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Color name
HEX #DC550D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC550D it is the complementary color #23AAF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC550D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC550D shade: #E15508, #F2671B, #FF792E, #FF8B41 and #FF9D54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC550D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC550D shade: #DC550D, #CB4300, #BA3100, #A91F00 and #980D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC550D shade: #DE560D, #DE1D0D and #DE0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC550D shade: #DE560D, #DE8E0D, #DEC60D, #BDDE0D and #85DE0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC550D shade matches the following richer shades: #DE560D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC550D shade: #DE560D, #CB5B20, #B86133, #A56746 and #926D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC550D shade: #DE0D37, #DE1B0D, #DE530D, #DE8A0D and #DEC20D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC550D shade: #903708, #B7460B, #DE560D, #F26A22 and #F48449

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC550D shade: #DC550D, #6EDE0D and #0D1BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC550D shade: #DC550D, #0DDE53 and #530DDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC550D shade: #DC550D, #6EDE0D, #0D98DE and #7C0DDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC550D shade: #DC550D, #30DE0D, #0D98DE and #BB0DDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 94 / 14

HEX #DC550D

RGB 220 85 13

HSL 20.87, 0.89%, 0.46%

LAB 53.75, 50.19, 60.9

 

Complementary color

CMYK 86 / 30 / 0 / 5

HEX #23AAF2

RGB 35 170 242

HSL 200.87, 0.89%, 0.54%

LAB 66.15, -9.57, -45.52

 

CMYK 0 / 62 / 96 / 12

HEX #E15508

RGB 225 85 8

HSL 21.29, 0.93%, 0.46%

LAB 54.58, 51.92, 62.88

 

CMYK 0 / 57 / 89 / 5

HEX #F2671B

RGB 242 103 27

HSL 21.21, 0.89%, 0.53%

LAB 60.48, 50.18, 63.37

 

CMYK 0 / 53 / 82 / 0

HEX #FF792E

RGB 255 121 46

HSL 21.53, 1%, 0.59%

LAB 65.85, 46.94, 61.75

 

CMYK 0 / 45 / 75 / 0

HEX #FF8B41

RGB 255 139 65

HSL 23.37, 1%, 0.63%

LAB 69.55, 38.7, 57.16

 

CMYK 0 / 38 / 67 / 0

HEX #FF9D54

RGB 255 157 84

HSL 25.61, 1%, 0.66%

LAB 73.55, 30.39, 52.56

 

CMYK 0 / 61 / 94 / 14

HEX #DC550D

RGB 220 85 13

HSL 20.87, 0.89%, 0.46%

LAB 53.75, 50.19, 60.9

 

CMYK 0 / 67 / 100 / 20

HEX #CB4300

RGB 203 67 0

HSL 19.8, 1%, 0.4%

LAB 47.89, 51.8, 59.01

 

CMYK 0 / 74 / 100 / 27

HEX #BA3100

RGB 186 49 0

HSL 15.81, 1%, 0.36%

LAB 42.21, 53.03, 54.49

 

CMYK 0 / 82 / 100 / 34

HEX #A91F00

RGB 169 31 0

HSL 11.01, 1%, 0.33%

LAB 36.77, 53.43, 50.11

 

CMYK 0 / 91 / 100 / 40

HEX #980D00

RGB 152 13 0

HSL 5.13, 1%, 0.3%

LAB 31.72, 52.52, 45.34

 

CMYK 0 / 61 / 94 / 13

HEX #DE560D

RGB 222 86 13

HSL 20.96, 0.89%, 0.46%

LAB 54.25, 50.46, 61.39

 

CMYK 0 / 87 / 94 / 13

HEX #DE1D0D

RGB 222 29 13

HSL 4.59, 0.89%, 0.46%

LAB 47.54, 68.93, 57.33

 

CMYK 0 / 94 / 94 / 13

HEX #DE0D0D

RGB 222 13 13

HSL 0, 0.89%, 0.46%

LAB 46.77, 71.15, 56.9

 

CMYK 0 / 61 / 94 / 13

HEX #DE560D

RGB 222 86 13

HSL 20.96, 0.89%, 0.46%

LAB 54.25, 50.46, 61.39

 

CMYK 0 / 36 / 94 / 13

HEX #DE8E0D

RGB 222 142 13

HSL 37.03, 0.89%, 0.46%

LAB 65.67, 22.24, 69.12

 

CMYK 0 / 11 / 94 / 13

HEX #DEC60D

RGB 222 198 13

HSL 53.11, 0.89%, 0.46%

LAB 79.58, -7.32, 79.24

 

CMYK 15 / 0 / 94 / 13

HEX #BDDE0D

RGB 189 222 13

HSL 69.47, 0.89%, 0.46%

LAB 83.49, -32.94, 81.08

 

CMYK 40 / 0 / 94 / 13

HEX #85DE0D

RGB 133 222 13

HSL 85.55, 0.89%, 0.46%

LAB 80.32, -53.88, 77.24

 

CMYK 0 / 61 / 94 / 13

HEX #DE560D

RGB 222 86 13

HSL 20.96, 0.89%, 0.46%

LAB 54.25, 50.46, 61.39

 

CMYK 0 / 61 / 94 / 13

HEX #DE560D

RGB 222 86 13

HSL 20.96, 0.89%, 0.46%

LAB 54.25, 50.46, 61.39

 

CMYK 0 / 55 / 84 / 20

HEX #CB5B20

RGB 203 91 32

HSL 20.7, 0.73%, 0.46%

LAB 52.16, 41.4, 52.31

 

