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Color name
HEX #DC225D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC225D it is the complementary color #23DDA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC225D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC225D shade: #E12258, #F2346B, #FF467E, #FF5891 and #FF6AA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC225D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC225D shade: #DC225D, #CB104A, #BA0037, #A90024 and #980011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC225D shade: #DD225D, #DD222B and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC225D shade: #DD225D, #DD2290, #DD22C2, #C522DD and #9322DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC225D shade matches the following richer shades: #DD225D and #F10E56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC225D shade: #DD225D, #C83765, #B34C6D, #9F6074 and #8A757C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC225D shade: #DD22C4, #DD2292, #DD2260, #DD222F and #DD4822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC225D shade: #95173F, #B91D4E, #DD225D, #E24678 and #E86A92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC225D shade: #DC225D, #DDC422 and #22ABDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC225D shade: #DC225D, #60DD22 and #2260DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC225D shade: #DC225D, #DDC422, #22DD9F and #223BDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC225D shade: #DC225D, #BEDD22, #22DD9F and #4122DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

Complementary color

CMYK 84 / 0 / 27 / 13

HEX #23DDA2

RGB 35 221 162

HSL 160.97, 0.73%, 0.5%

LAB 78.86, -57.19, 16.82

 

CMYK 0 / 85 / 61 / 12

HEX #E12258

RGB 225 34 88

HSL 343.04, 0.76%, 0.51%

LAB 49.32, 71.23, 19.7

 

CMYK 0 / 79 / 56 / 5

HEX #F2346B

RGB 242 52 107

HSL 342.63, 0.88%, 0.58%

LAB 54.44, 72.61, 15.7

 

CMYK 0 / 73 / 51 / 0

HEX #FF467E

RGB 255 70 126

HSL 341.84, 1%, 0.64%

LAB 59.11, 72.19, 11.27

 

CMYK 0 / 65 / 43 / 0

HEX #FF5891

RGB 255 88 145

HSL 339.52, 1%, 0.67%

LAB 61.9, 67.43, 4.16

 

CMYK 0 / 58 / 36 / 0

HEX #FF6AA4

RGB 255 106 164

HSL 336.64, 1%, 0.71%

LAB 65.16, 61.96, -2.03

 

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

CMYK 0 / 92 / 64 / 20

HEX #CB104A

RGB 203 16 74

HSL 341.39, 0.85%, 0.43%

LAB 43.6, 67.9, 19.96

 

CMYK 0 / 100 / 70 / 27

HEX #BA0037

RGB 186 0 55

HSL 342.26, 1%, 0.36%

LAB 39.1, 64.5, 25.44

 

CMYK 0 / 100 / 79 / 34

HEX #A90024

RGB 169 0 36

HSL 347.22, 1%, 0.33%

LAB 35.13, 59.56, 31.74

 

CMYK 0 / 100 / 89 / 40

HEX #980011

RGB 152 0 17

HSL 353.29, 1%, 0.3%

LAB 31.15, 54.71, 37.56

 

CMYK 0 / 85 / 58 / 13

HEX #DD225D

RGB 221 34 93

HSL 341.07, 0.73%, 0.5%

LAB 48.64, 70.52, 15.59

 

CMYK 0 / 85 / 81 / 13

HEX #DD222B

RGB 221 34 43

HSL 357.11, 0.73%, 0.5%

LAB 47.87, 68.24, 44.29

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 85 / 58 / 13

HEX #DD225D

RGB 221 34 93

HSL 341.07, 0.73%, 0.5%

LAB 48.64, 70.52, 15.59

 

CMYK 0 / 85 / 35 / 13

HEX #DD2290

RGB 221 34 144

HSL 324.71, 0.73%, 0.5%

LAB 50.13, 74.77, -13.31

 

CMYK 0 / 85 / 12 / 13

HEX #DD22C2

RGB 221 34 194

HSL 308.66, 0.73%, 0.5%

LAB 52.3, 80.7, -39.43

 

CMYK 11 / 85 / 0 / 13

HEX #C522DD

RGB 197 34 221

HSL 292.3, 0.73%, 0.5%

LAB 49.78, 80.39, -59.2

 

CMYK 33 / 85 / 0 / 13

HEX #9322DD

RGB 147 34 221

HSL 276.26, 0.73%, 0.5%

LAB 42.1, 72.69, -72.01

 

CMYK 0 / 85 / 58 / 13

HEX #DD225D

RGB 221 34 93

HSL 341.07, 0.73%, 0.5%

LAB 48.64, 70.52, 15.59

 

CMYK 0 / 94 / 64 / 5

HEX #F10E56

RGB 241 14 86

HSL 340.97, 0.89%, 0.5%

LAB 51.48, 77.84, 24.36

 

CMYK 0 / 85 / 58 / 13

HEX #DD225D

RGB 221 34 93

HSL 341.07, 0.73%, 0.5%

LAB 48.64, 70.52, 15.59

 

