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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC451D it is the complementary color #23BAE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC451D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC451D shade: #E14518, #F2572B, #FF693E, #FF7B51 and #FF8D64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC451D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC451D shade: #DC451D, #CB330A, #BA2100, #A90F00 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC451D shade: #DD451D and #DD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC451D shade: #DD451D, #DD791D, #DDAD1D, #DADD1D and #A6DD1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC451D shade matches the following richer shades: #DD451D and #F13909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC451D shade: #DD451D, #C95131, #B55D45, #A16859 and #8C746E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC451D shade: #DD1D5D, #DD1D2A, #DD431D, #DD771D and #DDAA1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC451D shade: #942E13, #B93A18, #DD451D, #E6613D and #EB7E62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC451D shade: #DC451D, #90DD1D and #1D43DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC451D shade: #DC451D, #1DDD43 and #431DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC451D shade: #DC451D, #90DD1D, #1DB7DD and #6A1DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC451D shade: #DC451D, #56DD1D, #1DB7DD and #A31DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 87 / 14

HEX #DC451D

RGB 220 69 29

HSL 12.57, 0.77%, 0.49%

LAB 51.34, 57.1, 54

 

Complementary color

CMYK 85 / 18 / 0 / 11

HEX #23BAE2

RGB 35 186 226

HSL 192.57, 0.77%, 0.51%

LAB 70.15, -23.58, -30.55

 

CMYK 0 / 69 / 89 / 12

HEX #E14518

RGB 225 69 24

HSL 13.43, 0.81%, 0.49%

LAB 52.21, 58.64, 56.99

 

CMYK 0 / 64 / 82 / 5

HEX #F2572B

RGB 242 87 43

HSL 13.27, 0.88%, 0.56%

LAB 57.91, 57.55, 55.12

 

CMYK 0 / 59 / 76 / 0

HEX #FF693E

RGB 255 105 62

HSL 13.37, 1%, 0.62%

LAB 63.1, 54.88, 51.95

 

CMYK 0 / 52 / 68 / 0

HEX #FF7B51

RGB 255 123 81

HSL 14.48, 1%, 0.66%

LAB 66.54, 47.36, 46.12

 

CMYK 0 / 45 / 61 / 0

HEX #FF8D64

RGB 255 141 100

HSL 15.87, 1%, 0.7%

LAB 70.34, 39.57, 40.7

 

CMYK 0 / 69 / 87 / 14

HEX #DC451D

RGB 220 69 29

HSL 12.57, 0.77%, 0.49%

LAB 51.34, 57.1, 54

 

CMYK 0 / 75 / 95 / 20

HEX #CB330A

RGB 203 51 10

HSL 12.75, 0.91%, 0.42%

LAB 45.75, 57.85, 55.19

 

CMYK 0 / 82 / 100 / 27

HEX #BA2100

RGB 186 33 0

HSL 10.65, 1%, 0.36%

LAB 40.45, 57.94, 53.72

 

CMYK 0 / 91 / 100 / 34

HEX #A90F00

RGB 169 15 0

HSL 5.33, 1%, 0.33%

LAB 35.55, 56.91, 49.53

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 69 / 87 / 13

HEX #DD451D

RGB 221 69 29

HSL 12.5, 0.77%, 0.49%

LAB 51.52, 57.43, 54.22

 

CMYK 0 / 87 / 87 / 13

HEX #DD1D1D

RGB 221 29 29

HSL 0, 0.77%, 0.49%

LAB 47.42, 68.89, 50.95

 

CMYK 0 / 69 / 87 / 13

HEX #DD451D

RGB 221 69 29

HSL 12.5, 0.77%, 0.49%

LAB 51.52, 57.43, 54.22

 

CMYK 0 / 45 / 87 / 13

HEX #DD791D

RGB 221 121 29

HSL 28.75, 0.77%, 0.49%

LAB 60.9, 33.21, 61.73

 

CMYK 0 / 22 / 87 / 13

HEX #DDAD1D

RGB 221 173 29

HSL 45, 0.77%, 0.49%

LAB 73.12, 5.51, 71.51

 

CMYK 1 / 0 / 87 / 13

HEX #DADD1D

RGB 218 221 29

HSL 60.94, 0.77%, 0.49%

LAB 85.36, -20.24, 81.21

 

CMYK 25 / 0 / 87 / 13

HEX #A6DD1D

RGB 166 221 29

HSL 77.19, 0.77%, 0.49%

LAB 81.79, -41.26, 76.82

 

CMYK 0 / 69 / 87 / 13

HEX #DD451D

RGB 221 69 29

HSL 12.5, 0.77%, 0.49%

LAB 51.52, 57.43, 54.22

 

CMYK 0 / 76 / 96 / 5

HEX #F13909

RGB 241 57 9

HSL 12.41, 0.93%, 0.49%

LAB 53.65, 67.44, 63.66

 

CMYK 0 / 69 / 87 / 13

HEX #DD451D

RGB 221 69 29

HSL 12.5, 0.77%, 0.49%

LAB 51.52, 57.43, 54.22

 

CMYK 0 / 60 / 76 / 21

HEX #C95131

RGB 201 81 49

HSL 12.63, 0.61%, 0.49%

LAB 50.13, 46.01, 42.26

 

