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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC1BC3 it is the complementary color #23E43C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC1BC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC1BC3 shade: #E11BBE, #F22DD1, #FF3FE4, #FF51F7 and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC1BC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC1BC3 shade: #DC1BC3, #CB09B0, #BA009D, #A9008A and #980077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC1BC3 shade: #DA1BC1, #DA1B8E, #DA1B5A, #DA1B27 and #DA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC1BC3 shade: #DA1BC1, #BF1BDA, #8C1BDA, #581BDA and #251BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC1BC3 shade matches the following richer shades: #DA1BC1 and #EE07D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC1BC3 shade: #DA1BC1, #C62FB2, #B243A4, #9E5695 and #8B6A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC1BC3 shade: #8A1BDA, #BD1BDA, #DA1BC4, #DA1B91 and #DA1B5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC1BC3 shade: #901280, #B516A1, #DA1BC1, #E638D0 and #EB5CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC1BC3 shade: #DC1BC3, #DA571B and #1BDAA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC1BC3 shade: #DC1BC3, #C4DA1B and #1BC4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC1BC3 shade: #DC1BC3, #DA571B, #1BDA31 and #1B9DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC1BC3 shade: #DC1BC3, #DA911B, #1BDA31 and #1B64DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 11 / 14

HEX #DC1BC3

RGB 220 27 195

HSL 307.77, 0.78%, 0.48%

LAB 51.77, 81.83, -40.86

 

Complementary color

CMYK 85 / 0 / 74 / 11

HEX #23E43C

RGB 35 228 60

HSL 127.77, 0.78%, 0.52%

LAB 79.71, -74.97, 65.1

 

CMYK 0 / 88 / 16 / 12

HEX #E11BBE

RGB 225 27 190

HSL 310.61, 0.79%, 0.49%

LAB 52.41, 82.12, -36.9

 

CMYK 0 / 81 / 14 / 5

HEX #F22DD1

RGB 242 45 209

HSL 310.05, 0.88%, 0.56%

LAB 57.42, 84.62, -39.74

 

CMYK 0 / 75 / 11 / 0

HEX #FF3FE4

RGB 255 63 228

HSL 308.44, 1%, 0.62%

LAB 62.01, 85.44, -43.11

 

CMYK 0 / 68 / 3 / 0

HEX #FF51F7

RGB 255 81 247

HSL 302.76, 1%, 0.66%

LAB 64.85, 82.72, -49.21

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 11 / 14

HEX #DC1BC3

RGB 220 27 195

HSL 307.77, 0.78%, 0.48%

LAB 51.77, 81.83, -40.86

 

CMYK 0 / 96 / 13 / 20

HEX #CB09B0

RGB 203 9 176

HSL 308.35, 0.92%, 0.42%

LAB 47.01, 78.27, -37.47

 

CMYK 0 / 100 / 16 / 27

HEX #BA009D

RGB 186 0 157

HSL 309.35, 1%, 0.36%

LAB 42.57, 73.5, -33.35

 

CMYK 0 / 100 / 18 / 34

HEX #A9008A

RGB 169 0 138

HSL 311.01, 1%, 0.33%

LAB 38.32, 67.88, -28.68

 

CMYK 0 / 100 / 22 / 40

HEX #980077

RGB 152 0 119

HSL 313.03, 1%, 0.3%

LAB 34, 62.16, -23.85

 

CMYK 0 / 88 / 11 / 15

HEX #DA1BC1

RGB 218 27 193

HSL 307.85, 0.78%, 0.48%

LAB 51.31, 81.19, -40.45

 

CMYK 0 / 88 / 35 / 15

HEX #DA1B8E

RGB 218 27 142

HSL 323.87, 0.78%, 0.48%

LAB 49.06, 75.16, -13.78

 

CMYK 0 / 88 / 59 / 15

HEX #DA1B5A

RGB 218 27 90

HSL 340.21, 0.78%, 0.48%

LAB 47.53, 70.89, 15.82

 

