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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC58A2 it is the complementary color #23A75D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC58A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC58A2 shade: #E1589D, #F26AB0, #FF7CC3, #FF8ED6 and #FFA0E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC58A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC58A2 shade: #DC58A2, #CB468F, #BA347C, #A92269 and #981056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC58A2 shade: #DB57A1, #DB577D, #DB575A and #DB5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC58A2 shade: #DB57A1, #DB57C5, #CE57DB, #AA57DB and #8757DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC58A2 shade matches the following richer shades: #DB57A1, #EC46A3 and #FC36A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC58A2 shade: #DB57A1, #CB679F, #BA789D, #AA889B and #999999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC58A2 shade: #CE57DB, #DB57C5, #DB57A2, #DB577E and #DB575B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC58A2 shade: #B82779, #D4358E, #DB57A1, #E379B4 and #EA9BC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC58A2 shade: #DC58A2, #DBAB57 and #57D7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC58A2 shade: #DC58A2, #A2DB57 and #57A2DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC58A2 shade: #DC58A2, #DBAB57, #57DB90 and #5787DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC58A2 shade: #DC58A2, #DBD257, #57DB90 and #5760DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 26 / 14

HEX #DC58A2

RGB 220 88 162

HSL 326.36, 0.65%, 0.6%

LAB 56.88, 59.06, -13.76

 

Complementary color

CMYK 79 / 0 / 44 / 35

HEX #23A75D

RGB 35 167 93

HSL 146.36, 0.65%, 0.4%

LAB 60.59, -51.28, 28.66

 

CMYK 0 / 61 / 30 / 12

HEX #E1589D

RGB 225 88 157

HSL 329.78, 0.7%, 0.61%

LAB 57.48, 59.9, -9.87

 

CMYK 0 / 56 / 27 / 5

HEX #F26AB0

RGB 242 106 176

HSL 329.12, 0.84%, 0.68%

LAB 63.61, 59.44, -11.39

 

CMYK 0 / 51 / 24 / 0

HEX #FF7CC3

RGB 255 124 195

HSL 327.48, 1%, 0.74%

LAB 69.19, 57.6, -13.55

 

CMYK 0 / 44 / 16 / 0

HEX #FF8ED6

RGB 255 142 214

HSL 321.77, 1%, 0.78%

LAB 73.19, 51.61, -18.06

 

CMYK 0 / 37 / 9 / 0

HEX #FFA0E9

RGB 255 160 233

HSL 313.89, 1%, 0.81%

LAB 77.45, 45.52, -22

 

CMYK 0 / 60 / 26 / 14

HEX #DC58A2

RGB 220 88 162

HSL 326.36, 0.65%, 0.6%

LAB 56.88, 59.06, -13.76

 

CMYK 0 / 66 / 30 / 20

HEX #CB468F

RGB 203 70 143

HSL 327.07, 0.56%, 0.54%

LAB 50.76, 59.28, -12.07

 

CMYK 0 / 72 / 33 / 27

HEX #BA347C

RGB 186 52 124

HSL 327.76, 0.56%, 0.47%

LAB 44.73, 59.08, -9.95

 

CMYK 0 / 80 / 38 / 34

HEX #A92269

RGB 169 34 105

HSL 328.44, 0.67%, 0.4%

LAB 38.9, 58.19, -7.21

 

CMYK 0 / 89 / 43 / 40

HEX #981056

RGB 152 16 86

HSL 329.12, 0.81%, 0.33%

LAB 33.39, 56.2, -3.59

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A1

RGB 219 87 161

HSL 326.36, 0.65%, 0.6%

LAB 56.54, 59.07, -13.72

 

CMYK 0 / 60 / 43 / 14

HEX #DB577D

RGB 219 87 125

HSL 342.73, 0.65%, 0.6%

LAB 55.44, 54.92, 5.82

 

CMYK 0 / 60 / 59 / 14

HEX #DB575A

RGB 219 87 90

HSL 358.64, 0.65%, 0.6%

LAB 54.67, 51.93, 25.38

 

CMYK 0 / 60 / 60 / 14

HEX #DB5757

RGB 219 87 87

HSL 0, 0.65%, 0.6%

LAB 54.62, 51.72, 27.05

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A1

RGB 219 87 161

HSL 326.36, 0.65%, 0.6%

LAB 56.54, 59.07, -13.72

 

CMYK 0 / 60 / 10 / 14

HEX #DB57C5

RGB 219 87 197

HSL 310, 0.65%, 0.6%

LAB 57.95, 64.19, -32.33

 

CMYK 6 / 60 / 0 / 14

HEX #CE57DB

RGB 206 87 219

HSL 294.09, 0.65%, 0.6%

LAB 57.13, 64.57, -46.25

 

CMYK 22 / 60 / 0 / 14

HEX #AA57DB

RGB 170 87 219

HSL 277.73, 0.65%, 0.6%

LAB 52.37, 55.9, -54.11

 

CMYK 38 / 60 / 0 / 14

HEX #8757DB

RGB 135 87 219

HSL 261.82, 0.65%, 0.6%

LAB 48.36, 47.92, -60.76

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A1

RGB 219 87 161

HSL 326.36, 0.65%, 0.6%

LAB 56.54, 59.07, -13.72

 

CMYK 0 / 70 / 31 / 7

HEX #EC46A3

RGB 236 70 163

HSL 326.39, 0.81%, 0.6%

LAB 56.94, 70.62, -14.02

 

