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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC0A5B it is the complementary color #23F5A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC0A5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC0A5B shade: #E10A56, #F21C69, #FF2E7C, #FF408F and #FF52A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC0A5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC0A5B shade: #DC0A5B, #CB0048, #BA0035, #A90022 and #98000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC0A5B shade: #DB0A5B, #DB0A23 and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC0A5B shade: #DB0A5B, #DB0A93, #DB0ACC, #B30ADB and #7A0ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC0A5B shade matches the following richer shades: #DB0A5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC0A5B shade: #DB0A5B, #C91D5F, #B62F63, #A34268 and #91556C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC0A5B shade: #DB0ACD, #DB0A96, #DB0A5E, #DB0A26 and #DB260A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC0A5B shade: #8C073A, #B4084B, #DB0A5B, #F41B6E and #F64287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC0A5B shade: #DC0A5B, #DBB10A and #0AB1DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC0A5B shade: #DC0A5B, #5EDB0A and #0A5EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC0A5B shade: #DC0A5B, #DBB10A, #0ADB88 and #0A34DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC0A5B shade: #DC0A5B, #C6DB0A, #0ADB88 and #1F0ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 59 / 14

HEX #DC0A5B

RGB 220 10 91

HSL 336.86, 0.91%, 0.45%

LAB 47.22, 73.56, 14.84

 

Complementary color

CMYK 86 / 0 / 33 / 4

HEX #23F5A4

RGB 35 245 164

HSL 156.86, 0.91%, 0.55%

LAB 86.18, -65.58, 25.88

 

CMYK 0 / 96 / 62 / 12

HEX #E10A56

RGB 225 10 86

HSL 338.79, 0.91%, 0.46%

LAB 48.13, 74.43, 19.34

 

CMYK 0 / 88 / 57 / 5

HEX #F21C69

RGB 242 28 105

HSL 338.41, 0.89%, 0.53%

LAB 52.65, 77.48, 14.43

 

CMYK 0 / 82 / 51 / 0

HEX #FF2E7C

RGB 255 46 124

HSL 337.61, 1%, 0.59%

LAB 56.75, 78.57, 9.13

 

CMYK 0 / 75 / 44 / 0

HEX #FF408F

RGB 255 64 143

HSL 335.18, 1%, 0.63%

LAB 58.89, 75.45, 0.96

 

CMYK 0 / 68 / 36 / 0

HEX #FF52A2

RGB 255 82 162

HSL 332.25, 1%, 0.66%

LAB 61.57, 71.36, -6.17

 

CMYK 0 / 95 / 59 / 14

HEX #DC0A5B

RGB 220 10 91

HSL 336.86, 0.91%, 0.45%

LAB 47.22, 73.56, 14.84

 

CMYK 0 / 100 / 65 / 20

HEX #CB0048

RGB 203 0 72

HSL 338.72, 1%, 0.4%

LAB 43.01, 69.38, 20.45

 

CMYK 0 / 100 / 72 / 27

HEX #BA0035

RGB 186 0 53

HSL 342.9, 1%, 0.36%

LAB 39.06, 64.41, 26.66

 

CMYK 0 / 100 / 80 / 34

HEX #A90022

RGB 169 0 34

HSL 347.93, 1%, 0.33%

LAB 35.1, 59.5, 32.93

 

CMYK 0 / 100 / 90 / 40

HEX #98000F

RGB 152 0 15

HSL 354.08, 1%, 0.3%

LAB 31.14, 54.67, 38.57

 

CMYK 0 / 95 / 58 / 14

HEX #DB0A5B

RGB 219 10 91

HSL 336.75, 0.91%, 0.45%

LAB 47.02, 73.32, 14.53

 

CMYK 0 / 95 / 84 / 14

HEX #DB0A23

RGB 219 10 35

HSL 352.82, 0.91%, 0.45%

LAB 46.18, 71.01, 46.79

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 95 / 58 / 14

HEX #DB0A5B

RGB 219 10 91

HSL 336.75, 0.91%, 0.45%

LAB 47.02, 73.32, 14.53

 

CMYK 0 / 95 / 33 / 14

HEX #DB0A93

RGB 219 10 147

HSL 320.67, 0.91%, 0.45%

LAB 48.74, 77.92, -17.26

 

CMYK 0 / 95 / 7 / 14

HEX #DB0ACC

RGB 219 10 204

HSL 304.31, 0.91%, 0.45%

LAB 51.42, 84.76, -46.62

 

CMYK 18 / 95 / 0 / 14

HEX #B30ADB

RGB 179 10 219

HSL 288.52, 0.91%, 0.45%

LAB 45.52, 80.8, -65.09

 

CMYK 44 / 95 / 0 / 14

HEX #7A0ADB

RGB 122 10 219

HSL 272.15, 0.91%, 0.45%

LAB 36.87, 73.99, -79.58

 

CMYK 0 / 95 / 58 / 14

HEX #DB0A5B

RGB 219 10 91

HSL 336.75, 0.91%, 0.45%

LAB 47.02, 73.32, 14.53

 

CMYK 0 / 95 / 58 / 14

HEX #DB0A5B

RGB 219 10 91

HSL 336.75, 0.91%, 0.45%

LAB 47.02, 73.32, 14.53

 

CMYK 0 / 86 / 53 / 21

HEX #C91D5F

RGB 201 29 95

HSL 336.98, 0.75%, 0.45%

LAB 44.41, 66.64, 7.86

 