CMYK 0 / 88 / 82 / 15

HEX #DA1B27

RGB 218 27 39

HSL 356.23, 0.78%, 0.48%

LAB 46.76, 68.68, 45.15

 

CMYK 0 / 88 / 88 / 15

HEX #DA1B1B

RGB 218 27 27

HSL 0, 0.78%, 0.48%

LAB 46.67, 68.42, 51.01

 

CMYK 0 / 88 / 11 / 15

HEX #DA1BC1

RGB 218 27 193

HSL 307.85, 0.78%, 0.48%

LAB 51.31, 81.19, -40.45

 

CMYK 12 / 88 / 0 / 15

HEX #BF1BDA

RGB 191 27 218

HSL 291.52, 0.78%, 0.48%

LAB 48.16, 80.22, -60.14

 

CMYK 36 / 88 / 0 / 15

HEX #8C1BDA

RGB 140 27 218

HSL 275.5, 0.78%, 0.48%

LAB 40.28, 72.83, -73.31

 

CMYK 60 / 88 / 0 / 15

HEX #581BDA

RGB 88 27 218

HSL 259.16, 0.78%, 0.48%

LAB 33.82, 67.38, -84.19

 

CMYK 83 / 88 / 0 / 15

HEX #251BDA

RGB 37 27 218

HSL 243.14, 0.78%, 0.48%

LAB 30.01, 64.55, -90.62

 

CMYK 0 / 88 / 11 / 15

HEX #DA1BC1

RGB 218 27 193

HSL 307.85, 0.78%, 0.48%

LAB 51.31, 81.19, -40.45

 

CMYK 0 / 97 / 13 / 7

HEX #EE07D0

RGB 238 7 208

HSL 307.79, 0.94%, 0.48%

LAB 54.95, 88.78, -43.11

 

CMYK 0 / 88 / 11 / 15

HEX #DA1BC1

RGB 218 27 193

HSL 307.85, 0.78%, 0.48%

LAB 51.31, 81.19, -40.45

 

CMYK 0 / 76 / 10 / 22

HEX #C62FB2

RGB 198 47 178

HSL 307.95, 0.62%, 0.48%

LAB 48.58, 70.72, -36.24

 

CMYK 0 / 62 / 8 / 30

HEX #B243A4

RGB 178 67 164

HSL 307.57, 0.45%, 0.48%

LAB 47.18, 56.62, -30.39

 

CMYK 0 / 46 / 6 / 38

HEX #9E5695

RGB 158 86 149

HSL 307.5, 0.3%, 0.48%

LAB 47.1, 38.94, -21.84

 

CMYK 0 / 24 / 4 / 45

HEX #8B6A86

RGB 139 106 134

HSL 309.09, 0.13%, 0.48%

LAB 48.91, 18.14, -10.36

 

CMYK 37 / 88 / 0 / 15

HEX #8A1BDA

RGB 138 27 218

HSL 274.87, 0.78%, 0.48%

LAB 40, 72.58, -73.79

 

CMYK 13 / 88 / 0 / 15

HEX #BD1BDA

RGB 189 27 218

HSL 290.89, 0.78%, 0.48%

LAB 47.83, 79.9, -60.69

 

CMYK 0 / 88 / 10 / 15

HEX #DA1BC4

RGB 218 27 196

HSL 306.91, 0.78%, 0.48%

LAB 51.47, 81.59, -41.94

 

CMYK 0 / 88 / 33 / 15

HEX #DA1B91

RGB 218 27 145

HSL 322.93, 0.78%, 0.48%

LAB 49.17, 75.47, -15.42

 

CMYK 0 / 88 / 57 / 15

HEX #DA1B5E

RGB 218 27 94

HSL 338.95, 0.78%, 0.48%

LAB 47.62, 71.15, 13.47

 