CMYK 0 / 49 / 62 / 29

HEX #B55D45

RGB 181 93 69

HSL 12.86, 0.45%, 0.49%

LAB 49.6, 33.49, 29.84

 

CMYK 0 / 35 / 45 / 37

HEX #A16859

RGB 161 104 89

HSL 12.5, 0.29%, 0.49%

LAB 49.74, 21.07, 17.9

 

CMYK 0 / 17 / 21 / 45

HEX #8C746E

RGB 140 116 110

HSL 12, 0.12%, 0.49%

LAB 50.91, 8.36, 6.81

 

CMYK 0 / 87 / 58 / 13

HEX #DD1D5D

RGB 221 29 93

HSL 340, 0.77%, 0.49%

LAB 48.31, 71.47, 15.14

 

CMYK 0 / 87 / 81 / 13

HEX #DD1D2A

RGB 221 29 42

HSL 355.94, 0.77%, 0.49%

LAB 47.52, 69.19, 44.49

 

CMYK 0 / 70 / 87 / 13

HEX #DD431D

RGB 221 67 29

HSL 11.88, 0.77%, 0.49%

LAB 51.24, 58.19, 54

 

CMYK 0 / 46 / 87 / 13

HEX #DD771D

RGB 221 119 29

HSL 28.13, 0.77%, 0.49%

LAB 60.48, 34.25, 61.39

 

CMYK 0 / 23 / 87 / 13

HEX #DDAA1D

RGB 221 170 29

HSL 44.06, 0.77%, 0.49%

LAB 72.37, 7.1, 70.91

 

CMYK 0 / 69 / 87 / 42

HEX #942E13

RGB 148 46 19

HSL 12.56, 0.77%, 0.33%

LAB 34.59, 41.55, 39.11

 

CMYK 0 / 69 / 87 / 27

HEX #B93A18

RGB 185 58 24

HSL 12.67, 0.77%, 0.41%

LAB 43.37, 49.62, 47

 

CMYK 0 / 69 / 87 / 13

HEX #DD451D

RGB 221 69 29

HSL 12.5, 0.77%, 0.49%

LAB 51.52, 57.43, 54.22

 

CMYK 0 / 58 / 73 / 10

HEX #E6613D

RGB 230 97 61

HSL 12.78, 0.77%, 0.57%

LAB 57.76, 49.6, 45.6

 

CMYK 0 / 46 / 58 / 8

HEX #EB7E62

RGB 235 126 98

HSL 12.26, 0.77%, 0.65%

LAB 64.54, 39.43, 33.98

 

CMYK 0 / 69 / 87 / 14

HEX #DC451D

RGB 220 69 29

HSL 12.57, 0.77%, 0.49%

LAB 51.34, 57.1, 54

 

CMYK 35 / 0 / 87 / 13

HEX #90DD1D

RGB 144 221 29

HSL 84.06, 0.77%, 0.49%

LAB 80.59, -49.35, 75.33

 

CMYK 87 / 70 / 0 / 13

HEX #1D43DD

RGB 29 67 221

HSL 228.13, 0.77%, 0.49%

LAB 36.92, 45.44, -80.89

 

CMYK 0 / 69 / 87 / 14

HEX #DC451D

RGB 220 69 29

HSL 12.57, 0.77%, 0.49%

LAB 51.34, 57.1, 54

 

CMYK 87 / 0 / 70 / 13

HEX #1DDD43

RGB 29 221 67

HSL 131.88, 0.77%, 0.49%

LAB 77.51, -72.84, 60.33

 

CMYK 70 / 87 / 0 / 13

HEX #431DDD

RGB 67 29 221

HSL 251.88, 0.77%, 0.49%

LAB 32.46, 66.06, -88.21

 

CMYK 0 / 69 / 87 / 14

HEX #DC451D

RGB 220 69 29

HSL 12.57, 0.77%, 0.49%

LAB 51.34, 57.1, 54

 

CMYK 35 / 0 / 87 / 13

HEX #90DD1D

RGB 144 221 29

HSL 84.06, 0.77%, 0.49%

LAB 80.59, -49.35, 75.33

 

CMYK 87 / 17 / 0 / 13

HEX #1DB7DD

RGB 29 183 221

HSL 191.88, 0.77%, 0.49%

LAB 69, -24.11, -29.6

 

CMYK 52 / 87 / 0 / 13

HEX #6A1DDD

RGB 106 29 221

HSL 264.06, 0.77%, 0.49%

LAB 36.3, 69.15, -81.75

 

CMYK 0 / 69 / 87 / 14

HEX #DC451D

RGB 220 69 29

HSL 12.57, 0.77%, 0.49%

LAB 51.34, 57.1, 54

 

CMYK 61 / 0 / 87 / 13

HEX #56DD1D

RGB 86 221 29

HSL 102.19, 0.77%, 0.49%

LAB 78.33, -66.49, 72.51

 

CMYK 87 / 17 / 0 / 13

HEX #1DB7DD

RGB 29 183 221

HSL 191.88, 0.77%, 0.49%

LAB 69, -24.11, -29.6

 

CMYK 26 / 87 / 0 / 13

HEX #A31DDD

RGB 163 29 221

HSL 281.88, 0.77%, 0.49%

LAB 44.07, 76.12, -68.7

 

Description

Color code: HEX #DC451D | qconv.com Color code: HEX #DC451D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 69 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 69 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 87 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 87% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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