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Color name
HEX #DC23A2

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC23A2 it is the complementary color #23DC5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC23A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC23A2 shade: #E1239D, #F235B0, #FF47C3, #FF59D6 and #FF6BE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC23A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC23A2 shade: #DC23A2, #CB118F, #BA007C, #A90069 and #980056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC23A2 shade: #DD22A2, #DD2270, #DD223E and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC23A2 shade: #DD22A2, #DD22D4, #B322DD, #8022DD and #4E22DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC23A2 shade matches the following richer shades: #DD22A2 and #F10EAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC23A2 shade: #DD22A2, #C8379B, #B34C93, #9F608B and #8A7583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC23A2 shade: #B122DD, #DD22D6, #DD22A5, #DD2273 and #DD2241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC23A2 shade: #95176E, #B91D88, #DD22A2, #E246B1 and #E86AC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC23A2 shade: #DC23A2, #DD8022 and #22DDCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC23A2 shade: #DC23A2, #A5DD22 and #22A5DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC23A2 shade: #DC23A2, #DD8022, #22DD5A and #2280DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC23A2 shade: #DC23A2, #DDB722, #22DD5A and #2248DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 26 / 14

HEX #DC23A2

RGB 220 35 162

HSL 318.81, 0.73%, 0.5%

LAB 50.72, 76.31, -23.17

 

Complementary color

CMYK 84 / 0 / 58 / 14

HEX #23DC5D

RGB 35 220 93

HSL 138.81, 0.73%, 0.5%

LAB 77.48, -69.2, 49.47

 

CMYK 0 / 84 / 30 / 12

HEX #E1239D

RGB 225 35 157

HSL 321.47, 0.76%, 0.51%

LAB 51.43, 76.84, -19.02

 

CMYK 0 / 78 / 27 / 5

HEX #F235B0

RGB 242 53 176

HSL 320.95, 0.88%, 0.58%

LAB 56.64, 78.67, -21.95

 

CMYK 0 / 72 / 24 / 0

HEX #FF47C3

RGB 255 71 195

HSL 319.57, 1%, 0.64%

LAB 61.4, 78.81, -25.4

 

CMYK 0 / 65 / 16 / 0

HEX #FF59D6

RGB 255 89 214

HSL 314.82, 1%, 0.67%

LAB 64.37, 75.1, -31.57

 

CMYK 0 / 58 / 9 / 0

HEX #FF6BE9

RGB 255 107 233

HSL 308.92, 1%, 0.71%

LAB 67.77, 70.7, -36.89

 

CMYK 0 / 84 / 26 / 14

HEX #DC23A2

RGB 220 35 162

HSL 318.81, 0.73%, 0.5%

LAB 50.72, 76.31, -23.17

 

CMYK 0 / 92 / 30 / 20

HEX #CB118F

RGB 203 17 143

HSL 319.35, 0.85%, 0.43%

LAB 45.74, 73.49, -19.7

 

CMYK 0 / 100 / 33 / 27

HEX #BA007C

RGB 186 0 124

HSL 320, 1%, 0.36%

LAB 41.05, 69.64, -15.53

 

CMYK 0 / 100 / 38 / 34

HEX #A90069

RGB 169 0 105

HSL 322.72, 1%, 0.33%

LAB 36.85, 64.12, -10.29

 

CMYK 0 / 100 / 43 / 40

HEX #980056

RGB 152 0 86

HSL 326.05, 1%, 0.3%

LAB 32.58, 58.54, -4.79

 

CMYK 0 / 85 / 27 / 13

HEX #DD22A2

RGB 221 34 162

HSL 318.93, 0.73%, 0.5%

LAB 50.83, 76.72, -22.98

 

CMYK 0 / 85 / 49 / 13

HEX #DD2270

RGB 221 34 112

HSL 334.97, 0.73%, 0.5%

LAB 49.11, 71.88, 4.6

 

CMYK 0 / 85 / 72 / 13

HEX #DD223E

RGB 221 34 62

HSL 351.02, 0.73%, 0.5%

LAB 48.09, 68.89, 33.7

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 85 / 27 / 13

HEX #DD22A2

RGB 221 34 162

HSL 318.93, 0.73%, 0.5%

LAB 50.83, 76.72, -22.98

 

CMYK 0 / 85 / 4 / 13

HEX #DD22D4

RGB 221 34 212

HSL 302.89, 0.73%, 0.5%

LAB 53.24, 83.2, -48.29

 

CMYK 19 / 85 / 0 / 13

HEX #B322DD

RGB 179 34 221

HSL 286.52, 0.73%, 0.5%

LAB 46.91, 77.46, -63.98

 

CMYK 42 / 85 / 0 / 13

HEX #8022DD

RGB 128 34 221

HSL 270.16, 0.73%, 0.5%

LAB 39.5, 70.18, -76.37

 

CMYK 65 / 85 / 0 / 13

HEX #4E22DD

RGB 78 34 221

HSL 254.12, 0.73%, 0.5%

LAB 33.95, 65.11, -85.72

 

CMYK 0 / 85 / 27 / 13

HEX #DD22A2

RGB 221 34 162

HSL 318.93, 0.73%, 0.5%

LAB 50.83, 76.72, -22.98

 

CMYK 0 / 94 / 29 / 5

HEX #F10EAA

RGB 241 14 170

HSL 318.77, 0.89%, 0.5%

LAB 53.94, 84.41, -22.61

 

CMYK 0 / 85 / 27 / 13

HEX #DD22A2

RGB 221 34 162

HSL 318.93, 0.73%, 0.5%

LAB 50.83, 76.72, -22.98

 

