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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2434 it is the complementary color #23DBCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2434. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2434 shade: #E1242F, #F23642, #FF4855, #FF5A68 and #FF6C7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2434. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2434 shade: #DC2434, #CB1221, #BA000E, #A90000 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2434 shade: #DB2434 and #DB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2434 shade: #DB2434, #DB2465, #DB2497, #DB24C8 and #BD24DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2434 shade matches the following richer shades: #DB2434 and #F00F23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2434 shade: #DB2434, #C73845, #B24D56, #9D6267 and #897678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2434 shade: #DB2498, #DB2467, #DB2436, #DB4224 and #DB7324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2434 shade: #941823, #B81E2B, #DB2434, #E14755 and #E76B75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2434 shade: #DC2434, #C9DB24 and #2480DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2434 shade: #DC2434, #36DB24 and #2436DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2434 shade: #DC2434, #C9DB24, #24DBC9 and #3624DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2434 shade: #DC2434, #92DB24, #24DBC9 and #6D24DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 76 / 14

HEX #DC2434

RGB 220 36 52

HSL 354.78, 0.72%, 0.5%

LAB 47.91, 67.82, 39.27

 

Complementary color

CMYK 84 / 0 / 7 / 14

HEX #23DBCB

RGB 35 219 203

HSL 174.78, 0.72%, 0.5%

LAB 79.23, -46.05, -4.42

 

CMYK 0 / 84 / 79 / 12

HEX #E1242F

RGB 225 36 47

HSL 356.51, 0.76%, 0.51%

LAB 48.85, 69.01, 43.36

 

CMYK 0 / 78 / 73 / 5

HEX #F23642

RGB 242 54 66

HSL 356.17, 0.88%, 0.58%

LAB 53.93, 69.87, 39.2

 

CMYK 0 / 72 / 67 / 0

HEX #FF4855

RGB 255 72 85

HSL 355.74, 1%, 0.64%

LAB 58.56, 68.9, 34.46

 

CMYK 0 / 65 / 59 / 0

HEX #FF5A68

RGB 255 90 104

HSL 354.91, 1%, 0.68%

LAB 61.28, 63.38, 27.04

 

CMYK 0 / 58 / 52 / 0

HEX #FF6C7B

RGB 255 108 123

HSL 353.88, 1%, 0.71%

LAB 64.5, 57.14, 20.47

 

CMYK 0 / 84 / 76 / 14

HEX #DC2434

RGB 220 36 52

HSL 354.78, 0.72%, 0.5%

LAB 47.91, 67.82, 39.27

 

CMYK 0 / 91 / 84 / 20

HEX #CB1221

RGB 203 18 33

HSL 355.14, 0.84%, 0.43%

LAB 43.12, 66.04, 43.83

 

CMYK 0 / 100 / 92 / 27

HEX #BA000E

RGB 186 0 14

HSL 355.48, 1%, 0.36%

LAB 38.67, 63.35, 47.8

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 84 / 76 / 14

HEX #DB2434

RGB 219 36 52

HSL 354.75, 0.72%, 0.5%

LAB 47.71, 67.55, 39

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 84 / 76 / 14

HEX #DB2434

RGB 219 36 52

HSL 354.75, 0.72%, 0.5%

LAB 47.71, 67.55, 39

 

CMYK 0 / 84 / 54 / 14

HEX #DB2465

RGB 219 36 101

HSL 338.69, 0.72%, 0.5%

LAB 48.59, 70.14, 10.54

 

CMYK 0 / 84 / 31 / 14

HEX #DB2497

RGB 219 36 151

HSL 322.3, 0.72%, 0.5%

LAB 50.16, 74.66, -17.49

 

CMYK 0 / 84 / 9 / 14

HEX #DB24C8

RGB 219 36 200

HSL 306.23, 0.72%, 0.5%

LAB 52.39, 80.75, -42.78

 

CMYK 14 / 84 / 0 / 14

HEX #BD24DB

RGB 189 36 219

HSL 290.16, 0.72%, 0.5%

LAB 48.5, 78.3, -60.18

 

CMYK 0 / 84 / 76 / 14

HEX #DB2434

RGB 219 36 52

HSL 354.75, 0.72%, 0.5%

LAB 47.71, 67.55, 39

 

CMYK 0 / 94 / 85 / 6

HEX #F00F23

RGB 240 15 35

HSL 354.67, 0.88%, 0.5%

LAB 50.67, 75.74, 52.37

 

CMYK 0 / 84 / 76 / 14

HEX #DB2434

RGB 219 36 52

HSL 354.75, 0.72%, 0.5%

LAB 47.71, 67.55, 39

 

CMYK 0 / 72 / 65 / 22

HEX #C73845

RGB 199 56 69

HSL 354.55, 0.56%, 0.5%

LAB 46.18, 56.74, 26.21

 

CMYK 0 / 57 / 52 / 30

HEX #B24D56

RGB 178 77 86

HSL 354.65, 0.4%, 0.5%

LAB 46.24, 41.92, 15.33

 

