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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5A6ACE it is the complementary color #23A595CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5A6ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5A6ACE shade: #E15A65CE, #F26C78CE, #FF7E8BCE, #FF909ECE and #FFA2B1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5A6ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5A6ACE shade: #DC5A6ACE, #CB4857CE, #BA3644CE, #A92431CE and #98121ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5A6ACE shade: #DC5B6B and #DC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5A6ACE shade: #DC5B6B, #DC5B8E, #DC5BB1, #DC5BD3 and #C25BDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5A6ACE shade matches the following richer shades: #DC5B6B, #EC4B5F and #FC3B53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5A6ACE shade: #DC5B6B, #CC6B77, #BC7B83, #AC8B8F and #9C9B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5A6ACE shade: #DC5BB1, #DC5B8F, #DC5B6C, #DC6C5B and #DC8F5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5A6ACE shade: #BD283A, #D5394C, #DC5B6B, #E37D8A and #EB9FA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5A6ACE shade: #DC5A6A, #D4DC5B and #5BA0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5A6ACE shade: #DC5A6A, #6CDC5B and #5B6CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5A6ACE shade: #DC5A6A, #D4DC5B, #5BDCCB and #645BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5A6ACE shade: #DC5A6A, #ADDC5B, #5BDCCB and #8A5BDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 42 / 11

HEX #DC5A6ACE

RGBA 220 90 106 0.81

HSLA 352.62, 0.65%, 0.61%, 0.81

LABA 55.65, 52.15, 17.35, 0.81

 

Complementary color

CMYK 64 / 0 / 8 / 29

HEX #23A595CE

RGBA 35 165 149 0.81

HSLA 172.62, 0.65%, 0.39%, 0.81

LABA 61.17, -37.35, -1.41, 0.81

 

CMYK 0 / 49 / 45 / 10

HEX #E15A65CE

RGBA 225 90 101 0.81

HSLA 355.11, 0.69%, 0.62%, 0.81

LABA 56.35, 53.43, 21.35, 0.81

 

CMYK 0 / 45 / 41 / 4

HEX #F26C78CE

RGBA 242 108 120 0.81

HSLA 354.63, 0.84%, 0.69%, 0.81

LABA 62.47, 52.52, 19.1, 0.81

 

CMYK 0 / 41 / 37 / 0

HEX #FF7E8BCE

RGBA 255 126 139 0.81

HSLA 353.95, 1%, 0.75%, 0.81

LABA 68.05, 50.17, 16.31, 0.81

 

CMYK 0 / 35 / 31 / 0

HEX #FF909ECE

RGBA 255 144 158 0.81

HSLA 352.43, 1%, 0.78%, 0.81

LABA 72.01, 43.24, 11.24, 0.81

 

CMYK 0 / 30 / 25 / 0

HEX #FFA2B1CE

RGBA 255 162 177 0.81

HSLA 350.32, 1%, 0.82%, 0.81

LABA 76.24, 36.28, 6.79, 0.81

 

CMYK 0 / 48 / 42 / 11

HEX #DC5A6ACE

RGBA 220 90 106 0.81

HSLA 352.62, 0.65%, 0.61%, 0.81

LABA 55.65, 52.15, 17.35, 0.81

 

CMYK 0 / 52 / 46 / 17

HEX #CB4857CE

RGBA 203 72 87 0.81

HSLA 353.13, 0.56%, 0.54%, 0.81

LABA 49.52, 52.9, 19.86, 0.81

 

CMYK 0 / 57 / 51 / 22

HEX #BA3644CE

RGBA 186 54 68 0.81

HSLA 353.64, 0.55%, 0.47%, 0.81

LABA 43.5, 53.35, 22.92, 0.81

 

CMYK 0 / 64 / 58 / 27

HEX #A92431CE

RGBA 169 36 49 0.81

HSLA 354.14, 0.65%, 0.4%, 0.81

LABA 37.7, 53.26, 26.68, 0.81

 