CMYK 0 / 73 / 23 / 22

HEX #C8379B

RGB 200 55 155

HSL 318.62, 0.57%, 0.5%

LAB 48.73, 65.53, -22.36

 

CMYK 0 / 58 / 18 / 30

HEX #B34C93

RGB 179 76 147

HSL 318.64, 0.4%, 0.5%

LAB 48.08, 50.19, -18.88

 

CMYK 0 / 40 / 13 / 38

HEX #9F608B

RGB 159 96 139

HSL 319.05, 0.25%, 0.5%

LAB 49.01, 32.01, -12.95

 

CMYK 0 / 15 / 5 / 46

HEX #8A7583

RGB 138 117 131

HSL 320, 0.08%, 0.5%

LAB 51.57, 10.73, -4.62

 

CMYK 20 / 85 / 0 / 13

HEX #B122DD

RGB 177 34 221

HSL 285.88, 0.73%, 0.5%

LAB 46.59, 77.14, -64.5

 

CMYK 0 / 85 / 3 / 13

HEX #DD22D6

RGB 221 34 214

HSL 302.25, 0.73%, 0.5%

LAB 53.35, 83.49, -49.26

 

CMYK 0 / 85 / 25 / 13

HEX #DD22A5

RGB 221 34 165

HSL 317.97, 0.73%, 0.5%

LAB 50.96, 77.07, -24.56

 

CMYK 0 / 85 / 48 / 13

HEX #DD2273

RGB 221 34 115

HSL 334.01, 0.73%, 0.5%

LAB 49.2, 72.12, 2.88

 

CMYK 0 / 85 / 71 / 13

HEX #DD2241

RGB 221 34 65

HSL 350.05, 0.73%, 0.5%

LAB 48.13, 69.02, 31.96

 

CMYK 0 / 85 / 26 / 42

HEX #95176E

RGB 149 23 110

HSL 318.57, 0.73%, 0.34%

LAB 34.25, 56.67, -17.8

 

CMYK 0 / 84 / 26 / 27

HEX #B91D88

RGB 185 29 136

HSL 318.85, 0.73%, 0.42%

LAB 42.72, 66.79, -20.38

 

CMYK 0 / 85 / 27 / 13

HEX #DD22A2

RGB 221 34 162

HSL 318.93, 0.73%, 0.5%

LAB 50.83, 76.72, -22.98

 

CMYK 0 / 69 / 22 / 11

HEX #E246B1

RGB 226 70 177

HSL 318.85, 0.73%, 0.58%

LAB 55.81, 69.77, -24.04

 

CMYK 0 / 54 / 17 / 9

HEX #E86AC0

RGB 232 106 192

HSL 319.05, 0.73%, 0.66%

LAB 62.73, 58.65, -21.95

 

CMYK 0 / 84 / 26 / 14

HEX #DC23A2

RGB 220 35 162

HSL 318.81, 0.73%, 0.5%

LAB 50.72, 76.31, -23.17

 

CMYK 0 / 42 / 85 / 13

HEX #DD8022

RGB 221 128 34

HSL 30.16, 0.73%, 0.5%

LAB 62.45, 29.66, 61.37

 

CMYK 85 / 0 / 9 / 13

HEX #22DDCA

RGB 34 221 202

HSL 173.9, 0.73%, 0.5%

LAB 79.79, -47.24, -3.06

 

CMYK 0 / 84 / 26 / 14

HEX #DC23A2

RGB 220 35 162

HSL 318.81, 0.73%, 0.5%

LAB 50.72, 76.31, -23.17

 

CMYK 25 / 0 / 85 / 13

HEX #A5DD22

RGB 165 221 34

HSL 77.97, 0.73%, 0.5%

LAB 81.74, -41.5, 75.76

 

CMYK 85 / 25 / 0 / 13

HEX #22A5DD

RGB 34 165 221

HSL 197.97, 0.73%, 0.5%

LAB 63.73, -14.31, -37.77

 

CMYK 0 / 84 / 26 / 14

HEX #DC23A2

RGB 220 35 162

HSL 318.81, 0.73%, 0.5%

LAB 50.72, 76.31, -23.17

 

CMYK 0 / 42 / 85 / 13

HEX #DD8022

RGB 221 128 34

HSL 30.16, 0.73%, 0.5%

LAB 62.45, 29.66, 61.37

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 85 / 42 / 0 / 13

HEX #2280DD

RGB 34 128 221

HSL 209.84, 0.73%, 0.5%

LAB 52.95, 7.13, -54.82

 

CMYK 0 / 84 / 26 / 14

HEX #DC23A2

RGB 220 35 162

HSL 318.81, 0.73%, 0.5%

LAB 50.72, 76.31, -23.17

 

CMYK 0 / 17 / 85 / 13

HEX #DDB722

RGB 221 183 34

HSL 47.81, 0.73%, 0.5%

LAB 75.67, 0.37, 72.37

 

CMYK 85 / 0 / 59 / 13

HEX #22DD5A

RGB 34 221 90

HSL 137.97, 0.73%, 0.5%

LAB 77.75, -69.98, 51.13

 

CMYK 85 / 67 / 0 / 13

HEX #2248DD

RGB 34 72 221

HSL 227.81, 0.73%, 0.5%

LAB 38.19, 42.66, -78.79

 

Description

Color code: HEX #DC23A2 | qconv.com Color code: HEX #DC23A2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 35 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 35 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 26% 14% C M Y K

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Provide designers and agencies with accurate color values.

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