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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC242FCE it is the complementary color #23DBD0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC242FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC242FCE shade: #E1242ACE, #F2363DCE, #FF4850CE, #FF5A63CE and #FF6C76CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC242FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC242FCE shade: #DC242FCE, #CB121CCE, #BA0009CE, #A90000CE and #980000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC242FCE shade: #DB242F and #DB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC242FCE shade: #DB242F, #DB2460, #DB2492, #DB24C3 and #C224DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC242FCE shade matches the following richer shades: #DB242F and #F00F1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC242FCE shade: #DB242F, #C73841, #B24D53, #9D6265 and #897677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC242FCE shade: #DB2492, #DB2461, #DB2430, #DB4824 and #DB7924

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC242FCE shade: #941820, #B81E27, #DB242F, #E14750 and #E76B72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC242FCE shade: #DC242F, #C3DB24 and #2479DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC242FCE shade: #DC242F, #30DB24 and #2430DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC242FCE shade: #DC242F, #C3DB24, #24DBCF and #3C24DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC242FCE shade: #DC242F, #8CDB24, #24DBCF and #7324DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 64 / 11

HEX #DC242FCE

RGBA 220 36 47 0.81

HSLA 356.41, 0.72%, 0.5%, 0.81

LABA 47.86, 67.66, 42.03, 0.81

 

Complementary color

CMYK 68 / 0 / 4 / 11

HEX #23DBD0CE

RGBA 35 219 208 0.81

HSLA 176.41, 0.72%, 0.5%, 0.81

LABA 79.37, -44.66, -6.88, 0.81

 

CMYK 0 / 68 / 66 / 10

HEX #E1242ACE

RGBA 225 36 42 0.81

HSLA 358.1, 0.76%, 0.51%, 0.81

LABA 48.81, 68.86, 46.01, 0.81

 

CMYK 0 / 63 / 61 / 4

HEX #F2363DCE

RGBA 242 54 61 0.81

HSLA 357.77, 0.88%, 0.58%, 0.81

LABA 53.87, 69.68, 41.95, 0.81

 

CMYK 0 / 58 / 56 / 0

HEX #FF4850CE

RGBA 255 72 80 0.81

HSLA 357.38, 1%, 0.64%, 0.81

LABA 58.48, 68.66, 37.21, 0.81

 

CMYK 0 / 52 / 50 / 0

HEX #FF5A63CE

RGBA 255 90 99 0.81

HSLA 356.73, 1%, 0.68%, 0.81

LABA 61.2, 63.06, 29.79, 0.81

 

CMYK 0 / 47 / 44 / 0

HEX #FF6C76CE

RGBA 255 108 118 0.81

HSLA 355.92, 1%, 0.71%, 0.81

LABA 64.4, 56.74, 23.18, 0.81

 

CMYK 0 / 68 / 64 / 11

HEX #DC242FCE

RGBA 220 36 47 0.81

HSLA 356.41, 0.72%, 0.5%, 0.81

LABA 47.86, 67.66, 42.03, 0.81

 

CMYK 0 / 74 / 70 / 17

HEX #CB121CCE

RGBA 203 18 28 0.81

HSLA 356.76, 0.84%, 0.43%, 0.81

LABA 43.08, 65.93, 46.35, 0.81

 

CMYK 0 / 81 / 77 / 22

HEX #BA0009CE

RGBA 186 0 9 0.81

HSLA 357.1, 1%, 0.36%, 0.81

LABA 38.65, 63.29, 49.63, 0.81

 

CMYK 0 / 81 / 81 / 27

HEX #A90000CE

RGBA 169 0 0 0.81

HSLA 0, 1%, 0.33%, 0.81

LABA 34.87, 58.87, 49.17, 0.81

 

CMYK 0 / 81 / 81 / 33

HEX #980000CE

RGBA 152 0 0 0.81

HSLA 0, 1%, 0.3%, 0.81

LABA 31.06, 54.45, 44.88, 0.81

 

CMYK 0 / 84 / 79 / 14

HEX #DB242F

RGB 219 36 47

HSL 356.39, 0.72%, 0.5%

LAB 47.66, 67.39, 41.76

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 84 / 79 / 14

HEX #DB242F

RGB 219 36 47

HSL 356.39, 0.72%, 0.5%

LAB 47.66, 67.39, 41.76

 

CMYK 0 / 84 / 56 / 14

HEX #DB2460

RGB 219 36 96

HSL 340.33, 0.72%, 0.5%

LAB 48.47, 69.79, 13.45

 

CMYK 0 / 84 / 33 / 14

HEX #DB2492

RGB 219 36 146

HSL 323.93, 0.72%, 0.5%

LAB 49.97, 74.12, -14.78

 

CMYK 0 / 84 / 11 / 14

HEX #DB24C3

RGB 219 36 195

HSL 307.87, 0.72%, 0.5%

LAB 52.13, 80.07, -40.3

 

CMYK 11 / 84 / 0 / 14

HEX #C224DB

RGB 194 36 219

HSL 291.8, 0.72%, 0.5%

LAB 49.31, 79.14, -58.84

 

CMYK 0 / 84 / 79 / 14

HEX #DB242F

RGB 219 36 47

HSL 356.39, 0.72%, 0.5%

LAB 47.66, 67.39, 41.76

 

CMYK 0 / 94 / 88 / 6

HEX #F00F1D

RGB 240 15 29

HSL 356.27, 0.88%, 0.5%

LAB 50.64, 75.64, 55.12

 

CMYK 0 / 84 / 79 / 14

HEX #DB242F

RGB 219 36 47

HSL 356.39, 0.72%, 0.5%

LAB 47.66, 67.39, 41.76

 

