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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC10BD it is the complementary color #23EF42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC10BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC10BD shade: #E110B8, #F222CB, #FF34DE, #FF46F1 and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC10BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC10BD shade: #DC10BD, #CB00AA, #BA0097, #A90084 and #980071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC10BD shade: #DA10BC, #DA1085, #DA104F, #DA1018 and #DA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC10BD shade: #DA10BC, #C210DA, #8C10DA, #5610DA and #1F10DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC10BD shade matches the following richer shades: #DA10BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC10BD shade: #DA10BC, #C723AE, #B436A1, #A14994 and #8E5C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC10BD shade: #8D10DA, #C310DA, #DA10BC, #DA1086 and #DA1050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC10BD shade: #8D0B7A, #B40E9B, #DA10BC, #EF25D0 and #F14CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC10BD shade: #DC10BD, #DA5710 and #10DAA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC10BD shade: #DC10BD, #BCDA10 and #10BCDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC10BD shade: #DC10BD, #DA5710, #10DA2F and #1094DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC10BD shade: #DC10BD, #DA9410, #10DA2F and #1057DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 14 / 14

HEX #DC10BD

RGB 220 16 189

HSL 309.12, 0.86%, 0.46%

LAB 50.99, 82.43, -38.61

 

Complementary color

CMYK 85 / 0 / 72 / 6

HEX #23EF42

RGB 35 239 66

HSL 129.12, 0.86%, 0.54%

LAB 83.17, -77.66, 66.55

 

CMYK 0 / 93 / 18 / 12

HEX #E110B8

RGB 225 16 184

HSL 311.77, 0.87%, 0.47%

LAB 51.65, 82.73, -34.58

 

CMYK 0 / 86 / 16 / 5

HEX #F222CB

RGB 242 34 203

HSL 311.25, 0.89%, 0.54%

LAB 56.42, 85.93, -37.88

 

CMYK 0 / 80 / 13 / 0

HEX #FF34DE

RGB 255 52 222

HSL 309.75, 1%, 0.6%

LAB 60.77, 87.38, -41.69

 

CMYK 0 / 73 / 5 / 0

HEX #FF46F1

RGB 255 70 241

HSL 304.54, 1%, 0.64%

LAB 63.34, 85.3, -48.28

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 93 / 14 / 14

HEX #DC10BD

RGB 220 16 189

HSL 309.12, 0.86%, 0.46%

LAB 50.99, 82.43, -38.61

 

CMYK 0 / 100 / 16 / 20

HEX #CB00AA

RGB 203 0 170

HSL 309.75, 1%, 0.4%

LAB 46.44, 78.26, -34.81

 

CMYK 0 / 100 / 19 / 27

HEX #BA0097

RGB 186 0 151

HSL 311.29, 1%, 0.36%

LAB 42.27, 72.74, -30.2

 

CMYK 0 / 100 / 22 / 34

HEX #A90084

RGB 169 0 132

HSL 313.14, 1%, 0.33%

LAB 38.02, 67.13, -25.44

 

CMYK 0 / 100 / 26 / 40

HEX #980071

RGB 152 0 113

HSL 315.39, 1%, 0.3%

LAB 33.71, 61.42, -20.5

 

CMYK 0 / 93 / 14 / 15

HEX #DA10BC

RGB 218 16 188

HSL 308.91, 0.86%, 0.46%

LAB 50.58, 81.94, -38.7

 

CMYK 0 / 93 / 39 / 15

HEX #DA1085

RGB 218 16 133

HSL 325.25, 0.86%, 0.46%

LAB 48.22, 75.78, -9.6

 

CMYK 0 / 93 / 64 / 15

HEX #DA104F

RGB 218 16 79

HSL 341.29, 0.86%, 0.46%

LAB 46.76, 71.81, 21.59

 

CMYK 0 / 93 / 89 / 15

HEX #DA1018

RGB 218 16 24

HSL 357.62, 0.86%, 0.46%

LAB 46.1, 69.96, 51.92

 

CMYK 0 / 93 / 93 / 15

HEX #DA1010

RGB 218 16 16

HSL 0, 0.86%, 0.46%

LAB 46.06, 69.85, 55.06

 

CMYK 0 / 93 / 14 / 15

HEX #DA10BC

RGB 218 16 188

HSL 308.91, 0.86%, 0.46%

LAB 50.58, 81.94, -38.7

 

CMYK 11 / 93 / 0 / 15

HEX #C210DA

RGB 194 16 218

HSL 292.87, 0.86%, 0.46%

LAB 48.14, 82.23, -60.16

 

CMYK 36 / 93 / 0 / 15

HEX #8C10DA

RGB 140 16 218

HSL 276.83, 0.86%, 0.46%

LAB 39.59, 74.88, -74.44

 

CMYK 61 / 93 / 0 / 15

HEX #5610DA

RGB 86 16 218

HSL 260.79, 0.86%, 0.46%

LAB 32.72, 69.9, -86

 

CMYK 86 / 93 / 0 / 15

HEX #1F10DA

RGB 31 16 218

HSL 244.46, 0.86%, 0.46%

LAB 28.7, 67.57, -92.8

 

CMYK 0 / 93 / 14 / 15

HEX #DA10BC

RGB 218 16 188

HSL 308.91, 0.86%, 0.46%

LAB 50.58, 81.94, -38.7

 

CMYK 0 / 93 / 14 / 15

HEX #DA10BC

RGB 218 16 188

HSL 308.91, 0.86%, 0.46%

LAB 50.58, 81.94, -38.7

 

