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Color name
HEX #DC4616

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4616 it is the complementary color #23B9E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4616 shade: #E14611, #F25824, #FF6A37, #FF7C4A and #FF8E5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4616 shade: #DC4616, #CB3403, #BA2200, #A91000 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4616 shade: #DA4516 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4616 shade: #DA4516, #DA7A16, #DAAF16, #D0DA16 and #9BDA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4616 shade matches the following richer shades: #DA4516 and #EE3B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4616 shade: #DA4516, #C74F29, #B3593C, #A06350 and #8D6D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4616 shade: #DA1651, #DA161C, #DA4316, #DA7816 and #DAAC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4616 shade: #8F2D0E, #B53912, #DA4516, #EA5C2F and #EE7954

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4616 shade: #DC4616, #85DA16 and #1636DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4616 shade: #DC4616, #16DA43 and #4316DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4616 shade: #DC4616, #85DA16, #16ACDA and #6B16DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4616 shade: #DC4616, #4ADA16, #16ACDA and #A616DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 90 / 14

HEX #DC4616

RGB 220 70 22

HSL 14.55, 0.82%, 0.47%

LAB 51.44, 56.59, 56.73

 

Complementary color

CMYK 85 / 21 / 0 / 9

HEX #23B9E9

RGB 35 185 233

HSL 194.55, 0.82%, 0.53%

LAB 70.13, -20.73, -34.39

 

CMYK 0 / 69 / 92 / 12

HEX #E14611

RGB 225 70 17

HSL 15.29, 0.86%, 0.47%

LAB 52.32, 58.16, 59.35

 

CMYK 0 / 64 / 85 / 5

HEX #F25824

RGB 242 88 36

HSL 15.15, 0.89%, 0.55%

LAB 58.02, 56.96, 58.2

 

CMYK 0 / 58 / 78 / 0

HEX #FF6A37

RGB 255 106 55

HSL 15.3, 1%, 0.61%

LAB 63.21, 54.18, 55.4

 

CMYK 0 / 51 / 71 / 0

HEX #FF7C4A

RGB 255 124 74

HSL 16.57, 1%, 0.65%

LAB 66.65, 46.53, 49.8

 

CMYK 0 / 44 / 64 / 0

HEX #FF8E5D

RGB 255 142 93

HSL 18.15, 1%, 0.68%

LAB 70.45, 38.61, 44.5

 

CMYK 0 / 68 / 90 / 14

HEX #DC4616

RGB 220 70 22

HSL 14.55, 0.82%, 0.47%

LAB 51.44, 56.59, 56.73

 

CMYK 0 / 74 / 99 / 20

HEX #CB3403

RGB 203 52 3

HSL 14.7, 0.97%, 0.4%

LAB 45.85, 57.45, 57.16

 

CMYK 0 / 82 / 100 / 27

HEX #BA2200

RGB 186 34 0

HSL 10.97, 1%, 0.36%

LAB 40.55, 57.68, 53.76

 

CMYK 0 / 91 / 100 / 34

HEX #A91000

RGB 169 16 0

HSL 5.68, 1%, 0.33%

LAB 35.61, 56.75, 49.56

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 68 / 90 / 15

HEX #DA4516

RGB 218 69 22

HSL 14.39, 0.82%, 0.47%

LAB 50.94, 56.31, 56.21

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 68 / 90 / 15

HEX #DA4516

RGB 218 69 22

HSL 14.39, 0.82%, 0.47%

LAB 50.94, 56.31, 56.21

 

CMYK 0 / 44 / 90 / 15

HEX #DA7A16

RGB 218 122 22

HSL 30.61, 0.82%, 0.47%

LAB 60.68, 31.32, 63.39

 

CMYK 0 / 20 / 90 / 15

HEX #DAAF16

RGB 218 175 22

HSL 46.84, 0.82%, 0.47%

LAB 73.3, 3.01, 72.99

 

CMYK 5 / 0 / 90 / 15

HEX #D0DA16

RGB 208 218 22

HSL 63.06, 0.82%, 0.47%

LAB 83.76, -23.1, 80.77

 

CMYK 29 / 0 / 90 / 15

HEX #9BDA16

RGB 155 218 22

HSL 79.29, 0.82%, 0.47%

LAB 80.27, -44.28, 76.51

 

CMYK 0 / 68 / 90 / 15

HEX #DA4516

RGB 218 69 22

HSL 14.39, 0.82%, 0.47%

LAB 50.94, 56.31, 56.21

 

CMYK 0 / 75 / 99 / 7

HEX #EE3B02

RGB 238 59 2

HSL 14.49, 0.98%, 0.47%

LAB 53.29, 65.89, 64.75

 

CMYK 0 / 68 / 90 / 15

HEX #DA4516

RGB 218 69 22

HSL 14.39, 0.82%, 0.47%

LAB 50.94, 56.31, 56.21

 

CMYK 0 / 60 / 79 / 22

HEX #C74F29

RGB 199 79 41

HSL 14.43, 0.66%, 0.47%

LAB 49.37, 45.91, 45.44

 

CMYK 0 / 50 / 66 / 30

HEX #B3593C

RGB 179 89 60

HSL 14.62, 0.5%, 0.47%

LAB 48.33, 34.2, 33.33

 

