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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC1B313F it is the complementary color #23E4CE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC1B313F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC1B313F shade: #E11B2C3F, #F22D3F3F, #FF3F523F, #FF51653F and #FF63783F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC1B313F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC1B313F shade: #DC1B313F, #CB091E3F, #BA000B3F, #A900003F and #9800003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC1B313F shade: #DA1B31 and #DA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC1B313F shade: #DA1B31, #DA1B64, #DA1B98, #DA1BCB and #B51BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC1B313F shade matches the following richer shades: #DA1B31 and #EE0721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC1B313F shade: #DA1B31, #C62F40, #B2434F, #9E565F and #8B6A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC1B313F shade: #DA1B97, #DA1B64, #DA1B31, #DA381B and #DA6A1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC1B313F shade: #901220, #B51628, #DA1B31, #E6384C and #EB5C6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC1B313F shade: #DC1B31, #CADA1B and #1B7EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC1B313F shade: #DC1B31, #31DA1B and #1B31DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC1B313F shade: #DC1B31, #CADA1B, #1BDAC4 and #2B1BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC1B313F shade: #DC1B31, #91DA1B, #1BDAC4 and #641BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 19 / 3

HEX #DC1B313F

RGBA 220 27 49 0.25

HSLA 353.16, 0.78%, 0.48%, 0.25

LABA 47.26, 69.48, 40.28, 0.25

 

Complementary color

CMYK 21 / 0 / 2 / 3

HEX #23E4CE3F

RGBA 35 228 206 0.25

HSLA 173.16, 0.78%, 0.52%, 0.25

LABA 82, -49.05, -1.94, 0.25

 

CMYK 0 / 22 / 20 / 3

HEX #E11B2C3F

RGBA 225 27 44 0.25

HSLA 354.85, 0.79%, 0.49%, 0.25

LABA 48.23, 70.63, 44.37, 0.25

 

CMYK 0 / 20 / 18 / 1

HEX #F22D3F3F

RGBA 242 45 63 0.25

HSLA 354.52, 0.88%, 0.56%, 0.25

LABA 53.07, 72.07, 39.93, 0.25

 

CMYK 0 / 19 / 17 / 0

HEX #FF3F523F

RGBA 255 63 82 0.25

HSLA 354.06, 1%, 0.62%, 0.25

LABA 57.49, 71.62, 34.86, 0.25

 

CMYK 0 / 17 / 15 / 0

HEX #FF51653F

RGBA 255 81 101 0.25

HSLA 353.1, 1%, 0.66%, 0.25

LABA 59.96, 66.63, 27.04, 0.25

 

CMYK 0 / 15 / 13 / 0

HEX #FF63783F

RGBA 255 99 120 0.25

HSLA 351.92, 1%, 0.69%, 0.25

LABA 62.96, 60.82, 20.09, 0.25

 

CMYK 0 / 22 / 19 / 3

HEX #DC1B313F

RGBA 220 27 49 0.25

HSLA 353.16, 0.78%, 0.48%, 0.25

LABA 47.26, 69.48, 40.28, 0.25

 

CMYK 0 / 24 / 21 / 5

HEX #CB091E3F

RGBA 203 9 30 0.25

HSLA 353.51, 0.92%, 0.42%, 0.25

LABA 42.74, 66.99, 45.05, 0.25

 

CMYK 0 / 25 / 24 / 7

HEX #BA000B3F

RGBA 186 0 11 0.25

HSLA 356.45, 1%, 0.36%, 0.25

LABA 38.66, 63.32, 48.94, 0.25

 

CMYK 0 / 25 / 25 / 8

HEX #A900003F

RGBA 169 0 0 0.25

HSLA 0, 1%, 0.33%, 0.25

LABA 34.87, 58.87, 49.17, 0.25

 

CMYK 0 / 25 / 25 / 10

HEX #9800003F

RGBA 152 0 0 0.25

HSLA 0, 1%, 0.3%, 0.25

LABA 31.06, 54.45, 44.88, 0.25

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 88 / 88 / 15

HEX #DA1B1B

RGB 218 27 27

HSL 0, 0.78%, 0.48%

LAB 46.67, 68.42, 51.01

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 88 / 54 / 15

HEX #DA1B64

RGB 218 27 100

HSL 337.07, 0.78%, 0.48%

LAB 47.76, 71.56, 9.97

 

CMYK 0 / 88 / 30 / 15

HEX #DA1B98

RGB 218 27 152

HSL 320.73, 0.78%, 0.48%

LAB 49.44, 76.21, -19.2

 

CMYK 0 / 88 / 7 / 15

HEX #DA1BCB

RGB 218 27 203

HSL 304.71, 0.78%, 0.48%

LAB 51.84, 82.55, -45.39

 

CMYK 17 / 88 / 0 / 15

HEX #B51BDA

RGB 181 27 218

HSL 288.38, 0.78%, 0.48%

LAB 46.54, 78.65, -62.85

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 97 / 86 / 7

HEX #EE0721

RGB 238 7 33

HSL 353.25, 0.94%, 0.48%

LAB 50.02, 75.87, 52.63

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 76 / 68 / 22

HEX #C62F40

RGB 198 47 64

HSL 353.25, 0.62%, 0.48%

LAB 44.81, 59.21, 27.49

 

