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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC361C4C it is the complementary color #23C9E34C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC361C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC361C4C shade: #E136174C, #F2482A4C, #FF5A3D4C, #FF6C504C and #FF7E634C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC361C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC361C4C shade: #DC361C4C, #CB24094C, #BA12004C, #A900004C and #9800004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC361C4C shade: #DD371D and #DD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC361C4C shade: #DD371D, #DD6B1D, #DD9F1D, #DDD21D and #B4DD1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC361C4C shade matches the following richer shades: #DD371D and #F12809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC361C4C shade: #DD371D, #C94631, #B55445, #A16359 and #8C726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC361C4C shade: #DD1D6A, #DD1D36, #DD361D, #DD6A1D and #DD9D1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC361C4C shade: #942513, #B92E18, #DD371D, #E6543D and #EB7462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC361C4C shade: #DC361C, #9DDD1D and #1D50DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC361C4C shade: #DC361C, #1DDD36 and #361DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC361C4C shade: #DC361C, #9DDD1D, #1DC4DD and #5D1DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC361C4C shade: #DC361C, #63DD1D, #1DC4DD and #971DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 26 / 4

HEX #DC361C4C

RGBA 220 54 28 0.3

HSLA 8.13, 0.77%, 0.49%, 0.3

LABA 49.42, 62.35, 52.9, 0.3

 

Complementary color

CMYK 25 / 3 / 0 / 3

HEX #23C9E34C

RGBA 35 201 227 0.3

HSLA 188.13, 0.77%, 0.51%, 0.3

LABA 74.62, -30.71, -24.23, 0.3

 

CMYK 0 / 23 / 27 / 4

HEX #E136174C

RGBA 225 54 23 0.3

HSLA 9.21, 0.81%, 0.49%, 0.3

LABA 50.34, 63.76, 56.01, 0.3

 

CMYK 0 / 21 / 25 / 2

HEX #F2482A4C

RGBA 242 72 42 0.3

HSLA 9, 0.88%, 0.56%, 0.3

LABA 55.77, 63.33, 53.64, 0.3

 

CMYK 0 / 19 / 23 / 0

HEX #FF5A3D4C

RGBA 255 90 61 0.3

HSLA 8.97, 1%, 0.62%, 0.3

LABA 60.7, 61.21, 49.95, 0.3

 

CMYK 0 / 17 / 21 / 0

HEX #FF6C504C

RGBA 255 108 80 0.3

HSLA 9.6, 1%, 0.66%, 0.3

LABA 63.81, 54.32, 43.49, 0.3

 

CMYK 0 / 15 / 18 / 0

HEX #FF7E634C

RGBA 255 126 99 0.3

HSLA 10.38, 1%, 0.69%, 0.3

LABA 67.34, 46.96, 37.54, 0.3

 

CMYK 0 / 23 / 26 / 4

HEX #DC361C4C

RGBA 220 54 28 0.3

HSLA 8.13, 0.77%, 0.49%, 0.3

LABA 49.42, 62.35, 52.9, 0.3

 

CMYK 0 / 25 / 29 / 6

HEX #CB24094C

RGBA 203 36 9 0.3

HSLA 8.35, 0.92%, 0.42%, 0.3

LABA 44.2, 62.18, 54.58, 0.3

 

CMYK 0 / 27 / 30 / 8

HEX #BA12004C

RGBA 186 18 0 0.3

HSLA 5.81, 1%, 0.36%, 0.3

LABA 39.36, 61.05, 53.3, 0.3

 

CMYK 0 / 30 / 30 / 10

HEX #A900004C

RGBA 169 0 0 0.3

HSLA 0, 1%, 0.33%, 0.3

LABA 34.87, 58.87, 49.17, 0.3

 

CMYK 0 / 30 / 30 / 12

HEX #9800004C

RGBA 152 0 0 0.3

HSLA 0, 1%, 0.3%, 0.3

LABA 31.06, 54.45, 44.88, 0.3

 

CMYK 0 / 75 / 87 / 13

HEX #DD371D

RGB 221 55 29

HSL 8.13, 0.77%, 0.49%

LAB 49.73, 62.36, 52.8

 

CMYK 0 / 87 / 87 / 13

HEX #DD1D1D

RGB 221 29 29

HSL 0, 0.77%, 0.49%

LAB 47.42, 68.89, 50.95

 

CMYK 0 / 75 / 87 / 13

HEX #DD371D

RGB 221 55 29

HSL 8.13, 0.77%, 0.49%

LAB 49.73, 62.36, 52.8

 

CMYK 0 / 52 / 87 / 13

HEX #DD6B1D

RGB 221 107 29

HSL 24.38, 0.77%, 0.49%

LAB 58.01, 40.37, 59.42

 

CMYK 0 / 28 / 87 / 13

HEX #DD9F1D

RGB 221 159 29

HSL 40.63, 0.77%, 0.49%

LAB 69.65, 12.97, 68.73

 

CMYK 0 / 5 / 87 / 13

HEX #DDD21D

RGB 221 210 29

HSL 56.56, 0.77%, 0.49%

LAB 82.68, -13.56, 79.16

 

CMYK 19 / 0 / 87 / 13

HEX #B4DD1D

RGB 180 221 29

HSL 72.81, 0.77%, 0.49%

LAB 82.65, -35.8, 77.89

 

CMYK 0 / 75 / 87 / 13

HEX #DD371D

RGB 221 55 29

HSL 8.13, 0.77%, 0.49%

LAB 49.73, 62.36, 52.8

 

CMYK 0 / 83 / 96 / 5

HEX #F12809

RGB 241 40 9

HSL 8.02, 0.93%, 0.49%

LAB 52.11, 71.8, 62.87

 

