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Color name
HEX #DC2FF3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2FF3 it is the complementary color #23D00C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2FF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2FF3 shade: #E12FEE, #F241FF, #FF53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2FF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2FF3 shade: #DC2FF3, #CB1DE0, #BA0BCD, #A900BA and #9800A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2FF3 shade: #DC30F3, #F330D5, #F330A1, #F3306C and #F33037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2FF3 shade: #DC30F3, #A730F3, #7330F3, #3E30F3 and #3030F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2FF3 shade matches the following richer shades: #DC30F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2FF3 shade: #DC30F3, #CE42E1, #C153CF, #B365BE and #A677AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2FF3 shade: #7130F3, #A530F3, #D930F3, #F330D9 and #F330A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2FF3 shade: #AF0BC5, #D20EEC, #DC30F3, #E357F5 and #E97EF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2FF3 shade: #DC2FF3, #F33D30 and #30F38B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2FF3 shade: #DC2FF3, #F3D930 and #30F3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2FF3 shade: #DC2FF3, #F33D30, #4AF330 and #30E6F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2FF3 shade: #DC2FF3, #F37730, #4AF330 and #30ABF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 81 / 0 / 5

HEX #DC2FF3

RGB 220 47 243

HSL 292.96, 0.89%, 0.57%

LAB 55.81, 85.06, -61.72

 

Complementary color

CMYK 83 / 0 / 94 / 18

HEX #23D00C

RGB 35 208 12

HSL 112.96, 0.89%, 0.43%

LAB 73.22, -71.56, 70.4

 

CMYK 5 / 80 / 0 / 7

HEX #E12FEE

RGB 225 47 238

HSL 295.92, 0.85%, 0.56%

LAB 56.3, 85.14, -58.09

 

CMYK 5 / 75 / 0 / 0

HEX #F241FF

RGB 242 65 255

HSL 295.89, 1%, 0.63%

LAB 61.55, 86.29, -59

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 9 / 81 / 0 / 5

HEX #DC2FF3

RGB 220 47 243

HSL 292.96, 0.89%, 0.57%

LAB 55.81, 85.06, -61.72

 

CMYK 9 / 87 / 0 / 12

HEX #CB1DE0

RGB 203 29 224

HSL 293.54, 0.77%, 0.5%

LAB 50.64, 82.79, -59.47

 

CMYK 9 / 95 / 0 / 20

HEX #BA0BCD

RGB 186 11 205

HSL 294.12, 0.9%, 0.42%

LAB 45.75, 79.43, -56.6

 

CMYK 9 / 100 / 0 / 27

HEX #A900BA

RGB 169 0 186

HSL 294.52, 1%, 0.36%

LAB 41.18, 74.83, -53.02

 

CMYK 9 / 100 / 0 / 35

HEX #9800A7

RGB 152 0 167

HSL 294.61, 1%, 0.33%

LAB 36.87, 69.15, -48.84

 

CMYK 9 / 80 / 0 / 5

HEX #DC30F3

RGB 220 48 243

HSL 292.92, 0.89%, 0.57%

LAB 55.89, 84.82, -61.59

 

CMYK 0 / 80 / 12 / 5

HEX #F330D5

RGB 243 48 213

HSL 309.23, 0.89%, 0.57%

LAB 58.01, 84.69, -41.08

 

CMYK 0 / 80 / 34 / 5

HEX #F330A1

RGB 243 48 161

HSL 325.23, 0.89%, 0.57%

LAB 55.83, 78.5, -14.4

 

CMYK 0 / 80 / 56 / 5

HEX #F3306C

RGB 243 48 108

HSL 341.54, 0.89%, 0.57%

LAB 54.29, 73.96, 14.92

 

CMYK 0 / 80 / 77 / 5

HEX #F33037

RGB 243 48 55

HSL 357.85, 0.89%, 0.57%

LAB 53.43, 71.34, 44.84

 

CMYK 9 / 80 / 0 / 5

HEX #DC30F3

RGB 220 48 243

HSL 292.92, 0.89%, 0.57%

LAB 55.89, 84.82, -61.59

 

CMYK 31 / 80 / 0 / 5

HEX #A730F3

RGB 167 48 243

HSL 276.62, 0.89%, 0.57%

LAB 48.01, 76.13, -74.72

 

CMYK 53 / 80 / 0 / 5

HEX #7330F3

RGB 115 48 243

HSL 260.62, 0.89%, 0.57%

LAB 41.58, 69.18, -85.51

 

CMYK 74 / 80 / 0 / 5

HEX #3E30F3

RGB 62 48 243

HSL 244.31, 0.89%, 0.57%

LAB 37.13, 64.47, -93.01

 

CMYK 80 / 80 / 0 / 5

HEX #3030F3

RGB 48 48 243

HSL 240, 0.89%, 0.57%

LAB 36.39, 63.7, -94.26

 

CMYK 9 / 80 / 0 / 5

HEX #DC30F3

RGB 220 48 243

HSL 292.92, 0.89%, 0.57%

LAB 55.89, 84.82, -61.59

 

CMYK 9 / 80 / 0 / 5

HEX #DC30F3

RGB 220 48 243

HSL 292.92, 0.89%, 0.57%

LAB 55.89, 84.82, -61.59

 

CMYK 8 / 71 / 0 / 12

HEX #CE42E1

RGB 206 66 225

HSL 292.83, 0.73%, 0.57%

LAB 54.51, 73.86, -53.81

 

