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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2C97 it is the complementary color #23D368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2C97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2C97 shade: #E12C92, #F23EA5, #FF50B8, #FF62CB and #FF74DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2C97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2C97 shade: #DC2C97, #CB1A84, #BA0871, #A9005E and #98004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2C97 shade: #DD2C98, #DD2C68, #DD2C39 and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2C97 shade: #DD2C98, #DD2CC7, #C32CDD, #932CDD and #642CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2C97 shade matches the following richer shades: #DD2C98 and #F1199C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2C97 shade: #DD2C98, #C94093, #B5548F, #A1688B and #8E7C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2C97 shade: #C22CDD, #DD2CC8, #DD2C99, #DD2C6A and #DD2C3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2C97 shade: #9D1A6A, #C11F81, #DD2C98, #E350A9 and #E873BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2C97 shade: #DC2C97, #DD932C and #2CDDDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2C97 shade: #DC2C97, #99DD2C and #2C99DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2C97 shade: #DC2C97, #DD932C, #2CDD70 and #2C76DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2C97 shade: #DC2C97, #DDC82C, #2CDD70 and #2C41DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 31 / 14

HEX #DC2C97

RGB 220 44 151

HSL 323.52, 0.72%, 0.52%

LAB 50.98, 73.06, -16.23

 

Complementary color

CMYK 83 / 0 / 51 / 17

HEX #23D368

RGB 35 211 104

HSL 143.52, 0.72%, 0.48%

LAB 74.79, -64.75, 41.06

 

CMYK 0 / 80 / 35 / 12

HEX #E12C92

RGB 225 44 146

HSL 326.19, 0.75%, 0.53%

LAB 51.71, 73.71, -12.06

 

CMYK 0 / 74 / 32 / 5

HEX #F23EA5

RGB 242 62 165

HSL 325.67, 0.87%, 0.6%

LAB 57.11, 74.93, -14.82

 

CMYK 0 / 69 / 28 / 0

HEX #FF50B8

RGB 255 80 184

HSL 324.34, 1%, 0.66%

LAB 62.05, 74.51, -18.12

 

CMYK 0 / 62 / 20 / 0

HEX #FF62CB

RGB 255 98 203

HSL 319.87, 1%, 0.69%

LAB 65.21, 70.11, -24.1

 

CMYK 0 / 55 / 13 / 0

HEX #FF74DE

RGB 255 116 222

HSL 314.24, 1%, 0.73%

LAB 68.77, 65.12, -29.24

 

CMYK 0 / 80 / 31 / 14

HEX #DC2C97

RGB 220 44 151

HSL 323.52, 0.72%, 0.52%

LAB 50.98, 73.06, -16.23

 

CMYK 0 / 87 / 35 / 20

HEX #CB1A84

RGB 203 26 132

HSL 324.07, 0.77%, 0.45%

LAB 45.77, 70.97, -12.96

 

CMYK 0 / 96 / 39 / 27

HEX #BA0871

RGB 186 8 113

HSL 324.61, 0.92%, 0.38%

LAB 40.9, 67.73, -8.89

 

CMYK 0 / 100 / 44 / 34

HEX #A9005E

RGB 169 0 94

HSL 326.63, 1%, 0.33%

LAB 36.45, 63.08, -3.85

 

CMYK 0 / 100 / 51 / 40

HEX #98004B

RGB 152 0 75

HSL 330.39, 1%, 0.3%

LAB 32.22, 57.58, 1.91

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C98

RGB 221 44 152

HSL 323.39, 0.72%, 0.52%

LAB 51.2, 73.41, -16.47

 

CMYK 0 / 80 / 53 / 13

HEX #DD2C68

RGB 221 44 104

HSL 339.66, 0.72%, 0.52%

LAB 49.71, 68.98, 10.33

 

CMYK 0 / 80 / 74 / 13

HEX #DD2C39

RGB 221 44 57

HSL 355.59, 0.72%, 0.52%

LAB 48.85, 66.35, 37.49

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C98

RGB 221 44 152

HSL 323.39, 0.72%, 0.52%

LAB 51.2, 73.41, -16.47

 

CMYK 0 / 80 / 10 / 13

HEX #DD2CC7

RGB 221 44 199

HSL 307.46, 0.72%, 0.52%

LAB 53.27, 79.29, -40.79

 

CMYK 12 / 80 / 0 / 13

HEX #C32CDD

RGB 195 44 221

HSL 291.19, 0.72%, 0.52%

LAB 50.24, 77.75, -58.47

 

CMYK 33 / 80 / 0 / 13

HEX #932CDD

RGB 147 44 221

HSL 274.92, 0.72%, 0.52%

LAB 43.1, 69.77, -70.38

 

CMYK 55 / 80 / 0 / 13

HEX #642CDD

RGB 100 44 221

HSL 258.98, 0.72%, 0.52%

LAB 37.36, 63.43, -80.02

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C98

RGB 221 44 152

HSL 323.39, 0.72%, 0.52%

LAB 51.2, 73.41, -16.47

 

CMYK 0 / 90 / 35 / 5

HEX #F1199C

RGB 241 25 156

HSL 323.61, 0.89%, 0.52%

LAB 53.81, 81.81, -14.54

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C98

RGB 221 44 152

HSL 323.39, 0.72%, 0.52%

LAB 51.2, 73.41, -16.47

 

CMYK 0 / 68 / 27 / 21

HEX #C94093

RGB 201 64 147

HSL 323.65, 0.56%, 0.52%

LAB 49.73, 61.56, -16.05

 

