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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC22B5 it is the complementary color #23DD4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC22B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC22B5 shade: #E122B0, #F234C3, #FF46D6, #FF58E9 and #FF6AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC22B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC22B5 shade: #DC22B5, #CB10A2, #BA008F, #A9007C and #980069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC22B5 shade: #DD22B6, #DD2283, #DD2251 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC22B5 shade: #DD22B6, #D122DD, #9F22DD, #6D22DD and #3B22DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC22B5 shade matches the following richer shades: #DD22B6 and #F10EC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC22B5 shade: #DD22B6, #C837AA, #B34C9E, #9F6092 and #8A7586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC22B5 shade: #9F22DD, #D022DD, #DD22B7, #DD2286 and #DD2254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC22B5 shade: #95177B, #B91D98, #DD22B6, #E246C1 and #E86ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC22B5 shade: #DC22B5, #DD6D22 and #22DDB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC22B5 shade: #DC22B5, #B7DD22 and #22B7DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC22B5 shade: #DC22B5, #DD6D22, #22DD48 and #2292DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC22B5 shade: #DC22B5, #DDA522, #22DD48 and #225ADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 18 / 14

HEX #DC22B5

RGB 220 34 181

HSL 312.58, 0.73%, 0.5%

LAB 51.49, 78.81, -33.15

 

Complementary color

CMYK 84 / 0 / 67 / 13

HEX #23DD4A

RGB 35 221 74

HSL 132.58, 0.73%, 0.5%

LAB 77.62, -71.68, 57.75

 

CMYK 0 / 85 / 22 / 12

HEX #E122B0

RGB 225 34 176

HSL 315.39, 0.76%, 0.51%

LAB 52.16, 79.21, -29.12

 

CMYK 0 / 79 / 19 / 5

HEX #F234C3

RGB 242 52 195

HSL 314.84, 0.88%, 0.58%

LAB 57.34, 81.21, -31.85

 

CMYK 0 / 73 / 16 / 0

HEX #FF46D6

RGB 255 70 214

HSL 313.3, 1%, 0.64%

LAB 62.08, 81.54, -35.13

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E9

RGB 255 88 233

HSL 307.9, 1%, 0.67%

LAB 65.06, 78.18, -41.12

 

CMYK 0 / 58 / 1 / 0

HEX #FF6AFC

RGB 255 106 252

HSL 301.21, 1%, 0.71%

LAB 68.46, 74.12, -46.28

 

CMYK 0 / 85 / 18 / 14

HEX #DC22B5

RGB 220 34 181

HSL 312.58, 0.73%, 0.5%

LAB 51.49, 78.81, -33.15

 

CMYK 0 / 92 / 20 / 20

HEX #CB10A2

RGB 203 16 162

HSL 313.16, 0.85%, 0.43%

LAB 46.55, 75.82, -29.89

 

CMYK 0 / 100 / 23 / 27

HEX #BA008F

RGB 186 0 143

HSL 313.87, 1%, 0.36%

LAB 41.88, 71.76, -25.94

 

CMYK 0 / 100 / 27 / 34

HEX #A9007C

RGB 169 0 124

HSL 315.98, 1%, 0.33%

LAB 37.64, 66.17, -21.05

 

CMYK 0 / 100 / 31 / 40

HEX #980069

RGB 152 0 105

HSL 318.55, 1%, 0.3%

LAB 33.34, 60.49, -15.96

 

CMYK 0 / 85 / 18 / 13

HEX #DD22B6

RGB 221 34 182

HSL 312.51, 0.73%, 0.5%

LAB 51.72, 79.14, -33.37

 

CMYK 0 / 85 / 41 / 13

HEX #DD2283

RGB 221 34 131

HSL 328.88, 0.73%, 0.5%

LAB 49.68, 73.51, -6.14

 

CMYK 0 / 85 / 63 / 13

HEX #DD2251

RGB 221 34 81

HSL 344.92, 0.73%, 0.5%

LAB 48.4, 69.81, 22.62

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 85 / 18 / 13

HEX #DD22B6

RGB 221 34 182

HSL 312.51, 0.73%, 0.5%

LAB 51.72, 79.14, -33.37

 

CMYK 5 / 85 / 0 / 13

HEX #D122DD

RGB 209 34 221

HSL 296.15, 0.73%, 0.5%

LAB 51.75, 82.43, -55.93

 

CMYK 28 / 85 / 0 / 13

HEX #9F22DD

RGB 159 34 221

HSL 280.11, 0.73%, 0.5%

LAB 43.85, 74.4, -69.08

 

CMYK 51 / 85 / 0 / 13

HEX #6D22DD

RGB 109 34 221

HSL 264.06, 0.73%, 0.5%

LAB 37.14, 67.98, -80.34

 

CMYK 73 / 85 / 0 / 13

HEX #3B22DD

RGB 59 34 221

HSL 248.02, 0.73%, 0.5%

LAB 32.47, 63.83, -88.22

 

CMYK 0 / 85 / 18 / 13

HEX #DD22B6

RGB 221 34 182

HSL 312.51, 0.73%, 0.5%

LAB 51.72, 79.14, -33.37

 

CMYK 0 / 94 / 20 / 5

HEX #F10EC2

RGB 241 14 194

HSL 312.42, 0.89%, 0.5%

LAB 54.98, 87.1, -34.98

 

CMYK 0 / 85 / 18 / 13

HEX #DD22B6

RGB 221 34 182

HSL 312.51, 0.73%, 0.5%

LAB 51.72, 79.14, -33.37

 