CMYK 0 / 47 / 72 / 28

HEX #B86133

RGB 184 97 51

HSL 20.75, 0.57%, 0.46%

LAB 50.66, 31.47, 41.02

 

CMYK 0 / 38 / 58 / 35

HEX #A56746

RGB 165 103 70

HSL 20.84, 0.4%, 0.46%

LAB 49.67, 21.47, 28.88

 

CMYK 0 / 25 / 39 / 43

HEX #926D59

RGB 146 109 89

HSL 21.05, 0.24%, 0.46%

LAB 49.22, 11.9, 16.89

 

CMYK 0 / 94 / 75 / 13

HEX #DE0D37

RGB 222 13 55

HSL 347.94, 0.89%, 0.46%

LAB 47.1, 72.05, 36.74

 

CMYK 0 / 88 / 94 / 13

HEX #DE1B0D

RGB 222 27 13

HSL 4.02, 0.89%, 0.46%

LAB 47.42, 69.28, 57.26

 

CMYK 0 / 63 / 94 / 13

HEX #DE530D

RGB 222 83 13

HSL 20.1, 0.89%, 0.46%

LAB 53.76, 51.78, 61.07

 

CMYK 0 / 38 / 94 / 13

HEX #DE8A0D

RGB 222 138 13

HSL 35.89, 0.89%, 0.46%

LAB 64.75, 24.38, 68.47

 

CMYK 0 / 13 / 94 / 13

HEX #DEC20D

RGB 222 194 13

HSL 51.96, 0.89%, 0.46%

LAB 78.54, -5.27, 78.47

 

CMYK 0 / 62 / 94 / 44

HEX #903708

RGB 144 55 8

HSL 20.74, 0.89%, 0.3%

LAB 35.36, 35.65, 43.74

 

CMYK 0 / 62 / 94 / 28

HEX #B7460B

RGB 183 70 11

HSL 20.58, 0.89%, 0.38%

LAB 44.9, 43.45, 52.57

 

CMYK 0 / 61 / 94 / 13

HEX #DE560D

RGB 222 86 13

HSL 20.96, 0.89%, 0.46%

LAB 54.25, 50.46, 61.39

 

CMYK 0 / 56 / 86 / 5

HEX #F26A22

RGB 242 106 34

HSL 20.77, 0.89%, 0.54%

LAB 61.05, 48.93, 61.45

 

CMYK 0 / 46 / 70 / 4

HEX #F48449

RGB 244 132 73

HSL 20.7, 0.89%, 0.62%

LAB 66.69, 38.32, 49.9

 

CMYK 0 / 61 / 94 / 14

HEX #DC550D

RGB 220 85 13

HSL 20.87, 0.89%, 0.46%

LAB 53.75, 50.19, 60.9

 

CMYK 50 / 0 / 94 / 13

HEX #6EDE0D

RGB 110 222 13

HSL 92.15, 0.89%, 0.46%

LAB 79.38, -61.03, 76.08

 

CMYK 94 / 88 / 0 / 13

HEX #0D1BDE

RGB 13 27 222

HSL 235.98, 0.89%, 0.46%

LAB 29.77, 65.14, -93.34

 

CMYK 0 / 61 / 94 / 14

HEX #DC550D

RGB 220 85 13

HSL 20.87, 0.89%, 0.46%

LAB 53.75, 50.19, 60.9

 

CMYK 94 / 0 / 63 / 13

HEX #0DDE53

RGB 13 222 83

HSL 140.1, 0.89%, 0.46%

LAB 77.85, -72.42, 54.24

 

CMYK 63 / 94 / 0 / 13

HEX #530DDE

RGB 83 13 222

HSL 260.1, 0.89%, 0.46%

LAB 32.7, 71.21, -88.35

 

CMYK 0 / 61 / 94 / 14

HEX #DC550D

RGB 220 85 13

HSL 20.87, 0.89%, 0.46%

LAB 53.75, 50.19, 60.9

 

CMYK 50 / 0 / 94 / 13

HEX #6EDE0D

RGB 110 222 13

HSL 92.15, 0.89%, 0.46%

LAB 79.38, -61.03, 76.08

 

CMYK 94 / 32 / 0 / 13

HEX #0D98DE

RGB 13 152 222

HSL 200.1, 0.89%, 0.46%

LAB 59.72, -7.84, -44.63

 

CMYK 44 / 94 / 0 / 13

HEX #7C0DDE

RGB 124 13 222

HSL 271.87, 0.89%, 0.46%

LAB 37.57, 74.43, -80.15

 

CMYK 0 / 61 / 94 / 14

HEX #DC550D

RGB 220 85 13

HSL 20.87, 0.89%, 0.46%

LAB 53.75, 50.19, 60.9

 

CMYK 78 / 0 / 94 / 13

HEX #30DE0D

RGB 48 222 13

HSL 109.95, 0.89%, 0.46%

LAB 77.82, -74.03, 74.16

 

CMYK 94 / 32 / 0 / 13

HEX #0D98DE

RGB 13 152 222

HSL 200.1, 0.89%, 0.46%

LAB 59.72, -7.84, -44.63

 

CMYK 16 / 94 / 0 / 13

HEX #BB0DDE

RGB 187 13 222

HSL 289.95, 0.89%, 0.46%

LAB 47.14, 82.16, -64.11

 

Description

Color code: HEX #DC550D | qconv.com Color code: HEX #DC550D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 85 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 85 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 94 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 94% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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