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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC17E1 it is the complementary color #23E81E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC17E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC17E1 shade: #E117DC, #F229EF, #FF3BFF, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC17E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC17E1 shade: #DC17E1, #CB05CE, #BA00BB, #A900A8 and #980095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC17E1 shade: #DD18E2, #E218B1, #E2187A, #E21843 and #E21818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC17E1 shade: #DD18E2, #A718E2, #7018E2, #3918E2 and #1818E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC17E1 shade matches the following richer shades: #DD18E2 and #F004F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC17E1 shade: #DD18E2, #CA2CCE, #B740BA, #A354A6 and #906991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC17E1 shade: #6F18E2, #A518E2, #DB18E2, #E218B3 and #E2187D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC17E1 shade: #941097, #B914BD, #DD18E2, #E639EA and #EB5EEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC17E1 shade: #DC17E1, #E23918 and #18E28A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC17E1 shade: #DC17E1, #E2DB18 and #18E2DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC17E1 shade: #DC17E1, #E23918, #1EE218 and #18C0E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC17E1 shade: #DC17E1, #E27618, #1EE218 and #1884E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 90 / 0 / 12

HEX #DC17E1

RGB 220 23 225

HSL 298.51, 0.81%, 0.49%

LAB 53.24, 86.62, -55.71

 

Complementary color

CMYK 85 / 0 / 87 / 9

HEX #23E81E

RGB 35 232 30

HSL 118.51, 0.81%, 0.51%

LAB 80.83, -77.76, 74.12

 

CMYK 0 / 90 / 2 / 12

HEX #E117DC

RGB 225 23 220

HSL 301.49, 0.81%, 0.49%

LAB 53.8, 86.73, -51.92

 

CMYK 0 / 83 / 1 / 5

HEX #F229EF

RGB 242 41 239

HSL 300.9, 0.89%, 0.55%

LAB 58.69, 89.58, -54.67

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 2 / 90 / 0 / 12

HEX #DC17E1

RGB 220 23 225

HSL 298.51, 0.81%, 0.49%

LAB 53.24, 86.62, -55.71

 

CMYK 1 / 98 / 0 / 19

HEX #CB05CE

RGB 203 5 206

HSL 299.1, 0.95%, 0.41%

LAB 48.59, 82.78, -52.46

 

CMYK 1 / 100 / 0 / 27

HEX #BA00BB

RGB 186 0 187

HSL 299.68, 1%, 0.37%

LAB 44.27, 77.66, -48.49

 

CMYK 0 / 100 / 1 / 34

HEX #A900A8

RGB 169 0 168

HSL 300.36, 1%, 0.33%

LAB 40.02, 72.05, -44.21

 

CMYK 0 / 100 / 2 / 40

HEX #980095

RGB 152 0 149

HSL 301.18, 1%, 0.3%

LAB 35.68, 66.33, -39.82

 

CMYK 2 / 89 / 0 / 11

HEX #DD18E2

RGB 221 24 226

HSL 298.51, 0.81%, 0.49%

LAB 53.51, 86.8, -55.83

 

CMYK 0 / 89 / 22 / 11

HEX #E218B1

RGB 226 24 177

HSL 314.55, 0.81%, 0.49%

LAB 51.83, 81.14, -30.2

 

CMYK 0 / 89 / 46 / 11

HEX #E2187A

RGB 226 24 122

HSL 330.89, 0.81%, 0.49%

LAB 49.77, 75.58, -0.43

 

CMYK 0 / 89 / 70 / 11

HEX #E21843

RGB 226 24 67

HSL 347.23, 0.81%, 0.49%

LAB 48.55, 72.16, 31.5

 

CMYK 0 / 89 / 89 / 11

HEX #E21818

RGB 226 24 24

HSL 0, 0.81%, 0.49%

LAB 48.12, 70.94, 54.13

 

CMYK 2 / 89 / 0 / 11

HEX #DD18E2

RGB 221 24 226

HSL 298.51, 0.81%, 0.49%

LAB 53.51, 86.8, -55.83

 

CMYK 26 / 89 / 0 / 11

HEX #A718E2

RGB 167 24 226

HSL 282.48, 0.81%, 0.49%

LAB 44.74, 78.57, -70.43

 

CMYK 50 / 89 / 0 / 11

HEX #7018E2

RGB 112 24 226

HSL 266.14, 0.81%, 0.49%

LAB 37.09, 72.14, -83.27

 

CMYK 75 / 89 / 0 / 11

HEX #3918E2

RGB 57 24 226

HSL 249.8, 0.81%, 0.49%

LAB 31.84, 68.38, -92.14

 

CMYK 89 / 89 / 0 / 11

HEX #1818E2

RGB 24 24 226

HSL 240, 0.81%, 0.49%

LAB 30.25, 67.38, -94.83

 

CMYK 2 / 89 / 0 / 11

HEX #DD18E2

RGB 221 24 226

HSL 298.51, 0.81%, 0.49%

LAB 53.51, 86.8, -55.83

 

CMYK 2 / 98 / 0 / 4

HEX #F004F6

RGB 240 4 246

HSL 298.51, 0.97%, 0.49%

LAB 57.33, 94.45, -60.77

 

CMYK 2 / 89 / 0 / 11

HEX #DD18E2

RGB 221 24 226

HSL 298.51, 0.81%, 0.49%

LAB 53.51, 86.8, -55.83

 

CMYK 2 / 79 / 0 / 19

HEX #CA2CCE

RGB 202 44 206

HSL 298.52, 0.65%, 0.49%

LAB 50.47, 76.59, -49.46

 

