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Color name
HEX #DC4522

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4522 it is the complementary color #23BADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4522 shade: #E1451D, #F25730, #FF6943, #FF7B56 and #FF8D69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4522 shade: #DC4522, #CB330F, #BA2100, #A90F00 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4522 shade: #DD4522 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4522 shade: #DD4522, #DD7822, #DDAA22, #DDDC22 and #ABDD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4522 shade matches the following richer shades: #DD4522 and #F1390E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4522 shade: #DD4522, #C85237, #B35F4C, #9F6C60 and #8A7975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4522 shade: #DD2264, #DD2232, #DD4522, #DD7622 and #DDA822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4522 shade: #952F17, #B93A1D, #DD4522, #E26346 and #E8816A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4522 shade: #DC4522, #95DD22 and #224BDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4522 shade: #DC4522, #22DD45 and #4522DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4522 shade: #DC4522, #95DD22, #22BADD and #6A22DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4522 shade: #DC4522, #5DDD22, #22BADD and #A222DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 85 / 14

HEX #DC4522

RGB 220 69 34

HSL 11.29, 0.73%, 0.5%

LAB 51.37, 57.21, 51.89

 

Complementary color

CMYK 84 / 16 / 0 / 13

HEX #23BADD

RGB 35 186 221

HSL 191.29, 0.73%, 0.5%

LAB 69.96, -25.23, -28.11

 

CMYK 0 / 69 / 87 / 12

HEX #E1451D

RGB 225 69 29

HSL 12.24, 0.77%, 0.5%

LAB 52.23, 58.73, 55.1

 

CMYK 0 / 64 / 80 / 5

HEX #F25730

RGB 242 87 48

HSL 12.06, 0.88%, 0.57%

LAB 57.95, 57.69, 52.86

 

CMYK 0 / 59 / 74 / 0

HEX #FF6943

RGB 255 105 67

HSL 12.13, 1%, 0.63%

LAB 63.15, 55.07, 49.51

 

CMYK 0 / 52 / 66 / 0

HEX #FF7B56

RGB 255 123 86

HSL 13.14, 1%, 0.67%

LAB 66.59, 47.62, 43.58

 

CMYK 0 / 45 / 59 / 0

HEX #FF8D69

RGB 255 141 105

HSL 14.4, 1%, 0.71%

LAB 70.41, 39.92, 38.14

 

CMYK 0 / 69 / 85 / 14

HEX #DC4522

RGB 220 69 34

HSL 11.29, 0.73%, 0.5%

LAB 51.37, 57.21, 51.89

 

CMYK 0 / 75 / 93 / 20

HEX #CB330F

RGB 203 51 15

HSL 11.49, 0.86%, 0.43%

LAB 45.77, 57.91, 53.72

 

CMYK 0 / 82 / 100 / 27

HEX #BA2100

RGB 186 33 0

HSL 10.65, 1%, 0.36%

LAB 40.45, 57.94, 53.72

 

CMYK 0 / 91 / 100 / 34

HEX #A90F00

RGB 169 15 0

HSL 5.33, 1%, 0.33%

LAB 35.55, 56.91, 49.53

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 69 / 85 / 13

HEX #DD4522

RGB 221 69 34

HSL 11.23, 0.73%, 0.5%

LAB 51.55, 57.54, 52.12

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 69 / 85 / 13

HEX #DD4522

RGB 221 69 34

HSL 11.23, 0.73%, 0.5%

LAB 51.55, 57.54, 52.12

 

CMYK 0 / 46 / 85 / 13

HEX #DD7822

RGB 221 120 34

HSL 27.59, 0.73%, 0.5%

LAB 60.71, 33.85, 59.91

 

CMYK 0 / 23 / 85 / 13

HEX #DDAA22

RGB 221 170 34

HSL 43.64, 0.73%, 0.5%

LAB 72.39, 7.22, 69.66

 

CMYK 0 / 0 / 85 / 13

HEX #DDDC22

RGB 221 220 34

HSL 59.68, 0.73%, 0.5%

LAB 85.34, -18.39, 80.33

 

CMYK 23 / 0 / 85 / 13

HEX #ABDD22

RGB 171 221 34

HSL 76.04, 0.73%, 0.5%

LAB 82.1, -39.2, 76.2

 

CMYK 0 / 69 / 85 / 13

HEX #DD4522

RGB 221 69 34

HSL 11.23, 0.73%, 0.5%

LAB 51.55, 57.54, 52.12

 

CMYK 0 / 76 / 94 / 5

HEX #F1390E

RGB 241 57 14

HSL 11.37, 0.89%, 0.5%

LAB 53.66, 67.48, 62.5

 

CMYK 0 / 69 / 85 / 13

HEX #DD4522

RGB 221 69 34

HSL 11.23, 0.73%, 0.5%

LAB 51.55, 57.54, 52.12

 

CMYK 0 / 59 / 73 / 22

HEX #C85237

RGB 200 82 55

HSL 11.17, 0.57%, 0.5%

LAB 50.2, 45.44, 39.1

 

CMYK 0 / 47 / 58 / 30

HEX #B35F4C

RGB 179 95 76

HSL 11.07, 0.4%, 0.5%

LAB 49.85, 32.15, 26.07

 