CMYK 0 / 73 / 50 / 22

HEX #C83765

RGB 200 55 101

HSL 340.97, 0.57%, 0.5%

LAB 46.91, 59.67, 7.67

 

CMYK 0 / 58 / 39 / 30

HEX #B34C6D

RGB 179 76 109

HSL 340.78, 0.4%, 0.5%

LAB 46.79, 45.12, 2.13

 

CMYK 0 / 40 / 27 / 38

HEX #9F6074

RGB 159 96 116

HSL 340.95, 0.25%, 0.5%

LAB 48.26, 28.31, -0.31

 

CMYK 0 / 15 / 10 / 46

HEX #8A757C

RGB 138 117 124

HSL 340, 0.08%, 0.5%

LAB 51.36, 9.41, -0.81

 

CMYK 0 / 85 / 11 / 13

HEX #DD22C4

RGB 221 34 196

HSL 308.02, 0.73%, 0.5%

LAB 52.4, 80.97, -40.43

 

CMYK 0 / 85 / 34 / 13

HEX #DD2292

RGB 221 34 146

HSL 324.06, 0.73%, 0.5%

LAB 50.21, 74.98, -14.39

 

CMYK 0 / 85 / 57 / 13

HEX #DD2260

RGB 221 34 96

HSL 340.11, 0.73%, 0.5%

LAB 48.71, 70.72, 13.84

 

CMYK 0 / 85 / 79 / 13

HEX #DD222F

RGB 221 34 47

HSL 355.83, 0.73%, 0.5%

LAB 47.91, 68.36, 42.14

 

CMYK 0 / 67 / 85 / 13

HEX #DD4822

RGB 221 72 34

HSL 12.19, 0.73%, 0.5%

LAB 51.98, 56.37, 52.49

 

CMYK 0 / 85 / 58 / 42

HEX #95173F

RGB 149 23 63

HSL 340.95, 0.73%, 0.34%

LAB 32.62, 51.96, 10.31

 

CMYK 0 / 84 / 58 / 27

HEX #B91D4E

RGB 185 29 78

HSL 341.15, 0.73%, 0.42%

LAB 40.8, 61.32, 13.06

 

CMYK 0 / 85 / 58 / 13

HEX #DD225D

RGB 221 34 93

HSL 341.07, 0.73%, 0.5%

LAB 48.64, 70.52, 15.59

 

CMYK 0 / 69 / 47 / 11

HEX #E24678

RGB 226 70 120

HSL 340.77, 0.73%, 0.58%

LAB 53.93, 63.49, 6.78

 

CMYK 0 / 54 / 37 / 9

HEX #E86A92

RGB 232 106 146

HSL 340.95, 0.73%, 0.66%

LAB 61.25, 52.68, 2.2

 

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

CMYK 0 / 11 / 85 / 13

HEX #DDC422

RGB 221 196 34

HSL 51.98, 0.73%, 0.5%

LAB 79.02, -6.36, 75.14

 

CMYK 85 / 23 / 0 / 13

HEX #22ABDD

RGB 34 171 221

HSL 196.04, 0.73%, 0.5%

LAB 65.5, -17.54, -35.01

 

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

CMYK 57 / 0 / 85 / 13

HEX #60DD22

RGB 96 221 34

HSL 100.11, 0.73%, 0.5%

LAB 78.65, -63.89, 71.86

 

CMYK 85 / 57 / 0 / 13

HEX #2260DD

RGB 34 96 221

HSL 220.11, 0.73%, 0.5%

LAB 44.13, 27.4, -69.07

 

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

CMYK 0 / 11 / 85 / 13

HEX #DDC422

RGB 221 196 34

HSL 51.98, 0.73%, 0.5%

LAB 79.02, -6.36, 75.14

 

CMYK 85 / 0 / 28 / 13

HEX #22DD9F

RGB 34 221 159

HSL 160.11, 0.73%, 0.5%

LAB 78.78, -57.94, 18.29

 

CMYK 85 / 73 / 0 / 13

HEX #223BDD

RGB 34 59 221

HSL 231.98, 0.73%, 0.5%

LAB 35.38, 50.39, -83.44

 

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

CMYK 14 / 0 / 85 / 13

HEX #BEDD22

RGB 190 221 34

HSL 69.95, 0.73%, 0.5%

LAB 83.32, -31.67, 77.73

 

CMYK 85 / 0 / 28 / 13

HEX #22DD9F

RGB 34 221 159

HSL 160.11, 0.73%, 0.5%

LAB 78.78, -57.94, 18.29

 

CMYK 71 / 85 / 0 / 13

HEX #4122DD

RGB 65 34 221

HSL 249.95, 0.73%, 0.5%

LAB 32.89, 64.19, -87.5

 

Description

Color code: HEX #DC225D | qconv.com Color code: HEX #DC225D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 34 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 34 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 58 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 58% 14% C M Y K

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Provide designers and agencies with accurate color values.

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