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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC0C7D it is the complementary color #23F382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC0C7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC0C7D shade: #E10C78, #F21E8B, #FF309E, #FF42B1 and #FF54C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC0C7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC0C7D shade: #DC0C7D, #CB006A, #BA0057, #A90044 and #980031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC0C7D shade: #DA0B7C, #DA0B44, #DA0B0C and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC0C7D shade: #DA0B7C, #DA0BB3, #C90BDA, #910BDA and #5A0BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC0C7D shade matches the following richer shades: #DA0B7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC0C7D shade: #DA0B7C, #C71E7A, #B53178, #A24377 and #905675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC0C7D shade: #C90BDA, #DA0BB4, #DA0B7D, #DA0B46 and #DA0B0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC0C7D shade: #8C074F, #B30965, #DA0B7C, #F31C91 and #F543A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC0C7D shade: #DC0C7D, #DA920B and #0BD0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC0C7D shade: #DC0C7D, #7DDA0B and #0B7DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC0C7D shade: #DC0C7D, #DA920B, #0BDA68 and #0B54DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC0C7D shade: #DC0C7D, #DAD00B, #0BDA68 and #0B16DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 43 / 14

HEX #DC0C7D

RGB 220 12 125

HSL 327.4, 0.9%, 0.45%

LAB 48.21, 75.89, -4.7

 

Complementary color

CMYK 86 / 0 / 47 / 5

HEX #23F382

RGB 35 243 130

HSL 147.4, 0.9%, 0.55%

LAB 85.03, -71.15, 41.31

 

CMYK 0 / 95 / 47 / 12

HEX #E10C78

RGB 225 12 120

HSL 329.58, 0.9%, 0.46%

LAB 49.04, 76.57, -0.31

 

CMYK 0 / 88 / 43 / 5

HEX #F21E8B

RGB 242 30 139

HSL 329.15, 0.89%, 0.53%

LAB 53.67, 79.73, -4.6

 

CMYK 0 / 81 / 38 / 0

HEX #FF309E

RGB 255 48 158

HSL 328.12, 1%, 0.59%

LAB 57.89, 80.98, -9.33

 

CMYK 0 / 74 / 31 / 0

HEX #FF42B1

RGB 255 66 177

HSL 324.76, 1%, 0.63%

LAB 60.19, 78.24, -16.92

 

CMYK 0 / 67 / 23 / 0

HEX #FF54C4

RGB 255 84 196

HSL 320.7, 1%, 0.66%

LAB 63, 74.56, -23.51

 

CMYK 0 / 95 / 43 / 14

HEX #DC0C7D

RGB 220 12 125

HSL 327.4, 0.9%, 0.45%

LAB 48.21, 75.89, -4.7

 

CMYK 0 / 100 / 48 / 20

HEX #CB006A

RGB 203 0 106

HSL 328.67, 1%, 0.4%

LAB 43.85, 71.63, 0.24

 

CMYK 0 / 100 / 53 / 27

HEX #BA0057

RGB 186 0 87

HSL 331.94, 1%, 0.36%

LAB 39.79, 66.36, 5.94

 

CMYK 0 / 100 / 60 / 34

HEX #A90044

RGB 169 0 68

HSL 335.86, 1%, 0.33%

LAB 35.7, 61.1, 11.94

 

CMYK 0 / 100 / 68 / 40

HEX #980031

RGB 152 0 49

HSL 340.66, 1%, 0.3%

LAB 31.57, 55.85, 18.28

 

CMYK 0 / 95 / 43 / 15

HEX #DA0B7C

RGB 218 11 124

HSL 327.25, 0.9%, 0.45%

LAB 47.75, 75.46, -4.81

 

CMYK 0 / 95 / 69 / 15

HEX #DA0B44

RGB 218 11 68

HSL 343.48, 0.9%, 0.45%

LAB 46.39, 71.78, 27.89

 

CMYK 0 / 95 / 94 / 15

HEX #DA0B0C

RGB 218 11 12

HSL 359.71, 0.9%, 0.45%

LAB 45.87, 70.32, 56.27

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 95 / 43 / 15

HEX #DA0B7C

RGB 218 11 124

HSL 327.25, 0.9%, 0.45%

LAB 47.75, 75.46, -4.81

 

CMYK 0 / 95 / 18 / 15

HEX #DA0BB3

RGB 218 11 179

HSL 311.3, 0.9%, 0.45%

LAB 49.98, 81.26, -34.38

 

CMYK 8 / 95 / 0 / 15

HEX #C90BDA

RGB 201 11 218

HSL 295.07, 0.9%, 0.45%

LAB 49.15, 83.79, -58.46

 

CMYK 33 / 95 / 0 / 15

HEX #910BDA

RGB 145 11 218

HSL 278.84, 0.9%, 0.45%

LAB 40.12, 76.12, -73.55

 

CMYK 59 / 95 / 0 / 15

HEX #5A0BDA

RGB 90 11 218

HSL 262.9, 0.9%, 0.45%

LAB 32.86, 71.04, -85.76

 

CMYK 0 / 95 / 43 / 15

HEX #DA0B7C

RGB 218 11 124

HSL 327.25, 0.9%, 0.45%

LAB 47.75, 75.46, -4.81

 

CMYK 0 / 95 / 43 / 15

HEX #DA0B7C

RGB 218 11 124

HSL 327.25, 0.9%, 0.45%

LAB 47.75, 75.46, -4.81

 

CMYK 0 / 85 / 39 / 22

HEX #C71E7A

RGB 199 30 122

HSL 327.34, 0.74%, 0.45%

LAB 44.91, 68.29, -8.21

 