CMYK 0 / 62 / 56 / 30

HEX #B2434F

RGB 178 67 79

HSL 353.51, 0.45%, 0.48%

LAB 44.3, 46.07, 16.97

 

CMYK 0 / 46 / 40 / 38

HEX #9E565F

RGB 158 86 95

HSL 352.5, 0.3%, 0.48%

LAB 45.29, 30.68, 8.09

 

CMYK 0 / 24 / 21 / 45

HEX #8B6A6E

RGB 139 106 110

HSL 352.73, 0.13%, 0.48%

LAB 48.16, 13.81, 2.85

 

CMYK 0 / 88 / 31 / 15

HEX #DA1B97

RGB 218 27 151

HSL 321.05, 0.78%, 0.48%

LAB 49.4, 76.1, -18.66

 

CMYK 0 / 88 / 54 / 15

HEX #DA1B64

RGB 218 27 100

HSL 337.07, 0.78%, 0.48%

LAB 47.76, 71.56, 9.97

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 74 / 88 / 15

HEX #DA381B

RGB 218 56 27

HSL 9.11, 0.78%, 0.48%

LAB 49.27, 61.08, 53.04

 

CMYK 0 / 51 / 88 / 15

HEX #DA6A1B

RGB 218 106 27

HSL 24.82, 0.78%, 0.48%

LAB 57.36, 39.65, 59.38

 

CMYK 0 / 88 / 78 / 44

HEX #901220

RGB 144 18 32

HSL 353.33, 0.78%, 0.32%

LAB 30.56, 50, 27.65

 

CMYK 0 / 88 / 78 / 29

HEX #B51628

RGB 181 22 40

HSL 353.21, 0.78%, 0.4%

LAB 38.81, 59.77, 34.07

 

CMYK 0 / 88 / 78 / 15

HEX #DA1B31

RGB 218 27 49

HSL 353.09, 0.78%, 0.48%

LAB 46.86, 68.96, 39.73

 

CMYK 0 / 76 / 67 / 10

HEX #E6384C

RGB 230 56 76

HSL 353.1, 0.78%, 0.56%

LAB 52.03, 66.34, 30.6

 

CMYK 0 / 61 / 54 / 8

HEX #EB5C6D

RGB 235 92 109

HSL 352.87, 0.78%, 0.64%

LAB 58.43, 56.49, 19.77

 

CMYK 0 / 88 / 78 / 14

HEX #DC1B31

RGB 220 27 49

HSL 353.16, 0.78%, 0.48%

LAB 47.26, 69.48, 40.28

 

CMYK 7 / 0 / 88 / 15

HEX #CADA1B

RGB 202 218 27

HSL 65.03, 0.78%, 0.48%

LAB 83.33, -25.51, 79.42

 

CMYK 88 / 42 / 0 / 15

HEX #1B7EDA

RGB 27 126 218

HSL 208.9, 0.78%, 0.48%

LAB 52.08, 6.73, -54.53

 

CMYK 0 / 88 / 78 / 14

HEX #DC1B31

RGB 220 27 49

HSL 353.16, 0.78%, 0.48%

LAB 47.26, 69.48, 40.28

 

CMYK 78 / 0 / 88 / 15

HEX #31DA1B

RGB 49 218 27

HSL 113.09, 0.78%, 0.48%

LAB 76.6, -72.36, 71.09

 

CMYK 88 / 78 / 0 / 15

HEX #1B31DA

RGB 27 49 218

HSL 233.09, 0.78%, 0.48%

LAB 32.9, 54.56, -85.82

 

CMYK 0 / 88 / 78 / 14

HEX #DC1B31

RGB 220 27 49

HSL 353.16, 0.78%, 0.48%

LAB 47.26, 69.48, 40.28

 

CMYK 7 / 0 / 88 / 15

HEX #CADA1B

RGB 202 218 27

HSL 65.03, 0.78%, 0.48%

LAB 83.33, -25.51, 79.42

 

CMYK 88 / 0 / 10 / 15

HEX #1BDAC4

RGB 27 218 196

HSL 173.09, 0.78%, 0.48%

LAB 78.67, -48.03, -1.51

 

CMYK 80 / 88 / 0 / 15

HEX #2B1BDA

RGB 43 27 218

HSL 245.03, 0.78%, 0.48%

LAB 30.3, 64.75, -90.13

 

CMYK 0 / 88 / 78 / 14

HEX #DC1B31

RGB 220 27 49

HSL 353.16, 0.78%, 0.48%

LAB 47.26, 69.48, 40.28

 

CMYK 33 / 0 / 88 / 15

HEX #91DA1B

RGB 145 218 27

HSL 82.93, 0.78%, 0.48%

LAB 79.75, -47.81, 75.02

 

CMYK 88 / 0 / 10 / 15

HEX #1BDAC4

RGB 27 218 196

HSL 173.09, 0.78%, 0.48%

LAB 78.67, -48.03, -1.51

 

CMYK 54 / 88 / 0 / 15

HEX #641BDA

RGB 100 27 218

HSL 262.93, 0.78%, 0.48%

LAB 35.11, 68.41, -82

 

Description

Color code: HEX #DC1B313F | qconv.com Color code: HEX #DC1B313F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 27 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 27 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 19% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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