CMYK 0 / 72 / 67 / 22

HEX #C73841

RGB 199 56 65

HSL 356.22, 0.56%, 0.5%

LAB 46.11, 56.52, 28.53

 

CMYK 0 / 57 / 53 / 30

HEX #B24D53

RGB 178 77 83

HSL 356.44, 0.4%, 0.5%

LAB 46.17, 41.66, 17.06

 

CMYK 0 / 38 / 36 / 38

HEX #9D6265

RGB 157 98 101

HSL 356.95, 0.23%, 0.5%

LAB 48.06, 24.32, 8.37

 

CMYK 0 / 14 / 13 / 46

HEX #897677

RGB 137 118 119

HSL 356.84, 0.07%, 0.5%

LAB 51.39, 7.54, 2.17

 

CMYK 0 / 84 / 33 / 14

HEX #DB2492

RGB 219 36 146

HSL 323.93, 0.72%, 0.5%

LAB 49.97, 74.12, -14.78

 

CMYK 0 / 84 / 56 / 14

HEX #DB2461

RGB 219 36 97

HSL 340, 0.72%, 0.5%

LAB 48.49, 69.86, 12.86

 

CMYK 0 / 84 / 78 / 14

HEX #DB2430

RGB 219 36 48

HSL 356.07, 0.72%, 0.5%

LAB 47.67, 67.42, 41.21

 

CMYK 0 / 67 / 84 / 14

HEX #DB4824

RGB 219 72 36

HSL 11.8, 0.72%, 0.5%

LAB 51.64, 55.76, 51.16

 

CMYK 0 / 45 / 84 / 14

HEX #DB7924

RGB 219 121 36

HSL 27.87, 0.72%, 0.5%

LAB 60.66, 32.57, 59.04

 

CMYK 0 / 84 / 78 / 42

HEX #941820

RGB 148 24 32

HSL 356.13, 0.72%, 0.34%

LAB 31.93, 49.7, 29.4

 

CMYK 0 / 84 / 79 / 28

HEX #B81E27

RGB 184 30 39

HSL 356.49, 0.72%, 0.42%

LAB 40.02, 58.85, 36.13

 

CMYK 0 / 84 / 79 / 14

HEX #DB242F

RGB 219 36 47

HSL 356.39, 0.72%, 0.5%

LAB 47.66, 67.39, 41.76

 

CMYK 0 / 68 / 64 / 12

HEX #E14750

RGB 225 71 80

HSL 356.49, 0.72%, 0.58%

LAB 53.05, 59.9, 29.34

 

CMYK 0 / 54 / 51 / 9

HEX #E76B72

RGB 231 107 114

HSL 356.61, 0.72%, 0.66%

LAB 60.53, 48.67, 19.63

 

CMYK 0 / 84 / 79 / 14

HEX #DC242F

RGB 220 36 47

HSL 356.41, 0.72%, 0.5%

LAB 47.86, 67.66, 42.03

 

CMYK 11 / 0 / 84 / 14

HEX #C3DB24

RGB 195 219 36

HSL 67.87, 0.72%, 0.5%

LAB 83.12, -28.65, 77.26

 

CMYK 84 / 45 / 0 / 14

HEX #2479DB

RGB 36 121 219

HSL 212.13, 0.72%, 0.5%

LAB 50.88, 10.85, -57.01

 

CMYK 0 / 84 / 79 / 14

HEX #DC242F

RGB 220 36 47

HSL 356.41, 0.72%, 0.5%

LAB 47.86, 67.66, 42.03

 

CMYK 78 / 0 / 84 / 14

HEX #30DB24

RGB 48 219 36

HSL 116.07, 0.72%, 0.5%

LAB 76.93, -72.42, 69.46

 

CMYK 84 / 78 / 0 / 14

HEX #2430DB

RGB 36 48 219

HSL 236.07, 0.72%, 0.5%

LAB 33.14, 55.78, -85.99

 

CMYK 0 / 84 / 79 / 14

HEX #DC242F

RGB 220 36 47

HSL 356.41, 0.72%, 0.5%

LAB 47.86, 67.66, 42.03

 

CMYK 11 / 0 / 84 / 14

HEX #C3DB24

RGB 195 219 36

HSL 67.87, 0.72%, 0.5%

LAB 83.12, -28.65, 77.26

 

CMYK 84 / 0 / 5 / 14

HEX #24DBCF

RGB 36 219 207

HSL 176.07, 0.72%, 0.5%

LAB 79.35, -44.87, -6.37

 

CMYK 73 / 84 / 0 / 14

HEX #3C24DB

RGB 60 36 219

HSL 247.87, 0.72%, 0.5%

LAB 32.56, 62.56, -86.92

 

CMYK 0 / 84 / 79 / 14

HEX #DC242F

RGB 220 36 47

HSL 356.41, 0.72%, 0.5%

LAB 47.86, 67.66, 42.03

 

CMYK 36 / 0 / 84 / 14

HEX #8CDB24

RGB 140 219 36

HSL 85.9, 0.72%, 0.5%

LAB 79.82, -49.71, 73.13

 

CMYK 84 / 0 / 5 / 14

HEX #24DBCF

RGB 36 219 207

HSL 176.07, 0.72%, 0.5%

LAB 79.35, -44.87, -6.37

 

CMYK 47 / 84 / 0 / 14

HEX #7324DB

RGB 115 36 219

HSL 265.9, 0.72%, 0.5%

LAB 37.88, 67.55, -77.95

 

Description

Color code: HEX #DC242FCE | qconv.com Color code: HEX #DC242FCE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 36 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 36 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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