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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5BEB it is the complementary color #23A414. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5BEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5BEB shade: #E15BE6, #F26DF9, #FF7FFF, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5BEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5BEB shade: #DC5BEB, #CB49D8, #BA37C5, #A925B2 and #98139F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5BEB shade: #DC5CEB, #EB5CD3, #EB5CAC, #EB5C86 and #EB5C5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5BEB shade: #DC5CEB, #B55CEB, #8F5CEB, #685CEB and #5C5CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5BEB shade matches the following richer shades: #DC5CEB and #E84DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5BEB shade: #DC5CEB, #D06ADC, #C479CD, #B988BE and #AD97AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5BEB shade: #8E5CEB, #B45CEB, #DA5CEB, #EB5CD5 and #EB5CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5BEB shade: #C51BD9, #D437E6, #DC5CEB, #E480EF and #ECA5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5BEB shade: #DC5BEB, #EB685C and #5CEBA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5BEB shade: #DC5BEB, #EBDA5C and #5CEBDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5BEB shade: #DC5BEB, #EB685C, #6CEB5C and #5CDFEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5BEB shade: #DC5BEB, #EB925C, #6CEB5C and #5CB4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 61 / 0 / 8

HEX #DC5BEB

RGB 220 91 235

HSL 293.75, 0.78%, 0.64%

LAB 60.51, 69.07, -49.74

 

Complementary color

CMYK 79 / 0 / 88 / 36

HEX #23A414

RGB 35 164 20

HSL 113.75, 0.78%, 0.36%

LAB 58.94, -58.35, 57

 

CMYK 2 / 60 / 0 / 10

HEX #E15BE6

RGB 225 91 230

HSL 297.84, 0.74%, 0.63%

LAB 60.96, 69.4, -46.2

 

CMYK 3 / 56 / 0 / 2

HEX #F26DF9

RGB 242 109 249

HSL 297, 0.92%, 0.7%

LAB 67.02, 69.14, -47.02

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 6 / 61 / 0 / 8

HEX #DC5BEB

RGB 220 91 235

HSL 293.75, 0.78%, 0.64%

LAB 60.51, 69.07, -49.74

 

CMYK 6 / 66 / 0 / 15

HEX #CB49D8

RGB 203 73 216

HSL 294.55, 0.65%, 0.57%

LAB 54.47, 69.08, -48.8

 

CMYK 6 / 72 / 0 / 23

HEX #BA37C5

RGB 186 55 197

HSL 295.35, 0.56%, 0.49%

LAB 48.51, 68.64, -47.54

 

CMYK 5 / 79 / 0 / 30

HEX #A925B2

RGB 169 37 178

HSL 296.17, 0.66%, 0.42%

LAB 42.72, 67.5, -45.83

 

CMYK 4 / 88 / 0 / 38

HEX #98139F

RGB 152 19 159

HSL 297, 0.79%, 0.35%

LAB 37.2, 65.3, -43.48

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

CMYK 0 / 61 / 10 / 8

HEX #EB5CD3

RGB 235 92 211

HSL 310.07, 0.78%, 0.64%

LAB 61.67, 68.42, -34.31

 

CMYK 0 / 61 / 27 / 8

HEX #EB5CAC

RGB 235 92 172

HSL 326.43, 0.78%, 0.64%

LAB 60.15, 62.98, -14.39

 

CMYK 0 / 61 / 43 / 8

HEX #EB5C86

RGB 235 92 134

HSL 342.38, 0.78%, 0.64%

LAB 59.01, 58.7, 5.98

 

CMYK 0 / 61 / 60 / 8

HEX #EB5C5F

RGB 235 92 95

HSL 358.74, 0.78%, 0.64%

LAB 58.17, 55.47, 27.53

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

CMYK 23 / 61 / 0 / 8

HEX #B55CEB

RGB 181 92 235

HSL 277.34, 0.78%, 0.64%

LAB 55.56, 59.5, -57.94

 

CMYK 39 / 61 / 0 / 8

HEX #8F5CEB

RGB 143 92 235

HSL 261.4, 0.78%, 0.64%

LAB 51.26, 51.09, -65.09

 

CMYK 56 / 61 / 0 / 8

HEX #685CEB

RGB 104 92 235

HSL 245.03, 0.78%, 0.64%

LAB 47.75, 43.58, -70.94

 

CMYK 61 / 61 / 0 / 8

HEX #5C5CEB

RGB 92 92 235

HSL 240, 0.78%, 0.64%

LAB 46.88, 41.61, -72.39

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

CMYK 7 / 69 / 0 / 2

HEX #E84DFA

RGB 232 77 250

HSL 293.76, 0.95%, 0.64%

LAB 61.1, 79.69, -57.03

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

CMYK 5 / 52 / 0 / 14

HEX #D06ADC

RGB 208 106 220

HSL 293.68, 0.62%, 0.64%

LAB 60.68, 56.52, -41.19

 

CMYK 4 / 41 / 0 / 20

HEX #C479CD

RGB 196 121 205

HSL 293.57, 0.46%, 0.64%

LAB 61.5, 42.59, -31.59

 