CMYK 0 / 74 / 46 / 29

HEX #B62F63

RGB 182 47 99

HSL 336.89, 0.59%, 0.45%

LAB 42.58, 57.08, 2.26

 

CMYK 0 / 60 / 36 / 36

HEX #A34268

RGB 163 66 104

HSL 336.49, 0.42%, 0.45%

LAB 42.28, 43.94, -1.68

 

CMYK 0 / 41 / 26 / 43

HEX #91556C

RGB 145 85 108

HSL 337, 0.26%, 0.45%

LAB 43.65, 28.04, -2.43

 

CMYK 0 / 95 / 6 / 14

HEX #DB0ACD

RGB 219 10 205

HSL 304.02, 0.91%, 0.45%

LAB 51.48, 84.9, -47.11

 

CMYK 0 / 95 / 32 / 14

HEX #DB0A96

RGB 219 10 150

HSL 319.81, 0.91%, 0.45%

LAB 48.86, 78.23, -18.88

 

CMYK 0 / 95 / 57 / 14

HEX #DB0A5E

RGB 219 10 94

HSL 335.89, 0.91%, 0.45%

LAB 47.09, 73.51, 12.77

 

CMYK 0 / 95 / 83 / 14

HEX #DB0A26

RGB 219 10 38

HSL 351.96, 0.91%, 0.45%

LAB 46.2, 71.08, 45.23

 

CMYK 0 / 83 / 95 / 14

HEX #DB260A

RGB 219 38 10

HSL 8.04, 0.91%, 0.45%

LAB 47.58, 66.22, 57.87

 

CMYK 0 / 95 / 59 / 45

HEX #8C073A

RGB 140 7 58

HSL 336.99, 0.9%, 0.29%

LAB 29.5, 52.3, 9.02

 

CMYK 0 / 96 / 58 / 29

HEX #B4084B

RGB 180 8 75

HSL 336.63, 0.91%, 0.37%

LAB 38.52, 63.26, 11.67

 

CMYK 0 / 95 / 58 / 14

HEX #DB0A5B

RGB 219 10 91

HSL 336.75, 0.91%, 0.45%

LAB 47.02, 73.32, 14.53

 

CMYK 0 / 89 / 55 / 4

HEX #F41B6E

RGB 244 27 110

HSL 337.05, 0.91%, 0.53%

LAB 53.11, 78.43, 12.1

 

CMYK 0 / 73 / 45 / 4

HEX #F64287

RGB 246 66 135

HSL 337, 0.91%, 0.61%

LAB 57.31, 71.77, 3.18

 

CMYK 0 / 95 / 59 / 14

HEX #DC0A5B

RGB 220 10 91

HSL 336.86, 0.91%, 0.45%

LAB 47.22, 73.56, 14.84

 

CMYK 0 / 19 / 95 / 14

HEX #DBB10A

RGB 219 177 10

HSL 47.94, 0.91%, 0.45%

LAB 73.89, 2.23, 75.25

 

CMYK 95 / 19 / 0 / 14

HEX #0AB1DB

RGB 10 177 219

HSL 192.06, 0.91%, 0.45%

LAB 66.99, -22.55, -31.62

 

CMYK 0 / 95 / 59 / 14

HEX #DC0A5B

RGB 220 10 91

HSL 336.86, 0.91%, 0.45%

LAB 47.22, 73.56, 14.84

 

CMYK 57 / 0 / 95 / 14

HEX #5EDB0A

RGB 94 219 10

HSL 95.89, 0.91%, 0.45%

LAB 77.91, -64.36, 74.96

 

CMYK 95 / 57 / 0 / 14

HEX #0A5EDB

RGB 10 94 219

HSL 215.89, 0.91%, 0.45%

LAB 43.04, 26.76, -69.72

 

CMYK 0 / 95 / 59 / 14

HEX #DC0A5B

RGB 220 10 91

HSL 336.86, 0.91%, 0.45%

LAB 47.22, 73.56, 14.84

 

CMYK 0 / 19 / 95 / 14

HEX #DBB10A

RGB 219 177 10

HSL 47.94, 0.91%, 0.45%

LAB 73.89, 2.23, 75.25

 

CMYK 95 / 0 / 38 / 14

HEX #0ADB88

RGB 10 219 136

HSL 156.17, 0.91%, 0.45%

LAB 77.58, -63.31, 28.58

 

CMYK 95 / 76 / 0 / 14

HEX #0A34DB

RGB 10 52 219

HSL 227.94, 0.91%, 0.45%

LAB 33.21, 52.82, -85.9

 

CMYK 0 / 95 / 59 / 14

HEX #DC0A5B

RGB 220 10 91

HSL 336.86, 0.91%, 0.45%

LAB 47.22, 73.56, 14.84

 

CMYK 10 / 0 / 95 / 14

HEX #C6DB0A

RGB 198 219 10

HSL 66.03, 0.91%, 0.45%

LAB 83.28, -27.9, 81.47

 

CMYK 95 / 0 / 38 / 14

HEX #0ADB88

RGB 10 219 136

HSL 156.17, 0.91%, 0.45%

LAB 77.58, -63.31, 28.58

 

CMYK 86 / 95 / 0 / 14

HEX #1F0ADB

RGB 31 10 219

HSL 246.03, 0.91%, 0.45%

LAB 28.44, 69.06, -93.82

 

Description

Color code: HEX #DC0A5B | qconv.com Color code: HEX #DC0A5B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 10 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 10 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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