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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4D94 it is the complementary color #23B26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4D94 shade: #E14D8F, #F25FA2, #FF71B5, #FF83C8 and #FF95DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4D94 shade: #DC4D94, #CB3B81, #BA296E, #A9175B and #980548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4D94 shade: #DB4C93, #DB4C6C and #DB4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4D94 shade: #DB4C93, #DB4CBA, #D64CDB, #AF4CDB and #894CDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4D94 shade matches the following richer shades: #DB4C93, #EC3A93 and #FE2993

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4D94 shade: #DB4C93, #CA5D93, #B86E93, #A78093 and #969193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4D94 shade: #D64CDB, #DB4CBA, #DB4C93, #DB4C6D and #DB504C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4D94 shade: #B2236A, #D4297E, #DB4C93, #E26EA8 and #E991BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4D94 shade: #DC4D94, #DBB04C and #4CCDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4D94 shade: #DC4D94, #93DB4C and #4C93DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4D94 shade: #DC4D94, #DBB04C, #4CDB93 and #4C77DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4D94 shade: #DC4D94, #DBDB4C, #4CDB93 and #4C4CDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 33 / 14

HEX #DC4D94

RGB 220 77 148

HSL 330.21, 0.67%, 0.58%

LAB 54.72, 61.93, -8.8

 

Complementary color

CMYK 80 / 0 / 40 / 30

HEX #23B26B

RGB 35 178 107

HSL 150.21, 0.67%, 0.42%

LAB 64.37, -52.71, 26.2

 

CMYK 0 / 66 / 36 / 12

HEX #E14D8F

RGB 225 77 143

HSL 333.24, 0.71%, 0.59%

LAB 55.38, 62.81, -4.79

 

CMYK 0 / 61 / 33 / 5

HEX #F25FA2

RGB 242 95 162

HSL 332.65, 0.85%, 0.66%

LAB 61.37, 62.55, -6.7

 

CMYK 0 / 56 / 29 / 0

HEX #FF71B5

RGB 255 113 181

HSL 331.27, 1%, 0.72%

LAB 66.83, 60.86, -9.21

 

CMYK 0 / 49 / 22 / 0

HEX #FF83C8

RGB 255 131 200

HSL 326.61, 1%, 0.76%

LAB 70.64, 54.96, -14.17

 

CMYK 0 / 42 / 14 / 0

HEX #FF95DB

RGB 255 149 219

HSL 320.38, 1%, 0.79%

LAB 74.74, 48.87, -18.47

 

CMYK 0 / 65 / 33 / 14

HEX #DC4D94

RGB 220 77 148

HSL 330.21, 0.67%, 0.58%

LAB 54.72, 61.93, -8.8

 

CMYK 0 / 71 / 36 / 20

HEX #CB3B81

RGB 203 59 129

HSL 330.83, 0.58%, 0.51%

LAB 48.77, 61.83, -6.64

 

CMYK 0 / 78 / 41 / 27

HEX #BA296E

RGB 186 41 110

HSL 331.45, 0.64%, 0.45%

LAB 42.99, 61.14, -3.91

 

CMYK 0 / 86 / 46 / 34

HEX #A9175B

RGB 169 23 91

HSL 332.05, 0.76%, 0.38%

LAB 37.49, 59.52, -0.39

 

CMYK 0 / 97 / 53 / 40

HEX #980548

RGB 152 5 72

HSL 332.65, 0.94%, 0.31%

LAB 32.37, 56.63, 4.12

 

CMYK 0 / 65 / 33 / 14

HEX #DB4C93

RGB 219 76 147

HSL 330.21, 0.67%, 0.58%

LAB 54.38, 61.93, -8.74

 

CMYK 0 / 65 / 51 / 14

HEX #DB4C6C

RGB 219 76 108

HSL 346.57, 0.67%, 0.58%

LAB 53.29, 58.02, 12.87

 

CMYK 0 / 65 / 65 / 14

HEX #DB4C4C

RGB 219 76 76

HSL 0, 0.67%, 0.58%

LAB 52.68, 55.77, 30.97

 

CMYK 0 / 65 / 33 / 14

HEX #DB4C93

RGB 219 76 147

HSL 330.21, 0.67%, 0.58%

LAB 54.38, 61.93, -8.74

 

CMYK 0 / 65 / 15 / 14

HEX #DB4CBA

RGB 219 76 186

HSL 313.85, 0.67%, 0.58%

LAB 55.86, 67, -29.26

 

CMYK 2 / 65 / 0 / 14

HEX #D64CDB

RGB 214 76 219

HSL 297.9, 0.67%, 0.58%

LAB 56.66, 70.94, -46.91

 

CMYK 20 / 65 / 0 / 14

HEX #AF4CDB

RGB 175 76 219

HSL 281.54, 0.67%, 0.58%

LAB 51.15, 62.16, -56.03

 

CMYK 37 / 65 / 0 / 14

HEX #894CDB

RGB 137 76 219

HSL 265.59, 0.67%, 0.58%

LAB 46.45, 54.1, -63.85

 

CMYK 0 / 65 / 33 / 14

HEX #DB4C93

RGB 219 76 147

HSL 330.21, 0.67%, 0.58%

LAB 54.38, 61.93, -8.74

 

CMYK 0 / 75 / 38 / 7

HEX #EC3A93

RGB 236 58 147

HSL 330, 0.82%, 0.58%

LAB 55.04, 72.74, -7.46

 

CMYK 0 / 84 / 42 / 0

HEX #FE2993

RGB 254 41 147

HSL 330.14, 0.99%, 0.58%

LAB 56.84, 81.22, -4.42

 

