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Color name
HEX #DC2AC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2AC8 it is the complementary color #23D537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2AC8 shade: #E12AC3, #F23CD6, #FF4EE9, #FF60FC and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2AC8 shade: #DC2AC8, #CB18B5, #BA06A2, #A9008F and #98007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2AC8 shade: #DC28C8, #DC2897, #DC2867, #DC2836 and #DC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2AC8 shade: #DC28C8, #C028DC, #8F28DC, #5F28DC and #2E28DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2AC8 shade matches the following richer shades: #DC28C8 and #F014D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2AC8 shade: #DC28C8, #C83CB8, #B451A8, #9F6599 and #8B7989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2AC8 shade: #8E28DC, #BE28DC, #DC28CA, #DC289A and #DC286A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2AC8 shade: #99198A, #BC1FAB, #DC28C8, #E24CD1 and #E86FDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2AC8 shade: #DC2AC8, #DC5E28 and #28DCA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2AC8 shade: #DC2AC8, #CADC28 and #28CADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2AC8 shade: #DC2AC8, #DC5E28, #28DC3A and #28A6DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2AC8 shade: #DC2AC8, #DC9428, #28DC3A and #2870DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 9 / 14

HEX #DC2AC8

RGB 220 42 200

HSL 306.74, 0.72%, 0.51%

LAB 53, 79.69, -41.81

 

Complementary color

CMYK 84 / 0 / 74 / 16

HEX #23D537

RGB 35 213 55

HSL 126.74, 0.72%, 0.49%

LAB 74.96, -70.98, 62.04

 

CMYK 0 / 81 / 13 / 12

HEX #E12AC3

RGB 225 42 195

HSL 309.84, 0.75%, 0.52%

LAB 53.6, 80, -37.91

 

CMYK 0 / 75 / 12 / 5

HEX #F23CD6

RGB 242 60 214

HSL 309.23, 0.88%, 0.59%

LAB 58.94, 81.6, -40.2

 

CMYK 0 / 69 / 9 / 0

HEX #FF4EE9

RGB 255 78 233

HSL 307.46, 1%, 0.65%

LAB 63.83, 81.64, -43.05

 

CMYK 0 / 62 / 1 / 0

HEX #FF60FC

RGB 255 96 252

HSL 301.13, 1%, 0.69%

LAB 67.02, 78.11, -48.55

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 81 / 9 / 14

HEX #DC2AC8

RGB 220 42 200

HSL 306.74, 0.72%, 0.51%

LAB 53, 79.69, -41.81

 

CMYK 0 / 88 / 11 / 20

HEX #CB18B5

RGB 203 24 181

HSL 307.37, 0.79%, 0.45%

LAB 47.86, 77.2, -39.07

 

CMYK 0 / 97 / 13 / 27

HEX #BA06A2

RGB 186 6 162

HSL 308, 0.94%, 0.38%

LAB 43.03, 73.58, -35.63

 

CMYK 0 / 100 / 15 / 34

HEX #A9008F

RGB 169 0 143

HSL 309.23, 1%, 0.33%

LAB 38.58, 68.53, -31.35

 

CMYK 0 / 100 / 18 / 40

HEX #98007C

RGB 152 0 124

HSL 311.05, 1%, 0.3%

LAB 34.25, 62.8, -26.6

 

CMYK 0 / 82 / 9 / 14

HEX #DC28C8

RGB 220 40 200

HSL 306.67, 0.72%, 0.51%

LAB 52.84, 80.13, -42.05

 

CMYK 0 / 82 / 31 / 14

HEX #DC2897

RGB 220 40 151

HSL 323, 0.72%, 0.51%

LAB 50.65, 74.01, -16.73

 

CMYK 0 / 82 / 53 / 14

HEX #DC2867

RGB 220 40 103

HSL 339, 0.72%, 0.51%

LAB 49.15, 69.63, 10.13

 

CMYK 0 / 82 / 75 / 14

HEX #DC2836

RGB 220 40 54

HSL 355.33, 0.72%, 0.51%

LAB 48.26, 66.97, 38.51

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 82 / 9 / 14

HEX #DC28C8

RGB 220 40 200

HSL 306.67, 0.72%, 0.51%

LAB 52.84, 80.13, -42.05

 

CMYK 13 / 82 / 0 / 14

HEX #C028DC

RGB 192 40 220

HSL 290.67, 0.72%, 0.51%

LAB 49.36, 78.05, -59.34

 

CMYK 35 / 82 / 0 / 14

HEX #8F28DC

RGB 143 40 220

HSL 274.33, 0.72%, 0.51%

LAB 42.04, 70.22, -71.56

 

CMYK 57 / 82 / 0 / 14

HEX #5F28DC

RGB 95 40 220

HSL 258.33, 0.72%, 0.51%

LAB 36.21, 64.18, -81.36

 

CMYK 79 / 82 / 0 / 14

HEX #2E28DC

RGB 46 40 220

HSL 242, 0.72%, 0.51%

LAB 32.4, 60.38, -87.78

 

CMYK 0 / 82 / 9 / 14

HEX #DC28C8

RGB 220 40 200

HSL 306.67, 0.72%, 0.51%

LAB 52.84, 80.13, -42.05

 

