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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC3A1ACE it is the complementary color #23C5E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC3A1ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC3A1ACE shade: #E13A15CE, #F24C28CE, #FF5E3BCE, #FF704ECE and #FF8261CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC3A1ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC3A1ACE shade: #DC3A1ACE, #CB2807CE, #BA1600CE, #A90400CE and #980000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC3A1ACE shade: #DB3A1A and #DB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC3A1ACE shade: #DB3A1A, #DB6E1A, #DBA21A, #DBD61A and #ACDB1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC3A1ACE shade matches the following richer shades: #DB3A1A and #EF2C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC3A1ACE shade: #DB3A1A, #C7472E, #B35441, #A06155 and #8C6F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC3A1ACE shade: #DB1A64, #DB1A30, #DB371A, #DB6A1A and #DB9E1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC3A1ACE shade: #912611, #B63015, #DB3A1A, #E75437 and #EC735B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC3A1ACE shade: #DC3A1A, #97DB1A and #1A4ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC3A1ACE shade: #DC3A1A, #1ADB37 and #371ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC3A1ACE shade: #DC3A1A, #97DB1A, #1ABEDB and #5D1ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC3A1ACE shade: #DC3A1A, #5DDB1A, #1ABEDB and #971ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 71 / 11

HEX #DC3A1ACE

RGBA 220 58 26 0.81

HSLA 9.9, 0.79%, 0.48%, 0.81

LABA 49.88, 61.01, 54.08, 0.81

 

Complementary color

CMYK 69 / 11 / 0 / 8

HEX #23C5E5CE

RGBA 35 197 229 0.81

HSLA 189.9, 0.79%, 0.52%, 0.81

LABA 73.51, -28.12, -27.01, 0.81

 

CMYK 0 / 60 / 73 / 10

HEX #E13A15CE

RGBA 225 58 21 0.81

HSLA 10.88, 0.83%, 0.48%, 0.81

LABA 50.79, 62.47, 57.05, 0.81

 

CMYK 0 / 56 / 68 / 4

HEX #F24C28CE

RGBA 242 76 40 0.81

HSLA 10.69, 0.89%, 0.55%, 0.81

LABA 56.29, 61.81, 55.02, 0.81

 

CMYK 0 / 51 / 62 / 0

HEX #FF5E3BCE

RGBA 255 94 59 0.81

HSLA 10.71, 1%, 0.62%, 0.81

LABA 61.29, 59.5, 51.56, 0.81

 

CMYK 0 / 45 / 56 / 0

HEX #FF704ECE

RGBA 255 112 78 0.81

HSLA 11.53, 1%, 0.65%, 0.81

LABA 64.48, 52.39, 45.32, 0.81

 

CMYK 0 / 40 / 50 / 0

HEX #FF8261CE

RGBA 255 130 97 0.81

HSLA 12.53, 1%, 0.69%, 0.81

LABA 68.09, 44.87, 39.54, 0.81

 

CMYK 0 / 60 / 71 / 11

HEX #DC3A1ACE

RGBA 220 58 26 0.81

HSLA 9.9, 0.79%, 0.48%, 0.81

LABA 49.88, 61.01, 54.08, 0.81

 

CMYK 0 / 65 / 78 / 17

HEX #CB2807CE

RGBA 203 40 7 0.81

HSLA 10.1, 0.93%, 0.41%, 0.81

LABA 44.56, 61.13, 55.35, 0.81

 

CMYK 0 / 71 / 81 / 22

HEX #BA1600CE

RGBA 186 22 0 0.81

HSLA 7.1, 1%, 0.36%, 0.81

LABA 39.6, 60.37, 53.39, 0.81

 

CMYK 0 / 79 / 81 / 27

HEX #A90400CE

RGBA 169 4 0 0.81

HSLA 1.42, 1%, 0.33%, 0.81

LABA 35.05, 58.36, 49.27, 0.81

 