CMYK 0 / 38 / 50 / 37

HEX #A06350

RGB 160 99 80

HSL 14.25, 0.33%, 0.47%

LAB 48.23, 22.54, 21.14

 

CMYK 0 / 23 / 30 / 45

HEX #8D6D63

RGB 141 109 99

HSL 14.29, 0.18%, 0.47%

LAB 48.89, 11.16, 10.46

 

CMYK 0 / 90 / 63 / 15

HEX #DA1651

RGB 218 22 81

HSL 341.94, 0.82%, 0.47%

LAB 47.07, 71.15, 20.76

 

CMYK 0 / 90 / 87 / 15

HEX #DA161C

RGB 218 22 28

HSL 358.16, 0.82%, 0.47%

LAB 46.4, 69.24, 50.34

 

CMYK 0 / 69 / 90 / 15

HEX #DA4316

RGB 218 67 22

HSL 13.78, 0.82%, 0.47%

LAB 50.66, 57.08, 56.01

 

CMYK 0 / 45 / 90 / 15

HEX #DA7816

RGB 218 120 22

HSL 30, 0.82%, 0.47%

LAB 60.25, 32.36, 63.06

 

CMYK 0 / 21 / 90 / 15

HEX #DAAC16

RGB 218 172 22

HSL 45.92, 0.82%, 0.47%

LAB 72.54, 4.59, 72.41

 

CMYK 0 / 69 / 90 / 44

HEX #8F2D0E

RGB 143 45 14

HSL 14.42, 0.82%, 0.31%

LAB 33.45, 40.06, 40.02

 

CMYK 0 / 69 / 90 / 29

HEX #B53912

RGB 181 57 18

HSL 14.36, 0.82%, 0.39%

LAB 42.45, 48.53, 48.41

 

CMYK 0 / 68 / 90 / 15

HEX #DA4516

RGB 218 69 22

HSL 14.39, 0.82%, 0.47%

LAB 50.94, 56.31, 56.21

 

CMYK 0 / 61 / 80 / 8

HEX #EA5C2F

RGB 234 92 47

HSL 14.44, 0.82%, 0.55%

LAB 57.42, 52.77, 52.36

 

CMYK 0 / 49 / 65 / 7

HEX #EE7954

RGB 238 121 84

HSL 14.42, 0.82%, 0.63%

LAB 63.75, 42.16, 40.67

 

CMYK 0 / 68 / 90 / 14

HEX #DC4616

RGB 220 70 22

HSL 14.55, 0.82%, 0.47%

LAB 51.44, 56.59, 56.73

 

CMYK 39 / 0 / 90 / 15

HEX #85DA16

RGB 133 218 22

HSL 86.02, 0.82%, 0.47%

LAB 79.15, -52.12, 75.12

 

CMYK 90 / 75 / 0 / 15

HEX #1636DA

RGB 22 54 218

HSL 230.2, 0.82%, 0.47%

LAB 33.71, 51.68, -84.48

 

CMYK 0 / 68 / 90 / 14

HEX #DC4616

RGB 220 70 22

HSL 14.55, 0.82%, 0.47%

LAB 51.44, 56.59, 56.73

 

CMYK 90 / 0 / 69 / 15

HEX #16DA43

RGB 22 218 67

HSL 133.78, 0.82%, 0.47%

LAB 76.51, -72.45, 59.26

 

CMYK 69 / 90 / 0 / 15

HEX #4316DA

RGB 67 22 218

HSL 253.78, 0.82%, 0.47%

LAB 31.41, 67.36, -88.23

 

CMYK 0 / 68 / 90 / 14

HEX #DC4616

RGB 220 70 22

HSL 14.55, 0.82%, 0.47%

LAB 51.44, 56.59, 56.73

 

CMYK 39 / 0 / 90 / 15

HEX #85DA16

RGB 133 218 22

HSL 86.02, 0.82%, 0.47%

LAB 79.15, -52.12, 75.12

 

CMYK 90 / 21 / 0 / 15

HEX #16ACDA

RGB 22 172 218

HSL 194.08, 0.82%, 0.47%

LAB 65.54, -19.83, -33.3

 

CMYK 51 / 90 / 0 / 15

HEX #6B16DA

RGB 107 22 218

HSL 266.02, 0.82%, 0.47%

LAB 35.52, 70.31, -81.3

 

CMYK 0 / 68 / 90 / 14

HEX #DC4616

RGB 220 70 22

HSL 14.55, 0.82%, 0.47%

LAB 51.44, 56.59, 56.73

 

CMYK 66 / 0 / 90 / 15

HEX #4ADA16

RGB 74 218 22

HSL 104.08, 0.82%, 0.47%

LAB 77.08, -68.33, 72.55

 

CMYK 90 / 21 / 0 / 15

HEX #16ACDA

RGB 22 172 218

HSL 194.08, 0.82%, 0.47%

LAB 65.54, -19.83, -33.3

 

CMYK 24 / 90 / 0 / 15

HEX #A616DA

RGB 166 22 218

HSL 284.08, 0.82%, 0.47%

LAB 43.86, 77.29, -67.3

 

Description

Color code: HEX #DC4616 | qconv.com Color code: HEX #DC4616 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 70 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 70 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 90% 14% C M Y K

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