CMYK 0 / 38 / 34 / 38

HEX #9D6267

RGB 157 98 103

HSL 354.92, 0.23%, 0.5%

LAB 48.11, 24.58, 7.25

 

CMYK 0 / 14 / 12 / 46

HEX #897678

RGB 137 118 120

HSL 353.68, 0.07%, 0.5%

LAB 51.42, 7.72, 1.62

 

CMYK 0 / 84 / 31 / 14

HEX #DB2498

RGB 219 36 152

HSL 321.97, 0.72%, 0.5%

LAB 50.2, 74.76, -18.02

 

CMYK 0 / 84 / 53 / 14

HEX #DB2467

RGB 219 36 103

HSL 338.03, 0.72%, 0.5%

LAB 48.64, 70.28, 9.38

 

CMYK 0 / 84 / 75 / 14

HEX #DB2436

RGB 219 36 54

HSL 354.1, 0.72%, 0.5%

LAB 47.74, 67.62, 37.87

 

CMYK 0 / 70 / 84 / 14

HEX #DB4224

RGB 219 66 36

HSL 9.84, 0.72%, 0.5%

LAB 50.79, 58.07, 50.4

 

CMYK 0 / 47 / 84 / 14

HEX #DB7324

RGB 219 115 36

HSL 25.9, 0.72%, 0.5%

LAB 59.39, 35.68, 57.94

 

CMYK 0 / 84 / 76 / 42

HEX #941823

RGB 148 24 35

HSL 354.68, 0.72%, 0.34%

LAB 31.97, 49.82, 27.59

 

CMYK 0 / 84 / 77 / 28

HEX #B81E2B

RGB 184 30 43

HSL 354.94, 0.72%, 0.42%

LAB 40.07, 58.99, 33.84

 

CMYK 0 / 84 / 76 / 14

HEX #DB2434

RGB 219 36 52

HSL 354.75, 0.72%, 0.5%

LAB 47.71, 67.55, 39

 

CMYK 0 / 68 / 62 / 12

HEX #E14755

RGB 225 71 85

HSL 354.55, 0.72%, 0.58%

LAB 53.13, 60.2, 26.51

 

CMYK 0 / 54 / 49 / 9

HEX #E76B75

RGB 231 107 117

HSL 355.16, 0.72%, 0.66%

LAB 60.59, 48.94, 17.99

 

CMYK 0 / 84 / 76 / 14

HEX #DC2434

RGB 220 36 52

HSL 354.78, 0.72%, 0.5%

LAB 47.91, 67.82, 39.27

 

CMYK 8 / 0 / 84 / 14

HEX #C9DB24

RGB 201 219 36

HSL 65.9, 0.72%, 0.5%

LAB 83.55, -26.18, 77.8

 

CMYK 84 / 42 / 0 / 14

HEX #2480DB

RGB 36 128 219

HSL 209.84, 0.72%, 0.5%

LAB 52.87, 6.53, -53.82

 

CMYK 0 / 84 / 76 / 14

HEX #DC2434

RGB 220 36 52

HSL 354.78, 0.72%, 0.5%

LAB 47.91, 67.82, 39.27

 

CMYK 75 / 0 / 84 / 14

HEX #36DB24

RGB 54 219 36

HSL 114.1, 0.72%, 0.5%

LAB 77.03, -71.6, 69.58

 

CMYK 84 / 75 / 0 / 14

HEX #2436DB

RGB 36 54 219

HSL 234.1, 0.72%, 0.5%

LAB 34.25, 52.61, -84.16

 

CMYK 0 / 84 / 76 / 14

HEX #DC2434

RGB 220 36 52

HSL 354.78, 0.72%, 0.5%

LAB 47.91, 67.82, 39.27

 

CMYK 8 / 0 / 84 / 14

HEX #C9DB24

RGB 201 219 36

HSL 65.9, 0.72%, 0.5%

LAB 83.55, -26.18, 77.8

 

CMYK 84 / 0 / 8 / 14

HEX #24DBC9

RGB 36 219 201

HSL 174.1, 0.72%, 0.5%

LAB 79.19, -46.53, -3.41

 

CMYK 75 / 84 / 0 / 14

HEX #3624DB

RGB 54 36 219

HSL 245.9, 0.72%, 0.5%

LAB 32.17, 62.2, -87.58

 

CMYK 0 / 84 / 76 / 14

HEX #DC2434

RGB 220 36 52

HSL 354.78, 0.72%, 0.5%

LAB 47.91, 67.82, 39.27

 

CMYK 33 / 0 / 84 / 14

HEX #92DB24

RGB 146 219 36

HSL 83.93, 0.72%, 0.5%

LAB 80.12, -47.6, 73.51

 

CMYK 84 / 0 / 8 / 14

HEX #24DBC9

RGB 36 219 201

HSL 174.1, 0.72%, 0.5%

LAB 79.19, -46.53, -3.41

 

CMYK 50 / 84 / 0 / 14

HEX #6D24DB

RGB 109 36 219

HSL 263.93, 0.72%, 0.5%

LAB 37.17, 66.86, -79.15

 

Description

Color code: HEX #DC2434 | qconv.com Color code: HEX #DC2434 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 36 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 36 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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