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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2187 it is the complementary color #23DE78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2187 shade: #E12182, #F23395, #FF45A8, #FF57BB and #FF69CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2187 shade: #DC2187, #CB0F74, #BA0061, #A9004E and #98003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2187 shade: #DE2188, #DE2155, #DE2122 and #DE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2187 shade: #DE2188, #DE21BB, #CE21DE, #9B21DE and #6821DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2187 shade matches the following richer shades: #DE2188 and #F20D8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2187 shade: #DE2188, #C93686, #B54A84, #A05F82 and #8B7481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2187 shade: #CE21DE, #DE21BB, #DE2189, #DE2157 and #DE2124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2187 shade: #96165C, #BA1C72, #DE2188, #E3459B and #E969AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2187 shade: #DC2187, #DE9C21 and #21D4DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2187 shade: #DC2187, #89DE21 and #2189DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2187 shade: #DC2187, #DE9C21, #21DE76 and #2163DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2187 shade: #DC2187, #DED421, #21DE76 and #212BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 39 / 14

HEX #DC2187

RGB 220 33 135

HSL 327.27, 0.74%, 0.5%

LAB 49.56, 73.85, -8.76

 

Complementary color

CMYK 84 / 0 / 46 / 13

HEX #23DE78

RGB 35 222 120

HSL 147.27, 0.74%, 0.5%

LAB 78.44, -65.85, 37.81

 

CMYK 0 / 85 / 42 / 12

HEX #E12182

RGB 225 33 130

HSL 329.69, 0.76%, 0.51%

LAB 50.34, 74.54, -4.47

 

CMYK 0 / 79 / 38 / 5

HEX #F23395

RGB 242 51 149

HSL 329.21, 0.88%, 0.57%

LAB 55.5, 76.33, -7.84

 

CMYK 0 / 73 / 34 / 0

HEX #FF45A8

RGB 255 69 168

HSL 328.06, 1%, 0.64%

LAB 60.2, 76.36, -11.69

 

CMYK 0 / 66 / 27 / 0

HEX #FF57BB

RGB 255 87 187

HSL 324.29, 1%, 0.67%

LAB 63.06, 72.34, -18.29

 

CMYK 0 / 59 / 19 / 0

HEX #FF69CE

RGB 255 105 206

HSL 319.6, 1%, 0.71%

LAB 66.38, 67.62, -23.98

 

CMYK 0 / 85 / 39 / 14

HEX #DC2187

RGB 220 33 135

HSL 327.27, 0.74%, 0.5%

LAB 49.56, 73.85, -8.76

 

CMYK 0 / 93 / 43 / 20

HEX #CB0F74

RGB 203 15 116

HSL 327.77, 0.86%, 0.43%

LAB 44.66, 71.04, -4.79

 

CMYK 0 / 100 / 48 / 27

HEX #BA0061

RGB 186 0 97

HSL 328.71, 1%, 0.36%

LAB 40.08, 67.13, -0.01

 

CMYK 0 / 100 / 54 / 34

HEX #A9004E

RGB 169 0 78

HSL 332.31, 1%, 0.33%

LAB 35.96, 61.78, 5.79

 

CMYK 0 / 100 / 61 / 40

HEX #98003B

RGB 152 0 59

HSL 336.71, 1%, 0.3%

LAB 31.79, 56.43, 11.92

 

CMYK 0 / 85 / 39 / 13

HEX #DE2188

RGB 222 33 136

HSL 327.3, 0.74%, 0.5%

LAB 49.97, 74.4, -8.71

 

CMYK 0 / 85 / 62 / 13

HEX #DE2155

RGB 222 33 85

HSL 343.49, 0.74%, 0.5%

LAB 48.6, 70.49, 20.47

 

CMYK 0 / 85 / 85 / 13

HEX #DE2122

RGB 222 33 34

HSL 359.68, 0.74%, 0.5%

LAB 47.92, 68.49, 49.06

 

CMYK 0 / 85 / 85 / 13

HEX #DE2121

RGB 222 33 33

HSL 0, 0.74%, 0.5%

LAB 47.91, 68.47, 49.55

 

CMYK 0 / 85 / 39 / 13

HEX #DE2188

RGB 222 33 136

HSL 327.3, 0.74%, 0.5%

LAB 49.97, 74.4, -8.71

 

CMYK 0 / 85 / 16 / 13

HEX #DE21BB

RGB 222 33 187

HSL 311.11, 0.74%, 0.5%

LAB 52.07, 80.16, -35.72

 

CMYK 7 / 85 / 0 / 13

HEX #CE21DE

RGB 206 33 222

HSL 294.92, 0.74%, 0.5%

LAB 51.25, 82.26, -57.33

 

CMYK 30 / 85 / 0 / 13

HEX #9B21DE

RGB 155 33 222

HSL 278.73, 0.74%, 0.5%

LAB 43.26, 74.26, -70.65

 

CMYK 53 / 85 / 0 / 13

HEX #6821DE

RGB 104 33 222

HSL 262.54, 0.74%, 0.5%

LAB 36.56, 68.01, -81.89

 

CMYK 0 / 85 / 39 / 13

HEX #DE2188

RGB 222 33 136

HSL 327.3, 0.74%, 0.5%

LAB 49.97, 74.4, -8.71

 

CMYK 0 / 95 / 43 / 5

HEX #F20D8A

RGB 242 13 138

HSL 327.25, 0.9%, 0.5%

LAB 52.95, 81.66, -5.07

 

CMYK 0 / 85 / 39 / 13

HEX #DE2188

RGB 222 33 136

HSL 327.3, 0.74%, 0.5%

LAB 49.97, 74.4, -8.71

 