CMYK 0 / 73 / 15 / 22

HEX #C837AA

RGB 200 55 170

HSL 312.41, 0.57%, 0.5%

LAB 49.39, 67.57, -30.23

 

CMYK 0 / 58 / 12 / 30

HEX #B34C9E

RGB 179 76 158

HSL 312.23, 0.4%, 0.5%

LAB 48.54, 51.9, -24.72

 

CMYK 0 / 40 / 8 / 38

HEX #9F6092

RGB 159 96 146

HSL 312.38, 0.25%, 0.5%

LAB 49.27, 33.25, -16.72

 

CMYK 0 / 15 / 3 / 46

HEX #8A7586

RGB 138 117 134

HSL 311.43, 0.08%, 0.5%

LAB 51.66, 11.31, -6.25

 

CMYK 28 / 85 / 0 / 13

HEX #9F22DD

RGB 159 34 221

HSL 280.11, 0.73%, 0.5%

LAB 43.85, 74.4, -69.08

 

CMYK 6 / 85 / 0 / 13

HEX #D022DD

RGB 208 34 221

HSL 295.83, 0.73%, 0.5%

LAB 51.58, 82.25, -56.21

 

CMYK 0 / 85 / 17 / 13

HEX #DD22B7

RGB 221 34 183

HSL 312.19, 0.73%, 0.5%

LAB 51.76, 79.26, -33.88

 

CMYK 0 / 85 / 39 / 13

HEX #DD2286

RGB 221 34 134

HSL 327.91, 0.73%, 0.5%

LAB 49.78, 73.79, -7.81

 

CMYK 0 / 85 / 62 / 13

HEX #DD2254

RGB 221 34 84

HSL 343.96, 0.73%, 0.5%

LAB 48.46, 69.97, 20.86

 

CMYK 0 / 85 / 17 / 42

HEX #95177B

RGB 149 23 123

HSL 312.38, 0.73%, 0.34%

LAB 34.87, 58.4, -25.05

 

CMYK 0 / 84 / 18 / 27

HEX #B91D98

RGB 185 29 152

HSL 312.69, 0.73%, 0.42%

LAB 43.45, 68.81, -28.97

 

CMYK 0 / 85 / 18 / 13

HEX #DD22B6

RGB 221 34 182

HSL 312.51, 0.73%, 0.5%

LAB 51.72, 79.14, -33.37

 

CMYK 0 / 69 / 15 / 11

HEX #E246C1

RGB 226 70 193

HSL 312.69, 0.73%, 0.58%

LAB 56.49, 71.93, -32.24

 

CMYK 0 / 54 / 12 / 9

HEX #E86ACD

RGB 232 106 205

HSL 312.86, 0.73%, 0.66%

LAB 63.24, 60.61, -28.53

 

CMYK 0 / 85 / 18 / 14

HEX #DC22B5

RGB 220 34 181

HSL 312.58, 0.73%, 0.5%

LAB 51.49, 78.81, -33.15

 

CMYK 0 / 51 / 85 / 13

HEX #DD6D22

RGB 221 109 34

HSL 24.06, 0.73%, 0.5%

LAB 58.44, 39.48, 57.99

 

CMYK 85 / 0 / 17 / 13

HEX #22DDB7

RGB 34 221 183

HSL 167.81, 0.73%, 0.5%

LAB 79.31, -52.23, 6.36

 

CMYK 0 / 85 / 18 / 14

HEX #DC22B5

RGB 220 34 181

HSL 312.58, 0.73%, 0.5%

LAB 51.49, 78.81, -33.15

 

CMYK 17 / 0 / 85 / 13

HEX #B7DD22

RGB 183 221 34

HSL 72.19, 0.73%, 0.5%

LAB 82.86, -34.48, 77.15

 

CMYK 85 / 17 / 0 / 13

HEX #22B7DD

RGB 34 183 221

HSL 192.19, 0.73%, 0.5%

LAB 69.06, -23.78, -29.5

 

CMYK 0 / 85 / 18 / 14

HEX #DC22B5

RGB 220 34 181

HSL 312.58, 0.73%, 0.5%

LAB 51.49, 78.81, -33.15

 

CMYK 0 / 51 / 85 / 13

HEX #DD6D22

RGB 221 109 34

HSL 24.06, 0.73%, 0.5%

LAB 58.44, 39.48, 57.99

 

CMYK 85 / 0 / 67 / 13

HEX #22DD48

RGB 34 221 72

HSL 132.19, 0.73%, 0.5%

LAB 77.59, -71.97, 58.51

 

CMYK 85 / 34 / 0 / 13

HEX #2292DD

RGB 34 146 221

HSL 204.06, 0.73%, 0.5%

LAB 58.15, -3.62, -46.55

 

CMYK 0 / 85 / 18 / 14

HEX #DC22B5

RGB 220 34 181

HSL 312.58, 0.73%, 0.5%

LAB 51.49, 78.81, -33.15

 

CMYK 0 / 25 / 85 / 13

HEX #DDA522

RGB 221 165 34

HSL 42.03, 0.73%, 0.5%

LAB 71.14, 9.88, 68.63

 

CMYK 85 / 0 / 67 / 13

HEX #22DD48

RGB 34 221 72

HSL 132.19, 0.73%, 0.5%

LAB 77.59, -71.97, 58.51

 

CMYK 85 / 59 / 0 / 13

HEX #225ADD

RGB 34 90 221

HSL 222.03, 0.73%, 0.5%

LAB 42.57, 31.26, -71.61

 

Description

Color code: HEX #DC22B5 | qconv.com Color code: HEX #DC22B5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 34 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 34 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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