CMYK 0 / 73 / 34 / 29

HEX #B53178

RGB 181 49 120

HSL 327.73, 0.57%, 0.45%

LAB 43.33, 58.31, -9.69

 

CMYK 0 / 59 / 27 / 36

HEX #A24377

RGB 162 67 119

HSL 327.16, 0.41%, 0.45%

LAB 42.8, 45.1, -10.18

 

CMYK 0 / 40 / 19 / 44

HEX #905675

RGB 144 86 117

HSL 327.93, 0.25%, 0.45%

LAB 44.04, 28.53, -7.36

 

CMYK 8 / 95 / 0 / 15

HEX #C90BDA

RGB 201 11 218

HSL 295.07, 0.9%, 0.45%

LAB 49.15, 83.79, -58.46

 

CMYK 0 / 95 / 17 / 15

HEX #DA0BB4

RGB 218 11 180

HSL 311.01, 0.9%, 0.45%

LAB 50.03, 81.38, -34.89

 

CMYK 0 / 95 / 43 / 15

HEX #DA0B7D

RGB 218 11 125

HSL 326.96, 0.9%, 0.45%

LAB 47.78, 75.54, -5.37

 

CMYK 0 / 95 / 68 / 15

HEX #DA0B46

RGB 218 11 70

HSL 342.9, 0.9%, 0.45%

LAB 46.43, 71.87, 26.7

 

CMYK 0 / 95 / 93 / 15

HEX #DA0B0F

RGB 218 11 15

HSL 358.84, 0.9%, 0.45%

LAB 45.88, 70.35, 55.3

 

CMYK 0 / 95 / 44 / 45

HEX #8C074F

RGB 140 7 79

HSL 327.52, 0.9%, 0.29%

LAB 30.14, 54.06, -4.09

 

CMYK 0 / 95 / 44 / 30

HEX #B30965

RGB 179 9 101

HSL 327.53, 0.9%, 0.37%

LAB 39.1, 64.94, -4.16

 

CMYK 0 / 95 / 43 / 15

HEX #DA0B7C

RGB 218 11 124

HSL 327.25, 0.9%, 0.45%

LAB 47.75, 75.46, -4.81

 

CMYK 0 / 88 / 40 / 5

HEX #F31C91

RGB 243 28 145

HSL 327.35, 0.9%, 0.53%

LAB 53.95, 80.79, -7.75

 

CMYK 0 / 73 / 33 / 4

HEX #F543A4

RGB 245 67 164

HSL 327.3, 0.9%, 0.61%

LAB 58.14, 74.03, -12.64

 

CMYK 0 / 95 / 43 / 14

HEX #DC0C7D

RGB 220 12 125

HSL 327.4, 0.9%, 0.45%

LAB 48.21, 75.89, -4.7

 

CMYK 0 / 33 / 95 / 15

HEX #DA920B

RGB 218 146 11

HSL 39.13, 0.9%, 0.45%

LAB 66.13, 18.35, 69.51

 

CMYK 95 / 5 / 0 / 15

HEX #0BD0DA

RGB 11 208 218

HSL 182.9, 0.9%, 0.45%

LAB 76.22, -37.93, -16.97

 

CMYK 0 / 95 / 43 / 14

HEX #DC0C7D

RGB 220 12 125

HSL 327.4, 0.9%, 0.45%

LAB 48.21, 75.89, -4.7

 

CMYK 43 / 0 / 95 / 15

HEX #7DDA0B

RGB 125 218 11

HSL 86.96, 0.9%, 0.45%

LAB 78.77, -54.98, 76.04

 

CMYK 95 / 43 / 0 / 15

HEX #0B7DDA

RGB 11 125 218

HSL 206.96, 0.9%, 0.45%

LAB 51.61, 6.6, -55.29

 

CMYK 0 / 95 / 43 / 14

HEX #DC0C7D

RGB 220 12 125

HSL 327.4, 0.9%, 0.45%

LAB 48.21, 75.89, -4.7

 

CMYK 0 / 33 / 95 / 15

HEX #DA920B

RGB 218 146 11

HSL 39.13, 0.9%, 0.45%

LAB 66.13, 18.35, 69.51

 

CMYK 95 / 0 / 52 / 15

HEX #0BDA68

RGB 11 218 104

HSL 146.96, 0.9%, 0.45%

LAB 76.81, -68.5, 43.51

 

CMYK 95 / 61 / 0 / 15

HEX #0B54DA

RGB 11 84 218

HSL 218.84, 0.9%, 0.45%

LAB 40.37, 32.9, -73.52

 

CMYK 0 / 95 / 43 / 14

HEX #DC0C7D

RGB 220 12 125

HSL 327.4, 0.9%, 0.45%

LAB 48.21, 75.89, -4.7

 

CMYK 0 / 5 / 95 / 15

HEX #DAD00B

RGB 218 208 11

HSL 57.1, 0.9%, 0.45%

LAB 81.86, -14.11, 81

 

CMYK 95 / 0 / 52 / 15

HEX #0BDA68

RGB 11 218 104

HSL 146.96, 0.9%, 0.45%

LAB 76.81, -68.5, 43.51

 

CMYK 95 / 90 / 0 / 15

HEX #0B16DA

RGB 11 22 218

HSL 236.81, 0.9%, 0.45%

LAB 28.66, 65.64, -92.89

 

Description

Color code: HEX #DC0C7D | qconv.com Color code: HEX #DC0C7D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 12 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 12 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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