CMYK 0 / 88 / 11 / 44

HEX #901280

RGB 144 18 128

HSL 307.62, 0.78%, 0.32%

LAB 33.82, 59.11, -29.9

 

CMYK 0 / 88 / 11 / 29

HEX #B516A1

RGB 181 22 161

HSL 307.55, 0.78%, 0.4%

LAB 42.72, 70.54, -35.59

 

CMYK 0 / 88 / 11 / 15

HEX #DA1BC1

RGB 218 27 193

HSL 307.85, 0.78%, 0.48%

LAB 51.31, 81.19, -40.45

 

CMYK 0 / 76 / 10 / 10

HEX #E638D0

RGB 230 56 208

HSL 307.59, 0.78%, 0.56%

LAB 56.29, 79.34, -41.08

 

CMYK 0 / 61 / 8 / 8

HEX #EB5CD8

RGB 235 92 216

HSL 307.97, 0.78%, 0.64%

LAB 61.89, 69.19, -36.79

 

CMYK 0 / 88 / 11 / 14

HEX #DC1BC3

RGB 220 27 195

HSL 307.77, 0.78%, 0.48%

LAB 51.77, 81.83, -40.86

 

CMYK 0 / 60 / 88 / 15

HEX #DA571B

RGB 218 87 27

HSL 18.85, 0.78%, 0.48%

LAB 53.82, 48.78, 56.59

 

CMYK 88 / 0 / 25 / 15

HEX #1BDAA4

RGB 27 218 164

HSL 163.04, 0.78%, 0.48%

LAB 77.91, -56.13, 14.42

 

CMYK 0 / 88 / 11 / 14

HEX #DC1BC3

RGB 220 27 195

HSL 307.77, 0.78%, 0.48%

LAB 51.77, 81.83, -40.86

 

CMYK 10 / 0 / 88 / 15

HEX #C4DA1B

RGB 196 218 27

HSL 66.91, 0.78%, 0.48%

LAB 82.89, -27.99, 78.89

 

CMYK 88 / 10 / 0 / 15

HEX #1BC4DA

RGB 27 196 218

HSL 186.91, 0.78%, 0.48%

LAB 72.74, -31.64, -22.23

 

CMYK 0 / 88 / 11 / 14

HEX #DC1BC3

RGB 220 27 195

HSL 307.77, 0.78%, 0.48%

LAB 51.77, 81.83, -40.86

 

CMYK 0 / 60 / 88 / 15

HEX #DA571B

RGB 218 87 27

HSL 18.85, 0.78%, 0.48%

LAB 53.82, 48.78, 56.59

 

CMYK 88 / 0 / 78 / 15

HEX #1BDA31

RGB 27 218 49

HSL 126.91, 0.78%, 0.48%

LAB 76.43, -73.53, 65.39

 

CMYK 88 / 28 / 0 / 15

HEX #1B9DDA

RGB 27 157 218

HSL 199.16, 0.78%, 0.48%

LAB 61.14, -11.45, -40.17

 

CMYK 0 / 88 / 11 / 14

HEX #DC1BC3

RGB 220 27 195

HSL 307.77, 0.78%, 0.48%

LAB 51.77, 81.83, -40.86

 

CMYK 0 / 33 / 88 / 15

HEX #DA911B

RGB 218 145 27

HSL 37.07, 0.78%, 0.48%

LAB 65.93, 19.14, 66.14

 

CMYK 88 / 0 / 78 / 15

HEX #1BDA31

RGB 27 218 49

HSL 126.91, 0.78%, 0.48%

LAB 76.43, -73.53, 65.39

 

CMYK 88 / 54 / 0 / 15

HEX #1B64DA

RGB 27 100 218

HSL 217.07, 0.78%, 0.48%

LAB 44.81, 23.2, -66.25

 

Description

Color code: HEX #DC1BC3 | qconv.com Color code: HEX #DC1BC3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 27 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 27 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 11 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 11% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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