CMYK 0 / 81 / 81 / 33

HEX #980000CE

RGBA 152 0 0 0.81

HSLA 0, 1%, 0.3%, 0.81

LABA 31.06, 54.45, 44.88, 0.81

 

CMYK 0 / 74 / 88 / 14

HEX #DB3A1A

RGB 219 58 26

HSL 9.95, 0.79%, 0.48%

LAB 49.69, 60.7, 53.85

 

CMYK 0 / 88 / 88 / 14

HEX #DB1A1A

RGB 219 26 26

HSL 0, 0.79%, 0.48%

LAB 46.81, 68.83, 51.66

 

CMYK 0 / 74 / 88 / 14

HEX #DB3A1A

RGB 219 58 26

HSL 9.95, 0.79%, 0.48%

LAB 49.69, 60.7, 53.85

 

CMYK 0 / 50 / 88 / 14

HEX #DB6E1A

RGB 219 110 26

HSL 26.11, 0.79%, 0.48%

LAB 58.31, 38.01, 60.5

 

CMYK 0 / 26 / 88 / 14

HEX #DBA21A

RGB 219 162 26

HSL 42.28, 0.79%, 0.48%

LAB 70.16, 10.43, 69.76

 

CMYK 0 / 2 / 88 / 14

HEX #DBD61A

RGB 219 214 26

HSL 58.45, 0.79%, 0.48%

LAB 83.56, -16.45, 80.34

 

CMYK 21 / 0 / 88 / 14

HEX #ACDB1A

RGB 172 219 26

HSL 74.61, 0.79%, 0.48%

LAB 81.57, -38.12, 77.33

 

CMYK 0 / 74 / 88 / 14

HEX #DB3A1A

RGB 219 58 26

HSL 9.95, 0.79%, 0.48%

LAB 49.69, 60.7, 53.85

 

CMYK 0 / 82 / 97 / 6

HEX #EF2C06

RGB 239 44 6

HSL 9.79, 0.95%, 0.48%

LAB 52.02, 70.33, 63.31

 

CMYK 0 / 74 / 88 / 14

HEX #DB3A1A

RGB 219 58 26

HSL 9.95, 0.79%, 0.48%

LAB 49.69, 60.7, 53.85

 

CMYK 0 / 64 / 77 / 22

HEX #C7472E

RGB 199 71 46

HSL 9.8, 0.62%, 0.48%

LAB 48.07, 49.67, 41.57

 

CMYK 0 / 53 / 64 / 30

HEX #B35441

RGB 179 84 65

HSL 10, 0.47%, 0.48%

LAB 47.37, 37.12, 29.33

 

CMYK 0 / 39 / 47 / 37

HEX #A06155

RGB 160 97 85

HSL 9.6, 0.31%, 0.48%

LAB 47.85, 24.19, 17.69

 

CMYK 0 / 21 / 25 / 45

HEX #8C6F69

RGB 140 111 105

HSL 10.29, 0.14%, 0.48%

LAB 49.45, 10.48, 7.69

 

CMYK 0 / 88 / 54 / 14

HEX #DB1A64

RGB 219 26 100

HSL 336.99, 0.79%, 0.48%

LAB 47.9, 71.96, 10.2

 

CMYK 0 / 88 / 78 / 14

HEX #DB1A30

RGB 219 26 48

HSL 353.16, 0.79%, 0.48%

LAB 46.99, 69.36, 40.5

 

CMYK 0 / 75 / 88 / 14

HEX #DB371A

RGB 219 55 26

HSL 9.02, 0.79%, 0.48%

LAB 49.33, 61.69, 53.58

 

CMYK 0 / 52 / 88 / 14

HEX #DB6A1A

RGB 219 106 26

HSL 24.87, 0.79%, 0.48%

LAB 57.5, 40.02, 59.88

 

CMYK 0 / 28 / 88 / 14

HEX #DB9E1A

RGB 219 158 26

HSL 41.04, 0.79%, 0.48%

LAB 69.18, 12.57, 68.99

 