CMYK 2 / 66 / 0 / 27

HEX #B740BA

RGB 183 64 186

HSL 298.52, 0.49%, 0.49%

LAB 48.61, 62.79, -41.03

 

CMYK 2 / 49 / 0 / 35

HEX #A354A6

RGB 163 84 166

HSL 297.8, 0.33%, 0.49%

LAB 48.11, 44.7, -30.29

 

CMYK 1 / 28 / 0 / 43

HEX #906991

RGB 144 105 145

HSL 298.5, 0.16%, 0.49%

LAB 49.59, 22.71, -15.79

 

CMYK 51 / 89 / 0 / 11

HEX #6F18E2

RGB 111 24 226

HSL 265.84, 0.81%, 0.49%

LAB 36.97, 72.05, -83.47

 

CMYK 27 / 89 / 0 / 11

HEX #A518E2

RGB 165 24 226

HSL 281.88, 0.81%, 0.49%

LAB 44.44, 78.29, -70.94

 

CMYK 3 / 89 / 0 / 11

HEX #DB18E2

RGB 219 24 226

HSL 297.92, 0.81%, 0.49%

LAB 53.17, 86.47, -56.39

 

CMYK 0 / 89 / 21 / 11

HEX #E218B3

RGB 226 24 179

HSL 313.96, 0.81%, 0.49%

LAB 51.92, 81.38, -31.23

 

CMYK 0 / 89 / 45 / 11

HEX #E2187D

RGB 226 24 125

HSL 330, 0.81%, 0.49%

LAB 49.86, 75.83, -2.13

 

CMYK 2 / 89 / 0 / 41

HEX #941097

RGB 148 16 151

HSL 298.67, 0.81%, 0.33%

LAB 35.79, 63.8, -40.91

 

CMYK 2 / 89 / 0 / 26

HEX #B914BD

RGB 185 20 189

HSL 298.58, 0.81%, 0.41%

LAB 44.93, 75.7, -48.62

 

CMYK 2 / 89 / 0 / 11

HEX #DD18E2

RGB 221 24 226

HSL 298.51, 0.81%, 0.49%

LAB 53.51, 86.8, -55.83

 

CMYK 2 / 76 / 0 / 8

HEX #E639EA

RGB 230 57 234

HSL 298.64, 0.81%, 0.57%

LAB 57.74, 82.92, -53.5

 

CMYK 1 / 61 / 0 / 7

HEX #EB5EEE

RGB 235 94 238

HSL 298.75, 0.81%, 0.65%

LAB 63.21, 71.91, -47.01

 

CMYK 2 / 90 / 0 / 12

HEX #DC17E1

RGB 220 23 225

HSL 298.51, 0.81%, 0.49%

LAB 53.24, 86.62, -55.71

 

CMYK 0 / 75 / 89 / 11

HEX #E23918

RGB 226 57 24

HSL 9.8, 0.81%, 0.49%

LAB 50.87, 63.14, 56.1

 

CMYK 89 / 0 / 39 / 11

HEX #18E28A

RGB 24 226 138

HSL 153.86, 0.81%, 0.49%

LAB 79.85, -64.74, 30.6

 

CMYK 2 / 90 / 0 / 12

HEX #DC17E1

RGB 220 23 225

HSL 298.51, 0.81%, 0.49%

LAB 53.24, 86.62, -55.71

 

CMYK 0 / 3 / 89 / 11

HEX #E2DB18

RGB 226 219 24

HSL 57.92, 0.81%, 0.49%

LAB 85.45, -15.99, 82.4

 

CMYK 89 / 0 / 3 / 11

HEX #18E2DB

RGB 24 226 219

HSL 177.92, 0.81%, 0.49%

LAB 81.68, -45.2, -9.33

 

CMYK 2 / 90 / 0 / 12

HEX #DC17E1

RGB 220 23 225

HSL 298.51, 0.81%, 0.49%

LAB 53.24, 86.62, -55.71

 

CMYK 0 / 75 / 89 / 11

HEX #E23918

RGB 226 57 24

HSL 9.8, 0.81%, 0.49%

LAB 50.87, 63.14, 56.1

 

CMYK 87 / 0 / 89 / 11

HEX #1EE218

RGB 30 226 24

HSL 118.22, 0.81%, 0.49%

LAB 78.89, -76.72, 73.49

 

CMYK 89 / 15 / 0 / 11

HEX #18C0E2

RGB 24 192 226

HSL 190.1, 0.81%, 0.49%

LAB 71.82, -27.26, -28

 

CMYK 2 / 90 / 0 / 12

HEX #DC17E1

RGB 220 23 225

HSL 298.51, 0.81%, 0.49%

LAB 53.24, 86.62, -55.71

 

CMYK 0 / 48 / 89 / 11

HEX #E27618

RGB 226 118 24

HSL 27.92, 0.81%, 0.49%

LAB 60.95, 36.68, 63.55

 

CMYK 87 / 0 / 89 / 11

HEX #1EE218

RGB 30 226 24

HSL 118.22, 0.81%, 0.49%

LAB 78.89, -76.72, 73.49

 

CMYK 89 / 42 / 0 / 11

HEX #1884E2

RGB 24 132 226

HSL 207.92, 0.81%, 0.49%

LAB 54.23, 5.94, -55.59

 

Description

Color code: HEX #DC17E1 | qconv.com Color code: HEX #DC17E1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 23 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 23 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 90 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 90% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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