CMYK 7 / 60 / 0 / 19

HEX #C153CF

RGB 193 83 207

HSL 293.23, 0.56%, 0.57%

LAB 54.06, 60.95, -44.42

 

CMYK 6 / 47 / 0 / 25

HEX #B365BE

RGB 179 101 190

HSL 292.58, 0.41%, 0.57%

LAB 54.67, 45.18, -33.85

 

CMYK 3 / 31 / 0 / 33

HEX #A677AC

RGB 166 119 172

HSL 293.21, 0.24%, 0.57%

LAB 56.37, 27.63, -20.99

 

CMYK 53 / 80 / 0 / 5

HEX #7130F3

RGB 113 48 243

HSL 260, 0.89%, 0.57%

LAB 41.37, 68.95, -85.86

 

CMYK 32 / 80 / 0 / 5

HEX #A530F3

RGB 165 48 243

HSL 276, 0.89%, 0.57%

LAB 47.73, 75.83, -75.18

 

CMYK 11 / 80 / 0 / 5

HEX #D930F3

RGB 217 48 243

HSL 292, 0.89%, 0.57%

LAB 55.42, 84.3, -62.37

 

CMYK 0 / 80 / 11 / 5

HEX #F330D9

RGB 243 48 217

HSL 308, 0.89%, 0.57%

LAB 58.21, 85.23, -43.04

 

CMYK 0 / 80 / 32 / 5

HEX #F330A5

RGB 243 48 165

HSL 324, 0.89%, 0.57%

LAB 55.97, 78.92, -16.53

 

CMYK 11 / 94 / 0 / 23

HEX #AF0BC5

RGB 175 11 197

HSL 292.9, 0.89%, 0.41%

LAB 43.34, 76.44, -55.94

 

CMYK 11 / 94 / 0 / 7

HEX #D20EEC

RGB 210 14 236

HSL 292.97, 0.89%, 0.49%

LAB 51.92, 87.71, -64.14

 

CMYK 9 / 80 / 0 / 5

HEX #DC30F3

RGB 220 48 243

HSL 292.92, 0.89%, 0.57%

LAB 55.89, 84.82, -61.59

 

CMYK 7 / 64 / 0 / 4

HEX #E357F5

RGB 227 87 245

HSL 293.16, 0.89%, 0.65%

LAB 61.43, 74.06, -53.79

 

CMYK 6 / 49 / 0 / 3

HEX #E97EF7

RGB 233 126 247

HSL 293.06, 0.88%, 0.73%

LAB 68.72, 58.56, -43.32

 

CMYK 9 / 81 / 0 / 5

HEX #DC2FF3

RGB 220 47 243

HSL 292.96, 0.89%, 0.57%

LAB 55.81, 85.06, -61.72

 

CMYK 0 / 75 / 80 / 5

HEX #F33D30

RGB 243 61 48

HSL 4, 0.89%, 0.57%

LAB 54.66, 67.48, 49.76

 

CMYK 80 / 0 / 43 / 5

HEX #30F38B

RGB 48 243 139

HSL 148, 0.89%, 0.57%

LAB 85.3, -68.52, 37.28

 

CMYK 9 / 81 / 0 / 5

HEX #DC2FF3

RGB 220 47 243

HSL 292.96, 0.89%, 0.57%

LAB 55.81, 85.06, -61.72

 

CMYK 0 / 11 / 80 / 5

HEX #F3D930

RGB 243 217 48

HSL 52, 0.89%, 0.57%

LAB 86.45, -7.25, 78.64

 

CMYK 80 / 0 / 11 / 5

HEX #30F3D9

RGB 48 243 217

HSL 172, 0.89%, 0.57%

LAB 86.87, -51.42, -0.59

 

CMYK 9 / 81 / 0 / 5

HEX #DC2FF3

RGB 220 47 243

HSL 292.96, 0.89%, 0.57%

LAB 55.81, 85.06, -61.72

 

CMYK 0 / 75 / 80 / 5

HEX #F33D30

RGB 243 61 48

HSL 4, 0.89%, 0.57%

LAB 54.66, 67.48, 49.76

 

CMYK 70 / 0 / 80 / 5

HEX #4AF330

RGB 74 243 48

HSL 112, 0.89%, 0.57%

LAB 84.88, -75.05, 73.89

 

CMYK 80 / 5 / 0 / 5

HEX #30E6F3

RGB 48 230 243

HSL 184, 0.89%, 0.57%

LAB 83.81, -38.51, -18.82

 

CMYK 9 / 81 / 0 / 5

HEX #DC2FF3

RGB 220 47 243

HSL 292.96, 0.89%, 0.57%

LAB 55.81, 85.06, -61.72

 

CMYK 0 / 51 / 80 / 5

HEX #F37730

RGB 243 119 48

HSL 21.85, 0.89%, 0.57%

LAB 63.72, 43.43, 58.34

 

CMYK 70 / 0 / 80 / 5

HEX #4AF330

RGB 74 243 48

HSL 112, 0.89%, 0.57%

LAB 84.88, -75.05, 73.89

 

CMYK 80 / 30 / 0 / 5

HEX #30ABF3

RGB 48 171 243

HSL 202.15, 0.89%, 0.57%

LAB 66.69, -8.74, -45.2

 

Description

Color code: HEX #DC2FF3 | qconv.com Color code: HEX #DC2FF3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 47 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 47 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 81 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 81% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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