CMYK 3 / 28 / 0 / 25

HEX #B988BE

RGB 185 136 190

HSL 294.44, 0.29%, 0.64%

LAB 63.04, 27.98, -20.86

 

CMYK 1 / 14 / 0 / 31

HEX #AD97AF

RGB 173 151 175

HSL 295, 0.13%, 0.64%

LAB 65.05, 12.53, -9.5

 

CMYK 40 / 61 / 0 / 8

HEX #8E5CEB

RGB 142 92 235

HSL 260.98, 0.78%, 0.64%

LAB 51.16, 50.88, -65.26

 

CMYK 23 / 61 / 0 / 8

HEX #B45CEB

RGB 180 92 235

HSL 276.92, 0.78%, 0.64%

LAB 55.44, 59.27, -58.14

 

CMYK 7 / 61 / 0 / 8

HEX #DA5CEB

RGB 218 92 235

HSL 292.87, 0.78%, 0.64%

LAB 60.39, 68.18, -49.96

 

CMYK 0 / 61 / 9 / 8

HEX #EB5CD5

RGB 235 92 213

HSL 309.23, 0.78%, 0.64%

LAB 61.76, 68.73, -35.3

 

CMYK 0 / 61 / 26 / 8

HEX #EB5CAF

RGB 235 92 175

HSL 325.17, 0.78%, 0.64%

LAB 60.26, 63.37, -15.96

 

CMYK 9 / 88 / 0 / 15

HEX #C51BD9

RGB 197 27 217

HSL 293.68, 0.78%, 0.48%

LAB 49.09, 81.03, -58.03

 

CMYK 8 / 76 / 0 / 10

HEX #D437E6

RGB 212 55 230

HSL 293.83, 0.78%, 0.56%

LAB 54.49, 79.39, -56.6

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

CMYK 5 / 46 / 0 / 6

HEX #E480EF

RGB 228 128 239

HSL 294.05, 0.78%, 0.72%

LAB 68.14, 54.72, -39.88

 

CMYK 3 / 32 / 0 / 4

HEX #ECA5F4

RGB 236 165 244

HSL 293.92, 0.78%, 0.8%

LAB 76.85, 38.91, -29.06

 

CMYK 6 / 61 / 0 / 8

HEX #DC5BEB

RGB 220 91 235

HSL 293.75, 0.78%, 0.64%

LAB 60.51, 69.07, -49.74

 

CMYK 0 / 56 / 61 / 8

HEX #EB685C

RGB 235 104 92

HSL 5.03, 0.78%, 0.64%

LAB 60.19, 49.82, 31.82

 

CMYK 61 / 0 / 31 / 8

HEX #5CEBA1

RGB 92 235 161

HSL 148.95, 0.78%, 0.64%

LAB 84.1, -55.06, 24.75

 

CMYK 6 / 61 / 0 / 8

HEX #DC5BEB

RGB 220 91 235

HSL 293.75, 0.78%, 0.64%

LAB 60.51, 69.07, -49.74

 

CMYK 0 / 7 / 61 / 8

HEX #EBDA5C

RGB 235 218 92

HSL 52.87, 0.78%, 0.64%

LAB 86.29, -9.02, 62.43

 

CMYK 61 / 0 / 7 / 8

HEX #5CEBDA

RGB 92 235 218

HSL 172.87, 0.78%, 0.64%

LAB 85.38, -42.22, -3.2

 

CMYK 6 / 61 / 0 / 8

HEX #DC5BEB

RGB 220 91 235

HSL 293.75, 0.78%, 0.64%

LAB 60.51, 69.07, -49.74

 

CMYK 0 / 56 / 61 / 8

HEX #EB685C

RGB 235 104 92

HSL 5.03, 0.78%, 0.64%

LAB 60.19, 49.82, 31.82

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5C

RGB 108 235 92

HSL 113.29, 0.78%, 0.64%

LAB 83.64, -61.71, 57.42

 

CMYK 61 / 5 / 0 / 8

HEX #5CDFEB

RGB 92 223 235

HSL 185.03, 0.78%, 0.64%

LAB 82.4, -32.18, -16.61

 

CMYK 6 / 61 / 0 / 8

HEX #DC5BEB

RGB 220 91 235

HSL 293.75, 0.78%, 0.64%

LAB 60.51, 69.07, -49.74

 

CMYK 0 / 38 / 61 / 8

HEX #EB925C

RGB 235 146 92

HSL 22.66, 0.78%, 0.64%

LAB 68.75, 28.62, 42.36

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5C

RGB 108 235 92

HSL 113.29, 0.78%, 0.64%

LAB 83.64, -61.71, 57.42

 

CMYK 61 / 23 / 0 / 8

HEX #5CB4EB

RGB 92 180 235

HSL 203.08, 0.78%, 0.64%

LAB 70.12, -10.34, -35.4

 

Description

Color code: HEX #DC5BEB | qconv.com Color code: HEX #DC5BEB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 91 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 91 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 61 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 61% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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