CMYK 0 / 73 / 33 / 21

HEX #C93686

RGB 201 54 134

HSL 327.35, 0.58%, 0.5%

LAB 47.98, 63.56, -10.89

 

CMYK 0 / 59 / 27 / 29

HEX #B54A84

RGB 181 74 132

HSL 327.48, 0.42%, 0.5%

LAB 47.48, 49.58, -10.76

 

CMYK 0 / 41 / 19 / 37

HEX #A05F82

RGB 160 95 130

HSL 327.69, 0.25%, 0.5%

LAB 48.6, 31.41, -8.18

 

CMYK 0 / 17 / 7 / 45

HEX #8B7481

RGB 139 116 129

HSL 326.09, 0.09%, 0.5%

LAB 51.34, 11.31, -3.77

 

CMYK 7 / 85 / 0 / 13

HEX #CE21DE

RGB 206 33 222

HSL 294.92, 0.74%, 0.5%

LAB 51.25, 82.26, -57.33

 

CMYK 0 / 85 / 16 / 13

HEX #DE21BB

RGB 222 33 187

HSL 311.11, 0.74%, 0.5%

LAB 52.07, 80.16, -35.72

 

CMYK 0 / 85 / 38 / 13

HEX #DE2189

RGB 222 33 137

HSL 326.98, 0.74%, 0.5%

LAB 50.01, 74.5, -9.26

 

CMYK 0 / 85 / 61 / 13

HEX #DE2157

RGB 222 33 87

HSL 342.86, 0.74%, 0.5%

LAB 48.64, 70.61, 19.3

 

CMYK 0 / 85 / 84 / 13

HEX #DE2124

RGB 222 33 36

HSL 359.05, 0.74%, 0.5%

LAB 47.94, 68.53, 48.08

 

CMYK 0 / 85 / 39 / 41

HEX #96165C

RGB 150 22 92

HSL 327.19, 0.74%, 0.34%

LAB 33.63, 55.06, -7.18

 

CMYK 0 / 85 / 39 / 27

HEX #BA1C72

RGB 186 28 114

HSL 327.34, 0.74%, 0.42%

LAB 41.98, 64.82, -7.9

 

CMYK 0 / 85 / 39 / 13

HEX #DE2188

RGB 222 33 136

HSL 327.3, 0.74%, 0.5%

LAB 49.97, 74.4, -8.71

 

CMYK 0 / 70 / 32 / 11

HEX #E3459B

RGB 227 69 155

HSL 327.34, 0.74%, 0.58%

LAB 55.02, 67.69, -12.36

 

CMYK 0 / 55 / 25 / 9

HEX #E969AF

RGB 233 105 175

HSL 327.19, 0.74%, 0.66%

LAB 62.1, 57.03, -13.21

 

CMYK 0 / 85 / 39 / 14

HEX #DC2187

RGB 220 33 135

HSL 327.27, 0.74%, 0.5%

LAB 49.56, 73.85, -8.76

 

CMYK 0 / 30 / 85 / 13

HEX #DE9C21

RGB 222 156 33

HSL 39.05, 0.74%, 0.5%

LAB 69.05, 15.1, 67.22

 

CMYK 85 / 5 / 0 / 13

HEX #21D4DE

RGB 33 212 222

HSL 183.17, 0.74%, 0.5%

LAB 77.69, -37.58, -16.89

 

CMYK 0 / 85 / 39 / 14

HEX #DC2187

RGB 220 33 135

HSL 327.27, 0.74%, 0.5%

LAB 49.56, 73.85, -8.76

 

CMYK 38 / 0 / 85 / 13

HEX #89DE21

RGB 137 222 33

HSL 86.98, 0.74%, 0.5%

LAB 80.56, -52.05, 74.37

 

CMYK 85 / 38 / 0 / 13

HEX #2189DE

RGB 33 137 222

HSL 206.98, 0.74%, 0.5%

LAB 55.57, 1.98, -51.2

 

CMYK 0 / 85 / 39 / 14

HEX #DC2187

RGB 220 33 135

HSL 327.27, 0.74%, 0.5%

LAB 49.56, 73.85, -8.76

 

CMYK 0 / 30 / 85 / 13

HEX #DE9C21

RGB 222 156 33

HSL 39.05, 0.74%, 0.5%

LAB 69.05, 15.1, 67.22

 

CMYK 85 / 0 / 47 / 13

HEX #21DE76

RGB 33 222 118

HSL 146.98, 0.74%, 0.5%

LAB 78.39, -66.34, 38.73

 

CMYK 85 / 55 / 0 / 13

HEX #2163DE

RGB 33 99 222

HSL 219.05, 0.74%, 0.5%

LAB 44.97, 25.77, -68.27

 

CMYK 0 / 85 / 39 / 14

HEX #DC2187

RGB 220 33 135

HSL 327.27, 0.74%, 0.5%

LAB 49.56, 73.85, -8.76

 

CMYK 0 / 5 / 85 / 13

HEX #DED421

RGB 222 212 33

HSL 56.83, 0.74%, 0.5%

LAB 83.3, -14.04, 78.9

 

CMYK 85 / 0 / 47 / 13

HEX #21DE76

RGB 33 222 118

HSL 146.98, 0.74%, 0.5%

LAB 78.39, -66.34, 38.73

 

CMYK 85 / 81 / 0 / 13

HEX #212BDE

RGB 33 43 222

HSL 236.83, 0.74%, 0.5%

LAB 32.54, 59.04, -88.72

 

Description

Color code: HEX #DC2187 | qconv.com Color code: HEX #DC2187 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 33 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 33 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 39% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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