CMYK 0 / 54 / 21 / 29

HEX #B5548F

RGB 181 84 143

HSL 323.51, 0.4%, 0.52%

LAB 49.67, 46.35, -14.04

 

CMYK 0 / 35 / 14 / 37

HEX #A1688B

RGB 161 104 139

HSL 323.16, 0.23%, 0.52%

LAB 51.08, 28.22, -9.8

 

CMYK 0 / 13 / 5 / 44

HEX #8E7C87

RGB 142 124 135

HSL 323.33, 0.07%, 0.52%

LAB 53.94, 8.93, -3.42

 

CMYK 12 / 80 / 0 / 13

HEX #C22CDD

RGB 194 44 221

HSL 290.85, 0.72%, 0.52%

LAB 50.09, 77.58, -58.73

 

CMYK 0 / 80 / 10 / 13

HEX #DD2CC8

RGB 221 44 200

HSL 307.12, 0.72%, 0.52%

LAB 53.32, 79.43, -41.28

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C99

RGB 221 44 153

HSL 323.05, 0.72%, 0.52%

LAB 51.24, 73.52, -17.01

 

CMYK 0 / 80 / 52 / 13

HEX #DD2C6A

RGB 221 44 106

HSL 338.98, 0.72%, 0.52%

LAB 49.75, 69.13, 9.18

 

CMYK 0 / 80 / 73 / 13

HEX #DD2C3B

RGB 221 44 59

HSL 354.92, 0.72%, 0.52%

LAB 48.87, 66.43, 36.37

 

CMYK 0 / 83 / 32 / 38

HEX #9D1A6A

RGB 157 26 106

HSL 323.36, 0.72%, 0.36%

LAB 35.88, 57.39, -12.62

 

CMYK 0 / 84 / 33 / 24

HEX #C11F81

RGB 193 31 129

HSL 323.7, 0.72%, 0.44%

LAB 44.09, 67.4, -13.86

 

CMYK 0 / 80 / 31 / 13

HEX #DD2C98

RGB 221 44 152

HSL 323.39, 0.72%, 0.52%

LAB 51.2, 73.41, -16.47

 

CMYK 0 / 65 / 26 / 11

HEX #E350A9

RGB 227 80 169

HSL 323.67, 0.72%, 0.6%

LAB 57.01, 65.26, -17.54

 

CMYK 0 / 50 / 20 / 9

HEX #E873BA

RGB 232 115 186

HSL 323.59, 0.72%, 0.68%

LAB 64.13, 53.53, -16.42

 

CMYK 0 / 80 / 31 / 14

HEX #DC2C97

RGB 220 44 151

HSL 323.52, 0.72%, 0.52%

LAB 50.98, 73.06, -16.23

 

CMYK 0 / 33 / 80 / 13

HEX #DD932C

RGB 221 147 44

HSL 34.92, 0.72%, 0.52%

LAB 66.84, 19.82, 61.7

 

CMYK 80 / 0 / 1 / 13

HEX #2CDDDA

RGB 44 221 218

HSL 178.98, 0.72%, 0.52%

LAB 80.35, -42.03, -10.74

 

CMYK 0 / 80 / 31 / 14

HEX #DC2C97

RGB 220 44 151

HSL 323.52, 0.72%, 0.52%

LAB 50.98, 73.06, -16.23

 

CMYK 31 / 0 / 80 / 13

HEX #99DD2C

RGB 153 221 44

HSL 83.05, 0.72%, 0.52%

LAB 81.11, -45.61, 72.54

 

CMYK 80 / 31 / 0 / 13

HEX #2C99DD

RGB 44 153 221

HSL 203.05, 0.72%, 0.52%

LAB 60.37, -6.79, -43.03

 

CMYK 0 / 80 / 31 / 14

HEX #DC2C97

RGB 220 44 151

HSL 323.52, 0.72%, 0.52%

LAB 50.98, 73.06, -16.23

 

CMYK 0 / 33 / 80 / 13

HEX #DD932C

RGB 221 147 44

HSL 34.92, 0.72%, 0.52%

LAB 66.84, 19.82, 61.7

 

CMYK 80 / 0 / 49 / 13

HEX #2CDD70

RGB 44 221 112

HSL 143.05, 0.72%, 0.52%

LAB 78.12, -65.95, 41.35

 

CMYK 80 / 47 / 0 / 13

HEX #2C76DD

RGB 44 118 221

HSL 214.92, 0.72%, 0.52%

LAB 50.35, 14.2, -58.98

 

CMYK 0 / 80 / 31 / 14

HEX #DC2C97

RGB 220 44 151

HSL 323.52, 0.72%, 0.52%

LAB 50.98, 73.06, -16.23

 

CMYK 0 / 10 / 80 / 13

HEX #DDC82C

RGB 221 200 44

HSL 52.88, 0.72%, 0.52%

LAB 80.1, -8.13, 73.47

 

CMYK 80 / 0 / 49 / 13

HEX #2CDD70

RGB 44 221 112

HSL 143.05, 0.72%, 0.52%

LAB 78.12, -65.95, 41.35

 

CMYK 80 / 71 / 0 / 13

HEX #2C41DD

RGB 44 65 221

HSL 232.88, 0.72%, 0.52%

LAB 37, 47.53, -80.75

 

Description

Color code: HEX #DC2C97 | qconv.com Color code: HEX #DC2C97 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 44 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 44 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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