CMYK 0 / 74 / 88 / 43

HEX #912611

RGB 145 38 17

HSL 9.84, 0.79%, 0.32%

LAB 32.8, 43.72, 38.31

 

CMYK 0 / 74 / 88 / 29

HEX #B63015

RGB 182 48 21

HSL 10.06, 0.79%, 0.4%

LAB 41.4, 52.38, 46.47

 

CMYK 0 / 74 / 88 / 14

HEX #DB3A1A

RGB 219 58 26

HSL 9.95, 0.79%, 0.48%

LAB 49.69, 60.7, 53.85

 

CMYK 0 / 64 / 76 / 9

HEX #E75437

RGB 231 84 55

HSL 9.89, 0.79%, 0.56%

LAB 55.69, 55.46, 46.54

 

CMYK 0 / 51 / 61 / 7

HEX #EC735B

RGB 236 115 91

HSL 9.93, 0.79%, 0.64%

LAB 62.38, 44.83, 35.15

 

CMYK 0 / 74 / 88 / 14

HEX #DC3A1A

RGB 220 58 26

HSL 9.9, 0.79%, 0.48%

LAB 49.88, 61.01, 54.08

 

CMYK 31 / 0 / 88 / 14

HEX #97DB1A

RGB 151 219 26

HSL 81.14, 0.79%, 0.48%

LAB 80.36, -46.09, 75.83

 

CMYK 88 / 66 / 0 / 14

HEX #1A4ADB

RGB 26 74 219

HSL 225.08, 0.79%, 0.48%

LAB 38.26, 40.26, -77.55

 

CMYK 0 / 74 / 88 / 14

HEX #DC3A1A

RGB 220 58 26

HSL 9.9, 0.79%, 0.48%

LAB 49.88, 61.01, 54.08

 

CMYK 88 / 0 / 75 / 14

HEX #1ADB37

RGB 26 219 55

HSL 129.02, 0.79%, 0.48%

LAB 76.77, -73.47, 63.81

 

CMYK 75 / 88 / 0 / 14

HEX #371ADB

RGB 55 26 219

HSL 249.02, 0.79%, 0.48%

LAB 31.03, 65.85, -89.47

 

CMYK 0 / 74 / 88 / 14

HEX #DC3A1A

RGB 220 58 26

HSL 9.9, 0.79%, 0.48%

LAB 49.88, 61.01, 54.08

 

CMYK 31 / 0 / 88 / 14

HEX #97DB1A

RGB 151 219 26

HSL 81.14, 0.79%, 0.48%

LAB 80.36, -46.09, 75.83

 

CMYK 88 / 13 / 0 / 14

HEX #1ABEDB

RGB 26 190 219

HSL 189.02, 0.79%, 0.48%

LAB 70.98, -28.45, -25.47

 

CMYK 58 / 88 / 0 / 14

HEX #5D1ADB

RGB 93 26 219

HSL 260.83, 0.79%, 0.48%

LAB 34.36, 68.31, -83.85

 

CMYK 0 / 74 / 88 / 14

HEX #DC3A1A

RGB 220 58 26

HSL 9.9, 0.79%, 0.48%

LAB 49.88, 61.01, 54.08

 

CMYK 58 / 0 / 88 / 14

HEX #5DDB1A

RGB 93 219 26

HSL 99.17, 0.79%, 0.48%

LAB 77.91, -64.24, 72.79

 

CMYK 88 / 13 / 0 / 14

HEX #1ABEDB

RGB 26 190 219

HSL 189.02, 0.79%, 0.48%

LAB 70.98, -28.45, -25.47

 

CMYK 31 / 88 / 0 / 14

HEX #971ADB

RGB 151 26 219

HSL 278.86, 0.79%, 0.48%

LAB 41.9, 74.68, -71.18

 

Description

Color code: HEX #DC3A1ACE | qconv.com Color code: HEX #DC3A1ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 58 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 58 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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