CMYK 0 / 75 / 87 / 13

HEX #DD371D

RGB 221 55 29

HSL 8.13, 0.77%, 0.49%

LAB 49.73, 62.36, 52.8

 

CMYK 0 / 65 / 76 / 21

HEX #C94631

RGB 201 70 49

HSL 8.29, 0.61%, 0.49%

LAB 48.28, 50.91, 40.3

 

CMYK 0 / 54 / 62 / 29

HEX #B55445

RGB 181 84 69

HSL 8.04, 0.45%, 0.49%

LAB 47.74, 38.17, 27.54

 

CMYK 0 / 39 / 45 / 37

HEX #A16359

RGB 161 99 89

HSL 8.33, 0.29%, 0.49%

LAB 48.54, 23.91, 16.27

 

CMYK 0 / 19 / 21 / 45

HEX #8C726E

RGB 140 114 110

HSL 8, 0.12%, 0.49%

LAB 50.38, 9.53, 6.05

 

CMYK 0 / 87 / 52 / 13

HEX #DD1D6A

RGB 221 29 106

HSL 335.94, 0.77%, 0.49%

LAB 48.63, 72.37, 7.58

 

CMYK 0 / 87 / 76 / 13

HEX #DD1D36

RGB 221 29 54

HSL 352.19, 0.77%, 0.49%

LAB 47.65, 69.56, 37.88

 

CMYK 0 / 76 / 87 / 13

HEX #DD361D

RGB 221 54 29

HSL 7.81, 0.77%, 0.49%

LAB 49.62, 62.67, 52.7

 

CMYK 0 / 52 / 87 / 13

HEX #DD6A1D

RGB 221 106 29

HSL 24.06, 0.77%, 0.49%

LAB 57.82, 40.87, 59.26

 

CMYK 0 / 29 / 87 / 13

HEX #DD9D1D

RGB 221 157 29

HSL 40, 0.77%, 0.49%

LAB 69.17, 14.04, 68.34

 

CMYK 0 / 75 / 87 / 42

HEX #942513

RGB 148 37 19

HSL 8.37, 0.77%, 0.33%

LAB 33.28, 45.16, 37.98

 

CMYK 0 / 75 / 87 / 27

HEX #B92E18

RGB 185 46 24

HSL 8.2, 0.77%, 0.41%

LAB 41.74, 54.1, 45.66

 

CMYK 0 / 75 / 87 / 13

HEX #DD371D

RGB 221 55 29

HSL 8.13, 0.77%, 0.49%

LAB 49.73, 62.36, 52.8

 

CMYK 0 / 63 / 73 / 10

HEX #E6543D

RGB 230 84 61

HSL 8.17, 0.77%, 0.57%

LAB 55.58, 55.36, 43.23

 

CMYK 0 / 51 / 58 / 8

HEX #EB7462

RGB 235 116 98

HSL 7.88, 0.77%, 0.65%

LAB 62.54, 44.45, 31.44

 

CMYK 0 / 75 / 87 / 14

HEX #DC361C

RGB 220 54 28

HSL 8.13, 0.77%, 0.49%

LAB 49.42, 62.35, 52.9

 

CMYK 29 / 0 / 87 / 13

HEX #9DDD1D

RGB 157 221 29

HSL 80, 0.77%, 0.49%

LAB 81.27, -44.65, 76.18

 

CMYK 87 / 64 / 0 / 13

HEX #1D50DD

RGB 29 80 221

HSL 224.06, 0.77%, 0.49%

LAB 39.95, 37.36, -75.91

 

CMYK 0 / 75 / 87 / 14

HEX #DC361C

RGB 220 54 28

HSL 8.13, 0.77%, 0.49%

LAB 49.42, 62.35, 52.9

 

CMYK 87 / 0 / 76 / 13

HEX #1DDD36

RGB 29 221 54

HSL 127.81, 0.77%, 0.49%

LAB 77.42, -73.89, 64.79

 

CMYK 76 / 87 / 0 / 13

HEX #361DDD

RGB 54 29 221

HSL 247.81, 0.77%, 0.49%

LAB 31.54, 65.36, -89.78

 

CMYK 0 / 75 / 87 / 14

HEX #DC361C

RGB 220 54 28

HSL 8.13, 0.77%, 0.49%

LAB 49.42, 62.35, 52.9

 

CMYK 29 / 0 / 87 / 13

HEX #9DDD1D

RGB 157 221 29

HSL 80, 0.77%, 0.49%

LAB 81.27, -44.65, 76.18

 

CMYK 87 / 11 / 0 / 13

HEX #1DC4DD

RGB 29 196 221

HSL 187.81, 0.77%, 0.49%

LAB 72.87, -30.57, -23.67

 

CMYK 58 / 87 / 0 / 13

HEX #5D1DDD

RGB 93 29 221

HSL 260, 0.77%, 0.49%

LAB 34.86, 67.95, -84.18

 

CMYK 0 / 75 / 87 / 14

HEX #DC361C

RGB 220 54 28

HSL 8.13, 0.77%, 0.49%

LAB 49.42, 62.35, 52.9

 

CMYK 55 / 0 / 87 / 13

HEX #63DD1D

RGB 99 221 29

HSL 98.13, 0.77%, 0.49%

LAB 78.73, -63.3, 73

 

CMYK 87 / 11 / 0 / 13

HEX #1DC4DD

RGB 29 196 221

HSL 187.81, 0.77%, 0.49%

LAB 72.87, -30.57, -23.67

 

CMYK 32 / 87 / 0 / 13

HEX #971DDD

RGB 151 29 221

HSL 278.13, 0.77%, 0.49%

LAB 42.27, 74.44, -71.7

 

Description

Color code: HEX #DC361C4C | qconv.com Color code: HEX #DC361C4C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 54 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 54 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 26 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 26% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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