CMYK 0 / 82 / 13 / 22

HEX #C723AE

RGB 199 35 174

HSL 309.15, 0.7%, 0.46%

LAB 47.5, 73.4, -35.57

 

CMYK 0 / 70 / 11 / 29

HEX #B436A1

RGB 180 54 161

HSL 309.05, 0.54%, 0.46%

LAB 45.52, 61.79, -31.2

 

CMYK 0 / 55 / 8 / 37

HEX #A14994

RGB 161 73 148

HSL 308.86, 0.38%, 0.46%

LAB 44.91, 46.4, -24.58

 

CMYK 0 / 35 / 5 / 44

HEX #8E5C87

RGB 142 92 135

HSL 308.4, 0.21%, 0.46%

LAB 45.84, 27.59, -15.56

 

CMYK 35 / 93 / 0 / 15

HEX #8D10DA

RGB 141 16 218

HSL 277.13, 0.86%, 0.46%

LAB 39.74, 75, -74.19

 

CMYK 11 / 93 / 0 / 15

HEX #C310DA

RGB 195 16 218

HSL 293.17, 0.86%, 0.46%

LAB 48.3, 82.39, -59.88

 

CMYK 0 / 93 / 14 / 15

HEX #DA10BC

RGB 218 16 188

HSL 308.91, 0.86%, 0.46%

LAB 50.58, 81.94, -38.7

 

CMYK 0 / 93 / 39 / 15

HEX #DA1086

RGB 218 16 134

HSL 324.95, 0.86%, 0.46%

LAB 48.26, 75.87, -10.15

 

CMYK 0 / 93 / 63 / 15

HEX #DA1050

RGB 218 16 80

HSL 340.99, 0.86%, 0.46%

LAB 46.78, 71.87, 21

 

CMYK 0 / 92 / 13 / 45

HEX #8D0B7A

RGB 141 11 122

HSL 308.77, 0.86%, 0.3%

LAB 32.5, 58.85, -28.25

 

CMYK 0 / 92 / 14 / 29

HEX #B40E9B

RGB 180 14 155

HSL 309.04, 0.86%, 0.38%

LAB 41.82, 70.69, -33.4

 

CMYK 0 / 93 / 14 / 15

HEX #DA10BC

RGB 218 16 188

HSL 308.91, 0.86%, 0.46%

LAB 50.58, 81.94, -38.7

 

CMYK 0 / 85 / 13 / 6

HEX #EF25D0

RGB 239 37 208

HSL 309.21, 0.86%, 0.54%

LAB 56.32, 85.48, -40.95

 

CMYK 0 / 68 / 10 / 5

HEX #F14CD8

RGB 241 76 216

HSL 309.09, 0.85%, 0.62%

LAB 60.63, 76.68, -38.69

 

CMYK 0 / 93 / 14 / 14

HEX #DC10BD

RGB 220 16 189

HSL 309.12, 0.86%, 0.46%

LAB 50.99, 82.43, -38.61

 

CMYK 0 / 60 / 93 / 15

HEX #DA5710

RGB 218 87 16

HSL 21.09, 0.86%, 0.46%

LAB 53.77, 48.6, 60.01

 

CMYK 93 / 0 / 23 / 15

HEX #10DAA8

RGB 16 218 168

HSL 165.15, 0.86%, 0.46%

LAB 77.92, -55.73, 12.32

 

CMYK 0 / 93 / 14 / 14

HEX #DC10BD

RGB 220 16 189

HSL 309.12, 0.86%, 0.46%

LAB 50.99, 82.43, -38.61

 

CMYK 14 / 0 / 93 / 15

HEX #BCDA10

RGB 188 218 16

HSL 68.91, 0.86%, 0.46%

LAB 82.31, -31.46, 79.81

 

CMYK 93 / 14 / 0 / 15

HEX #10BCDA

RGB 16 188 218

HSL 188.91, 0.86%, 0.46%

LAB 70.27, -28.24, -26.01

 

CMYK 0 / 93 / 14 / 14

HEX #DC10BD

RGB 220 16 189

HSL 309.12, 0.86%, 0.46%

LAB 50.99, 82.43, -38.61

 

CMYK 0 / 60 / 93 / 15

HEX #DA5710

RGB 218 87 16

HSL 21.09, 0.86%, 0.46%

LAB 53.77, 48.6, 60.01

 

CMYK 93 / 0 / 78 / 15

HEX #10DA2F

RGB 16 218 47

HSL 129.21, 0.86%, 0.46%

LAB 76.35, -74.33, 65.88

 

CMYK 93 / 32 / 0 / 15

HEX #1094DA

RGB 16 148 218

HSL 200.79, 0.86%, 0.46%

LAB 58.37, -6.92, -44.54

 

CMYK 0 / 93 / 14 / 14

HEX #DC10BD

RGB 220 16 189

HSL 309.12, 0.86%, 0.46%

LAB 50.99, 82.43, -38.61

 

CMYK 0 / 32 / 93 / 15

HEX #DA9410

RGB 218 148 16

HSL 39.21, 0.86%, 0.46%

LAB 66.61, 17.34, 69.07

 

CMYK 93 / 0 / 78 / 15

HEX #10DA2F

RGB 16 218 47

HSL 129.21, 0.86%, 0.46%

LAB 76.35, -74.33, 65.88

 

CMYK 93 / 60 / 0 / 15

HEX #1057DA

RGB 16 87 218

HSL 218.91, 0.86%, 0.46%

LAB 41.2, 31.12, -72.16

 

Description

Color code: HEX #DC10BD | qconv.com Color code: HEX #DC10BD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 16 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 16 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 14 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 14% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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