CMYK 0 / 71 / 65 / 33

HEX #98121ECE

RGBA 152 18 30 0.81

HSLA 354.63, 0.79%, 0.33%, 0.81

LABA 32.26, 52.2, 31.22, 0.81

 

CMYK 0 / 59 / 51 / 14

HEX #DC5B6B

RGB 220 91 107

HSL 352.56, 0.65%, 0.61%

LAB 55.85, 51.78, 17.02

 

CMYK 0 / 59 / 59 / 14

HEX #DC5B5B

RGB 220 91 91

HSL 0, 0.65%, 0.61%

LAB 55.54, 50.53, 25.95

 

CMYK 0 / 59 / 51 / 14

HEX #DC5B6B

RGB 220 91 107

HSL 352.56, 0.65%, 0.61%

LAB 55.85, 51.78, 17.02

 

CMYK 0 / 59 / 35 / 14

HEX #DC5B8E

RGB 220 91 142

HSL 336.28, 0.65%, 0.61%

LAB 56.73, 55.28, -2.29

 

CMYK 0 / 59 / 20 / 14

HEX #DC5BB1

RGB 220 91 177

HSL 320, 0.65%, 0.61%

LAB 57.92, 59.78, -20.89

 

CMYK 0 / 59 / 4 / 14

HEX #DC5BD3

RGB 220 91 211

HSL 304.19, 0.65%, 0.61%

LAB 59.34, 64.98, -38.11

 

CMYK 12 / 59 / 0 / 14

HEX #C25BDC

RGB 194 91 220

HSL 287.91, 0.65%, 0.61%

LAB 56.21, 60.02, -48.38

 

CMYK 0 / 59 / 51 / 14

HEX #DC5B6B

RGB 220 91 107

HSL 352.56, 0.65%, 0.61%

LAB 55.85, 51.78, 17.02

 

CMYK 0 / 68 / 60 / 7

HEX #EC4B5F

RGB 236 75 95

HSL 352.55, 0.81%, 0.61%

LAB 55.78, 62.71, 24.43

 

CMYK 0 / 77 / 67 / 1

HEX #FC3B53

RGB 252 59 83

HSL 352.54, 0.97%, 0.61%

LAB 56.53, 71.99, 32.99

 

CMYK 0 / 59 / 51 / 14

HEX #DC5B6B

RGB 220 91 107

HSL 352.56, 0.65%, 0.61%

LAB 55.85, 51.78, 17.02

 

CMYK 0 / 48 / 42 / 20

HEX #CC6B77

RGB 204 107 119

HSL 352.58, 0.49%, 0.61%

LAB 56.77, 39.5, 10.92

 

CMYK 0 / 35 / 30 / 26

HEX #BC7B83

RGB 188 123 131

HSL 352.62, 0.33%, 0.61%

LAB 58.5, 26.4, 6.14

 

CMYK 0 / 19 / 17 / 33

HEX #AC8B8F

RGB 172 139 143

HSL 352.73, 0.17%, 0.61%

LAB 60.97, 13.14, 2.6

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9B

RGB 156 155 155

HSL 0, 0.01%, 0.61%

LAB 64.06, 0.37, 0.12

 

CMYK 0 / 59 / 20 / 14

HEX #DC5BB1

RGB 220 91 177

HSL 320, 0.65%, 0.61%

LAB 57.92, 59.78, -20.89

 

CMYK 0 / 59 / 35 / 14

HEX #DC5B8F

RGB 220 91 143

HSL 335.81, 0.65%, 0.61%

LAB 56.76, 55.4, -2.83

 

CMYK 0 / 59 / 51 / 14

HEX #DC5B6C

RGB 220 91 108

HSL 352.09, 0.65%, 0.61%

LAB 55.87, 51.87, 16.46

 

CMYK 0 / 51 / 59 / 14

HEX #DC6C5B

RGB 220 108 91

HSL 7.91, 0.65%, 0.61%

LAB 58.69, 42.36, 30.01

 

CMYK 0 / 35 / 59 / 14

HEX #DC8F5B

RGB 220 143 91

HSL 24.19, 0.65%, 0.61%

LAB 66.23, 24.06, 39.4

 