CMYK 0 / 32 / 40 / 38

HEX #9F6C60

RGB 159 108 96

HSL 11.43, 0.25%, 0.5%

LAB 50.62, 18.79, 14.95

 

CMYK 0 / 12 / 15 / 46

HEX #8A7975

RGB 138 121 117

HSL 11.43, 0.08%, 0.5%

LAB 52.24, 5.84, 4.59

 

CMYK 0 / 85 / 55 / 13

HEX #DD2264

RGB 221 34 100

HSL 338.82, 0.73%, 0.5%

LAB 48.81, 70.99, 11.52

 

CMYK 0 / 85 / 77 / 13

HEX #DD2232

RGB 221 34 50

HSL 354.87, 0.73%, 0.5%

LAB 47.94, 68.45, 40.49

 

CMYK 0 / 69 / 85 / 13

HEX #DD4522

RGB 221 69 34

HSL 11.23, 0.73%, 0.5%

LAB 51.55, 57.54, 52.12

 

CMYK 0 / 47 / 85 / 13

HEX #DD7622

RGB 221 118 34

HSL 26.95, 0.73%, 0.5%

LAB 60.29, 34.89, 59.55

 

CMYK 0 / 24 / 85 / 13

HEX #DDA822

RGB 221 168 34

HSL 42.99, 0.73%, 0.5%

LAB 71.89, 8.28, 69.24

 

CMYK 0 / 68 / 85 / 42

HEX #952F17

RGB 149 47 23

HSL 11.43, 0.73%, 0.34%

LAB 34.97, 41.59, 37.57

 

CMYK 0 / 69 / 84 / 27

HEX #B93A1D

RGB 185 58 29

HSL 11.15, 0.73%, 0.42%

LAB 43.4, 49.75, 44.76

 

CMYK 0 / 69 / 85 / 13

HEX #DD4522

RGB 221 69 34

HSL 11.23, 0.73%, 0.5%

LAB 51.55, 57.54, 52.12

 

CMYK 0 / 56 / 69 / 11

HEX #E26346

RGB 226 99 70

HSL 11.15, 0.73%, 0.58%

LAB 57.59, 47.65, 40.49

 

CMYK 0 / 44 / 54 / 9

HEX #E8816A

RGB 232 129 106

HSL 10.95, 0.73%, 0.66%

LAB 64.88, 37.37, 29.94

 

CMYK 0 / 69 / 85 / 14

HEX #DC4522

RGB 220 69 34

HSL 11.29, 0.73%, 0.5%

LAB 51.37, 57.21, 51.89

 

CMYK 33 / 0 / 85 / 13

HEX #95DD22

RGB 149 221 34

HSL 83.1, 0.73%, 0.5%

LAB 80.86, -47.42, 74.65

 

CMYK 85 / 66 / 0 / 13

HEX #224BDD

RGB 34 75 221

HSL 226.84, 0.73%, 0.5%

LAB 38.89, 40.8, -77.65

 

CMYK 0 / 69 / 85 / 14

HEX #DC4522

RGB 220 69 34

HSL 11.29, 0.73%, 0.5%

LAB 51.37, 57.21, 51.89

 

CMYK 85 / 0 / 69 / 13

HEX #22DD45

RGB 34 221 69

HSL 131.23, 0.73%, 0.5%

LAB 77.57, -72.25, 59.65

 

CMYK 69 / 85 / 0 / 13

HEX #4522DD

RGB 69 34 221

HSL 251.23, 0.73%, 0.5%

LAB 33.2, 64.45, -86.99

 

CMYK 0 / 69 / 85 / 14

HEX #DC4522

RGB 220 69 34

HSL 11.29, 0.73%, 0.5%

LAB 51.37, 57.21, 51.89

 

CMYK 33 / 0 / 85 / 13

HEX #95DD22

RGB 149 221 34

HSL 83.1, 0.73%, 0.5%

LAB 80.86, -47.42, 74.65

 

CMYK 85 / 16 / 0 / 13

HEX #22BADD

RGB 34 186 221

HSL 191.23, 0.73%, 0.5%

LAB 69.95, -25.3, -28.13

 

CMYK 52 / 85 / 0 / 13

HEX #6A22DD

RGB 106 34 221

HSL 263.1, 0.73%, 0.5%

LAB 36.8, 67.66, -80.92

 

CMYK 0 / 69 / 85 / 14

HEX #DC4522

RGB 220 69 34

HSL 11.29, 0.73%, 0.5%

LAB 51.37, 57.21, 51.89

 

CMYK 58 / 0 / 85 / 13

HEX #5DDD22

RGB 93 221 34

HSL 101.07, 0.73%, 0.5%

LAB 78.55, -64.64, 71.74

 

CMYK 85 / 16 / 0 / 13

HEX #22BADD

RGB 34 186 221

HSL 191.23, 0.73%, 0.5%

LAB 69.95, -25.3, -28.13

 

CMYK 27 / 85 / 0 / 13

HEX #A222DD

RGB 162 34 221

HSL 281.07, 0.73%, 0.5%

LAB 44.3, 74.85, -68.33

 

Description

Color code: HEX #DC4522 | qconv.com Color code: HEX #DC4522 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 69 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 69 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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