CMYK 0 / 79 / 35 / 1

HEX #FC36A5

RGB 252 54 165

HSL 326.36, 0.97%, 0.6%

LAB 58.08, 79.55, -13.18

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A1

RGB 219 87 161

HSL 326.36, 0.65%, 0.6%

LAB 56.54, 59.07, -13.72

 

CMYK 0 / 49 / 22 / 20

HEX #CB679F

RGB 203 103 159

HSL 326.4, 0.49%, 0.6%

LAB 56.98, 46.32, -12.12

 

CMYK 0 / 35 / 16 / 27

HEX #BA789D

RGB 186 120 157

HSL 326.36, 0.32%, 0.6%

LAB 58.33, 31.23, -9.16

 

CMYK 0 / 20 / 9 / 33

HEX #AA889B

RGB 170 136 155

HSL 326.47, 0.17%, 0.6%

LAB 60.36, 16.15, -5.18

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 6 / 60 / 0 / 14

HEX #CE57DB

RGB 206 87 219

HSL 294.09, 0.65%, 0.6%

LAB 57.13, 64.57, -46.25

 

CMYK 0 / 60 / 10 / 14

HEX #DB57C5

RGB 219 87 197

HSL 310, 0.65%, 0.6%

LAB 57.95, 64.19, -32.33

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A2

RGB 219 87 162

HSL 325.91, 0.65%, 0.6%

LAB 56.57, 59.2, -14.25

 

CMYK 0 / 60 / 42 / 14

HEX #DB577E

RGB 219 87 126

HSL 342.27, 0.65%, 0.6%

LAB 55.46, 55.02, 5.26

 

CMYK 0 / 60 / 58 / 14

HEX #DB575B

RGB 219 87 91

HSL 358.18, 0.65%, 0.6%

LAB 54.69, 52, 24.82

 

CMYK 0 / 79 / 34 / 28

HEX #B82779

RGB 184 39 121

HSL 326.07, 0.65%, 0.44%

LAB 42.8, 62.35, -11.05

 

CMYK 0 / 75 / 33 / 17

HEX #D4358E

RGB 212 53 142

HSL 326.42, 0.65%, 0.52%

LAB 50.09, 67.63, -12.32

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A1

RGB 219 87 161

HSL 326.36, 0.65%, 0.6%

LAB 56.54, 59.07, -13.72

 

CMYK 0 / 47 / 21 / 11

HEX #E379B4

RGB 227 121 180

HSL 326.6, 0.65%, 0.68%

LAB 64.4, 48.13, -12.68

 

CMYK 0 / 34 / 15 / 8

HEX #EA9BC7

RGB 234 155 199

HSL 326.58, 0.65%, 0.76%

LAB 72.93, 35.75, -10.44

 

CMYK 0 / 60 / 26 / 14

HEX #DC58A2

RGB 220 88 162

HSL 326.36, 0.65%, 0.6%

LAB 56.88, 59.06, -13.76

 

CMYK 0 / 22 / 60 / 14

HEX #DBAB57

RGB 219 171 87

HSL 38.18, 0.65%, 0.6%

LAB 72.81, 8.33, 49.19

 

CMYK 60 / 2 / 0 / 14

HEX #57D7DB

RGB 87 215 219

HSL 181.82, 0.65%, 0.6%

LAB 79.47, -33.65, -12.51

 

CMYK 0 / 60 / 26 / 14

HEX #DC58A2

RGB 220 88 162

HSL 326.36, 0.65%, 0.6%

LAB 56.88, 59.06, -13.76

 

CMYK 26 / 0 / 60 / 14

HEX #A2DB57

RGB 162 219 87

HSL 85.91, 0.65%, 0.6%

LAB 81.31, -38.74, 57.6

 

CMYK 60 / 26 / 0 / 14

HEX #57A2DB

RGB 87 162 219

HSL 205.91, 0.65%, 0.6%

LAB 64.15, -6.4, -35.92

 

CMYK 0 / 60 / 26 / 14

HEX #DC58A2

RGB 220 88 162

HSL 326.36, 0.65%, 0.6%

LAB 56.88, 59.06, -13.76

 

CMYK 0 / 22 / 60 / 14

HEX #DBAB57

RGB 219 171 87

HSL 38.18, 0.65%, 0.6%

LAB 72.81, 8.33, 49.19

 

CMYK 60 / 0 / 34 / 14

HEX #57DB90

RGB 87 219 144

HSL 145.91, 0.65%, 0.6%

LAB 78.87, -52.96, 26.39

 

CMYK 60 / 38 / 0 / 14

HEX #5787DB

RGB 87 135 219

HSL 218.18, 0.65%, 0.6%

LAB 56.55, 9.24, -47.85

 

CMYK 0 / 60 / 26 / 14

HEX #DC58A2

RGB 220 88 162

HSL 326.36, 0.65%, 0.6%

LAB 56.88, 59.06, -13.76

 

CMYK 0 / 4 / 60 / 14

HEX #DBD257

RGB 219 210 87

HSL 55.91, 0.65%, 0.6%

LAB 82.83, -11.92, 60.41

 

CMYK 60 / 0 / 34 / 14

HEX #57DB90

RGB 87 219 144

HSL 145.91, 0.65%, 0.6%

LAB 78.87, -52.96, 26.39

 

CMYK 60 / 56 / 0 / 14

HEX #5760DB

RGB 87 96 219

HSL 235.91, 0.65%, 0.6%

LAB 46.32, 33.17, -64.26

 

Description

Color code: HEX #DC58A2 | qconv.com Color code: HEX #DC58A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 88 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 88 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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