CMYK 0 / 92 / 10 / 6

HEX #F014D7

RGB 240 20 215

HSL 306.82, 0.88%, 0.51%

LAB 56.02, 88.99, -45.39

 

CMYK 0 / 82 / 9 / 14

HEX #DC28C8

RGB 220 40 200

HSL 306.67, 0.72%, 0.51%

LAB 52.84, 80.13, -42.05

 

CMYK 0 / 70 / 8 / 22

HEX #C83CB8

RGB 200 60 184

HSL 306.86, 0.56%, 0.51%

LAB 50.65, 67.94, -36.46

 

CMYK 0 / 55 / 7 / 29

HEX #B451A8

RGB 180 81 168

HSL 307.27, 0.4%, 0.51%

LAB 50, 51.49, -28.35

 

CMYK 0 / 36 / 4 / 38

HEX #9F6599

RGB 159 101 153

HSL 306.21, 0.23%, 0.51%

LAB 50.66, 31.74, -18.72

 

CMYK 0 / 13 / 1 / 45

HEX #8B7989

RGB 139 121 137

HSL 306.67, 0.07%, 0.51%

LAB 52.92, 9.94, -6.13

 

CMYK 35 / 82 / 0 / 14

HEX #8E28DC

RGB 142 40 220

HSL 274, 0.72%, 0.51%

LAB 41.9, 70.07, -71.8

 

CMYK 14 / 82 / 0 / 14

HEX #BE28DC

RGB 190 40 220

HSL 290, 0.72%, 0.51%

LAB 49.05, 77.71, -59.87

 

CMYK 0 / 82 / 8 / 14

HEX #DC28CA

RGB 220 40 202

HSL 306, 0.72%, 0.51%

LAB 52.95, 80.41, -43.04

 

CMYK 0 / 82 / 30 / 14

HEX #DC289A

RGB 220 40 154

HSL 322, 0.72%, 0.51%

LAB 50.76, 74.34, -18.34

 

CMYK 0 / 82 / 52 / 14

HEX #DC286A

RGB 220 40 106

HSL 338, 0.72%, 0.51%

LAB 49.22, 69.86, 8.4

 

CMYK 0 / 84 / 10 / 40

HEX #99198A

RGB 153 25 138

HSL 307.03, 0.72%, 0.35%

LAB 36.56, 60.96, -31.66

 

CMYK 0 / 84 / 9 / 26

HEX #BC1FAB

RGB 188 31 171

HSL 306.5, 0.72%, 0.43%

LAB 45.1, 71.62, -37.71

 

CMYK 0 / 82 / 9 / 14

HEX #DC28C8

RGB 220 40 200

HSL 306.67, 0.72%, 0.51%

LAB 52.84, 80.13, -42.05

 

CMYK 0 / 66 / 8 / 11

HEX #E24CD1

RGB 226 76 209

HSL 306.8, 0.72%, 0.59%

LAB 57.98, 72.13, -39.04

 

CMYK 0 / 52 / 6 / 9

HEX #E86FDA

RGB 232 111 218

HSL 306.94, 0.72%, 0.67%

LAB 64.63, 60.38, -33.67

 

CMYK 0 / 81 / 9 / 14

HEX #DC2AC8

RGB 220 42 200

HSL 306.74, 0.72%, 0.51%

LAB 53, 79.69, -41.81

 

CMYK 0 / 57 / 82 / 14

HEX #DC5E28

RGB 220 94 40

HSL 18, 0.72%, 0.51%

LAB 55.46, 46.59, 52.88

 

CMYK 82 / 0 / 25 / 14

HEX #28DCA6

RGB 40 220 166

HSL 162, 0.72%, 0.51%

LAB 78.69, -55.48, 14.48

 

CMYK 0 / 81 / 9 / 14

HEX #DC2AC8

RGB 220 42 200

HSL 306.74, 0.72%, 0.51%

LAB 53, 79.69, -41.81

 

CMYK 8 / 0 / 82 / 14

HEX #CADC28

RGB 202 220 40

HSL 66, 0.72%, 0.51%

LAB 83.91, -26.13, 77.21

 

CMYK 82 / 8 / 0 / 14

HEX #28CADC

RGB 40 202 220

HSL 186, 0.72%, 0.51%

LAB 74.74, -33.02, -20.27

 

CMYK 0 / 81 / 9 / 14

HEX #DC2AC8

RGB 220 42 200

HSL 306.74, 0.72%, 0.51%

LAB 53, 79.69, -41.81

 

CMYK 0 / 57 / 82 / 14

HEX #DC5E28

RGB 220 94 40

HSL 18, 0.72%, 0.51%

LAB 55.46, 46.59, 52.88

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 82 / 25 / 0 / 14

HEX #28A6DC

RGB 40 166 220

HSL 198, 0.72%, 0.51%

LAB 64.07, -14.72, -36.68

 

CMYK 0 / 81 / 9 / 14

HEX #DC2AC8

RGB 220 42 200

HSL 306.74, 0.72%, 0.51%

LAB 53, 79.69, -41.81

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 82 / 49 / 0 / 14

HEX #2870DC

RGB 40 112 220

HSL 216, 0.72%, 0.51%

LAB 48.52, 17.24, -61.37

 

Description

Color code: HEX #DC2AC8 | qconv.com Color code: HEX #DC2AC8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 42 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 42 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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