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Color name
HEX #DC5140

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5140 it is the complementary color #23AEBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5140 shade: #E1513B, #F2634E, #FF7561, #FF8774 and #FF9987

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5140 shade: #DC5140, #CB3F2D, #BA2D1A, #A91B07 and #980900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5140 shade: #DC5241 and #DC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5140 shade: #DC5241, #DC7C41, #DCA641, #DCD041 and #BFDC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5140 shade matches the following richer shades: #DC5241 and #EE442F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5140 shade: #DC5241, #CA6054, #B86F66, #A67D78 and #948B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5140 shade: #DC4184, #DC415B, #DC5141, #DC7A41 and #DCA341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5140 shade: #AC2F1F, #CE3826, #DC5241, #E37264 and #E99287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5140 shade: #DC5140, #AEDC41 and #4170DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5140 shade: #DC5140, #41DC51 and #5141DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5140 shade: #DC5140, #AEDC41, #41CDDC and #7041DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5140 shade: #DC5140, #7FDC41, #41CDDC and #9E41DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 71 / 14

HEX #DC5140

RGB 220 81 64

HSL 6.54, 0.69%, 0.56%

LAB 53.46, 53.38, 38.75

 

Complementary color

CMYK 82 / 9 / 0 / 25

HEX #23AEBF

RGB 35 174 191

HSL 186.54, 0.69%, 0.44%

LAB 65.27, -28.96, -18.77

 

CMYK 0 / 64 / 74 / 12

HEX #E1513B

RGB 225 81 59

HSL 7.95, 0.73%, 0.56%

LAB 54.25, 54.85, 42.59

 

CMYK 0 / 59 / 68 / 5

HEX #F2634E

RGB 242 99 78

HSL 7.68, 0.86%, 0.63%

LAB 60.2, 53.74, 39.84

 

CMYK 0 / 54 / 62 / 0

HEX #FF7561

RGB 255 117 97

HSL 7.59, 1%, 0.69%

LAB 65.63, 51.13, 36.51

 

CMYK 0 / 47 / 55 / 0

HEX #FF8774

RGB 255 135 116

HSL 8.2, 1%, 0.73%

LAB 69.36, 43.75, 30.86

 

CMYK 0 / 40 / 47 / 0

HEX #FF9987

RGB 255 153 135

HSL 9, 1%, 0.76%

LAB 73.41, 36.27, 25.84

 

CMYK 0 / 63 / 71 / 14

HEX #DC5140

RGB 220 81 64

HSL 6.54, 0.69%, 0.56%

LAB 53.46, 53.38, 38.75

 

CMYK 0 / 69 / 78 / 20

HEX #CB3F2D

RGB 203 63 45

HSL 6.84, 0.64%, 0.49%

LAB 47.55, 54.28, 41.78

 

CMYK 0 / 76 / 86 / 27

HEX #BA2D1A

RGB 186 45 26

HSL 7.13, 0.75%, 0.42%

LAB 41.83, 54.79, 44.89

 

CMYK 0 / 84 / 96 / 34

HEX #A91B07

RGB 169 27 7

HSL 7.41, 0.92%, 0.35%

LAB 36.43, 54.56, 47.19

 

CMYK 0 / 94 / 100 / 40

HEX #980900

RGB 152 9 0

HSL 3.55, 1%, 0.3%

LAB 31.51, 53.13, 45.2

 

CMYK 0 / 63 / 70 / 14

HEX #DC5241

RGB 220 82 65

HSL 6.58, 0.69%, 0.56%

LAB 53.63, 52.99, 38.4

 

CMYK 0 / 70 / 70 / 14

HEX #DC4141

RGB 220 65 65

HSL 0, 0.69%, 0.56%

LAB 51.13, 59.8, 35.48

 

CMYK 0 / 63 / 70 / 14

HEX #DC5241

RGB 220 82 65

HSL 6.58, 0.69%, 0.56%

LAB 53.63, 52.99, 38.4

 

CMYK 0 / 44 / 70 / 14

HEX #DC7C41

RGB 220 124 65

HSL 22.84, 0.69%, 0.56%

LAB 61.67, 32.53, 47.41

 

CMYK 0 / 25 / 70 / 14

HEX #DCA641

RGB 220 166 65

HSL 39.1, 0.69%, 0.56%

LAB 71.47, 10.09, 57.79

 

CMYK 0 / 5 / 70 / 14

HEX #DCD041

RGB 220 208 65

HSL 55.35, 0.69%, 0.56%

LAB 82.22, -11.76, 68.59

 

CMYK 13 / 0 / 70 / 14

HEX #BFDC41

RGB 191 220 65

HSL 71.23, 0.69%, 0.56%

LAB 83.25, -29.56, 68.85

 

CMYK 0 / 63 / 70 / 14

HEX #DC5241

RGB 220 82 65

HSL 6.58, 0.69%, 0.56%

LAB 53.63, 52.99, 38.4

 

CMYK 0 / 71 / 80 / 7

HEX #EE442F

RGB 238 68 47

HSL 6.6, 0.85%, 0.56%

LAB 54.57, 63.64, 49.86

 

CMYK 0 / 63 / 70 / 14

HEX #DC5241

RGB 220 82 65

HSL 6.58, 0.69%, 0.56%

LAB 53.63, 52.99, 38.4

 

CMYK 0 / 52 / 58 / 21

HEX #CA6054

RGB 202 96 84

HSL 6.1, 0.53%, 0.56%

LAB 53.56, 41.14, 26.89

 