CMYK 0 / 65 / 33 / 14

HEX #DB4C93

RGB 219 76 147

HSL 330.21, 0.67%, 0.58%

LAB 54.38, 61.93, -8.74

 

CMYK 0 / 54 / 27 / 21

HEX #CA5D93

RGB 202 93 147

HSL 330.28, 0.51%, 0.58%

LAB 54.55, 49.25, -8.77

 

CMYK 0 / 40 / 20 / 28

HEX #B86E93

RGB 184 110 147

HSL 330, 0.34%, 0.58%

LAB 55.53, 34.4, -7.55

 

CMYK 0 / 23 / 12 / 35

HEX #A78093

RGB 167 128 147

HSL 330.77, 0.18%, 0.58%

LAB 57.81, 18.16, -4.39

 

CMYK 0 / 3 / 2 / 41

HEX #969193

RGB 150 145 147

HSL 336, 0.02%, 0.58%

LAB 60.64, 2.22, -0.41

 

CMYK 2 / 65 / 0 / 14

HEX #D64CDB

RGB 214 76 219

HSL 297.9, 0.67%, 0.58%

LAB 56.66, 70.94, -46.91

 

CMYK 0 / 65 / 15 / 14

HEX #DB4CBA

RGB 219 76 186

HSL 313.85, 0.67%, 0.58%

LAB 55.86, 67, -29.26

 

CMYK 0 / 65 / 33 / 14

HEX #DB4C93

RGB 219 76 147

HSL 330.21, 0.67%, 0.58%

LAB 54.38, 61.93, -8.74

 

CMYK 0 / 65 / 50 / 14

HEX #DB4C6D

RGB 219 76 109

HSL 346.15, 0.67%, 0.58%

LAB 53.31, 58.11, 12.31

 

CMYK 0 / 63 / 65 / 14

HEX #DB504C

RGB 219 80 76

HSL 1.68, 0.67%, 0.58%

LAB 53.3, 54.09, 31.74

 

CMYK 0 / 80 / 40 / 30

HEX #B2236A

RGB 178 35 106

HSL 330.21, 0.67%, 0.42%

LAB 40.75, 60.35, -4.9

 

CMYK 0 / 81 / 41 / 17

HEX #D4297E

RGB 212 41 126

HSL 330.18, 0.68%, 0.5%

LAB 48.37, 69.32, -5.23

 

CMYK 0 / 65 / 33 / 14

HEX #DB4C93

RGB 219 76 147

HSL 330.21, 0.67%, 0.58%

LAB 54.38, 61.93, -8.74

 

CMYK 0 / 51 / 26 / 11

HEX #E26EA8

RGB 226 110 168

HSL 330, 0.67%, 0.66%

LAB 61.78, 51.55, -9.78

 

CMYK 0 / 38 / 19 / 9

HEX #E991BC

RGB 233 145 188

HSL 330.68, 0.67%, 0.74%

LAB 70.32, 38.98, -8.25

 

CMYK 0 / 65 / 33 / 14

HEX #DC4D94

RGB 220 77 148

HSL 330.21, 0.67%, 0.58%

LAB 54.72, 61.93, -8.8

 

CMYK 0 / 20 / 65 / 14

HEX #DBB04C

RGB 219 176 76

HSL 41.96, 0.67%, 0.58%

LAB 73.95, 4.95, 55.58

 

CMYK 65 / 6 / 0 / 14

HEX #4CCDDB

RGB 76 205 219

HSL 185.87, 0.67%, 0.58%

LAB 76.26, -30.64, -17.36

 

CMYK 0 / 65 / 33 / 14

HEX #DC4D94

RGB 220 77 148

HSL 330.21, 0.67%, 0.58%

LAB 54.72, 61.93, -8.8

 

CMYK 33 / 0 / 65 / 14

HEX #93DB4C

RGB 147 219 76

HSL 90.21, 0.67%, 0.58%

LAB 80.4, -45.02, 60.93

 

CMYK 65 / 33 / 0 / 14

HEX #4C93DB

RGB 76 147 219

HSL 210.21, 0.67%, 0.58%

LAB 59.45, 0.19, -43.3

 

CMYK 0 / 65 / 33 / 14

HEX #DC4D94

RGB 220 77 148

HSL 330.21, 0.67%, 0.58%

LAB 54.72, 61.93, -8.8

 

CMYK 0 / 20 / 65 / 14

HEX #DBB04C

RGB 219 176 76

HSL 41.96, 0.67%, 0.58%

LAB 73.95, 4.95, 55.58

 

CMYK 65 / 0 / 33 / 14

HEX #4CDB93

RGB 76 219 147

HSL 149.79, 0.67%, 0.58%

LAB 78.64, -54.47, 24.47

 

CMYK 65 / 46 / 0 / 14

HEX #4C77DB

RGB 76 119 219

HSL 221.96, 0.67%, 0.58%

LAB 51.66, 17.03, -55.68

 

CMYK 0 / 65 / 33 / 14

HEX #DC4D94

RGB 220 77 148

HSL 330.21, 0.67%, 0.58%

LAB 54.72, 61.93, -8.8

 

CMYK 0 / 0 / 65 / 14

HEX #DBDB4C

RGB 219 219 76

HSL 60, 0.67%, 0.58%

LAB 85.12, -17.08, 67.33

 

CMYK 65 / 0 / 33 / 14

HEX #4CDB93

RGB 76 219 147

HSL 149.79, 0.67%, 0.58%

LAB 78.64, -54.47, 24.47

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDB

RGB 76 76 219

HSL 240, 0.67%, 0.58%

LAB 40.93, 43.61, -73.08

 

Description

Color code: HEX #DC4D94 | qconv.com Color code: HEX #DC4D94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 77 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 77 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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