135.93, 0.72%, 0.52%

LAB 77.88, -68.88, 50.86

 

CMYK 59 / 80 / 0 / 13

HEX #5B2CDD

RGB 91 44 221

HSL 255.93, 0.72%, 0.52%

LAB 36.45, 62.45, -81.54

 

CMYK 0 / 58 / 80 / 14

HEX #DC5D2C

RGB 220 93 44

HSL 16.7, 0.72%, 0.52%

LAB 55.3, 47.19, 50.94

 

CMYK 38 / 0 / 80 / 13

HEX #8ADD2C

RGB 138 221 44

HSL 88.14, 0.72%, 0.52%

LAB 80.35, -50.89, 71.57

 

CMYK 80 / 21 / 0 / 13

HEX #2CAEDD

RGB 44 174 221

HSL 195.93, 0.72%, 0.52%

LAB 66.54, -18.3, -33.39

 

CMYK 43 / 80 / 0 / 13

HEX #7F2CDD

RGB 127 44 221

HSL 268.14, 0.72%, 0.52%

LAB 40.47, 66.85, -74.8

 

CMYK 0 / 58 / 80 / 14

HEX #DC5D2C

RGB 220 93 44

HSL 16.7, 0.72%, 0.52%

LAB 55.3, 47.19, 50.94

 

CMYK 61 / 0 / 80 / 13

HEX #56DD2C

RGB 86 221 44

HSL 105.76, 0.72%, 0.52%

LAB 78.39, -65.85, 69.05

 

CMYK 80 / 21 / 0 / 13

HEX #2CAEDD

RGB 44 174 221

HSL 195.93, 0.72%, 0.52%

LAB 66.54, -18.3, -33.39

 

CMYK 19 / 80 / 0 / 13

HEX #B42CDD

RGB 180 44 221

HSL 286.1, 0.72%, 0.52%

LAB 47.91, 75.14, -62.35

 

Description

Color code: HEX #DC5D2CCE | qconv.com Color code: HEX #DC5D2CCE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 93 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 93 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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