CMYK 0 / 79 / 69 / 26

HEX #BD283A

RGB 189 40 58

HSL 352.75, 0.65%, 0.45%

LAB 42.22, 58.4, 27.55

 

CMYK 0 / 73 / 64 / 16

HEX #D5394C

RGB 213 57 76

HSL 352.69, 0.65%, 0.53%

LAB 49, 61.05, 26.12

 

CMYK 0 / 59 / 51 / 14

HEX #DC5B6B

RGB 220 91 107

HSL 352.56, 0.65%, 0.61%

LAB 55.85, 51.78, 17.02

 

CMYK 0 / 45 / 39 / 11

HEX #E37D8A

RGB 227 125 138

HSL 352.35, 0.65%, 0.69%

LAB 64.03, 40.68, 10.66

 

CMYK 0 / 32 / 29 / 8

HEX #EB9FA8

RGB 235 159 168

HSL 352.89, 0.66%, 0.77%

LAB 73.08, 29.45, 6.9

 

CMYK 0 / 59 / 52 / 14

HEX #DC5A6A

RGB 220 90 106

HSL 352.62, 0.65%, 0.61%

LAB 55.65, 52.15, 17.35

 

CMYK 4 / 0 / 59 / 14

HEX #D4DC5B

RGB 212 220 91

HSL 63.72, 0.65%, 0.61%

LAB 84.97, -19.47, 60.87

 

CMYK 59 / 27 / 0 / 14

HEX #5BA0DC

RGB 91 160 220

HSL 207.91, 0.65%, 0.61%

LAB 63.78, -4.2, -37.03

 

CMYK 0 / 59 / 52 / 14

HEX #DC5A6A

RGB 220 90 106

HSL 352.62, 0.65%, 0.61%

LAB 55.65, 52.15, 17.35

 

CMYK 51 / 0 / 59 / 14

HEX #6CDC5B

RGB 108 220 91

HSL 112.09, 0.65%, 0.61%

LAB 79.12, -56.21, 52.7

 

CMYK 59 / 51 / 0 / 14

HEX #5B6CDC

RGB 91 108 220

HSL 232.09, 0.65%, 0.61%

LAB 49.64, 26.82, -59.46

 

CMYK 0 / 59 / 52 / 14

HEX #DC5A6A

RGB 220 90 106

HSL 352.62, 0.65%, 0.61%

LAB 55.65, 52.15, 17.35

 

CMYK 4 / 0 / 59 / 14

HEX #D4DC5B

RGB 212 220 91

HSL 63.72, 0.65%, 0.61%

LAB 84.97, -19.47, 60.87

 

CMYK 59 / 0 / 8 / 14

HEX #5BDCCB

RGB 91 220 203

HSL 172.09, 0.65%, 0.61%

LAB 80.58, -39.48, -2.31

 

CMYK 55 / 59 / 0 / 14

HEX #645BDC

RGB 100 91 220

HSL 244.19, 0.65%, 0.61%

LAB 46.12, 38.83, -65.11

 

CMYK 0 / 59 / 52 / 14

HEX #DC5A6A

RGB 220 90 106

HSL 352.62, 0.65%, 0.61%

LAB 55.65, 52.15, 17.35

 

CMYK 21 / 0 / 59 / 14

HEX #ADDC5B

RGB 173 220 91

HSL 81.86, 0.65%, 0.61%

LAB 82.29, -34.77, 57.15

 

CMYK 59 / 0 / 8 / 14

HEX #5BDCCB

RGB 91 220 203

HSL 172.09, 0.65%, 0.61%

LAB 80.58, -39.48, -2.31

 

CMYK 37 / 59 / 0 / 14

HEX #8A5BDC

RGB 138 91 220

HSL 261.86, 0.65%, 0.61%

LAB 49.56, 46.67, -59.39

 

Description

Color code: HEX #DC5A6ACE | qconv.com Color code: HEX #DC5A6ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 90 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 90 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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