CMYK 0 / 40 / 45 / 28

HEX #B86F66

RGB 184 111 102

HSL 6.59, 0.37%, 0.56%

LAB 54.57, 27.9, 17.36

 

CMYK 0 / 25 / 28 / 35

HEX #A67D78

RGB 166 125 120

HSL 6.52, 0.21%, 0.56%

LAB 56.22, 15.15, 8.9

 

CMYK 0 / 6 / 7 / 42

HEX #948B8A

RGB 148 139 138

HSL 6, 0.04%, 0.56%

LAB 58.6, 3.17, 1.73

 

CMYK 0 / 70 / 40 / 14

HEX #DC4184

RGB 220 65 132

HSL 334.06, 0.69%, 0.56%

LAB 52.58, 64.72, -2.48

 

CMYK 0 / 70 / 59 / 14

HEX #DC415B

RGB 220 65 91

HSL 349.94, 0.69%, 0.56%

LAB 51.56, 61.28, 20.7

 

CMYK 0 / 63 / 70 / 14

HEX #DC5141

RGB 220 81 65

HSL 6.19, 0.69%, 0.56%

LAB 53.47, 53.42, 38.21

 

CMYK 0 / 45 / 70 / 14

HEX #DC7A41

RGB 220 122 65

HSL 22.06, 0.69%, 0.56%

LAB 61.23, 33.58, 46.94

 

CMYK 0 / 26 / 70 / 14

HEX #DCA341

RGB 220 163 65

HSL 37.94, 0.69%, 0.56%

LAB 70.73, 11.69, 57.03

 

CMYK 0 / 73 / 82 / 33

HEX #AC2F1F

RGB 172 47 31

HSL 6.81, 0.69%, 0.4%

LAB 39.42, 49.74, 39.18

 

CMYK 0 / 73 / 82 / 19

HEX #CE3826

RGB 206 56 38

HSL 6.43, 0.69%, 0.48%

LAB 47.09, 57.61, 45.16

 

CMYK 0 / 63 / 70 / 14

HEX #DC5241

RGB 220 82 65

HSL 6.58, 0.69%, 0.56%

LAB 53.63, 52.99, 38.4

 

CMYK 0 / 50 / 56 / 11

HEX #E37264

RGB 227 114 100

HSL 6.61, 0.69%, 0.64%

LAB 61.03, 42.64, 28.16

 

CMYK 0 / 37 / 42 / 9

HEX #E99287

RGB 233 146 135

HSL 6.73, 0.69%, 0.72%

LAB 69.21, 31.61, 19.68

 

CMYK 0 / 63 / 71 / 14

HEX #DC5140

RGB 220 81 64

HSL 6.54, 0.69%, 0.56%

LAB 53.46, 53.38, 38.75

 

CMYK 21 / 0 / 70 / 14

HEX #AEDC41

RGB 174 220 65

HSL 77.81, 0.69%, 0.56%

LAB 82.15, -36.24, 67.38

 

CMYK 70 / 49 / 0 / 14

HEX #4170DC

RGB 65 112 220

HSL 221.81, 0.69%, 0.56%

LAB 49.35, 20.08, -59.99

 

CMYK 0 / 63 / 71 / 14

HEX #DC5140

RGB 220 81 64

HSL 6.54, 0.69%, 0.56%

LAB 53.46, 53.38, 38.75

 

CMYK 70 / 0 / 63 / 14

HEX #41DC51

RGB 65 220 81

HSL 126.19, 0.69%, 0.56%

LAB 77.82, -66.79, 55.23

 

CMYK 63 / 70 / 0 / 14

HEX #5141DC

RGB 81 65 220

HSL 246.19, 0.69%, 0.56%

LAB 39.07, 50.85, -76.69

 

CMYK 0 / 63 / 71 / 14

HEX #DC5140

RGB 220 81 64

HSL 6.54, 0.69%, 0.56%

LAB 53.46, 53.38, 38.75

 

CMYK 21 / 0 / 70 / 14

HEX #AEDC41

RGB 174 220 65

HSL 77.81, 0.69%, 0.56%

LAB 82.15, -36.24, 67.38

 

CMYK 70 / 7 / 0 / 14

HEX #41CDDC

RGB 65 205 220

HSL 185.81, 0.69%, 0.56%

LAB 76.04, -31.88, -18.26

 

CMYK 49 / 70 / 0 / 14

HEX #7041DC

RGB 112 65 220

HSL 258.19, 0.69%, 0.56%

LAB 41.83, 55.33, -72.05

 

CMYK 0 / 63 / 71 / 14

HEX #DC5140

RGB 220 81 64

HSL 6.54, 0.69%, 0.56%

LAB 53.46, 53.38, 38.75

 

CMYK 42 / 0 / 70 / 14

HEX #7FDC41

RGB 127 220 65

HSL 96, 0.69%, 0.56%

LAB 79.66, -52.92, 64.07

 

CMYK 70 / 7 / 0 / 14

HEX #41CDDC

RGB 65 205 220

HSL 185.81, 0.69%, 0.56%

LAB 76.04, -31.88, -18.26

 

CMYK 28 / 70 / 0 / 14

HEX #9E41DC

RGB 158 65 220

HSL 276, 0.69%, 0.56%

LAB 47.26, 63.59, -62.99

 

Description

Color code: HEX #DC5140 | qconv.com Color code: HEX #DC5140 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 81 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 81 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 71 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 71% 14% C M Y K

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